Canon announces PowerShot SX200 IS cashback offer

From Thursday 25th June, Canon is launching a cashback offer on the PowerShot SX 200 IS.

Cashback is only available to UK and European readers.

PowerShot SX200 IS Cashback £40 / €45
RRP £359.00 / €429.00 RRP inc. VAT
Colours Black / Blue / Red

Valid from Thursday 25th June 2009 until Monday 31st August 2009.

Readers enquiries:
For further details and full terms and conditions please visit www.canon.co.uk/powershotcashback

Update 24/06/09 Canon has confirmed the above link will go live tonight at 12.00am

Amazon UK link: Canon PowerShot SX200 Digital Camera - Black (12.1 MP, 12x Optical Zoom) 3.0" LCD

Vote for Hasselblad Masters

Partnered by Hahnemuelle, Broncolor, and HP, the top 100 finalists for this years Hasselblad Masters Awards competition is online now. And this year, for the first time, the competition is open to voting from members of the public. Click here to register and vote for the 10 finalists.

Tokina update AT-X 12-24mm Pro DX

Release Date: 22 June 2009

New version of leading Tokina lens hits the shops

Kenro (the official distributor in the UK) has announced the Tokina AT-X 12-24 PRO DX II, the new version of the acclaimed AT-X 12-24 PRO DX .

The Nikon mount AT-X 12-24 PRO DX II features a built-in AF motor drive that operates smoothly and quietly due to a DC motor that uses a new AF control gear assembly. With the built-in motor, the lens can be used in AF mode with the Nikon D60 and D40 and other silent wave bodies. The Canon version of the lens already has a built-in AF motor.

The optical system of the original lens won awards for its sharpness and the new version has been improved further by the introduction of a new multi-coating system. This new coating helps reduce reflections that can cause flare and ghosting.

Like its predecessor , the AT-X 12-24 PRO DX II features the one-touch focus clutch mechanism. To use this feature the user simply moves the focus ring forward, towards the front of the lens, for AF or back for MF. This allows for a fast and easy manual over-ride in difficult lighting situations.

Further features include:
Focal length: 12-24mm
Maximum Aperture: F/4
Minimum Aperture: F/22
Optical Construction: 13 Elements / 11Groups
Angle of view: 99 - 61°
Minimum Focus Distance: 11.8 in. (30cm)
Macro Ratio: 1:8
Aperture blades: 9
Filter Size: 77mm
Lens diameter: 3.46 in. (84mm)
Total length: 3.5 in. (89.5mm)
Weight: 19.0 oz. (540g)
Included Accessories: BH-777 Star bayonet hood

An online forum for Tokina users can be found at, www.tokinausers.co.uk, this free-to-use online community allows all Tokina lens users to share their experience using the lenses and offer tips to their peers. There is also the facility for users to upload their photographs taken with Tokina lenses.

Kenro are the official UK distributors for Tokina lenses. See www.kenro.co.uk for details of your nearest stockist, or call Kenro on 01793 615836 for more details.

US links: AT-X 12-24 PRO DX II (new model), ( AT-X 12-24 PRO DX - old model)

Kodak pulls plug on Kodachrome

This isn't going to lie down, I suspect. And it's a sad day for me (and I suspect a lot of others too), for sure. I have to say, I feel like I've just been given the news of the death of a relative or close friend.

Kevin

Kodak Retires KODACHROME Film;

Celebrates Life of Oldest Film Icon in its Portfolio

Newer KODAK Films and Digital Cameras are Preferred Choice for Today’s Photographers

LONDON UK, June 22, 2009 – Eastman Kodak Company announced today that it will retire KODACHROME colour film this year, concluding its 74-year run as a photography icon.

Sales of KODACHROME Film, which became the world’s first commercially successful colour film in 1935, have declined dramatically in recent years as photographers turned to other, newer KODAK films or to the digital imaging technologies that Kodak pioneered. Today, KODACHROME Film represents just a fraction of one percent of Kodak’s total sales of still-picture films.

“KODACHROME Film is an iconic product and a testament to Kodak’s long and continuing leadership in imaging technology,” said Mary Jane Hellyar, President of Kodak’s Film, Photofinishing and Entertainment Group. "It was certainly a difficult decision to retire it, given its rich history. However, the majority of today's photographers have voiced their preference to capture images with newer technology – both film and digital. Kodak remains committed to providing the highest-performing products – both film and digital – to meet those needs."

While Kodak now derives about 70% of its revenues from commercial and consumer digital businesses, it is the global leader in the film business. Kodak has continued to bring innovative new film products to market, including seven new professional still films and several new VISION2 and VISION3 motion picture films in the last three years. These new still film products are among those that have become the dominant choice for those professional and advanced amateur photographers who use KODAK Films.

Among the well-known professional photographers who used KODACHROME Film is Steve McCurry, whose picture of a young Afghan girl captured the hearts of millions of people around the world as she peered hauntingly from the cover of National Geographic Magazine in 1985.

As part of a tribute to KODACHROME Film, Kodak will donate the last rolls of the film to George Eastman House International Museum of Photography and Film in Rochester, N.Y., which houses the world’s largest collection of cameras and related artefacts. McCurry will shoot one of those last rolls and the images will be donated to Eastman House.

