DxO announce Optics Pro 7

Paris, France based DxO Labs has announced version 7 of the popular DxO Optics Pro raw workflow and lens correction solution. Available on November 30 this new version features an optimized interface, faster batch processing, and supports five additional cameras with this release: Fujifilm X100, Nikon P7100, Sony Alpha 77, NEX-C3, NEX-5N. Marking a change for the developer, both Mac and Windows version are to be released together and at a special 33% introductory discount. For more information please follow the link here or see the press release below.

Press release:

DxO Optics Pro 7 once again redefines the standard for image quality and offers batch processing up to 4 times faster
 
With a newly-optimized interface and workflow, DxO Optics Pro 7 will be available on November 30, 2011, at a special 33% discount.
 
 
November 23, 2011 - DxO Labs announces the November 30, 2011 availability of DxO Optics Pro 7, a major new release of its leading image-processing software for demanding photographers. This new version, released simultaneously for Windows and Mac systems, redefines the standard for image quality, achieves batch processing up to four times faster, and offers a considerably optimized interface and workflow.
 
DxO Optics Pro 7 supports five additional cameras with this release: Fujifilm X100, Nikon P7100, Sony Alpha 77, NEX-C3, NEX-5N, and includes more than 300 new DxO Optics Modules.
 
Based on a unique, ultra-precise modeling of each camera-lens combination, DxO Optics Pro 7 automatically corrects optical defects at a level of unparalleled quality. The software integrates the most powerful RAW converter and noise reduction technology on the market, as well as sophisticated tools for optimizing color and exposure. During batch processing, all algorithms intelligently adapt to the content of each image for a perfect result and unequaled productivity.
 
THE MOST ADVANCED OPTICAL CORRECTION TECHNOLOGIES ON THE MARKET
DxO Labs has optimized many features of DxO Optics Pro 7 to help serious photographers obtain high-quality images from their JPEG and RAW files.
 
The Lens Softness tool, exclusive to DxO Optics Pro, is based on DxO Optics Modules and compensates for lens softness by applying a gradual correction across the field to achieve a uniformly sharp image. Thanks to the ultra-precise information provided by DxO Optics Modules for each camera-lens combination, this correction is optimized and ideally adapted to each and every pixel. Based on its ability to analytically read the image, DxO Optics Pro 7 can perfectly preserve the bokeh while avoiding the creation of artifacts in homogenous or out-of-focus zones.
 
DxO Optics Pro 7’s Unsharp Mask tool has a new “Edge Offset” slider that allows users to manually adjust the progression of the correction in the field. This means that even in the absence of a DxO Optics Module, photographers can obtain crisp and uniform sharpness from the center of the image field right to the edges.
 
Finally, the Protect Saturated Colors tool offers the possibility of restoring a significant number of details and of recovering rich textures in highly-saturated zones. The selectivity of this feature has been improved in DxO Optics Pro 7 for even greater efficacy and better preservation of unsaturated colors. The default preset now includes this feature.
 
BATCH PROCESSING UP TO FOUR TIMES FASTER
In addition to the progress made in providing even better image quality, there have been multiple improvements to DxO Optics Pro 7’s engine to greatly increase processing speed.
 
Thanks to better system resource management, the use of OpenCL technology on Windows platforms, the harnessing of graphics card computing power, and many optimized algorithms, DxO Optics Pro 7 can process batches of photos up to four times faster than previous versions.
 
AN IMPROVED USER INTERFACE
While retaining the fundamental assets that have made the software such a success (powerful and precise automatic corrections, intelligent presets), DxO Optics Pro 7’s workflow has been simplified to provide greater ease of use.
Management by project is now optional: users can select images for processing right from their hard drive’s directories. The addition of editing features makes it possible to sort, rename, move, copy and even delete photos in DxO Optics Pro 7.
 
Three tabs now guide users through the entire workflow. The corrections preview in the first tab allows users to start processing immediately and thus save a remarkable amount of time.
 
Batch treatment has gained greater flexibility for Windows users: it is now possible to run multiple processing sessions simultaneously, even while customizing other photos. The Macintosh version takes advantage of Mac OS X Lion and offers several Multi-Touch functions (zoom, full-screen view, scroll photos, change tab).
 
MORE SUPPORTED CAMERAS AND LENSES
DxO Optics Pro 7’s automatic corrections rely on a wide library of DxO Optics Modules, developed at DxO Labs, based on a precise analysis of each combination of camera and lens under all shooting conditions.
A recent process breakthrough in DxO Optics Module development will enable DxO Labs to greatly increase its productivity. DxO Labs expects to reach the threshold of 5,000 available modules by the end of 2011, and has set a goal of reaching 10,000 modules by the end of 2012.
DxO Optics Pro 7 includes more than 300 new DxO Optics Modules and supports these additional five cameras: Fujifilm X100, Nikon P7100, Sony Alpha 77, NEX-C3, and NEX-5N.
 
A TRUE DIGITAL PHOTO LABORATORY
DxO Optics Pro 7 is an extremely powerful software designed for the most exacting photographers. As with previous versions, it includes:
·         A powerful RAW converter coupled with an unrivaled noise reduction engine (luminance, chrominance, dead pixels, colored noise, color moiré…), even at the highest ISO settings, to automatically enhance textures and details.
·         Sophisticated corrections that rely on DxO Labs’ meticulous preliminary calibration of photographic equipment in its laboratories.
·         An single-shot HDR feature that offers the possibility of creating an HDR image from a single RAW or JPEG image file, thanks to exclusive exposure and contrast optimization technologies that allow users to recover a large number of details in over- or underexposed parts of their images.
·         An optional DxO FilmPack plugin that allows users to faithfully reproduce the aesthetic signature of more than 60 legendary films rolls on their RAW and JPEG images.

AVAILABILITY AND SPECIAL INTRODUCTORY OFFER
DxO Optics Pro 7 for Windows and Mac will be available on November 30, 2011, in the DxO Labs online boutique (www.dxo.com) and at photo resellers at a special introductory discount valid until December 24, 2011:
USD:
·  DxO Optics Pro 7 Standard Edition:           $99 instead of $169
·  DxO Optics Pro 7 Elite Edition:                $199 instead of $299
EUR:
·  DxO Optics Pro 7 Standard Edition:           99€ instead of 199€
·  DxO Optics Pro 7 Elite Edition:                199€ instead of 299€
(Suggested retail prices, including VAT)
GBP:
·  DxO Optics Pro 7 Standard Edition:           £89 instead of £135
·  DxO Optics Pro 7 Elite Edition:                £179 instead of £269
(Suggested retail prices, including VAT)

Photographers who acquired a license for DxO Optics Pro 6 on or after September 1, 2011 are entitled to a free upgrade to version 7. Other users can take advantage of a special discount on all upgrades from now until December 24, 2011, directly from their customer account.
 
