B&H Photo accepting pre-orders on Nikon SB-910

B&H Photo are accepting pre-orders for the new Nikon SB--910 Speedlight, announced only yesterday. The New York based store is listing the top-of-the-range flashgun at $549.95. According to Nikon sales start mid December, so it shouldn't be too long to wait. Please follow the link here to pre-order.

Carl Zeiss announces UV filter offer

Carl Zeiss are offering a free 58mm UV filter worth 49 Euro excl. VAT with the purchase of the full-frame Carl Zeiss Planar T* 1,4/50 lens. The offer is valid until the 13th January 2012.

UK readers can purchase the lens and qualify for the free filter directly from the Dorset based, pro-retailer Robert White.

 

Press Release

 

The Perfect Match for Optimal Image Quality Carl Zeiss Planar T* 1,4/50 with matching UV filter included

For those who have not yet decided which present to get for Christmas will get lucky at their local Carl Zeiss dealer as of December 1st:

With each purchase of a lens type Planar T* 1,4/50 with ZE or ZF.2 mount you will receive the matching T* UV filter 58mm, worth 49 Euro excl. VAT, free of charge.

The high quality T* UV filter is adapted to the ZEISS lenses in an optimal way. In combination with premium lenses you will succeed in taking pictures with absolute brilliance, unaltered color display and maintaining a consistent shutter speed. Additionally, the crystal clear glass UV filter with T* anti-reflective coating provide optimal protection without any influence on the optical performance. Carl Zeiss T* UV and POL filter can be purchased in diameters of 43 to 95 mm.

Our offer is valid until the 13th January 2012. Dealers throughout Germany, Austria and Switzerland as well as many other European countries will participate. The recommended retail price for the Planar T* 1,4/50 is 545 Euro (excl. VAT).

Please find your local official Carl Zeiss Camera Lens Dealer under: www.zeiss.com/photo/dealer

Related posts

Carl Zeiss roll out filter range.

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Nikon announces SB-910 Speedlight

Nikon has announced the new SB-910 Speedlight, the replacement for the earlier top-of-the-range SB-900. The new model has redesigned controls and clearer UI (user interface) as well as a redesigned thermal protection system. The new model will be available from 15th December with an RRP of £449.95 / 522.00 Euros (inc VAT).

Buy from Jessops online at £369.95 inc VAT. US readers can buy via Adorama Camera for $546.95. Thank you for buying through this site's links.

More information can be found at the Nikon website.

Nikon say the SB-910 has a new, clearer user interface.

Press release:

London, UK, 30 November 2011: Nikon today introduces a brand-new flagship i-TTL Speedlight; the Nikon SB-910 that replaces the highly regarded SB-900.
 
Fast, versatile and powerful, with re-designed menus and controls, the SB-910 offers extensive opportunities for on-camera or wireless flash photography. A powerful tool for professionals who demand studio quality lighting, the new model combines enhanced operation with an extended zoom range of 17-200mm and three illumination patterns for total control over flash coverage.
 
“The SB-900 cemented its position as a class-leading flash”, says Zurab Kiknadze, Product Manager, Lenses, Accessories & Software, Nikon Europe. He goes on: “and now the new SB-910 is set to continue this legacy, taking operability to the next level with improved ergonomics and more intuitive control.”
 
Light Control
The SB-910 is a powerful portable light source that delivers precise flash exposures and seamless fill-flash performance—even in challenging lighting situations. Perfect for professionals seeking complete control over the quality of light, it offers Centre-weighted, Even and Standard illumination patterns to accommodate any shooting environment and can cover a zoom range of 17-200mm while maintaining an even light distribution. Bounce flash capability is provided through a head that can be tilted up to 90º, down to 7º and rotated horizontally through 180º to the right and to the left. The thermal protection system has been improved allowing more optimal heat detection and recycling time management.

Smooth Operator
The SB-910 boasts refined ergonomics and re-designed menus for more intuitive control, with the same reliability as its predecessor. Menus are clearer and the selector dial incorporates a groove so you can feel when you change settings. Illuminated buttons offer better visibility in the dark and the SB-910 includes hard cover (plastic) colour filters that are more durable and easier to attach.
 
Part of the acclaimed Nikon Creative Lighting System, the SB-910 is easily incorporated into multiple-flash lighting set-ups.
 
Major Features
 
·         Professional i-TTL (intelligent TTL) Speedlight: compatible with FX- and DX-format SLR cameras. Part of the Nikon Creative Lighting System, it offers total control over flash coverage.
·         Guide number: 34 (STD)/39 (CW)/31 (EVEN) (FX-format, ISO 100, m, at 35 mm)
Maximum guide number: 54.5 (CW, FX-format, ISO 100, m, at 135 mm)
·         Centre-weighted, Even and Standard illumination patterns: Centre-weighted mode concentrates illumination to the centre of the frame, useful when using a telephoto lens. Even mode diffuses light evenly across the frame, useful when taking group shots. Standard mode offers a standard balance of power and light distribution.
·         Multi-step auto zoom covers wide 17-200mm zoom range.
·         Refined ergonomics for intuitive operation. Boasts a large LCD screen, clear menu systems, conveniently placed controls and illuminated buttons that offer more comfortable operation in low light.
·         Automatic detection of sensor format: automatically recognizes FX- or DX-format cameras.
·         High-speed recycling time of 2.3 seconds when using LR6 NiMH batteries.
·         AF-Assist illumination: compatible with Multi-CAM 3500 FX/DX AF sensor module.
·         Bounce capability: rotates 180º horizontally to the right and to the left; tilts up to 90º and down to 7º.
·         Thermal protection system: warns of excessive heat buildup during high intensity firing.
·         Hard-type incandescent and fluorescent colour filters included.
·         Automatic filter detection: Speedlight automatically adjusts the attached camera’s colour temperature settings according to the colour of the filter being used.
·         Firmware can be upgraded via the storage media in the attached camera.

More information can be found at the Nikon website.

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Hasselblad UK offer half-price lens deal

Hasselblad Europe are offering prospective customers and existing users the opportunity to purchase a new HC/HCD lens at 50% off the price, providing they buy a new H4D-40 80mm kit before 31st January, 2012. The rebate is capped to a maximum 2650 Euros*, but the offer stands for any lens in the HC/HCD line.