“The early part of my career was dominated by KODACHROME Film, and I reached for that film to shoot some of my most memorable images,” said McCurry. “While KODACHROME Film was very good to me, I have since moved on to other films and digital to create my images. In fact, when I returned to shoot the ‘Afghan Girl’ 17 years later, I used KODAK PROFESSIONAL EKTACHROME Film E100VS to create that image, rather than KODACHROME Film as with the original.”

For all of its magic, KODACHROME is a complex film to manufacture and an even more complex film to process. There is only one remaining photofinishing lab in the world – Dwayne’s Photo in Parsons, Kansas – that processes KODACHROME Film, precisely because of the difficulty of processing. This lack of widespread processing availability, as well as the features of newer films introduced by Kodak over the years, has accelerated the decline of demand for KODACHROME Film.

During its run, KODACHROME Film filled a special niche in the annals of the imaging world. It was used to capture some of the best-known photographs in history, while also being the film of choice for family slide shows of the Baby Boom generation.

To celebrate the film’s storied history, Kodak has created a gallery of iconic images, including the Afghan girl and other McCurry photos, as well as others from professional photographers Eric Meola and Peter Guttman on its website: www.kodak.com/go/kodachrometribute. Special podcasts featuring McCurry and Guttman will also be featured on the website.

Kodak estimates that current supplies of KODACHROME Film will last until early this autumn at the current sales pace. Dwayne’s Photo has indicated it will continue to offer processing for the film through 2010. Current KODACHROME Film users are encouraged to try other KODAK Films, such as KODAK PROFESSIONAL EKTACHROME E100G and EKTAR 100 Film. These films both feature extremely fine grain. For more information, please visit www.kodak.com/go/professional.

Panasonic updates firmware for DMC-GH1,G1 and Vario 14-140mm

Release Date: June 2009

Panasonic updates firmware for DMC-GH1,G1

and LUMIX G VARIO HD 14-140mm / F4.0-5.8 ASPH. / MEGA O.I.S. (H-VS014140)

A new firmware is released for Panasonic LUMIX G Micro System cameras and a lens. The firmware Version 1.1 for DMC-GH1 allows faster burst shooting and improves control of shutter speed and stability of AF in movie recording. It also enhances performance and compatibility of the camera in other points. The firmware Version 1.3 for DMC-G1 improves the compatibility of Micro Four Thirds lens. The firmware Version 1.1 for LUMIX G VARIO HD 14-140mm / F4.0-5.8 ASPH. / MEGA O.I.S. (H-VS014140) improves O.I.S. in movie recording mode and compatibility of Micro Four Thirds camera.

Panasonic invites all users of DMC-GH1, G1 and LUMIX G VARIO HD 14-140mm / F4.0-5.8 ASPH. / MEGA O.I.S.(H-VS014140) to apply the updated firmware. The new firmware and detailed information will be available worldwide at http://panasonic.jp/support/global/cs/dsc/, at GMT 6:00 on 22nd of June, 2009.

-ends-

[UK] Reader enquiry number: 0844 844 3852

US Readers B&H Links: DMC-GH1, DMC-G1

Think Tank Photo Multimedia Wired Up collection

Thought I would post the video snippet I was sent by ThinkTank Photo of their forthcoming Multimedia Wired Up collection; a new range of bags expressly designed for the multimedia journalist carrying either a Canon EOS 5D MkII or Nikon D90.

Of course it's not just designed to carry a DSLR and lenses, or camcorder even, but all the associated paraphernalia (field recorder, headphones, shotgun mic and the rest). The range isn't available till July.

Op/Tech USA Super Classic c/w pro-loop & quick disconnects

Camera straps are a notoriously difficult thing to get right. Those bundled with the camera aren't usually comfortable and they stand-out a mile; making you and your camera an easy target for even the most clueless of villains.

ThinkTank Photo make a decent webbing strap, and they even bundle one with the Rotation 360 backpack but while strong and secure, it's not as comfortable over a day.

The most comfortable I've come across and use for all the camera reviews, as well as our own cameras, is the Op/Tech USA Super Classic with pro-loops (for effortless changing between cameras) and quick disconnects.

The latter feature, a pair of Fastex quick-release buckles, takes some getting used to, especially when you have a Canon 1Ds MkIII and suitably expensive L-series lens dangling from it. But for all that, we've never had an accidental spill and they come in handy when you want to remove the neoprene pad, for example, when setting the camera up on a tripod.

I would probably like it more without the disconnects, but even with them the Super Classic is the most comfortable strap I've ever seen, and I've seen plenty.

Op/Tech USA Super Classic

Induro C414; first impressions

I have some Induro carbon fibre tripods in for review, and my first impressions are very favourable. The top-of-the-range model, the C414, is a bit of monster, but every bit as impressive as the Gitzo equivalent.

Unlike Gitzo though, the naming convention makes a lot of sense; you can tell it's a carbon fibre model with series 4 tubing (the largest and greatest load bearing), has a centre column and 4-leg sections for a smaller pack-down size. Quoted load is 12kg, somewhat conservative in my view but I would imagine easily bearing that load when fully extended.

Body castings are magnesium alloy, though you wouldn't really know it from looking. Maybe the marketing guys need to do more there with the guys at the factory. If that wasn't enough, the Induro retail for a good deal less than the price of the Gitzo equivalents, come complete with a decent (padded) bag, tool kit and steel spikes.

I can see how they could be improved (a subject for another post, or maybe a proposal to the manufacturer, if they're interested) but what's not to like?