A fully-functional trial version of DxO Optics Pro 7, good for one month, is available on the DxO Labs website www.dxo.com/us/photo/free_trial_version
 
 
System Requirements
·          PC: Microsoft® Windows® XP SP3 (32 bits), Windows® Vista® (32 or 64 bits), Windows® 7 (32 or 64 bits) and Intel® Core™ 2 Duo or AMD® Athlon 64 X2 processor
·          Mac: Mac OS® X 10.5 Leopard, 10.6 Snow Leopard, 10.7 Lion and Intel Mac® processor
·          3 GB RAM minimum and 2 GB available disk space

Canon Japan openly discuss EOS-1D X design choices

Although there have been several interviews with Canon staff discussing the recently announced EOS-1D X on the internet, I must admit I haven't read them in any detail as I know from my own experience that they're not allowed to speak candidly. However, this is often in stark contrast to organized PR events in Japan where they can be remarkably open, as is this particular interview with DC Watch.

Topics discussed include a possible studio or medim format replacement - Canon could make larger sensors and it wouldn't be a stretch to produce new lenses either (at least in theory, whether they have the manufacturing capacity is another matter). Please note it is in Japanese and, while Google does a fair job of translating, it can be a difficult to decipher.

Source and picture credit, DC Watch.

 

Related posts

Canon unwraps EOS-1D X (with editorial comment)

Sales

Pre-order the Canon EOS 1DX from Jessops here at £5,299.95 (inc VAT)

Pre-order from Warehouse Express here (£5,299 inc VAT)

Pre-order the EOS 1DX body at B&H Photo ($6,799.00)

 

Leica to expand facilities in Mayfair

At a small gathering of photo press this morning at the Leica Store, Mayfair, London, Leica UK outlined its vision for the future of the Bruton Place store. As well as additional studio space, Leica will be carrying out light repairs and hire of the outstanding S2 medium format camera. For more details please read the press release below.

Press release:
Leica unveils premium retail developments in Bruton Place, Mayfair

German photographic and optics manufacturer to expand presence and services in Bruton Place, London W1

22 November 2011: Leica Camera Ltd is unveiling the latest developments in its premium retail concept in the heart of Mayfair, London W1, with the expansion of its premises in Bruton Place, designed to provide a unique and personal experience to Leica customers.  Incorporating three buildings, Leica is set to have a major presence in Bruton Place with an array of new facilities.

The Leica Store Mayfair (opened in September 2009) at 34 Bruton Place will continue to display and offer the entire range of Leica products. Above the store, the current Leica Akademie training facility will be expanded to encompass a second Akademie space, allowing the company to offer a wider range of training workshops, one-to-one product demonstrations, advice sessions and private consultations for its customers.

In addition, Leica will open a dedicated Media Centre, where members of the media will be able to hold meetings and interviews with Leica representatives.

It is immediately opposite the store, however, that the most significant changes are taking place. In 2012, the customer experience will start at street level with a complimentary café-style area for Leica owners on the ground floor of no. 27, a three-storey building currently being fully renovated by the company.  The informal and relaxed atmosphere of this facility will allow the Leica Client Care team to provide personal user advice and assistance in a unique environment. Adjacent to this will be a dedicated glass-partitioned laboratory, where light repairs and sensor cleaning will be undertaken.

Venturing further into the ground floor of the new building, customers will find a new rental service for the Leica S2, named Rental-S, providing equipment to some of the most influential international professional photographers.

On the first floor of 25 Bruton Place, in addition to support services, will be a gallery displaying images created using Leica cameras. This gallery will be accessed directly from 27 Bruton Place.

Perhaps the most surprising development awaits the visitor on the second floor, where Leica will transform the entire space into a discreet professional photographic studio, called Studio-S.

Studio-S will be available to hire exclusively to photographers using the Leica S-System, and will include changing and make-up areas, hospitality and digital operator facilities. The studio will be ideally located and appropriate for high-profile or confidential shoots. As well as on-site equipment, Leica will offer additional support such as Leica-trained photographic assistants, therefore providing a unique hire package.

David Bell, managing director, Leica Camera Ltd, said, “We make no apologies for taking inspiration from other pioneering premium retailers, such as Apple in Regent Street or Paul Smith in Covent Garden. We believe that this three-building retail village concept in the heart of Mayfair will provide a complete showcase for our products and services, and a creative environment for our customers. It will also give us the opportunity to host new kinds of events and activities on-site, with Studio-S converting into a versatile space for networking, customer and media events.”

Bruton Place is located in the centre of Mayfair between Old Bond Street and Berkeley Square. The new Leica premises at no. 27 are currently under construction and scheduled to be open in early Spring 2012. For more information on the Leica Store Mayfair, and all Leica products and services in the UK, please visit www.leica-storemayfair.co.uk.

Adobe specials on Lightroom 3, Photoshop Elements

Adobe UK is offerring 40% off the retail price and free shipping of Lightroom 3 and Photoshop Elements 10 until the 28 November.

Please follow the link here for further information.

Nikon D800 pictures surface

Although we're not really allowed to discuss details of Nikon launches - members of the press are invited so long as they don't discuss details of the event before it occurs - last month's postponed event was most likely for the rumored Nikon D800. What with the events in Thailand recently, and before that in Northern Japan where this camera would originally have been made (in Sendai) put paid to the expected announcement. However, as we've no firm details of an impending press launch (itself a perilous admission and one likely to cost us entry to that very event) we feel that we ought make a comment for what it's worth about the pictures of the D800 that have surfaced on the net.

The picture of the rumored D800 above appears to be bone-fide only it could just as easily be one of several working prototypes that company fields prior to launch. Lead times are so much shorter for digital cameras than they used to be. Back in the summer of 1996 I was entrusted with a fully working Nikon F5 several months ahead of the launch. At other times these are kept locked in company vaults, so it's fairly safe to assume that pictures that do escape are those of working prototypes (or Photoshop fakes). This may well be the final D800 - it has the new raised white lens alignment indicator at 2-o'clock and is almost certainly a working camera (the blanked out name plates would probably reveal some simple disguise, such as a blacked-out name and likely no model designation) but only time will tell.
Please feel free to comment.
Source NikonRumours.

Olympus UK offer £40 cashback on XZ-1 high-end compact

Award-winning XZ-1 is now available with £40 cashback

From now until December 31st 2011 Olympus are offering £40 cashback on purchases of their flagship compact, the XZ-1

The Olympus XZ-1 has taken the photographic industry and press by storm since its launch in early 2011, picking up many plaudits and awards along the way. To celebrate this Olympus are offering £40 cashback (󌍘 in Ireland) on purchases of this superb camera.

The new XZ-1 camera combines the image quality and adjustability of system cameras and the portability of digital compact cameras. For ambitious amateurs and discriminating professionals alike, the XZ-1 offers superior, best-in-class image quality. With the light-grabbing, digital iZUIKO lens, shooting in low-light situations is a breeze. The manual lens ring allows for quick adjustment of key camera settings while you shoot, and a sliding depth-of-field adjuster makes it easy to create beautiful bokeh effects. All of this in a sleek and stylish package that’s as rugged as it is mobile.