For more information please please visit the Hasselblad website

Press release

Hasselblad gets festive with half-price lens deal worth up to £2,397

Hasselblad is offering customers who buy a new H4D-40 camera with an 80mm lens the chance to buy a second HC/HCD lens of their choice at a massive 50% discount.

The exclusive Christmas/New Year deal means that a photographer opting for an HCD 4-5.6/35-90mm zoom lens could save up to £2,397.00 overall on the purchase.

Explained Chris Russell-Fish, Hasselblad global sales and marketing director: “There has never been a better time to invest in the cutting edge Hasselblad H4D-40. We have just announced excellent free firmware upgrades on all new H4D cameras including; one-click instant digital focus check, two directional electronic spirit level, an improved high resolution display and a brand new rear display with grip info on the back.

And from now until the end of January photographers buying an H4D-40 with an 80mm lens can get half price discounts on any H-line lens from the HCD 4/28mm wide angle upwards.”

Any photographer keen to take advantage of this promotion should visit the Hasselblad website or contact their local dealer for more information

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ThinkTank Photo announce Retrospective shoulder bag rebate

Buy any Think Tank Photo Retrospective shoulder bag and get money back!
Between now and the end of December, whenever you order any of Think Tank Photo’s Retrospective shoulder bags, you will receive up to $20 back.  The Retrospective bags are inconspicuous, soft-sided shoulder bags with a simple exterior that blends into the environment.   They range in size from the Retrospective 5--which carries one standard size DSLR with one to three lenses or a complete Micro Four Thirds or rangefinder camera system—to the Retrospective 30, which holds two pro size DSLRs plus three to six lenses.  Click on the “Support” tab on each Retrospective product page to download your rebate form.  And don’t forget, in addition to receiving the rebate check from Think Tank, you also get to select gear to receive for free with your order when you order using this site's special code!

Enter to win “A Gob of Free Gear”!
With the help of several photo equipment vendors, as part of its In A Bag random drawing, every day from today through December 20th Think Tank Photo will be dropping one or more free items into one of its huge Airport Security rollers.  Over 40 photo equipment items and other fun stuff will overflow the roller.  On December 21st, one lucky person will win everything.  You can enter once a day to win.

BUY (or better yet) RECEIVE THINK TANK PHOTO GIFT CERTIFICATES
Wondering what to give this holiday to your photographer friends?  Or (hint-hint), wondering what to tell others to give you this holiday?  Think Tank Gift Certificates are now available. 

Incredible Sales For Nikon Gear At Best Buy Closing Down Sale Today

With only a few weeks to go until Best Buy completely shuts up shop in the UK, they've been busy this weekend preparing for the ultimate sale. Take a look at some of the bargains to be had today, they have got to be the cheapest anywhere right now, but when they're gone, they're really gone...

Add the code BBY into any purchase and the discount will be applied.

Nikon 1 J1 Compact System Camera Black + 10-30mm Lens Kit

How about this beautiful little set up, you can save £50.00 today and pick this kit up for £449.99 - click here to purchase.

Nikon 1 J1 Compact System Camera White + 10-30mm + 30-110mm Twin Kit

Perhaps you would prefer the twin lens kit - usually this retails for £649.99 today, it's yours for £584.99 - click here to purchase.

Nikon 1 V1 Compact System Camera Black + 10-30mm Lens Kit

You can save £80 on this system today and only pay £719.99 - click here to purchase.

Nikon 1 V1 Compact System Camera Black + 10-30mm + 30-110mm Twin Kit

Save £95 and pick up the twin lens kit for only £854.99 today, click here to purchase.

Nikon D700 Digital SLR Body Only

You can save £185 today and pick this DSLR up for only £1,664.99 - click here to purchase.

Nikon D300S Digital SLR Body Only

You could pick this up for less than £1,000 today at only £989.99 that's with £110 saving - click here to purchase.

RPS call for entries in 155th International Print competition

Copyright, Shan Chen, China, Static/Objects from the 154th International Print Exhibition.

The Royal Photographic Society (RPS) has announced a call for entries for the 155th International Print competition and exhibition. It's the world’s oldest photographic competition and has £6500 (approx. $10,000) in cash prizes, as well as Olympus PEN equipment and award medals to win. The prestigious competition is open to all photographers and includes a special award for under 25 year olds.The deadline for receipt of entries is 21 March 2012.

The Society’s website includes an entry form and further information can be found at: www.rps.org/155print

Press release:

Bath, UK, 24 November 2011 – The world’s oldest photographic competition, organised by The Royal Photographic Society, has put out a call for entries for 2012. The 155th International Print competition is open to entrants until 21 March 2012 and has £6500 (approx $10,000) in cash prizes, Olympus Pen equipment and it will award medals to the winners. The competition is sponsored for the fifth year by international legal practice Allen & Overy which will also host the opening exhibition from 18 July 2012.
 
The competition is open to all photographers and includes a special award for under 25 year olds. Up to 125 prints will be selected by a panel that includes photographic artist Tom Hunter HonFRPS, the Guardian and Observer’s head of photography Roger Tooth, social documentary photographer Ian Beesley, and photographers Sandy Cleland FRPS and Vanessa Slawson FRPS. Allen & Overy is awarding a £1000 prize for the best photograph on the theme of ‘Change’.  
 
The Society’s Director-General Michael Pritchard commented:  “Acceptance of work in to The Society’s International Print competition is for many photographers the high point  of their photographic endeavours. Our selectors are looking forward to the challenge of choosing the best of photography. The Society is grateful to Allen and Overy for their continued sponsorship”.
 
First held in 1854 the Royal Photographic Society’s International Print competition and exhibition is the world’s most prestigious. Submissions reflect all aspects of photography from documentary and contemporary work through to natural history, landscape and portraiture. Past award winners have included Harry Borden, Peter Dazeley and Julia Fullerton-Batten. 
 
The exhibition will tour the UK and elsewhere for up to a year and photographers will have the opportunity to sell copies of their prints. All accepted prints will be shown in a full-colour catalogue which all entrants receive.
 