We didn't have a Carbonflex 8x CX214 (pictured above) when we wrote the macro tripod feature, as it was being redesigned at the time but we have one now, and may well post a specific review.

Links: Induro

Olympus E-P1; two more

With all the interest in the E-P1, I thought I would add a couple more images from the firm's press centre. Note the chrome finish zoom, previously only shown in black. I rather like it, but I suspect the black finish zoom will be paired with future, as yet unannounced, camera models.

Maybe those will be furnished with EVFs (electronic viewfinders), but you're unlikely to see one with an OVF (optical viewfinder). To do well, they add a lot in terms of size and weight, not to mention the additional cost, but they're also restrictive in scope. Olympus, no doubt, have other lenses to add to the range.



So while it's a shame the E-P1 doesn't have a built-in viewfinder, it really wasn't ever going to have one. If it was to undercut the Panasonic Lumix G1 and GH1 on price, there's simply no point in offering another 'me too' product. Instead what we have now is a neat compact with a large sensor and interchangeable lenses; something akin to the Sigma DP2, only more versatile. Now all we need is the option to order it in a stealthy black finish and we're good to go.

In case you're wondering, this is the distinctly unstealthy 'white' version. Although the two are being suggested as 'his' and 'hers', I suspect the white variant was originally intended for the home market (Japan), adding to such oddities as the white Leica M8.2 and Pentax K-m (K2000). And before you email, I know the M8.2 is made in Europe, well Portugal and Germany that is. Still, they know which side their bread is buttered.

Read our taster for the Olympus mFT E-P1, DSLRs: The end of the road?, published earlier in the year.

Olympus E-P1; more images

I was trawling the Olympus press centre for a few more images of the new mFT E-P1 and I've found a couple that haven't been shown elsewhere on the net, least not that I've seen. I may post a couple more later too. That's if you're interested?

Price confirmed for Sigma 18-250mm f/3.5-6.3 DC OS HSM

Press release:

Sigma Imaging (UK) Ltd is pleased to announce that the new SIGMA 18-250mm F3.5-6.3 DC OS HSM is now available in Sony and Pentax mounts.

This lens incorporates a Hybrid Optical Stabilisation system which allows photographers to us the lens’ OS function even if the camera has a built in anti-shake system. If the photographer chooses to use the lens’ OS function, they must ensure that the camera’s built in stabiliser is switched off.

This lens has only been available in Sigma, Canon and Nikon fit for two months and has already won two international awards including the 2009 TIPA Best Entry Level Lens award.

Four Special Low Dispersion glass elements and three aspherical lens elements provide excellent image quality throughout the entire zoom range. This lens has a minimum focusing distance of 45cm (17.7 inches) at all focal lengths and a maximum magnification ratio of 1: 3.4, making it ideal for close-up photography. The lens incorporates super multi-layer coating to reduce ghosting during backlight photography.

An inner focusing system eliminates front lens rotation, making it suitable for use with circular polarising filters and the supplied petal-type hood.

Sigma confirms price of new 10-20mm f/3.5 zoom

UK press release:

Sigma Imaging (UK) Ltd is pleased to announce that the suggested retail price of the new SIGMA 10-20mm F3.5 EX DC HSM will be £649.99. This new lens will run alongside the current Sigma 10-20mm f/4-5.6 EX DC HSM and is expected to be available in the UK in July for Sigma, Canon and Nikon fit, with Sony and Pentax fit arriving in August.

This super wide-angle lens has a maximum aperture of F3.5 throughout the entire zoon range. Its wide angle of view from 102.4 degrees produces striking images with exaggerated perspective. The maximum aperture of F3.5 is ideal for indoor shooting and it enables photographers to emphasise the subject.

Two ELD (Extraordinary Low Dispersion) glass elements and one SLD (Special Low Dispersion) glass element provide excellent correction of colour aberrations. Four aspherical lenses provide correction for distortion and allow its compact and lightweight construction. The Super Multi-Layer coating reduces flare and ghosting ensuring high image quality throughout the entire zoom range.

The incorporation of HSM (Hyper Sonic Motor) enables quiet and high-speed auto focus as well as full-time manual focusing capability. This lens has a minimum focusing distance of 24cm (9.4 inches) throughout the entire zoom range and a maximum magnification ratio of 1:6.6.

The lens design incorporates an inner focusing system which eliminates front lens rotation, making the lens particularly suitable for using the Petal-type hood. The, included, Petal-type hood blocks extraneous light and reduce internal reflection.

Olympus rewrite history with digital PEN

Olympus has officially released the mFT Digital Pen, we'll have more details later. However, in the meantime head over to the Olympus USA site for sample videos and stills.

UK press release :

The Olympus Pen: a legend returns

London, 16 June 2009

In 1959, Olympus changed the face of photography by pursuing one simple idea: create a camera as easy to use and carry as a pen. Designed by renowned style guru Yoshihisa Maitani, the Olympus Pen triggered a camera boom that would last through the end of the 1970s. Today the legend comes alive again in digital form with the release of the E-P1. This first groundbreaking Olympus Micro Four Thirds model comes at a time when mirrors are no longer a necessary component for digital cameras with interchangeable lenses. Incredibly small size, retro style, and ease of use are a nod to the Pen’s past. However, D-SLR quality and a host of new features place the E-P1 at the leading edge as Olympus innovative technologies reimagine the future. Now everyone can have the best of both worlds: high-end design and D-SLR performance. The E-P1 will be available for purchase in July 2009 at a retail price of £699.99

When he originally designed the first of many Pen cameras, Maitani could not have suspected that he was starting a revolution. Selling over 17 million units, the Pen became one of the most trusted, popular, and successful camera series ever. The removal of the mirror box in the 21st century has brought the legendary series back. Mirror-less construction is the foundation for both the Olympus Pen E-P1’s stunning new design and its remarkably compact size. Everyone will fall in love with the camera’s irresistible retro-look. It is reminiscent of the classic Olympus Pens, which were cherished for their compactness, usability, and affordable price.