The cashback offer is running in the UK and Ireland until 31st December 2011 and is valid on purchases of the XZ-1 from authorised UK and Ireland stockists.

More information on the offer is available at:
 www.olympus.sales-promotions.com

Shop for the Olympus XZ-1 at the following UK authorised retailers:

WEX (formerly Warehouse Express)
Jessops

Nikon D7000 review

What was originally expected to be the replacement for the DX-format 12-megapixel D90 turned out to be a new addition to the range. The new D7000 sits between that and the semi-pro D300s. In terms of size, it’s closer to the D90 and functionality closer to the D300s, itself an aging model. Both will remain for the time being, so it’s quite possible we’ll see another replace the D300s as the flagship DX (APS-C) camera.

In the meantime, the D7000 has a tempting specification for semi-pros. Chief among those must be the build quality. It’s not quite as heavy as the D300s but it features a dust and moisture-sealed body made from magnesium alloy, a real step up from the well made but plastic shelled D90. Also it has a similar durable shutter tested to 150,000 cycles, and 100-percent viewfinder coverage with 94-percent magnification. Other key features include dual SD slots that can be used either for backup, overflow or capturing Raw on one and Jpeg on the other, plus continuous shooting up to 6fps without having to adopt the external battery pack. Unlike the D90, the D7000 adopts the AI (auto-indexing) post of the pro models as well as menu registration of lens details (focal length and maximum aperture) allowing backwards compatibility with legacy (non-chipped) manual focus lenses. Even if the price is a sign, it’s details like this that indicate the intended market.

Peering through the viewfinder though the magnification is not quite as impressive as it seems as the figure quoted is adjusted for the smaller APS-C format, corrected to 35mm full-frame it’s 63-percent. If you thought viewfinders were getting smaller then you were right. For an APS-C model, though, the D7000’s viewfinder is impressively bright thanks to a glass pentaprism and it’s also equipped with a new 39-point AF system. This is loosely based on previous offerings like that found on the D300s and D3 but has 9-cross type sensors, which are both horizontal and vertical line sensitive and fast 3D-tracking for fast moving subjects. It works in association with a new 2016-pixel colour (RGB) metering system, and the first major overhaul for Nikon since the 1005-pixel system introduced with the 35mm F5 SLR, a derivative of which can be found in the D3s and D3x.

This RGB meter and AF module is the basis of a scene recognition system that can actually distinguish between the subject and, for instance, grass and the sky and adjust the exposure and AF point to track accordingly. In use the camera is blisteringly fast though I must admit to taking quite a long time to adjust to the near instantaneous shutter release. Together though the new metering and AF system in the D7000 is a real standout feature. And that’s before we’ve discussed the new sensor. It’s a self-cleaning 16.2-megapixel CMOS, a Sony sourced sensor originally but made to Nikon’s specification, allowing sensitivity to run from ISO100 up to an eye-watering ISO25600, and, unbelievably, largely noise free to ISO6400.

Nikon D7000 with AF-S Nikkor 10-24mm f/3.5-4.5G at f/16 (mounted on the outstanding combination of Gitzo GT2541 EX tripod and Arca Swiss P0) and the result of a HDRi shot for a client.

Because of the limitations with CCD, CMOS is adopted for LiveView principally, but the considering the superbly detailed 921k dot resolution of the 3-inch screen to the rear, checking focus accuracy at high magnification is marked by interpolation, which is a pity. Autofocus is possible, indeed there are two AF options but neither is particularly fast or that useful unless you intend to take the occasional overhead picture.

Mirror Lock up is offered but it’s selected along with the other shooting modes from a rather narrow, and therefore fiddly dial, surrounding the shooting mode. Nikon has moved the LiveView option to a new location, to the right of the rear LCD and operation is via a switch surrounding a new dedicated video capture button. LiveView is, of course, the basis for the camera’s video capabilities but while there are advances here the D7000 is deliberately limited in the EU, at least, to recordings of five minutes. If it wasn’t for that the 1080/24fps movie clips would sound very tempting, the quality is there, although you would want to adopt manual focusing instead of the somewhat noisy AF. This unwanted sound is easily picked up by the built-in mono microphone, although the D7000 has a mic socket for a external stereo mic.

Although nice to have, the movie mode doesn’t impress as much as the stills; quite a feat considering the increase in pixel density over the 12-megapixel offerings. Colour rendering and detail is outstanding with Nikon’s pro-grade lenses; while the optional 18-105mm f/3.5-5.6G VR kit lens is a decent enough performer, there are FX and DX lenses that will get more from the sensor. Some sharpening is required of JPEGs straight from the camera though little else, especially with Active D-Lighting to improve dynamic range, peripheral illumination correction and automatic chromatic aberration reduction. Aimed at the enthusiast for the most part, the D7000 also offers a burgeoning range of post-capture processing options. It seems slightly incongruous at this level but, for all that, the D7000 is a significant improvement over the D90 and, to a lesser extent, the D300s, which makes it a simple choice for any Nikon photographer looking to add or replace a DX body to his kit.

Contact

For more information please follow the link for Nikon Europe or Nikon USA.

Sales

Adorama US:
Nikon D7000 body ($1,299).
Nikon 10-24mm f/3.5-4.5G ED-IF DX (17-35mm equiv) $809.95
Nikon 17-55mm f/2.8G ED-IF AF-S DX (28-70mm f/2.8 equiv) $1,424.00
Jessops UK
Nikon D7000 body (£949.95 inc VAT)
Nikon 10-24mm f/3.5-4.5G ED-IF DX (17-35mm equiv) £669.95
Nikon 17-55mm f/2.8G ED-IF AF-S DX (28-70mm f/2.8 equiv) £1,064.95
Wex UK
Nikon D7000 body (£949.00 inc VAT)
Nikon 10-24mm f/3.5-4.5G ED-IF DX (17-35mm equiv) £659
Nikon 17-55mm f/2.8G ED-IF AF-S DX (28-70mm f/2.8 equiv) £1,064.95

Related posts

Read our review of the Nikon 1 V1
Read our review of the Nikon D700.

Canon UK announces Winter Cashback scheme

Canon has announced a cashback scheme across a number of products in the lead up to Christmas. The EOS 550D and EOS 600D are included though no other DSLRs qualify for the scheme which runs through to 25th January. For more information please see the press release below.

Canon announces greatest ever Winter Cashback scheme

Love Christmas, Love Canon

Canon has launched their greatest ever Winter Cashback with offers on 18 models across their EOS, IXUS and PowerShot camera ranges, LEGRIA camcorders, PIXMA and PIXMA Pro models.

The Canon Winter Cashback will run until 25th January 2012.  
The last claim date for the promotion will be 24th February 2012.