Key dates:  
·         Deadline for receipt of entries – 21 March 2012
·         Selection dates - 13 and 14 April 2012
·         Awards presentation at Allen & Overy, Bishops Square, London – 18 July 2012
·         Exhibition tours – July 2012-May 2013
 
The Society’s website includes an entry form and further information: www.rps.org/155print

Pentax K-r review

Ask any student what camera they used at college during the days of film and the chances are they'll reply 'Pentax', or so it seems. I don't think anyone has done a meaningful survey. But, it's true Pentax SLRs were the popular choice of the professional in the UK during the 60's, a bit before my time. That said, I'm old enough to remember the K1000 from the late 70's, a likeable 'no frills' student-orientated camera and the underrated MX, a far, far smaller and more expensive model, but still manual mechanical that actually had a similar specification, although it could boast 5fps continuous shooting using an optional motor drive and battery pack (only two or three others could at that time) and aperture readout in the viewfinder. Oh and what a viewfinder that was. Even by today's very best standards it was huge.

I'm reminded of the MX by arrival of the Pentax K-r, a new 12.4-megapixel mid-range model that will sit between the successor to the top of the range metal bodied K-7, the K-5, and one of my favourite DSLRs of recent times, the unassuming and underrated entry level K-m. Not every camera has to be built like a tank, and possess countless feature after feature. The K-m or its predecessor the 12.4 MP K-x isn't the kind of camera to impress a client on a high value commission and neither is the K-r but both are impressive nonetheless, the latter especially with what it has to offer for the price (£599 Inc Vat). Like any good camera, it's a lot more than the sum of the parts, though they sure count for something. The K-r takes some of the features from the out-going K-7 and some from the K-x. The outer, for instance, is quality-feeling plastic over a stainless steel chassis and it will capture HD video at 720p 25fps, but it can also out do the K7 by shooting at up to ISO25,600 (expanded) and at 6fps for a 25 frame burst of Jpegs or 12 uncompressed Raw files (that's Adobe DNG or Pentax PEF).

Pentax has even corrected several of the shortcomings of the K-x, most notably the absence of visible AF points. All 11-points are illuminated, though there’s still a tendency for the centre point to override the out-lying sensors. It must be deliberate, but that’s fine by me, focusing is both fast and, for the most part, accurate. Although the marketing material states the viewfinder magnification is a fairly generous 0.85x with a 96-percent coverage, it’s nowhere close to the 0.96x of the older 35mm MX. That’s because the magnification is based on the angle of view of, usually, a 50mm. On the smaller sensor cameras, such as the APS-C format K-r, you have to take that cropped view into account. Indeed, corrected at 0.57x, the viewfinder of the K-r is pretty cramped by all accounts but no worse than rival offerings.

The taller body now accommodates the same spec screen of the K-7, a munificent 3-inch panel with 921k dots and with wide viewing angles, more detail and fine colour, it’s a good deal better than that of the previous offering in the K-x. The K-r adds a handy HD movie mode at 720p rather than the full-HD of pricier offerings and it has some nice touches. Although M-JPEG rather than the space-saving MPEG4 derivatives there’s a choice of quality settings, though the harsh compression of the lowest setting is best avoided. Capture times drop from 22-minutes to just over 11-minutes regardless of flash card capacity but at least there’s a fixed aperture option for that attractive defocused blurring with some of the better Pentax wide aperture lenses. You won’t see that with the 18-55mm f/3.5-5.6 kit lens though, but there are some outstanding ‘Limited’ lenses that will take full advantage of that and the built-in anti-shake sensor mechanism. 

In low light, though, sensor sensitivity is ramped up and while noise is generally well controlled in stills, at least up to ISO3200, video clips can be far from noise-free. Focus operation is fast in both the video mode and Live View, using contrast detection AF directly from the imaging sensor. Automatic enlargement of the image based on the AF point to confirm accuracy is a nice touch however, autofocus is not available during video capture, which is restrictive. It maybe just as well though as the kit lens’ AF operation is shrill.

There are plenty of other well-thought out and valuable features though, that you just wouldn’t expect at this level. For instance, it has an intervalometer; an expensive option for Canon users, and uniquely a choice of Copyright Information (Photographer or Holder/Client) can be embedded in the Exif data. Deep in the Custom Functions menu there’s a novel Catch-in Focus mode, where the shutter will trigger when the subject moves into the focus zone and perhaps more importantly the K-r is supplied with a lithium-ion battery but there’s an adaptor available for AAs should you need them in emergency. It’s just this sort of attention to detail that Pentax has always garnered praise for, even with the change of ownership, it’s really good to see these models are capable of holding their own against the bigger, brasher brands.


For more information please follow the link to Pentax Europe or Pentax USA

Please note, after speaking with a senior Pentax executive yesterday concerning internet reports about the discontinuation of the Pentax K-r, the spokesperson confirmed 'the camera is outselling our forecasts and so stock can be a little low in some areas but I expect the camera to continue for some time to come.'

To shop for the Pentax K-r please follow the link to Adorama, WEX, or Jessops (currently with an online special of just £399.99).

Fuji roll out Fujifilm X-S1

Fuji has announced a new high-quality 'bridge' camera based around the same 12-megapixel 2/3-in type EXR CMOS sensor found in the high-end X-10 compact. The new camera boasts Fujinon 26x optical zoom covering 24-624mm (35mm equivalent), large EVF with 1.44 million pixels and and tiltable 3-inch rear LCD. The X-S1 will be launched in February 2012, in the UK, and will have an estimated selling price of £699 (inc VAT).

Fujifilm X-S1 key features

High quality Fujinon 26x optical zoom covering 24-624mm (35mm equivalent) with Intelligent Digital Zoom boosting range up to 1248mm
Superb build quality and finish with rubberised coating and metal dials
12 megapixel EXR CMOS sensor
Up to 10 frames-per-second shooting
Large EVF with 1.44 million pixels and 26 degree viewing angle
Tiltable three-inch rear LCD with Sunny Day mode
Full HD video
PASM modes
Raw file format
Film simulation modes
Macro focusing down to 1cm
Lithium battery providing up to 500 shots per charge
Optical image stabilisation
360° Motion Panorama mode

Sample images can be found here (from Fuji Japan site)

 

From the press release:

 

The X-S1 represents a new breed of bridge cameras. Built in Japan to exacting standards, the body has a high-quality look and feel with metal dials, a rubberised coating and superior handling characteristics that will appeal to the discerning photo enthusiast.