Five decades later, the E-P1 promises to honour the memory of its famous forefathers. It hails the beginning of the next generation of the digital era. In addition to all the advantages of Olympus imaging technology, the new ultra-compact hybrid device can even record HD quality movies with sound and stunning creative effects familiar from still photography. In addition to the application of Art Filters, it includes the ability to vary depth of field, angle of view, and autofocus during recording.

The Olympus Pen E-P1 reinvents high-end stylish photography for the new millennium. The new model and its two accompanying Micro Four Thirds lenses will hit stores in July 2009. The E-P1 will be available for a retail price of €TBC.

The Olympus Pen E-P1 – main features:
Small & stylish design
• Extremely small and light-weight Micro Four Thirds System
• Stylish design with metal finish
• Two colours

SLR image quality
• 12.3 Megapixel Live MOS Sensor
• TruePic V image processor
• Built-in IS with max. 4 EV steps efficiency
• Adapter for all ZUIKO DIGITAL & OM lenses

Easy operation
• New developed GUI for easiest operation via Live Control
• Automatic recognition of common scenes possible with i-Auto
• Clear skin with e-Portrait
• Two dials for easy handling
• Face Detection and Shadow Adjustment Technology
• 20 shooting modes (5 exposure modes, i-Auto mode, 14 scene modes)

Creativity & HD Movie
• HD Movie with stereo sound featuring depth of field and Art Filters
• Art Filters, Multi-Aspect ratios
• Multi Exposure function
• Art Filters can be applied to previously taken RAW images in the camera and with Olympus software
• Enhanced creativity with special lenses e.g. fisheye is available via Four Thirds lens adapter


Additional features of the Olympus Pen:
• HDMI TV interface
• Linear PCM sound recording
• Level gauge
• Hi-Speed USB 2.0 interface
• Three frames per second with sequential shooting (max 14 in RAW mode)
• ISO 100-6400 for wide-ranging sensitivity
• Versatile bracketing functions for white balance and exposure
• Reliable Supersonic Wave Filter dust reduction system
• Based on the Micro Four Thirds Standard
• Wide dynamic range in highly lit areas
• Simultaneous writing of RAW and JPEG
• SD memory card (SDHC compatible)
• High-speed data writing and lossless RAW compression for quick processing
• Large 7.6cm/3.0” HyperCrystal LCD
• AE/AF lock functionality for individual customisation
• Auto gradation adjustment to prevent blown highlights and
blocked-in shadows
• Remote release possible via the optional remote cable RM-UC1


The Olympus Pen E-P1 is available in the following configurations:
• E-P1 Kit Silver/Black
(E-P1 body silver & M. ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6 lens black)
• E-P1 Kit Silver/Silver
(E-P1 body silver & M. ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6 lens silver)
• E-P1 Kit White/Silver
(E-P1 body white & M. ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6 lens silver)
• E-P1 Pancake Kit Silver
(E-P1 body silver & M. ZUIKO DIGITAL 17mm 1:2.8 Pancake lens silver & VF-1)
• E-P1 Pancake Kit White
(E-P1 body white & M. ZUIKO DIGITAL 17mm 1:2.8 Pancake lens silver & VF-1)
• E-P1 Double Lens Kit
(E-P1 body silver & M. ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6 lens silver & M. ZUIKO DIGITAL 17mm 1:2.8 Pancake lens silver &
VF-1)


New accessories:
• M. ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6 lens
• M. ZUIKO DIGITAL 17mm 1:2.8 Pancake lens
• MMF-1 adapter for all Four Thirds lenses
• MF-2 adapter for all OM lenses
• FL-14 flash
• VF-1 external optical view finder
• Leather strap in white and brown
• Leather body jacket in white and brown

* 35mm equivalent

Hahnemühle Anniversary Photo Award: Reminder for entries

3 Weeks to go: Deadline 30th June

Hahnemühle celebrates its 425th Anniversary this year: join in by entering the Anniversary Photo Award competition - an exciting opportunity to feature in a worldwide travelling exhibition, receive the Hahnemühle Anniversary Photo Award and win valuable prizes (total prize giveaway worth €36,000 for winners and universities/colleges of entrants in the student category). The winners will be showcased in the photo capitals of Europe, America and Asia.

Info at http://www.hahnemuehle.com or email ukmarketing(at)hahnemuehle.de

Light and Land opens doors...

Press release:

9 June 2009

Light & Land - the UK’s leading photographic tour company - has opened the doors for its 2009 Discovery Day. The event is to be held on 6th December, at Wokefield Park Executive Centre near Reading.

Tickets for Light & Land’s inspirational celebration of landscape photography normally sell fast - with the unique opportunity to meet some of the finest outdoor photographers in the UK.
This year, there’s an exciting line-up of speakers already confirmed, including Charlie Waite, David Ward, Joe Cornish, Niall Benvie, Ben Osborne and a brand new guest speaker – William Cheung – ex editor of Photography Monthly magazine.

