Nikon announces two new zooms, 70 million lenses produced

Nikon has launched to new lenses today, the AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR for APS-C format cameras (such as the Nikon D7000 and D300s) and the AF-S NIKKOR 24–85mm f/3.5–4.5G ED VR (a long overdue update to the slot-drive 24-85mm f/2.8-4D IF, as well as the newer AF-S 24-85mm f/3.5-4.5G lens that was subsequently dropped). Both new lenses will be available by the end of the month, retailing at £849.99 / Euros 1002 for the 18-300mm and £519.99 / Euros 613.00 for the 24-85mm. The re-introduction of the relatively affordable 24-85mm lens will add credibility to the rumors of an impending full-frame camera, replacing the 12-megapixel D700 (pretty much confirmed now as being called the D600 on various rumor sites).

Neither lenses are available to pre-order via Amazon yet, but B&H Photo are taking orders:

24-85mm $599.95
18-300mm $999.95

AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR - One for All

RRP: £849.99 / Eur 1002.00
Sales start date: 28th June 2012
 
London, UK, 14th June 2012 – Nikon today announces a new high-powered DX-format zoom lens with wide-angle to super-telephoto reach and Vibration Reduction. Boasting an ultra-high 16.7x zoom ratio and incredibly wide 18-300mm focal range, this new lens is a great all-rounder for photographers with a broad range of interests.
 
Simon Iddon, Product Manager for Enthusiast Products, at Nikon UK says: “This new 18-300mm lens is ideal for photographers looking to travel light – it’s a versatile lens that allows you to capture a whole range of scenes with ease, thanks to its remarkable zoom range.”
 
All in One
With its versatile wide-angle to super-telephoto reach, this 16.7x zoom lens is perfect for travel or for times when you only want to take one lens out with you. The remarkable 18-300mm focal range (FX-format/35mm equivalent: 27 to 450mm) easily covers most commonly used focal lengths, going further than many comparable lenses by offering 300mm reach and a maximum aperture of f/5.6 at the telephoto end of the range. From wide landscapes to tight portraits and action photography, this lens will capture it all.
 
Sharp and steady
Complementing the versatile focal range is Nikon’s second-generation Vibration Reduction system (VRII) — that allows substantially sharper handheld images across the zoom range and dramatically reduces image blur, even when taking extreme telephoto shots. Three Extra-Low Dispersion (ED) glass and three aspherical lens elements provide high resolution and superior contrast, and the nine blade rounded diaphragm opening makes out-of-focus elements blend together smoothly. Nikon's compact Silent Wave Motor technology (SWM) combines fast and precise auto focus with super-quiet operation.
 
Built to travel 
A practical zoom-lock switch keeps the lens secure when not in use, and it boasts a metal mount with rubber sealing for protection against dust and moisture.
 
This lens comes with a lens case CL-1120 and hood HB-58.

Nikon launches new lens: AF-S NIKKOR 24–85mm f/3.5–4.5G ED VR

RRP: £519.99 / Eur 613.00
Sales start date: 28th June 2012
London, UK, 14th June 2012:   Nikon today announces a new FX-format zoom lens with broad 24-85mm focal range, compact build and Vibration Reduction. With a versatile reach from wide-angle up to telephoto and a lightweight body, it’s a smart choice for FX camera users looking for a multi-purpose lens that doesn’t cut any corners when it comes to image quality.
Hiro Sebata, Product Manager, Professional products at Nikon UK, says: “The new 24-85mm is a high quality, versatile lens that is ideal for a variety of shooting scenarios; from portrait to landscape to low light situations. With a compact build, this new lens perfectly complements Nikon’s FX format bodies to produce stunning results.”
Multi-tasker
Developed to be especially compact for an FX-format zoom lens, this 24-85mm NIKKOR is ideal for people who want a lens that offers the freedom to shoot a wide variety of day-to-day moments and subjects. The versatile 24-85mm range covers most commonly used focal lengths with ease: from landscapes to portraits, you can go fairly wide or zoom into distant objects without needing to change lenses.
Sharp and Steady
Complementing the versatile focal range is Nikon’s second-generation Vibration Reduction technology (VRII) — that allows substantially sharper handheld images across the zoom range and dramatically reduces image blur, especially when shooting towards the telephoto end of the range. VRII also enables you to shoot using shutter speeds up to four stops slower, enabling you to shoot more effectively when shooting in low light.
Nikon’s Super Integrated Coating ensures superb colour reproduction, while Extra-Low Dispersion (ED) glass and three aspherical lens elements help deliver stunning sharpness and contrast, even at maximum aperture.
Good to Go
Well-balanced in terms of size, weight, price and image quality — and boasting a weather-sealed mount — this lens offers a worthwhile combination of precision NIKKOR optics, broad focal range and lightweight build for people on the go. This lens comes with a lens case CL-1118 and hood HB-63.