In addition, the X-S1 offers a premium picture-taking performance to match its looks. From the high-quality Fujinon 26x optical zoom lens through to the EXR sensor taken from the X10 and the wide range of functions, the X-S1 puts the photographer in complete control.

Maximum optical versatility
The centrepiece of the X-S1 is the Fujinon 26x optical zoom lens. Offering a range of 24-624mm (35mm equivalent) it caters perfectly for every photographic need and features a bright f/2.8 maximum aperture at the wide-angle setting.
This optical range is boosted further by Fujifilm's Intelligent Digital Zoom capability, which effectively doubles the focal range without the drop in picture quality normally associated with digital zoom functions. As a result, the X-S1 offers users an incredible 52x zoom range of 24-1248mm (35mm equivalent).

Optically, the lens comprises 17 glass elements, which includes four aspherical elements and two ED lenses, to deliver images with superb edge-to-edge sharpness and amazing clarity. The lens' construction is of the highest standard, featuring metal cams for smooth zoom control and fast, precise framing.

The X-S1 is also ideally suited to capturing subjects close up. In standard mode, the zoom focuses down to 30cm, but by selecting Super Macro Mode, users can focus down to 1cm for frame-filling close-up images. Furthermore, the lens' aperture is made up of nine blades for excellent bokeh effect photography.

Great results in every picture-taking scenario
The X-S1 features the same 2/3-inch 12 megapixel EXR CMOS sensor as the X10 which ensures high quality images regardless of the lighting conditions.

The unique EXR CMOS technology pioneered by Fujifilm allows the user to switch between three modes depending on the lighting conditions – or leave the camera to make its own choice in the Auto EXR mode.

Switching between the modes changes the performance of the sensor. The High Resolution option is perfect in bright conditions or when the very best picture quality is the primary aim. Wide Dynamic Range mode should be chosen in scenes of high contrast when the user wants to get details in both shadow and highlight areas of an image, while the High Sensitivity & Low Noise option should be selected for optimum results in low light conditions.

Coupled to the EXR CMOS sensor is the high speed EXR processor, which offers a minimal shutter lag of just 0.01sec and a high speed continuous shooting capability of seven frames-per-second at full resolution (Large JPEG) or 10 frames-per-second at six megapixel resolution (Medium JPEG).

The X-S1 also takes high-quality movies. It captures Full High Definition (1920 x 1080 pixels) video with stereo sound at 30 frames-per-second, which is saved in the H.264 format.

Easy composition and image review
The X-S1 offers a powerful combination of high quality electronic viewfinder and rear LCD to ensure composing and viewing images is quick and simple, regardless of the lighting conditions.

The 0.47-inch electronic viewfinder (EVF) features 1.44 million pixels for superb image clarity and has a wide viewing area of 26 degrees to reduce eye strain. The bright EVF makes it easy to check settings or adjust focus manually.
On the back of the X-S1 is a high quality, tiltable three-inch LCD. It features 460,000 pixels making it easier for users to scroll through menus, assess exposure accuracy and view images. The LCD also offers a useful Daylight mode that overcomes the problem of viewing the screen in bright conditions.

Full user control and picture taking versatility
The X-S1 offers a superb level of functionality whether users want to make picture taking as simple as using a compact or as involved as a fully-manual digital SLR.

For simplicity, the X-S1 will assess the subject and then select the relevant scene mode for the perfect result, automatically switching the EXR CMOS sensor accordingly. Not only does it ascertain the type of scene being photographed, it can also calculate whether an image contains a person, features backlighting or has any subject movement. ISO settings are taken care of too by the Auto ISO mode, which selects the optimum setting between ISO 100 and 3200. Those after more ISO flexibility can select up to ISO 12800 (Small JPEG format only).

Photographers after full control are well catered for with the X-S1. The camera offers a full range of conventional shooting functions (program/aperture-priority/shutter-priority/manual), plus users can also fine tune levels of colour, image sharpness and tone. Additionally, the X-S1 provides four auto bracketing options, eight Film Simulation and white balance functions and a Raw file format.

DxO announce Optics Pro 7

Paris, France based DxO Labs has announced version 7 of the popular DxO Optics Pro raw workflow and lens correction solution. Available on November 30 this new version features an optimized interface, faster batch processing, and supports five additional cameras with this release: Fujifilm X100, Nikon P7100, Sony Alpha 77, NEX-C3, NEX-5N. Marking a change for the developer, both Mac and Windows version are to be released together and at a special 33% introductory discount. For more information please follow the link here or see the press release below.

Press release:

DxO Optics Pro 7 once again redefines the standard for image quality and offers batch processing up to 4 times faster
 
With a newly-optimized interface and workflow, DxO Optics Pro 7 will be available on November 30, 2011, at a special 33% discount.
 
 
November 23, 2011 - DxO Labs announces the November 30, 2011 availability of DxO Optics Pro 7, a major new release of its leading image-processing software for demanding photographers. This new version, released simultaneously for Windows and Mac systems, redefines the standard for image quality, achieves batch processing up to four times faster, and offers a considerably optimized interface and workflow.
 
DxO Optics Pro 7 supports five additional cameras with this release: Fujifilm X100, Nikon P7100, Sony Alpha 77, NEX-C3, NEX-5N, and includes more than 300 new DxO Optics Modules.
 
Based on a unique, ultra-precise modeling of each camera-lens combination, DxO Optics Pro 7 automatically corrects optical defects at a level of unparalleled quality. The software integrates the most powerful RAW converter and noise reduction technology on the market, as well as sophisticated tools for optimizing color and exposure. During batch processing, all algorithms intelligently adapt to the content of each image for a perfect result and unequaled productivity.
 
THE MOST ADVANCED OPTICAL CORRECTION TECHNOLOGIES ON THE MARKET
DxO Labs has optimized many features of DxO Optics Pro 7 to help serious photographers obtain high-quality images from their JPEG and RAW files.
 