Will has many years of experience as a photographer himself, as well as having been editor of some of the biggest photography mags in the industry and will be giving invaluable insight on how to get your work published.

There’s also a brand new event for the afternoon; Charlie Waite, Joe Cornish and David Ward have set themselves a compact camera challenge! They will make six new landscape images on a compact camera and present them for the first time on the afternoon of the Discovery Day. Each will critique the others’ work and invite questions from the audience. This section will be chaired by the acclaimed photographer Eddie Ephraums and promises to be both lively and inspirational!

Guests will also have the opportunity to gain constructive critique on their own work (pre bookable sessions) from some of the top landscape photographers in the UK.
There will be some great retail therapy on offer, with some of the latest equipment on show, to try and buy.

Tickets for the day are priced at £59, or £65 (to include a one-2-one critique session with one of the tour leaders) and by attending the event guests are entitled to a £25 discount on Light & Land UK courses (excluding one day workshops) and a £50 discount for each overseas tour booked on the day.

The day runs from 9.30am to around 6.30pm, with lunch and refreshments included in the ticket price. For full details visit www.lightandland.co.uk Or, to book a place on this fantastic day, simply contact the Light & Land office on 01432 839111 or email info(at)lightandland.co.uk.

Sigma DP2 samples

Sigma DP2, 1/15 sec at f/2.8. ISO200. Converted from X3F file in Photo Pro v3.3

According to several review sites and price comparison websites the Sigma DP2 has been out in the USA for a while, but that's not the case here in Blighty. In fact it's not on retailers shelves as yet. Still, we've had a DP2 for a few days, courtesy of Sigma UK and thought we would post the first of a few sample shots.

Although we have some mighty impressive samples to share, the DP2 is not without its faults. We've chosen this particular shot for its striking green cast in the corners of the frame, and it is, by all accounts, a pretty common event when taking high-key scenes wide-open.

Olympus Micro FourThirds camera leaked?

Is this the Olympus mFT camera we're all expecting later this month? This site seems to think so, and while I don't read Chinese, they could well be right. Looks like it's called the E-P1.

That lens is a 17mm f/2.8, the equivalent to a 35mm f/2.8. Finally looks like the Sigma DP1 and DP2 has some competition. Time will tell. Expect the official announcement in ten days time or so.

Lowepro unwrap new Toploaders

Press release:

Date: 29th May 2009

Lowepro’s new Toploader Pro AW Series.

Lowepro’s latest Toploader Pro AW Series is a great carrying solution for the pro who requires fast access, agility and flexibility from a camera bag.

With its asymmetrical shape, the Toploader Pro AW Series follows the line of a pro DSLR camera for a snug and protective fit. It also includes Lowepro’s unique 360° All Weather AW Cover™ that allows you to work out of the bag while protecting your gear.

This series is packed with useful features such as an inventive side opening that offers easy-grip access to capture a shot in a flash; U-shaped zipper pulls that are easy to grasp; plus extra pockets for accessories and small personal items. Lowepro’s exclusive SlipLock™ loops have been added to allow attachment of items and Lowepro’s quick-release buckle allowing the photographer to close the bag without zipping it, enables fast access plus security whilst on the move.

The Toploader Pro Series can be worn three ways to accommodate different working scenarios: holster-style over the shoulder with the 3-point shoulder harness; attached to Lowepro’s Street & Field™ belt system, or with our Topload Chest Harness (both sold separately).

There are three sizes to choose from in the series, 65 AW, 70 AW and 75 AW which are only available in black and can be purchased from all good stockists priced around £70.

For more information please visit www.lowepro.co.uk or contact the Lowepro helpline on 0870 420 4211.

Sony add two Cyber-shots: W180 and W190

Sony press release:


Great pictures to fit everyone’s pocket : Slim, stylish Cyber-shot cameras by Sony offer superb picture quality and outstanding value

• 10.1/12.1 effective megapixels (W180/W190)
• Easy to use with convenient shooting functions
• Smile Shutter automatically captures smiling portraits
• SteadyShot and High Sensitivity ISO 3200 for crisp, clear shots
• Seven Scene Selection modes
• 3x optical zoom and 17x/18x Smart Zoom (W180/W190)
• Choice of three colours (silver, black, red)

Two slim, stylish Cyber-shot digital cameras from Sony offer outstanding quality and value to suit every pocket.

The Cyber-shot W180 and W190 are the perfect no-fuss choice for anyone who needs to capture family moments, holidays and nights out.

Both models look great with slim, clean lines and a choice of silver, black or red colour finish options. Ideal for first-time photographers, they’re beautifully easy to use, with a simple slide switch to select photo/movie/playback modes.

For maximum creative freedom, a choice of seven Scene Selection modes adjusts camera settings automatically to suit virtually any subject. While they offer superb value, the Cyber-shot W180 and W190 don’t compromise on class-leading picture quality and easy-to-use features.

A high resolution of 10.1/12.1 effective megapixels (W180/W190) ensures crisp, detail-packed enlargements to A3 size and beyond. Pristine picture quality is further enhanced by the high-quality 3x optical zoom lens.

Smart zoom boosts maximum magnification to a frame-filling 18x for W190 and 17x for W180 for even more dramatic close-ups. There’s also a generously-sized 2.7” Clear Photo LCD screen for a bright, clear view of images and quick confirmation of camera settings.