 

IXUS 115 HS                                £20/25 euros RRP £159.00
IXUS 220HS                                £20/25 euros RRP £179.00

PowerShot SX150 IS                        £20/25 euros RRP £199.00
PowerShot SX220 HS                        £30/35 euros RRP £249.00

EOS 550D (all configurations)        £40/45 euros
EOS 600D (all configurations)        £50/55 euros

LEGRIA HF R206                        £30/35 euros
LEGRIA HF R26                        £30/35 euros
LEGRIA HF R27                        £30/35 euros
LEGRIA HF R28                        £30/35 euros
LEGRIA HF M406                        £50/ 55 euros
LEGRIA HF M46                        £50/ 55 euros
LEGRIA HF M41                        £50/55 euros

PIXMA MG5350                        £30/35 euros RRP £129.00
PIXMA MG6250                        £30/35 euros RRP £179.00
PIXMA MG8250                        £30/35 euros RRP £329.00

PIXMA Pro9000 Mark II                £50/55 euros RRP £499.00
PIXMA Pro9500 Mark II                £100/110 euros RRP £749.00

 

Readers enquiries:
For further details and full terms and conditions please visit www.canon.co.uk/wintercashback
For further details and full terms and conditions please visit www.canon.ie/wintercashback

Please note automated links added by Skimlinks may not be to authorised retailers, please check terms and conditions.

Lightroom 50-percent off, Adorama special

After Adobe Europe's half price special offer on Lightroom, we're pleased to be able to promote the same deal for US readers, though, this time through our affiliate retailer Adorama. The usual price is $299.95 though you can follow this link and get LR3 for just $149.95.

Leica Underwater Housing Auctioned For $204,841 Plus More Leica Auctions

Leica auctions are never for the faint hearted and this one especially at the 20th Westlicht Photographica that took place on November 12, 2011 certainly wasn't. Take a look at what you could of picked up, if only you had been there (and had the nerve and funds to match).

Leica UW Underwater housing (1970), no. 240-0043

Expected Price: $34,142

Fetched Price: $204,841
This is an extremely rare red painted underwater housing for the US Army. This housing is the most new looking of the lot with the original Leitz Canada users manual. The camera also has a special Samsonite case marked KG-24. The housing contains an M-mount Elcan (Ernst Leitz Canada) lens with a 90-degree field of view and f/2.8 maximum aperture.

MP black paint (1958), no. MP-28

MP black paint (1958), no. MP-28MP black paint (1958), no. MP-28
Expected Price: $68,304
Fetched Price: $165,567
The rare and original MP No. 28 was built around 1958 for professional photographers and was expected to be sold at $68,304. This rare camera seems to be the bidders favorite as it was sold at an unexpected price of $165,567.

Leica KE-7A

Leica KE-7ALeica KE-7A
Expected Price: $16,384
Fetched Price: $90,120
The camera was specially made for the US military around 1954 with special Elcan 2/50mm lens and was expected to draw a price of $16,384 but went up for sale at $90,120.

KE-7A + Elcan 2/66mm (1948), no. 1294559

Expected Price: $32,772
Fetched Price:NA
This rare camera was also produced for the US army and is still in a very good working condition. The back side of the camera is engraved with the ‘Serial No 1294559 FSN 6720-165-7115 CONT. F42600-71-C-2429 US’. The camera is equipped with a rare Elcan 2/66mm no.283-0025 and unique camera lenses.

M3-P chrome + Noctilux 0.95/50mm chrome (2011), no. 20/20

M3-P chrome + Noctilux 0.95/50mm chrome (2011), no. 20/20M3-P chrome + Noctilux 0.95/50mm chrome (2011), no. 20/20
Expected Price: $ 34,105
Fetched Price:$ 81,835
This one is a special edition limited camera that was created in order to celebrate the 20th Anniversary of the Leica Shop in Vienna. These cameras are limited to 20 units. Leica MP silver chrome has vulcanite cladding finish and the top cover is designed in the typical Leica M3 style. The top of the camera is inscribed with Classic Leica Script and the serial number of the camera. The camera comes with the Leica Noctilux-M 50mm f/0.95 ASPH lens in silver anodized finish.

Leica I Mod.A Elmar ‘Calfskin’ from 1930

Leica I Mod.A Elmar ‘Calfskin’ from 1930Leica I Mod.A Elmar ‘Calfskin’ from 1930
Expected Price : $20,492
Fetched Price:$ 163,939
The 9th lot of the auction, this rare Leica I Mod.A Elmar ‘Calfskin’ from 1930 is a limited edition as only three are known to be in existence and none of the others are in working condition. The black paint camera, covered with colored calfskin was expected to fetch $20,492, but fetched much more i.e. $163,939.

Via: Born Rich

Olympus UK offer £50 cashback on PEN Lite, Mini kits

With £50 cashback the Olympus PEN Lite & PEN Mini are now even more desirable

From November 15th Olympus are offering £50 cashback on purchases of all PEN Lite (E-PL3) and PEN Mini (E-PM1) kits.

The much-lauded Olympus PEN range must be at the top of the Christmas lists of many budding, and professional, photographers thanks to its superb image quality, fantastic features and style.

This Christmas Olympus have made both the PEN Mini (E-PM1) and PEN Lite (E-PL3) more desirable and affordable by giving anyone buying either camera £50 (50 euros in Ireland) cashback.

The cashback offer will run in the UK and Ireland from 15th November 2011 until 15th January 2012 and is valid on purchases of all PEN Lite E-PL3 and PEN Mini E-PM1 kits from authorised UK and Ireland stockists.

More information on the offer and how to claim will available at: http://pen.sales-promotions.com once the promotion has begun.

For more details on the PEN Mini & Lite, please go to www.olympus.co.uk/pen

Adorama specials

Sony NEX-VG10 Hi-definition Interchangeable Lens Handycam Camcorder (E-mount 18-200mm Zoom Lens Included)
Save 35%
Regular Price $1998
Sale Price $1299
must login to see price
FREE SHIPPING

Panasonic 25mm f/1.4 Leica DG Summilux Aspherical Lens for Micro 4/3 System
Sale Price $599.95
In stock - Limited supply
FREE SHIPPING

See our first impressions of this new lens here.

Not to be outdone by SanDisk's specials, Lexar are offering between 13-45% off their regular price (depends on model). Please use this link here to search.

Panasonic announces GX1

After parring down the GF2 and realizing there was indeed a market for the GF1 advanced compact, Panasonic has today announced the GX1 as its successor. The camera will be available from mid December at a body only price of £499.99, £599.99 with the H-FS014042 lens (standard 14-42mm kit lens) or £729.99 with the premium Power Zoom H-PS14042 (shown above) . All prices include VAT.

 

Press Release: 7th November 2011 05:00 GMT
 
The Panasonic LUMIX GX1:
Ultra-stylish photography in the palm of your hand
 
The LUMIX GX1, the newest addition to Panasonic’s LUMIX G range, lets you take your photography to the next level in an interchangeable lens camera small enough to fit in your jacket pocket. With a chic style, exceptional image quality and intuitive features that help you get the perfect shot every time, the LUMIX GX1 is designed to be your companion for all of life’s precious moments.
 