Total Production of NIKKOR Lenses for Nikon Interchangeable Lens Cameras Reaches Seventy Million

 

London, UK, 14th June 2012: Nikon today announced that total production of NIKKOR lenses for interchangeable lens cameras reached seventy million at the beginning of June 2012. The figure is up five million since production reached sixty five million in October 2011. Moreover, total production of AF-S lenses equipped with the Silent Wave Motor (SWM), the autofocus motor developed by Nikon, has reached 30 million.

Since 2011 and the 65 million milestone, Nikon has continued to actively develop new products under the NIKKOR brand and has released four 1 NIKKOR lenses with a simple design in various colours for the compact and lightweight Nikon 1 J1 and Nikon 1 V1 AC-IL system cameras – the first two models in the Nikon 1 series. In addition, Nikon launched new FX-format compatible NIKKOR lenses that maximize the potential of high-performance cameras such as the new D4 flagship D-SLR camera, and the 36.3 million pixel D800 and D800E D-SLRs.
 
Thirty million SWM-equipped NIKKOR lenses
 
The Silent Wave Motor, or SWM, is an ultrasonic autofocus motor developed by Nikon. Nikon’s SWM converts ‘traveling waves’ into rotational energy to focus the optics. This enables extremely smooth, quiet and comfortable autofocusing. Among the first lenses for which Nikon adopted the SWM was the Ai AF-S NIKKOR 300mm f/2.8D IF-ED, released in 1996. Since then, the SWM has been built into a total of 58* different lenses of all types, from ultra-wide-angle to super telephoto DX- and FX-format lenses, zoom lenses, and even Micro lenses. It has been adopted for more than 90% of NIKKOR lenses currently manufactured.
*The total number of NIKKOR lenses equipped with the SWM currently available (as of June 14, 2012). 
 
The NIKKOR brand
 
As the brand name for Nikon lenses, NIKKOR has become synonymous with high-performance, high-quality SLR lenses. The NIKKOR name comes from adding "R", a common practice in the naming of photographic lenses at the time the name was established, to "Nikko", the Romanized abbreviation for Nippon Kogaku K.K. In 1933, the large-format lens for aerial photography was released with the name Aero-NIKKOR.
 
NIKKOR has always been ahead of the times. The OP Fisheye-NIKKOR 10mm f/5.6 fisheye lens for SLR cameras, released in 1968, was the world's first lens to incorporate aspherical lens elements. What's more, NIKKOR lenses for the latest SLR cameras utilize a number of Nikon's own cutting-edge technologies, including Nano Crystal Coat, which virtually eliminates internal lens element reflections across a wide range of wavelengths.

The current line-up of NIKKOR lenses for Nikon SLR and Nikon 1 system cameras offers a rich variety of lenses, including fisheye lenses, super wide-angle to super telephoto lenses, micro lenses and PC-E lenses.

Nikon announces AF-S Nikkor 85mm f/1.8G

Nikon has released a new 85mm f/1.8, replacing the old version originally introduced in the late 80's. As expected it has a SWM a new optical construction and lacks an aperture ring, being a G-series lens but it also lacks the Nano crystal coat, which while not unexpected is a pity - it's likely to flare without a hood. All the same, the optical quality looks good at f/1.8, if the MTF chart below is to be believed.