Improved Face Detection recognises up to 8 faces in a scene, fine-tuning focus and exposure for better-looking portraits. For even happier people pictures, Smile Shutter automatically takes a picture when your subject smiles.

SteadyShot image stabilisation reduces the effects of camera shake when you’re shooting handheld. A special shooting mode boosts sensitivity to ISO 3200, letting you freeze moving subjects with faster shutter speeds or capture atmospheric interiors without flash.

Also supplied, the latest version (4.2.01) of Picture Motion Browser software (for PC) makes it easy to manage and share your collection of digital photos and video clips and for uploading these to YouTube, Picasa or other image and video sharing web-sites.

The Cyber-shot W180 and W190 compact digital cameras are available from July 2009.

Olympus E-450 Hi ISO examples

We've had an Olympus E-450 for a few days, and I thought I would publish some in camera JPEGs grabbed at dusk yesterday at ISO1600. Noise reduction and Filter settings left at the default, that's to say the latter set to Standard, and the former left to Auto. The last frame is a 100-percent crop (SAT set to Normal). For the time being, Raw files can't be developed by LR, Aperture or C1 Pro.

Canon Enables Manual Exposure in Video on EOS 5D Mark II

Canon has today announced the long rumored firmware upgrade for the EOS 5D Mk II, allowing manual control of shutter speeds, aperture settings and ISOs when using the camera in its HD video mode.

Canon press release:

LONDON, UK, 27th May 2009: Canon announced today it will release a firmware update for the EOS 5D Mark II allowing users to manually control exposure when shooting video. The new firmware will be available for download from 2 June 2009 on Canon Europe’s support web site.

Following the launch of the EOS 5D Mark II in September 2008, Canon’s Research and Development team has listened closely to customer feedback to develop additions to the camera’s movie recording functionality.

Allowing EOS 5D Mark II owners to achieve even more stunning video results with the camera, the firmware update will include the following manual controls when shooting video:

Full aperture selection
ISO speed: Auto, 100 – 6400 and H1
Shutter speed: 1/30th – 1/4000th second
The EOS 5D Mark II integrates full HD movie capability into a high-end 21.1 Megapixel camera; opening a multitude of new possibilities for photo-journalists and news photographers. Since its launch the camera has proved its appeal to professionals working in diverse fields, from studio and wedding to nature and travel. Now, following customer feedback, Canon has improved functionality for professional video users, further unleashing the potential of the EOS 5D Mark II for cinematographers and photographers alike.

Accessories for macro photography

Tripods aren’t the only means of support for the macro photographer, especially if working close to or at ground-level. I've rounded up a few accessories that'll make life that little bit easier.


Gorillapod SLR Zoom $54.95 (£35).

This little table-top tripod uses a series of ball-joints to make up each of its three-legs, enabling not only ground-level access but allowing the legs to be wrapped around fence posts, branches and the like. The SLR-Zoom easily supports small to mid-size DSLRs with a 50 or 100mm macro lens, and weighs just 241g.

Kirk Low Pod $150 (£120)

This specialised piece of kit, essentially a stable mounting plate for a Ball head, allows easy low-level work for the macro-enthusiast. Made from cast aluminium, it comes with a large carrying handle and four-rubber feet for stability on a number of different surfaces.

Wildlife Watching Supplies – Double Bean Bag $ 51 (£21.72)

Featuring two-bags sewn back-to-back to provide additional support and greater stability in the field, the Double Bean Bag is a pretty low-tech but hugely reliable solution to the problem of working at ground-level. At the price quoted the bean bag is supplied unfilled and without liners. Use bird seed, rice, corn and the like to attract animals, or fill with polystyrene for low-weight.

Wimberley Plamp PP-100 Adorama  ($36.95), Wex UK (£29.99)



Using a similar concept of ball-joints to the Joby Gorlliapod, the Plamp is a semi-rigid arm that clamps to your tripod, or nearest stable object, and is used to steady your subject. Measuring 48cm in length you could always use a second to position a tiny reflector or hold back some stray grass.

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News of Sony A500 and A550 leaked?

Forum members over at Dyxum, the Sonolta (Sony/Minolta) forum, are discussing the accidental leaking of new Alpha 500/550 models on the Sony Canada support site. Follow the link to the Dyxum forum.

Source Photoclub Alpha.

Macro photography: 10 top tips on using a tripod

10 TOP TIPS ON USING A TRIPOD FOR MACRO PHOTOGRAPHY

1: Make sure the centre of gravity is compensated by the leg placement – ideally over one leg, if possible.

2: Don’t over-extend the centre-column, as you will increase the likelihood of vibration and may adversely affect the centre-of gravity.

3: Make sure all the knobs/clamps are tightened off to increase rigidity and reduce vibration (will also save on accidental crashes).

4: Use spikes outdoors (push into soft ground), and non-slip feet indoors to prevent splaying and increase rigidity.

5: Use the self-timer or buy a remote release to reduce camera vibration.

6: Ideally use mirror lock-up or Live View (contrast-detection mode) to further reduce camera vibration.

7: Don’t scrimp on the head. Although macro tripods require quite a lot of adjustment during set-up, you’ll still find you spend more time adjusting the head.

8: For precise adjustment and ease of use, large ball-heads are preferable to 3-way tilt-and-shift type heads.