Style in your pocket
Available in Gunmetal Grey and Raven Black, the LUMIX GX1’s elegant design is evocative of a quintessentially classic camera. Easy to handle, weighing just 413 grammes and sporting a sturdy but sleek aluminium chassis, you can rely on the LUMIX GX1 for quality photography wherever you are.
 
High quality, creative photography made simple
Panasonic’s range of LUMIX G micro system cameras provide the perfect option if you’re looking to improve the quality of your photography without having to use a large, complicated and heavy DSLR camera. The LUMIX GX1’s 16.0-megapixel image sensor is far larger than those found in point-and shoot cameras, while the intuitive automatic shooting modes, including touch Auto Focus (AF), and the full range of advanced features mean you can easily capture your world as you see it.
 
Speed to match your busy lifestyle
For exceptional photography on the go, speed is of the essence. A high-speed and extremely precise AF lets you capture all moments you want to remember without missing a thing. At 0.09 seconds, the GX1 has the fastest AF speed among Compact System Cameras[1], while the Burst Shooting speed of up to 20 Frames per Second means you can get the perfect shot of even a fast-moving object.
 
Designed to give you more
Barnaby Sykes, Product Manager, for LUMIX G, Panasonic UK comments: “High quality photography is no longer limited to the professionals. With our LUMIX G range, we were the first in the segment of Compact System Cameras,revolutionising the market with small, lightweight and stylish cameras that enable the incredible shots that are normally reserved for heavier and larger DSLRs. The LUMIX GX1 is the next step in this process. Alongside our wide range of LUMIX G lenses for every occasion, the LUMIX GX1 puts ultra-stylish photography in the palm of your hand.”
 
The perfect fit
Panasonic’s LUMIX G range is available with the world’s widest line-up of dedicated Compact System Camera lenses to choose from with 14 interchangeable lenses, making sure that with the LUMIX GX1 you have the set-up to capture every moment.  These include Panasonic’s new pancake lens sized 14-42mm X Zoom lens, part of it new range of ultra-compact electronic power zoom ‘X’ lenses, which makes the perfect fit for high quality photography in your pocket.
 
Key features:
·         Exceptional image quality:With a 16.0-megapixel Live MOS Four Thirds Sensor and the high-end image processor Venus Engine, the LUMIX GX1 provides the exceptional image quality and low-light sensitivity at up to ISO 12800.

·        Stylish, ultra-compact and lightweight:  With a unique luxurious design, the LUMIX GX1 is designed to become part of your everyday style, whilst being lightweight and small enough to your companion wherever you go.

·         Assisting your creativity: Behind the beautifully classic chassis, the LUMIX GX1 hides the simple, intuitive controls and advanced functions to help you get more from your photography. The camera puts you in control, allowing you to assign your own settings to the two external buttons and two menus in the software tab for quick and easy use. With pinpoint AF in just 0.09 seconds, the GX1 lets you take perfect photography on the go with ease. AF modes include multiple-area AF, Face Detection, and AF Tracking, which allows the LUMIX GX1 to lock onto any subject and keep it in focus even if it moves. Meanwhile the integrated flash will let you take the perfect shots, whatever the light level. You can even take 3D photos with the special digital interchangeable lens that makes 3D photo shooting possible.

 

·         The control to help make the most of every shot: The LUMIX GX1’s intuitive touch screen lets you have full control over your photos. Focus and defocus can be set immediately to the subject or to the background, with just one touch of the large LCD screen, while Panasonic’s Intelligent Auto Plus (iA+) functions let you take professional-level shots, even if you’re a beginner or need to shoot at a moment’s notice.

 

·         Capture your memories with Full HD Movie capability: The quality advances of the LUMIX GX1 are not restricted to still photos. The 16.0-megapixel sensor means the camera can record in Full HD AVCHD 1920 x 1080, 50i, with stereo sound, producing professional movie quality with minimal noise. With long recording times, instant access controls, an advanced AF system and LUMIX G lenses specifically designed for movie shooting, the LUMIX GX1 will allow you to capture the perfect movies with ease. The AVCHD format also provides the best in both compression efficiency and compatibility with AV equipment for viewing.
 
 
Pricing and availability
The LUMIX GX1 will be available in the following versions:
 
·                       LUMIX GX1 – Body only
o        Will be available from mid December
o        Panasonic eShop £499.99
·                       LUMIX GX1K – with the H-FS014042 lens
o        will be available from mid December
o        Panasonic eShop £599.99
·                       LUMIX GX1X – with the H-PS14042 lens
o        will be available from mid January
o        Panasonic eShop £729.99

Tool Apps For Photographers - Read Our Latest Article At DPreview.com

Our sister site, TheAppWhisperer.com has just had their latest article published at DPreview.com. This time we took a look at app tools for Photographers. Due to the proliferation of photography apps aimed at the casual user, it's becoming even harder to find specialised apps. In this article we introduce some excellent photographic tool apps that are sure to become popular with our readers.

We focused on apps that enhanced picture taking on the mobile phone before, but this time we've chosen to look at and highlight apps that serve to enhance photography with any camera, not just your mobile device. Many of these would be suitable for serious enthusiasts and professional image-makers, and while they’re likely to appeal to a much smaller market, this can often be reflected in the price.  

Don't miss it, click here to read the complete article at DPreview.com.

Red goes Scarlet with X-rated camera

On the day Canon announces the EOS C300/300 PL cameras, rival Red has officially announced the raw video shooting Scarlet-X. The new camera comes with either a Canon EF or PL mount (it can be swapped), captures 5K (14MP) stills and 4K video and boasts 18-stops DR, or so it's claimed. Orders are being taken now for a initial price of under $10,000, though that's for the basic body - add-ons will take the price up considerably. Remember, this was the camera that was supposed to compete with the Canon EOS 5D MkII. In terms of price that clearly hasn't happened, so it's unlikely to achieve the popularity of the 5d MkII, but it's still competitively priced for professional movie makers with smaller budgets to consider. If I was in the market right now, I would choose this over the EOS C300 (but would still be tempted by the Canon Cinema EF lenses).

Press release:

RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content.

Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.

Scarlet-X comes standard with a Canon EF or PL mount, which can be swapped easily using Scarlet-X’s interchangeable lens mount system. Panavision, Anamorphic, and Nikon lenses are also compatible with the camera, providing ultimate freedom when it comes to creative decision-making. The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.

With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.
“The future is dependent on those who push… not those who react,” said Jim Jannard, founder of RED Digital Cinema.
RED is now taking orders on RED.com for Scarlet-X.

Canon to develop new 4k video EOS DSLR camera

EMBARGO: 4th November, 2011, 00:30 (GMT)

Coming Attractions: New Canon Digital SLR Camera Under Development

TOKYO, November 4 / HOLLYWOOD, California, November 3, 2011—Canon Inc. today announced that the company is developing a new-concept EOS-series digital single-lens reflex (SLR) camera. Incorporating an enhanced version of the video-capture capability offered in the current EOS-series line-up, the new camera will be ideally suited for cinematographic and other digital high-resolution production applications. The model will be equipped with a 35 mm full-frame CMOS sensor and, enabling the recording of 4K video* (at a frame rate of 24P, with Motion-JPEG compression), will make possible the type of exceptional image quality and sublime imaging expression to be expected from the next generation of “EOS Movies.”