The Lens Softness tool, exclusive to DxO Optics Pro, is based on DxO Optics Modules and compensates for lens softness by applying a gradual correction across the field to achieve a uniformly sharp image. Thanks to the ultra-precise information provided by DxO Optics Modules for each camera-lens combination, this correction is optimized and ideally adapted to each and every pixel. Based on its ability to analytically read the image, DxO Optics Pro 7 can perfectly preserve the bokeh while avoiding the creation of artifacts in homogenous or out-of-focus zones.
 
DxO Optics Pro 7’s Unsharp Mask tool has a new “Edge Offset” slider that allows users to manually adjust the progression of the correction in the field. This means that even in the absence of a DxO Optics Module, photographers can obtain crisp and uniform sharpness from the center of the image field right to the edges.
 
Finally, the Protect Saturated Colors tool offers the possibility of restoring a significant number of details and of recovering rich textures in highly-saturated zones. The selectivity of this feature has been improved in DxO Optics Pro 7 for even greater efficacy and better preservation of unsaturated colors. The default preset now includes this feature.
 
BATCH PROCESSING UP TO FOUR TIMES FASTER
In addition to the progress made in providing even better image quality, there have been multiple improvements to DxO Optics Pro 7’s engine to greatly increase processing speed.
 
Thanks to better system resource management, the use of OpenCL technology on Windows platforms, the harnessing of graphics card computing power, and many optimized algorithms, DxO Optics Pro 7 can process batches of photos up to four times faster than previous versions.
 
AN IMPROVED USER INTERFACE
While retaining the fundamental assets that have made the software such a success (powerful and precise automatic corrections, intelligent presets), DxO Optics Pro 7’s workflow has been simplified to provide greater ease of use.
Management by project is now optional: users can select images for processing right from their hard drive’s directories. The addition of editing features makes it possible to sort, rename, move, copy and even delete photos in DxO Optics Pro 7.
 
Three tabs now guide users through the entire workflow. The corrections preview in the first tab allows users to start processing immediately and thus save a remarkable amount of time.
 
Batch treatment has gained greater flexibility for Windows users: it is now possible to run multiple processing sessions simultaneously, even while customizing other photos. The Macintosh version takes advantage of Mac OS X Lion and offers several Multi-Touch functions (zoom, full-screen view, scroll photos, change tab).
 
MORE SUPPORTED CAMERAS AND LENSES
DxO Optics Pro 7’s automatic corrections rely on a wide library of DxO Optics Modules, developed at DxO Labs, based on a precise analysis of each combination of camera and lens under all shooting conditions.
A recent process breakthrough in DxO Optics Module development will enable DxO Labs to greatly increase its productivity. DxO Labs expects to reach the threshold of 5,000 available modules by the end of 2011, and has set a goal of reaching 10,000 modules by the end of 2012.
DxO Optics Pro 7 includes more than 300 new DxO Optics Modules and supports these additional five cameras: Fujifilm X100, Nikon P7100, Sony Alpha 77, NEX-C3, and NEX-5N.
 
A TRUE DIGITAL PHOTO LABORATORY
DxO Optics Pro 7 is an extremely powerful software designed for the most exacting photographers. As with previous versions, it includes:
·         A powerful RAW converter coupled with an unrivaled noise reduction engine (luminance, chrominance, dead pixels, colored noise, color moiré…), even at the highest ISO settings, to automatically enhance textures and details.
·         Sophisticated corrections that rely on DxO Labs’ meticulous preliminary calibration of photographic equipment in its laboratories.
·         An single-shot HDR feature that offers the possibility of creating an HDR image from a single RAW or JPEG image file, thanks to exclusive exposure and contrast optimization technologies that allow users to recover a large number of details in over- or underexposed parts of their images.
·         An optional DxO FilmPack plugin that allows users to faithfully reproduce the aesthetic signature of more than 60 legendary films rolls on their RAW and JPEG images.

AVAILABILITY AND SPECIAL INTRODUCTORY OFFER
DxO Optics Pro 7 for Windows and Mac will be available on November 30, 2011, in the DxO Labs online boutique (www.dxo.com) and at photo resellers at a special introductory discount valid until December 24, 2011:
USD:
·  DxO Optics Pro 7 Standard Edition:           $99 instead of $169
·  DxO Optics Pro 7 Elite Edition:                $199 instead of $299
EUR:
·  DxO Optics Pro 7 Standard Edition:           99€ instead of 199€
·  DxO Optics Pro 7 Elite Edition:                199€ instead of 299€
(Suggested retail prices, including VAT)
GBP:
·  DxO Optics Pro 7 Standard Edition:           £89 instead of £135
·  DxO Optics Pro 7 Elite Edition:                £179 instead of £269
(Suggested retail prices, including VAT)

Photographers who acquired a license for DxO Optics Pro 6 on or after September 1, 2011 are entitled to a free upgrade to version 7. Other users can take advantage of a special discount on all upgrades from now until December 24, 2011, directly from their customer account.
 
A fully-functional trial version of DxO Optics Pro 7, good for one month, is available on the DxO Labs website www.dxo.com/us/photo/free_trial_version
 
 
System Requirements
·          PC: Microsoft® Windows® XP SP3 (32 bits), Windows® Vista® (32 or 64 bits), Windows® 7 (32 or 64 bits) and Intel® Core™ 2 Duo or AMD® Athlon 64 X2 processor
·          Mac: Mac OS® X 10.5 Leopard, 10.6 Snow Leopard, 10.7 Lion and Intel Mac® processor
·          3 GB RAM minimum and 2 GB available disk space

Canon Japan openly discuss EOS-1D X design choices

Although there have been several interviews with Canon staff discussing the recently announced EOS-1D X on the internet, I must admit I haven't read them in any detail as I know from my own experience that they're not allowed to speak candidly. However, this is often in stark contrast to organized PR events in Japan where they can be remarkably open, as is this particular interview with DC Watch.

Topics discussed include a possible studio or medim format replacement - Canon could make larger sensors and it wouldn't be a stretch to produce new lenses either (at least in theory, whether they have the manufacturing capacity is another matter). Please note it is in Japanese and, while Google does a fair job of translating, it can be a difficult to decipher.