9: To compensate for different loads, choose a ball head with friction-control. Learn how to use it properly to prevent accidental crashes.

10: To further reduce the effects of vibration, ideally choose a head with removable Arca Swiss style metal plates. Buy the plate made for you camera/lens.

To read the final page of the article, rounding up a few useful accessories, please use this link.

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Olympus mFT: interview with Haruo Ogawa

The following is an interview with Mr Ogawa (head of DSLR development in Toyko) at Photokina 2008, discussing Olympus‘ take on mFT. It’s reproduced here in its entirety and is pretty candid. I really don’t know if it has been posted or published elsewhere (I'm sure it will have, as I've sat on it for months) but I’m grateful to Olympus UK for sending this to me.



Was mFT part of the original Olympus 4/3 strategy and if not, when and why did it become important?

No hard and fast answer to that but the overall concept of size certainly been a key component of 4/3 development so this in many ways is a logical step. Let’s say that these things are often on paper but timing depends on technology.

How does mFT fit in with the overall product strategy of the existing 4/3 system?

It is an addition – a branch if you like, a whole new potential market – complimentary but also separate. Surveys have suggested that up to 25% of the 100 plus million people who bought compacts in the last year worldwide would consider an SLR if it was smaller and easier to use. That is one commercial angle. Others include additional cameras for SLR owners of all brands who want a serious “pocketable” camera. Naturally, we also expect many users to prefer a conventional system – think how conservative most designs are at the moment and the uproar when things like EVF’s are proposed. So a twin strategy makes a lot of sense.

Some people have voiced a little concern with the almost lacklustre Photokina launch with only a mock up of the Olympus mFT camera, while the Panasonic G1 will be hitting the shelves this month – what are your comments on this?

We are taking our time to ensure we can deliver what we believe the system is really capable of. Can’t really comment of the direction of the other product but let’s just say Olympus is committed to delivering something really exciting. Look on the bright side – you all get to have a voice in what you would like to see over time. The mock up shows what can be done in size terms, everything else is open to suggestion in theory.

Does Olympus foresee some mFT cameras having non-traditional body shapes - for instance like the E-300/330?

Some might, some might not. We would prefer people to imagine what could be rather than judge purely on the past. In this electronic age there are some who might be surprised that a mirror is used at all and yet DSLR’s still have them. Think 5 years from now, put aside any prejudices and imagine what you would like to see that would let you take superb images whenever and wherever you like.

Do you plan to build bodies for the advanced amateur/pro market in addition to the beginner/bridge market for the mFT?

No firm news but as above – just imagine. It does not all have to happen on day one.

How long have you been working on mFT with Panasonic for and is the partnership of technology sharing likely to continue and why?

No information released on this but as you may imagine many technology partners in Japan work long term on many projects depending on their expertise.

It has been suggested that Panasonic see two lines of mFT cameras, a) point/shoot and b)video recording type. Does Olympus have a similar distinction planned in their roadmap for mFT body systems?

Again – we can’t say one way or the other right now but as you can probably guess: if it is possible and there is a demand then why wouldn’t we consider it?

On the lighter side, does Olympus intend on out doing Panasonic in the fashion colour department? (More colours....colour coordinated lenses....)

See above!

Does mFT impact in any way on the future development and support for the original 4/3 system? Either at lens or body level?

In a negative way? We do not believe so – in fact we believe the opposite. After a long Photokina with this kind of question we had a variety if ways of looking at this and my analogy of the week is cars. A one range company has limitations in potential business and therefore in long term investment.

Think certain luxury car makers in recent years. Those that have done best have several ranges aimed at different sectors. They can develop in stages and invest more. Some aspects are shared, new technology used in all. This is true to an extent with the differing ranges of conventional SLR’s and compacts but if you can expand your market reach further, so much the better.

And before anyone points out what happened to some of the car companies we would ask you to consider USP’s. Optics are the hardest (longest lead time) part of cameras to develop. Not many companies have the resources and expertise to do this part with appropriate quality – Olympus do. Remember that E System is the only designed for digital range started from scratch so we are already ahead. Have a look at the very recent review of the 50mm macro on a certain large review site if you need some confirmation. Have a look at feedback on our low cost kit lenses – they are superb.

We are often asked about the impact of camera phones on digital cameras and our European Marketing Director said (I paraphrase) – “look camera phones are for instant sharing. Photography comes from the heart, getting the best results you can whether for your pleasure or because you want to capture an image, a memory, to keep. Photography companies have the edge here and optics are the key. We excel in that area, it is our heartland and the stronger we get the more we can do with it” Is that positive enough?

When can we expect to see the first mFT Olympus camera on the shelves?

Nothing more precise just yet.

Any other pieces of ‘red hot’ information you would like to share with us?

Next year [2009] will be exciting.

Size comparison between FT (left) and mFT bodies, courtesy of Olympus UK. Without the quick-return mirror, the dimensions of mFT bodies can be greatly reduced.

And a couple more...

Nikon users will notice the inclusion of ADR and CPU contacts, essentially what Nikon termed Ai-P spec. The Ai (Auto indexing) ridge ensures the Voigtlander 20mm f/3.5 Color Skopar has backwards metering compatibility with manual focus SLRs dating back to the Nikon F2A and F2AS (DP11/DP12 Photomic heads), while the CPU data-bus provides compatibility with modern film cameras such as the F100, F5 and F6, as well as latest digital SLRs. Please note, this a manual focus lens.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

Unboxing Voigtlander Color Skopar 20mm f/3.5

Okay so I don't normally do this kind of thing, but hey it's my blog and I can do what I like. It's not a video either just a couple of stills but it will give you a taste of what to expect when you plunk down your cash. Should of done this before I posted the first look, but well there you go. I didn't, so I'm doing it now.