The announcement coincides with the launch of the Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital video camcorder and digital SLR camera product categories.

Further details regarding the new EOS digital SLR camera currently under development, including the product name, specifications and scheduled launch date, have yet to be decided.

EOS Movie: A New Industry Standard
Movie recording has been a standard feature in all newly introduced Canon EOS-series digital SLR cameras since the launch of the EOS 5D Mark II in November 2008. Coupled with the diverse array of lenses in Canon’s current interchangeable EF lens line-up, this feature has heralded rich visual expressive possibilities, delivering such characteristics as beautiful image blur and low noise while also garnering kudos for the mobility and manoeuvrability made possible through the cameras’ compact and lightweight body designs.

The impressive images created by the combination of Canon EOS digital SLR cameras and EF lenses, known as “EOS Movies,” have already earned their screen credentials on the sets of multiple productions, from television commercials and artist promotion videos to episodic dramas and even major motion pictures.

* Cropped to APS-H-equivalent size (dimensions measuring approximately 80% vertically and horizontally of a 35 mm full-frame sensor) when recording in 4K.

Canon rolls out new cinema EF lens range

If there was any doubt that Canon is an optical company, the announcement that it has introduced a range of lenses for the movie-making industry should finally silence the detractors. After similar announcements from Leica, Carl Zeiss, and even Schneider Kreuznach, with the introduction of the new Cinema EF lenses (as well as the introduction of the EOS C300/ C300PL camera), Canon has finally declared their intention to market a range of products dedicated to the specialist (and very high-end) movie industry.

Available in full-frame EF mount, the new Cinema EF lenses are not based on the EOS EF equivalents, unlike the CZ compact primes which adopt the same optical construction of CZ DSLR lenses. The Cinema EF lenses are more like the German made CZ Ultra and Master Primes but can be used on standard Canon EOS DSLRs (note, the cine PL mount versions can not but they can be used on any camera using a PL mount).

The popularity of the Canon 5D Mk II was a happy accident, but it shook up Sony enough to retaliate with the NEX-7 and SLT-A77. This is a very carefully considered move by Canon, one that looks to safeguard the EOS stills line, while offering movie capabilities to rival Sony, Red and Arri.

While none of this bodes well for Nikon right now, they could have and maintain a sizable presence by producing cinema Nikkors, for want of a better name. Based on the Nikon F mount and featuring the prerequisite gearing for manual focusing and manual aperture rings, I'm convinced there are movie makers out there that would want modern Nikon optical designs rather than using old Ai-S lenses (no matter how good they are). The Nikkor outstanding 300mm f/2, for instance, and later 300mm T2.2 with a PL mount (produced by Tochigi Nikon, and a favorite of Hollywood Director Ron Howard) achieved cult status in its day - it's no longer made.

 

 

EMBARGO: 4th November 2011, 00:30 (GMT)

Canon casts EF cinema lenses in starring role for new Cinema EOS System
New lens series debuts with seven models and more in the wings

United Kingdom, Republic of Ireland, November 4th Canon Inc. and Canon UK today announced the introduction of seven new 4K EF Cinema Lenses, an all-new series of video cinematography lenses that, in addition to the company’s current line-up of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras, form the core of Canon’s new Cinema EOS System.

The launch of the Cinema EOS System marks Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital video camcorder and digital SLR camera product categories.

Canon’s new EF Cinema Lens line-up includes four top-end zoom lenses covering a zoom range from 14.5 mm to 300 mm —two models each for EF and PL lens mounts — and three single-focal-length lenses for EF mounts. All seven new lenses are capable of delivering exceptional 4K optical performance and offer compatibility with the Super 35mm equivalent image format. The three single-focal-length EF lenses can be used with cameras equipped with 35 mm full-frame sensors.

The seven new lenses represent the starting cast of Canon’s new EF Cinema Lens series, a star-studded line-up that will continue to grow in the future with the introduction of new A-list zoom and fixed-focal-length lenses.

Wide-Angle and Telephoto Cinema Zoom Lenses for EF and PL Mounts
CN-E14.5–60mm T2.6 L S / CN-E14.5–60mm T2.6 L SP
CN-E30–300mm T2.95–3.7 L S / CN-E30–300mm T2.95–3.7 L SP

The four new Canon zoom cinema lenses comprise the CN-E14.5–60mm T2.6 L S (for EF mounts) and CN-E14.5–60mm T2.6 L SP (for PL mounts) wide-angle cinema zoom lenses, and the CN-E30–300mm T2.95–3.7 L S (for EF mounts) and CN-E30–300mm T2.95–3.7 L SP (for PL mounts) telephoto cinema zoom lenses. Each lens supports 4K (4096 x 2160 pixels) resolution, which delivers a pixel count four times that of Full HD (1920 x 1080 pixels), and offers compatibility with industry-standard Super 35 mm-equivalent cameras as well as APS-C cameras (Not compatible with 35mm full-frame or APS-H camera sensors).

Employing anomalous dispersion glass, effective in eliminating chromatic aberration, and large-diameter aspherical lenses, the zoom lenses achieve high-resolution imaging from the centre of the frame to the outer edges. Each lens is equipped with a newly designed 11-blade aperture diaphragm for soft, attractive blur characteristics, making them ideally suited for cinematographic applications.

The focal length range of 14.5–300 mm covered by the new zoom lenses represents the most frequently used focal lengths in theatrical motion picture production, a range that often requires a combination of three or more separate zoom lenses. Canon’s new wide-angle and telephoto cinema zoom lenses, however, offer a wider angle and powerful zooming to provide complete coverage across this range with just two lenses. The new wide-angle cinema zoom lenses will offer the industry’s widest angle of view among 35 mm digital cinema lenses with a wide-angle-end focal length of 14.5 mm (as of November 3rd 2011, according to published competitive data).

Zoom, focus and iris markings are all engraved on angled surfaces for improved readability from behind the camera. With a focus rotation angle of approximately 300 degrees and a zoom rotation angle of approximately 160 degrees, the lenses facilitate precise focusing performance while making possible smooth and subtle zoom operation.

The new top-end cinema zoom lens line-up can be used with standard manual and electronic movie industry accessories, as well as matte boxes. Featuring a unified front lens diameter and uniform gear positions, the lenses do away with the need to adjust or reposition accessory gear when switching between other lenses in the series.