Source and picture credit, DC Watch.

 

Related posts

Canon unwraps EOS-1D X (with editorial comment)

Sales

Pre-order the Canon EOS 1DX from Jessops here at £5,299.95 (inc VAT)

Pre-order from Warehouse Express here (£5,299 inc VAT)

Pre-order the EOS 1DX body at B&H Photo ($6,799.00)

 

Leica to expand facilities in Mayfair

At a small gathering of photo press this morning at the Leica Store, Mayfair, London, Leica UK outlined its vision for the future of the Bruton Place store. As well as additional studio space, Leica will be carrying out light repairs and hire of the outstanding S2 medium format camera. For more details please read the press release below.

Press release:
Leica unveils premium retail developments in Bruton Place, Mayfair

German photographic and optics manufacturer to expand presence and services in Bruton Place, London W1

22 November 2011: Leica Camera Ltd is unveiling the latest developments in its premium retail concept in the heart of Mayfair, London W1, with the expansion of its premises in Bruton Place, designed to provide a unique and personal experience to Leica customers.  Incorporating three buildings, Leica is set to have a major presence in Bruton Place with an array of new facilities.

The Leica Store Mayfair (opened in September 2009) at 34 Bruton Place will continue to display and offer the entire range of Leica products. Above the store, the current Leica Akademie training facility will be expanded to encompass a second Akademie space, allowing the company to offer a wider range of training workshops, one-to-one product demonstrations, advice sessions and private consultations for its customers.

In addition, Leica will open a dedicated Media Centre, where members of the media will be able to hold meetings and interviews with Leica representatives.

It is immediately opposite the store, however, that the most significant changes are taking place. In 2012, the customer experience will start at street level with a complimentary café-style area for Leica owners on the ground floor of no. 27, a three-storey building currently being fully renovated by the company.  The informal and relaxed atmosphere of this facility will allow the Leica Client Care team to provide personal user advice and assistance in a unique environment. Adjacent to this will be a dedicated glass-partitioned laboratory, where light repairs and sensor cleaning will be undertaken.

Venturing further into the ground floor of the new building, customers will find a new rental service for the Leica S2, named Rental-S, providing equipment to some of the most influential international professional photographers.

On the first floor of 25 Bruton Place, in addition to support services, will be a gallery displaying images created using Leica cameras. This gallery will be accessed directly from 27 Bruton Place.

Perhaps the most surprising development awaits the visitor on the second floor, where Leica will transform the entire space into a discreet professional photographic studio, called Studio-S.

Studio-S will be available to hire exclusively to photographers using the Leica S-System, and will include changing and make-up areas, hospitality and digital operator facilities. The studio will be ideally located and appropriate for high-profile or confidential shoots. As well as on-site equipment, Leica will offer additional support such as Leica-trained photographic assistants, therefore providing a unique hire package.

David Bell, managing director, Leica Camera Ltd, said, “We make no apologies for taking inspiration from other pioneering premium retailers, such as Apple in Regent Street or Paul Smith in Covent Garden. We believe that this three-building retail village concept in the heart of Mayfair will provide a complete showcase for our products and services, and a creative environment for our customers. It will also give us the opportunity to host new kinds of events and activities on-site, with Studio-S converting into a versatile space for networking, customer and media events.”

Bruton Place is located in the centre of Mayfair between Old Bond Street and Berkeley Square. The new Leica premises at no. 27 are currently under construction and scheduled to be open in early Spring 2012. For more information on the Leica Store Mayfair, and all Leica products and services in the UK, please visit www.leica-storemayfair.co.uk.

Adobe specials on Lightroom 3, Photoshop Elements

Adobe UK is offerring 40% off the retail price and free shipping of Lightroom 3 and Photoshop Elements 10 until the 28 November.

Please follow the link here for further information.

Nikon D800 pictures surface

Although we're not really allowed to discuss details of Nikon launches - members of the press are invited so long as they don't discuss details of the event before it occurs - last month's postponed event was most likely for the rumored Nikon D800. What with the events in Thailand recently, and before that in Northern Japan where this camera would originally have been made (in Sendai) put paid to the expected announcement. However, as we've no firm details of an impending press launch (itself a perilous admission and one likely to cost us entry to that very event) we feel that we ought make a comment for what it's worth about the pictures of the D800 that have surfaced on the net.

The picture of the rumored D800 above appears to be bone-fide only it could just as easily be one of several working prototypes that company fields prior to launch. Lead times are so much shorter for digital cameras than they used to be. Back in the summer of 1996 I was entrusted with a fully working Nikon F5 several months ahead of the launch. At other times these are kept locked in company vaults, so it's fairly safe to assume that pictures that do escape are those of working prototypes (or Photoshop fakes). This may well be the final D800 - it has the new raised white lens alignment indicator at 2-o'clock and is almost certainly a working camera (the blanked out name plates would probably reveal some simple disguise, such as a blacked-out name and likely no model designation) but only time will tell.
Please feel free to comment.
Source NikonRumours.

Olympus UK offer £40 cashback on XZ-1 high-end compact

Award-winning XZ-1 is now available with £40 cashback

From now until December 31st 2011 Olympus are offering £40 cashback on purchases of their flagship compact, the XZ-1

The Olympus XZ-1 has taken the photographic industry and press by storm since its launch in early 2011, picking up many plaudits and awards along the way. To celebrate this Olympus are offering £40 cashback (󌍘 in Ireland) on purchases of this superb camera.

The new XZ-1 camera combines the image quality and adjustability of system cameras and the portability of digital compact cameras. For ambitious amateurs and discriminating professionals alike, the XZ-1 offers superior, best-in-class image quality. With the light-grabbing, digital iZUIKO lens, shooting in low-light situations is a breeze. The manual lens ring allows for quick adjustment of key camera settings while you shoot, and a sliding depth-of-field adjuster makes it easy to create beautiful bokeh effects. All of this in a sleek and stylish package that’s as rugged as it is mobile.

The cashback offer is running in the UK and Ireland until 31st December 2011 and is valid on purchases of the XZ-1 from authorised UK and Ireland stockists.