Update; click here for a few more images.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

Macro tripod review part VIII: Uni-loc Major System 1600

Uni-loc Major System 1600 $275 (£175) + Uni-loc 30 ball head $65 (£40) (not shown).

SPEC PANEL (exc ball-head)

Max Height (column down): 136cm
Max Height (column up): 180cm
Min Height: 0cm
Leg Sections: 2
Closed Length: 83cm
Weight: 3.8kg
Load capacity: 20Kg

Quality 5/5
Features & Design 4/5
Value for Money 5/5
Overall 4.5/5

Without doubt this particular model is the heaviest and largest of the group, and it’s ideal for supporting heavier gear, however, there are smaller and lighter models available from the maker.

Like the Benbo on which it’s modeled the Uni-loc also exhibits an enormous range of movements making it ideally suited to difficult to reach subjects. The Major 1600 has the edge on build-quality though and this particular model features an independently lockable centre-column. As a result I found I was much less likely to have an accidental spill and it greatly improves on the original design where one clamp locked all three-legs and column.

I also liked the folding column with the option of two head platform allowing me to get low and orientate the head (and camera) with ease. While the huge column clamp increases rigidity you have to resist the temptation to overextend the column. You can shorten it quickly (it comes in two sections) with the provided hex-key, though, and is easy enough to do in the field.

You can also strip out one of the legs to make a fully functional monopod, but like the tripod (with 2-section leg tubes) it’s not particularly compact. Bear in mind you’ll need to budget for a head, but apart from the weight and bulk there are few if any other shortcomings.

Tomorrow: 10 top tips for using your macro tripod.

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Up close & personal - macro tripod review part VII

Velbon Ultra Luxi M complete with head $150 (£69)



SPEC PANEL (inc ball-head)

Max Height (column down): 119cm
Max Height (column up): 139cm
Min Height: 19cm
Leg Sections: 5
Closed Length: 34.5cm
Weight: 1.26kg
Load capacity: 2.5kg

Quality 4/5
Features & Design 4/5
Value for Money 4/5
Overall 4/5


At first sight the diminutive Ultra Luxi M seems out of place in this company, but shorter leg tubes and 3-position leg joints it can be used quite successfully for low-level work. And, thanks to the 5-section legs the Velbon is capable of extending to the height of the others on test, but it lacks a tilting column to get in close.

I’m not normally a fan of Pan and Tilt heads, but I have to admit I was really impressed by the bundled Velbon PHD-41Q head. Not only were the locking handles really smooth, allowing high precision when locking the head off but it was steady as a rock too. If I have a concern, it was as a result of some slight play in the rubber-covered quick-release plate. I had to all but over-tighten to prevent vibration.

A sliding mechanism for the 3-position leg joints is a neat design and that as well as a two-piece column allows the Ultra Luxi M to get low, but it’s still difficult to get in level for small subjects with a 50 or 100mm macro. Even so, if pack weight and size is critical, the Velbon is well worth a closer look.

Don't forget to check back tomorrow for part VIII.

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Olympus Micro 4/3 build-up begins

It's coming...

An undisclosed source (I don't want to get anyone in trouble) said to me they've seen it and it looks great. Of course what they've seen is another thing altogether...But, I think it will likely resemble the mock-ups shown at PMA and elsewhere. All will be revealed in the fullness of time. Here's the link.

UPDATE 24/5/09: I thought I would add the images of the MFT concept model Olympus sent a while back. Save you looking elsewhere...

I'm hoping Olympus follow through with this, there's a market for a rangefinder-esque model with detachable lenses, evidenced by all those mFT lens adaptors that have appeared. And Olympus lenses are so so good, have you seen the results from the 4/3's 12-60mm and 14-54mm Mk II? They're really something.

Pentax K-7 more images

I think Pentax are doing the right thing with the K-7, it's small, highly specified and well-made. That and the maker's range of high-quality Limited glass is really going to appeal to a lot of people.

You simply don't get this with Canon or Nikon, their semi-pro models are hulking great things and rarely handle well with their mid-range primes. I'm thinking 35mm f/2, 28/24mm f/2.8, maybe 85mm f/1.8 too. Most of those lenses date back to the late 1980's and 90's and were designed for smaller 35mm models.

This isn't new territory for Pentax, think back to those excellent MX, ME and ME Super models from the 70's and early 80's. And don't forget the pro-level LX, there's quite a bit of that models DNA in the K-7. Of course it's a market that Olympus currently occupy with their excellent Evolt models, the E-30, E-620 and E-450 are the best we've seen from the company.

What's more it looks like Sony could be making more of a play for that segment. You may be too young to remember the word's first multi-mode SLR was the miniscule Minolta XD-11 (XD-7 in Europe), and I'm betting we'll see the A-700 replacement downsized this year too.

Rubber seals around the body and that of the battery pack provide weather proofing, but it looks like there's little protection around the occular (viewfinder). Maybe it's just the picture, we'll see.

Check these links for prices or to buy from approved retailers

B&H Photo: Pentax K7 (body only)