Single-Focal-Length Cinema Lenses for EF Mounts
CN-E24mm T1.5 L F / CN-E50mm T1.3 L F / CN-E85mm T1.3 L F

Like their wide-angle and telephoto cinema zoom lens co-stars, Canon’s new CN-E24mm T1.5 L F, CN-E50mm T1.3 L F and CN-E85mm T1.3 L F cinema lenses deliver 4K optical performance. The three lenses, designed for use with EF mounts, are compatible with not only industry-standard Super 35 mm-equivalent cameras, but also 35 mm full-frame, APS-H and APS-C sensor sizes. The trio incorporates anomalous dispersion glass and large-diameter aspherical lenses for high resolution imaging throughout the frame, and features a newly designed 11-blade aperture diaphragm for gentle, attractive blurring.

With focus and iris markings that are easily visible from behind the camera, Canon’s three new fixed-focal-length lenses support convenient film-style operation and, offering a focus rotation angle of approximately 300 degrees, facilitate precise focusing performance.

The CN-E24mm T1.5 L F, CN-E50mm T1.3 L F and CN-E85mm T1.3 L F support standard manual and electronic industry accessories and matte boxes, and have a unified front lens diameter and uniform gear positions, eliminating the need for adjustments when switching lenses.

Canon rolls out mirrorless EOS camera with EF mount

The introduction of this camera is a significant move for Canon, as the company appears to be attempting to safeguard its traditional stills camera business by retaliating against Sony's domination of the movie-industry. The announcement of this camera is more revealing of the company's long-term business strategy than that of the recent announcement of the EOS 1DX (which is clearly follwing Nikon and their D3s camera in particular - and is something of u-turn for Canon). For additional comment please see here.

Canon has some additional and interesting infomation about the new camera on their CPN site here.

 

Press release:

EMBARGO: 4th November 2011, 00:30 (GMT)

A star is born: Canon launches new digital video camcorder for high-resolution motion picture production

United Kingdom, Republic of Ireland, November 4th  Canon Inc. and Canon UK today raised the curtain on an all-new interchangeable-lens digital video camcorder that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today’s motion picture industry. The camcorder, which features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor, will be available in two models: the EOS C300 Digital Video Camcorder, equipped with an EF lens mount for compatibility with Canon’s current diverse line-up of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras and new EF Cinema Lens line-up; and the EOS C300 PL Digital Video Camcorder, with a PL lens mount for use with industry-standard PL lenses.

The introduction of the EOS C300/C300 PL coincides with the launch of the
Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital video camcorder and digital SLR camera product categories.

Star-Studded Supporting Cast
Equipped with an EF lens mount, the EOS C300 is supported by an all-star cast of high-performance EF lenses, not only the wide array of interchangeable EF lenses for EOS SLR cameras that have earned the trust and respect of photographers around the world, but also the EF cinema lenses in the newly announced Cinema EOS System. When outfitted with a Canon EF lens, the C300’s peripheral illumination correction (Compatible features differ depending on the EF Cinema Lens used) automatically corrects for vignetting in accordance with each lens’s optical characteristics, and enables iris control from the camcorder (Compatible features differ depending on the EF Cinema Lens used). Canon EF lenses also enable the recording of such metadata (Compatible features differ depending on the EF Cinema Lens used) as the name of the lens used, aperture setting and shutter speed.

Show-Stopping High-Resolution Full-HD Performance
The Canon EOS C300/C300 PL’s newly developed Super 35 mm-equivalent CMOS sensor incorporates approximately 8.29 million effective pixels and has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The sensor reads Full HD (1920 x 1080 pixels) video signals for each of the three RGB primary colors, decreasing the incidence of moiré while realizing high resolution with 1,000 horizontal TV lines.

Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted. Additionally, the powerful combination of the sensor with Canon’s high-performance DIGIC DV III image processor facilitates high-precision gamma processing and smooth gradation expression.

In addition to MPEG-2 Full HD (MPEG2 422@HL compliant) compression, the
EOS C300/C300 PL employs 4:2:2 color sampling for high-resolution performance that minimizes the appearance of “jaggies” at chroma edges. Additionally, with a maximum recording rate of 50 Mbps, the camcorder supports the recording of high-quality video.

The camcorder’s video and audio recording file format adopts the industry-standard MXF (Material eXchange Format), an open source file format ideally suited for non-linear editing systems. Recording to versatile, readily available CF cards, the
EOS C300/C300 PL realizes high cost-performance and, equipped with two CF card slots, makes possible the simultaneous recording of video data to two CF cards.

 

Ready for Action
With a compact body design measuring 133 (w) x 179 (h) x 171 mm (d), the Canon EOS C300/C300 PL delivers exceptional manoeuvrability, enabling shooting from vantage points all but inaccessible to large cinema cameras, such as close to the ground for high-impact low-angle shots, and alongside walls. In accordance with on-location shooting needs, the camcorder can be outfitted with a handle, grip, thumb rest and monitor unit, and offers an array of industry-standard terminals, including HD/SD-SDI video output for the external recording of high-quality video content. When using a WFT-E6B wireless file transmitter for EOS digital SLR cameras (sold separately), the EOS C300/C300 PL can be controlled remotely by means of such common devices as smartphones or tablet PCs.

The camcorder is equipped with four start/stop buttons positioned at various locations to satisfy any preferred camera-holding style, and can be outfitted with a variety of third-party accessories, including matte boxes, follow focuses and external video and audio recorders. The unit also achieves seamless integration with third-party editing systems and provides added peace of mind through its dust-proof, drip-proof construction and built-in cooling system.

The new camcorder allows users to adjust image quality to match that of professional camcorders and EOS-series digital SLR cameras, and offers Canon Log Gamma, enabling flat image quality with subdued contrast and sharpness for maximum freedom in post-production editing and processing. In addition to frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P, the EOS C300/C300 PL features a 24.00p mode, matching the 24 frame-per-second frame rate of film cameras for high compatibility with common film-production workflows.

Other features include fast-motion shooting, achieved by capturing fewer frames per second to create action up to 60x normal speed, and slow-motion down to 1/2.5x  (1/2.5x possible only when recording in 720p mode) made possible by capturing more frames per second. Frame rates between 1 and 60 frames per second (fps) (When 59.41i frame rate is selected), can be adjusted in increments of 1 fps. Additionally, a selection of Custom Pictures lets users freely adjust image quality for greater control over how content looks.

EOS 300 PL, showing the different mount.

Canon USA launches EOS C300, breaks own embargo

Following Nikon's lead of launching product first in the US (the 1 System was launched several hours ahead of the european press event to the dismay of new-orientated websites, such as ourselves and others), Canon has decided to follow suite. On this occasion, where Canon introduced a new camera aimed squarely at professional movie makers during a special event at Paramount Studios, Hollywood, California, it was ahead of the press embargo in Europe.

The introduction of this camera can be viewed as a significant move for Canon, however, as the company is attempting to safeguard its traditional stills camera business by retaliating against Sony's domination of the movie-industry. For additional comment please see here.