More information on the offer is available at:
 www.olympus.sales-promotions.com

Shop for the Olympus XZ-1 at the following UK authorised retailers:

WEX (formerly Warehouse Express)
Jessops

Nikon D7000 review

What was originally expected to be the replacement for the DX-format 12-megapixel D90 turned out to be a new addition to the range. The new D7000 sits between that and the semi-pro D300s. In terms of size, it’s closer to the D90 and functionality closer to the D300s, itself an aging model. Both will remain for the time being, so it’s quite possible we’ll see another replace the D300s as the flagship DX (APS-C) camera.

In the meantime, the D7000 has a tempting specification for semi-pros. Chief among those must be the build quality. It’s not quite as heavy as the D300s but it features a dust and moisture-sealed body made from magnesium alloy, a real step up from the well made but plastic shelled D90. Also it has a similar durable shutter tested to 150,000 cycles, and 100-percent viewfinder coverage with 94-percent magnification. Other key features include dual SD slots that can be used either for backup, overflow or capturing Raw on one and Jpeg on the other, plus continuous shooting up to 6fps without having to adopt the external battery pack. Unlike the D90, the D7000 adopts the AI (auto-indexing) post of the pro models as well as menu registration of lens details (focal length and maximum aperture) allowing backwards compatibility with legacy (non-chipped) manual focus lenses. Even if the price is a sign, it’s details like this that indicate the intended market.

Peering through the viewfinder though the magnification is not quite as impressive as it seems as the figure quoted is adjusted for the smaller APS-C format, corrected to 35mm full-frame it’s 63-percent. If you thought viewfinders were getting smaller then you were right. For an APS-C model, though, the D7000’s viewfinder is impressively bright thanks to a glass pentaprism and it’s also equipped with a new 39-point AF system. This is loosely based on previous offerings like that found on the D300s and D3 but has 9-cross type sensors, which are both horizontal and vertical line sensitive and fast 3D-tracking for fast moving subjects. It works in association with a new 2016-pixel colour (RGB) metering system, and the first major overhaul for Nikon since the 1005-pixel system introduced with the 35mm F5 SLR, a derivative of which can be found in the D3s and D3x.

This RGB meter and AF module is the basis of a scene recognition system that can actually distinguish between the subject and, for instance, grass and the sky and adjust the exposure and AF point to track accordingly. In use the camera is blisteringly fast though I must admit to taking quite a long time to adjust to the near instantaneous shutter release. Together though the new metering and AF system in the D7000 is a real standout feature. And that’s before we’ve discussed the new sensor. It’s a self-cleaning 16.2-megapixel CMOS, a Sony sourced sensor originally but made to Nikon’s specification, allowing sensitivity to run from ISO100 up to an eye-watering ISO25600, and, unbelievably, largely noise free to ISO6400.

Nikon D7000 with AF-S Nikkor 10-24mm f/3.5-4.5G at f/16 (mounted on the outstanding combination of Gitzo GT2541 EX tripod and Arca Swiss P0) and the result of a HDRi shot for a client.

Because of the limitations with CCD, CMOS is adopted for LiveView principally, but the considering the superbly detailed 921k dot resolution of the 3-inch screen to the rear, checking focus accuracy at high magnification is marked by interpolation, which is a pity. Autofocus is possible, indeed there are two AF options but neither is particularly fast or that useful unless you intend to take the occasional overhead picture.

Mirror Lock up is offered but it’s selected along with the other shooting modes from a rather narrow, and therefore fiddly dial, surrounding the shooting mode. Nikon has moved the LiveView option to a new location, to the right of the rear LCD and operation is via a switch surrounding a new dedicated video capture button. LiveView is, of course, the basis for the camera’s video capabilities but while there are advances here the D7000 is deliberately limited in the EU, at least, to recordings of five minutes. If it wasn’t for that the 1080/24fps movie clips would sound very tempting, the quality is there, although you would want to adopt manual focusing instead of the somewhat noisy AF. This unwanted sound is easily picked up by the built-in mono microphone, although the D7000 has a mic socket for a external stereo mic.

Although nice to have, the movie mode doesn’t impress as much as the stills; quite a feat considering the increase in pixel density over the 12-megapixel offerings. Colour rendering and detail is outstanding with Nikon’s pro-grade lenses; while the optional 18-105mm f/3.5-5.6G VR kit lens is a decent enough performer, there are FX and DX lenses that will get more from the sensor. Some sharpening is required of JPEGs straight from the camera though little else, especially with Active D-Lighting to improve dynamic range, peripheral illumination correction and automatic chromatic aberration reduction. Aimed at the enthusiast for the most part, the D7000 also offers a burgeoning range of post-capture processing options. It seems slightly incongruous at this level but, for all that, the D7000 is a significant improvement over the D90 and, to a lesser extent, the D300s, which makes it a simple choice for any Nikon photographer looking to add or replace a DX body to his kit.

Contact

For more information please follow the link for Nikon Europe or Nikon USA.

Sales

Adorama US:
Nikon D7000 body ($1,299).
Nikon 10-24mm f/3.5-4.5G ED-IF DX (17-35mm equiv) $809.95
Nikon 17-55mm f/2.8G ED-IF AF-S DX (28-70mm f/2.8 equiv) $1,424.00
Jessops UK
Nikon D7000 body (£949.95 inc VAT)
Nikon 10-24mm f/3.5-4.5G ED-IF DX (17-35mm equiv) £669.95
Nikon 17-55mm f/2.8G ED-IF AF-S DX (28-70mm f/2.8 equiv) £1,064.95
Wex UK
Nikon D7000 body (£949.00 inc VAT)
Nikon 10-24mm f/3.5-4.5G ED-IF DX (17-35mm equiv) £659
Nikon 17-55mm f/2.8G ED-IF AF-S DX (28-70mm f/2.8 equiv) £1,064.95

Related posts

Read our review of the Nikon 1 V1
Read our review of the Nikon D700.

Canon UK announces Winter Cashback scheme

Canon has announced a cashback scheme across a number of products in the lead up to Christmas. The EOS 550D and EOS 600D are included though no other DSLRs qualify for the scheme which runs through to 25th January. For more information please see the press release below.

Canon announces greatest ever Winter Cashback scheme

Love Christmas, Love Canon

Canon has launched their greatest ever Winter Cashback with offers on 18 models across their EOS, IXUS and PowerShot camera ranges, LEGRIA camcorders, PIXMA and PIXMA Pro models.

The Canon Winter Cashback will run until 25th January 2012.  
The last claim date for the promotion will be 24th February 2012.

 

IXUS 115 HS                                £20/25 euros RRP £159.00
IXUS 220HS                                £20/25 euros RRP £179.00

PowerShot SX150 IS                        £20/25 euros RRP £199.00
PowerShot SX220 HS                        £30/35 euros RRP £249.00

EOS 550D (all configurations)        £40/45 euros
EOS 600D (all configurations)        £50/55 euros

LEGRIA HF R206                        £30/35 euros
LEGRIA HF R26                        £30/35 euros
LEGRIA HF R27                        £30/35 euros
LEGRIA HF R28                        £30/35 euros
LEGRIA HF M406                        £50/ 55 euros
LEGRIA HF M46                        £50/ 55 euros
LEGRIA HF M41                        £50/55 euros

PIXMA MG5350                        £30/35 euros RRP £129.00
PIXMA MG6250                        £30/35 euros RRP £179.00
PIXMA MG8250                        £30/35 euros RRP £329.00

PIXMA Pro9000 Mark II                £50/55 euros RRP £499.00
PIXMA Pro9500 Mark II                £100/110 euros RRP £749.00

 

Readers enquiries:
For further details and full terms and conditions please visit www.canon.co.uk/wintercashback
For further details and full terms and conditions please visit www.canon.ie/wintercashback

Please note automated links added by Skimlinks may not be to authorised retailers, please check terms and conditions.

Lightroom 50-percent off, Adorama special

After Adobe Europe's half price special offer on Lightroom, we're pleased to be able to promote the same deal for US readers, though, this time through our affiliate retailer Adorama. The usual price is $299.95 though you can follow this link and get LR3 for just $149.95.

Leica Underwater Housing Auctioned For $204,841 Plus More Leica Auctions

Leica auctions are never for the faint hearted and this one especially at the 20th Westlicht Photographica that took place on November 12, 2011 certainly wasn't. Take a look at what you could of picked up, if only you had been there (and had the nerve and funds to match).

Leica UW Underwater housing (1970), no. 240-0043

Expected Price: $34,142

Fetched Price: $204,841
This is an extremely rare red painted underwater housing for the US Army. This housing is the most new looking of the lot with the original Leitz Canada users manual. The camera also has a special Samsonite case marked KG-24. The housing contains an M-mount Elcan (Ernst Leitz Canada) lens with a 90-degree field of view and f/2.8 maximum aperture.

MP black paint (1958), no. MP-28

MP black paint (1958), no. MP-28MP black paint (1958), no. MP-28
Expected Price: $68,304
Fetched Price: $165,567
The rare and original MP No. 28 was built around 1958 for professional photographers and was expected to be sold at $68,304. This rare camera seems to be the bidders favorite as it was sold at an unexpected price of $165,567.

Leica KE-7A

Leica KE-7ALeica KE-7A
Expected Price: $16,384
Fetched Price: $90,120
The camera was specially made for the US military around 1954 with special Elcan 2/50mm lens and was expected to draw a price of $16,384 but went up for sale at $90,120.

KE-7A + Elcan 2/66mm (1948), no. 1294559

Expected Price: $32,772
Fetched Price:NA
This rare camera was also produced for the US army and is still in a very good working condition. The back side of the camera is engraved with the ‘Serial No 1294559 FSN 6720-165-7115 CONT. F42600-71-C-2429 US’. The camera is equipped with a rare Elcan 2/66mm no.283-0025 and unique camera lenses.

M3-P chrome + Noctilux 0.95/50mm chrome (2011), no. 20/20

M3-P chrome + Noctilux 0.95/50mm chrome (2011), no. 20/20M3-P chrome + Noctilux 0.95/50mm chrome (2011), no. 20/20
Expected Price: $ 34,105
Fetched Price:$ 81,835
This one is a special edition limited camera that was created in order to celebrate the 20th Anniversary of the Leica Shop in Vienna. These cameras are limited to 20 units. Leica MP silver chrome has vulcanite cladding finish and the top cover is designed in the typical Leica M3 style. The top of the camera is inscribed with Classic Leica Script and the serial number of the camera. The camera comes with the Leica Noctilux-M 50mm f/0.95 ASPH lens in silver anodized finish.

Leica I Mod.A Elmar ‘Calfskin’ from 1930

Leica I Mod.A Elmar ‘Calfskin’ from 1930Leica I Mod.A Elmar ‘Calfskin’ from 1930
Expected Price : $20,492
Fetched Price:$ 163,939
The 9th lot of the auction, this rare Leica I Mod.A Elmar ‘Calfskin’ from 1930 is a limited edition as only three are known to be in existence and none of the others are in working condition. The black paint camera, covered with colored calfskin was expected to fetch $20,492, but fetched much more i.e. $163,939.

Via: Born Rich

Olympus UK offer £50 cashback on PEN Lite, Mini kits

With £50 cashback the Olympus PEN Lite & PEN Mini are now even more desirable

From November 15th Olympus are offering £50 cashback on purchases of all PEN Lite (E-PL3) and PEN Mini (E-PM1) kits.

The much-lauded Olympus PEN range must be at the top of the Christmas lists of many budding, and professional, photographers thanks to its superb image quality, fantastic features and style.

This Christmas Olympus have made both the PEN Mini (E-PM1) and PEN Lite (E-PL3) more desirable and affordable by giving anyone buying either camera £50 (50 euros in Ireland) cashback.

The cashback offer will run in the UK and Ireland from 15th November 2011 until 15th January 2012 and is valid on purchases of all PEN Lite E-PL3 and PEN Mini E-PM1 kits from authorised UK and Ireland stockists.

More information on the offer and how to claim will available at: http://pen.sales-promotions.com once the promotion has begun.

For more details on the PEN Mini & Lite, please go to www.olympus.co.uk/pen