 

Press release:

EMBARGO: 4th November, 2011, 00:30 (GMT)

 

Lights! Camera! Action! Canon Makes Hollywood Debut with Launch of Cinema EOS System

Company’s All-New Cinema Lens Lineup, Video Camcorders and Digital SLR Cameras to Leave No Story Untold

 

TOKYO, November 4 / HOLLYWOOD, California, November 3, 2011— Canon Inc. today announced Canon’s full-fledged entry into the motion picture production industry with the launch of the Cinema EOS System. Canon’s new professional digital cinematography system spans the lens, digital video camcorder and digital SLR camera product categories.

The Cinema EOS System targets a new area of imaging expression for Canon, building on the company’s 74-year history of innovation and expertise in the field of optical and imaging technology. The company has already earned accolades in the entertainment industry for the EOS 5D Mark II digital single-lens reflex (SLR) camera, launched in November 2008, which has been used in the production of blockbuster Hollywood motion pictures and hit television programs.

Canon’s new Cinema EOS System, which offers compatibility with Canon’s wide array of high-performance EF lenses, provides cinematographers with a range of unprecedented creative possibilities to ensure that no story is left untold.

“As a leading company in digital imaging, Canon’s debut in the film and TV production industry provides a tremendous opportunity to enter into a thriving market,” said Fujio Mitarai, Chairman and CEO, Canon Inc. “Reflecting upon the achievements that Canon EOS Digital SLRs have had in the industry thus far, we are confident the new Cinema EOS series products will bring that success to a whole new level.”

With the debut of the Cinema EOS System, Canon today introduced seven new 4K EF Cinema Lenses—four zoom lenses and three single-focal-length models—which complement the company’s current diverse lineup of interchangeable EF lenses for EOS SLR cameras. The company also announced the launch of the EOS C300/C300 PL interchangeable-lens digital video camcorder, equipped with a Super 35-mm-equivalent CMOS sensor, and a new digital SLR camera currently under development that features a 35 mm full-frame CMOS sensor supporting the recording of 4K video.

4K EF Cinema Lens Lineup
Canon’s Cinema EOS System makes its Hollywood debut with an all-star cast featuring seven new 4K EF Cinema Lens models: four zoom lenses covering a wide zoom range from 14.5 mm to 300 mm—two models each for EF and PL lens mounts—and three single-focal-length lenses for EF mounts. All seven new lenses deliver exceptional 4K (4096 x 2160 pixels) optical performance and offer compatibility with Super 35 mm-equivalent sensors. Additionally, the three single-focal-length lenses can be used with cameras equipped with 35 mm full-frame sensors. (See accompanying EF Cinema Lens press release for additional information.)

EOS C300/C300 PL Interchangeable-Lens Digital Video Camcorder
The Canon EOS C300/C300 PL is an all new digital video camcorder available in two models: the EOS C300, equipped with an EF lens mount for compatibility with the wide array of lenses that make up Canon’s current interchangeable EF lens lineup; and the EOS C300 PL, offering a PL lens mount for use with industry-standard PL lenses. The camcorder features a Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor ideally suited for digital cinematography. (See accompanying EOS C300/C300 PL press release.)

New Digital SLR Camera with 4K Movie Function (Under Development)
Equipped with a 35 mm full-frame CMOS sensor and supporting the recording of 4K video* (at a frame rate of 24P, with Motion-JPEG compression), the next-generation digital SLR camera currently under development will enable exceptional image quality for the creation of innovative and expressive images. Additional details, including the product name, specifications and scheduled launch date, have yet to be decided. (See accompanying digital SLR camera press release.)

* Cropped to APS-H-equivalent size (dimensions measuring approximately 80% vertically and horizontally of a 35 mm full-frame sensor) when recording in 4K.

Canon announces EOS C300

Canon has announced the EOS C300, a new pro video camera, at a exclusive event in Hollywood, California. The new camera will be available in two versions; one using the 35mm EF lens mount and the other using a PL mount. The price is expected to be $16,000 body only, and will be available in January. Two zoom lenses have been announced, available in both mounts as well as three primes for EF mount only. Details are scant but the prime lenses look similar to the Zeiss manual focus primes and are believed to be 24, 50 and 85mm focal lengths. Canon UK has not confirmed the camera or lenses at the time of posting.

Source engadget.

onOne announce Perfect Photo Suite 6

Colour Confidence, the UK distributor for onOne software, has today announced the launch of onOne’s Perfect Photo Suite 6. Perfect Photo Suite 6 is priced at just £185 + VAT and is expected to start shipping at the end of October. Owners of the Perfect Photo Suite 5.5, Plug-In Suite 5 or earlier versions, can upgrade to Perfect Photo Suite 6 for £100.80 ex. VAT. Users who purchased Perfect Photo Suite 5.5 on or after August 7th 2011 are eligible for a free upgrade.

Press release:

Color Confidence announce launch of onOne Perfect Photo Suite 6
 
Birmingham, UK, 2nd November 2011 – Color Confidence, Europe’s leading value added distributor into the digital imaging markets, and the UK distributor for onOne software, has today announced the launch of onOne’s Perfect Photo Suite 6. Perfect Photo Suite 6 is a complete set of all onOne’s solutions and for the first time, each and every application works standalone, in addition to being a plug-in to Photoshop, Lightroom or Aperture. Available from late October, Perfect Photo Suite 6 will be available from all major photographic retailers and direct from www.ColorConfidence.com/onone

“The launch of Perfect Photo Suite 6 is significant for two reasons.” commented Geoffrey Clements, Managing Director, Color Confidence “Firstly, it continues onOne’s record of developing high quality and powerful tools that really help photographers spend more time behind a camera, and secondly, because these products are now available standalone, giving more photographers access to the products and more flexibility for existing users”.
 
Perfect Photo Suite 6 includes full versions of the following products:
 
NEW - Perfect Portrait 1 – A powerful retouching tool, including face and feature recognition, and both manual control and automatic adjustments.
 
NEW - Perfect Layers 2 – Create and edit multi-layered files, and combine photos for endless creative options.
 
NEW - Perfect Effects 3 – A complete library of professional photographic effects that can be previewed full screen before being applied to an image.
 
NEW – Perfect Mask 5 – The new and improved Mask Pro. Perfect Mask 5 adds power and speed to make mask creation quick and simple.
 
Perfect Resize 7 – Powered by Genuine Fractals. Resize images by well over 1000% without loss of sharpness or detail.
 
PhotoFrame 4 – Thousands of design elements included such as film edges and borders for darkroom effects and albums
 
FocalPoint 2 – Add the most realistic depth of field and selective focus control to any image, after it is photographed
 
Pricing, Availability and Existing users
Perfect Photo Suite 6 is priced at just £185 + VAT and is expected to start shipping at the end of October.
 
Owners of the Perfect Photo Suite 5.5, Plug-In Suite 5 or earlier versions, can upgrade to Perfect Photo Suite 6 for £100.80 ex. VAT. Any users who purchased Perfect Photo Suite 5.5 on or after August 7th 2011 are eligible for a free upgrade
 
Customers who have purchased Perfect Photo Suite 5.5 on or after August 7th 2011 should register their software with onOne. onOne will send a download version of Perfect Photo Suite 6 upon registration and send a physical product when available in the post.