To buy from Jessops UK at £469.95, please follow the link here. US readers can buy from Adorama at $499.95, please follow the link here.

Press release:

AF-S NIKKOR 85mm f/1.8G — Master of Character
 
RRP: £469.99 / Eur 554.00
Sales start date: 22nd March 12 (tbc)
 
London, UK, 6th January 12:  Nikon today announces a new fast aperture medium-telephoto lens – the AF-S NIKKOR 85mm f/1.8G.
 
The combination of the classic focal length, large (f/1.8) aperture and re-designed optical system that meets the requirements of today’s D-SLRs, delivers superb image quality whilst offering photographers an affordable way to take advantage of Nikon’s rich legacy of renowned 85mm NIKKOR optics.
 
Kentaro Kusakari, Product Planning Manager, Nikon UK says: “This new lens is ideal for photographers looking to experience the benefits of a fast medium-telephoto lens, whether they are shooting portraits in a studio or on location making the most of natural light.”
 
Classic character
The classic 85 mm focal length allows for tight head and shoulder shots with extreme detail. The fast f/1.8 aperture perfectly balances sharpness and bokeh, so you can single out subjects beautifully, and it provides a bright viewfinder image that makes it easier to compose your shots. An excellent choice when shooting in low light, the fast aperture also helps you shoot with available light and still capture striking, sharp images.
 
New optical design
The new 85mm f1.8 lens is an ideal portrait lens that features an all-new optical design that has been optimised to meet the requirements of today’s D-SLRs. Compromising 9 elements in 9 groups, it offers superb image quality and makes an attractive choice for videographers. The dedicated Silent Wave Motor (SWM) ensures discreet but accurate autofocus.
 
Ergonomics
Weighing in at only 350 grams, this weather-sealed compact new 85mm lens is lighter than its predecessors. Compatible with Nikon FX-format D-SLRs, it offers a 127.5mm (equivalent) focal length when used with Nikon DX-format D-SLRs, and is fully compatible with entry level D-SLRs that do not have a built in autofocus motor.
 
The lens is supplied with a lens hood HB-62, and a soft pouch CL-1015.

Construction

MTF Chart

Interesting MTF chart, shows maximum aperture only, but in terms of resolution the edges are are almost as sharply defined as the centre, though that drops right in the corners as you might expect. What's interesting is the drop between the edges and centre, showing some curvature of field (though it's unlikely to have any real world effect). The top (red) lines closely correlate to visible lens contrast, and are technically the more important for most photographers (resolution isn't everything). This chart shows the lens should possess excellent contrast across the frame and, perhaps, even outstanding bokeh (remember though we're talking about max aperture only, a second MTF chart stopped down would give us more information). Comparing the MTF chart with that of the AF-S 85mm f/1.4G (see link here), it appears the new lens has slightly better resolution, contrast and bokeh, at least at their respective maximum apertures (though, it should be noted, we're not comparing the same aperture).

Sample image

AF-S 85mm f/1.8G at f/2.2. Image courtesy of Nikon.

100-percent crop at f1.8, using a D700. Image copyright of this site.

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Nikon outs new AF-S 85mm f/1.4G Nikkor

Rumoured for ages, Nikon has finally answered requests for an update to the AF-D 85mm f/1.4. But there's no VR and Nikon didn't use the opportunity to match rival Canon and offer an f/1.2 maximum aperture. The new lens will be available from the 2nd September at a retail price of $1699 / £1499.99 / 1776 Euros.

Press release:

Amsterdam, the Netherlands, 19 August 2010 – Nikon Europe today announces a new fast aperture medium-telephoto lens – the AF-S NIKKOR 85mm f/1.4G. This lens supersedes the highly acclaimed AF NIKKOR 85mm f/1.4D IF with a totally new optical design, Silent Wave Motor (SWM) and Nano Crystal Coat, making it the essential choice for today’s portrait and fashion photographer. This lens continues the rich legacy of NIKKOR 85mm optics and reflects Nikon’s continuing dedication to optical innovation.

Zurab Kiknadze, Product Manager Lenses, Accessories & Software, Nikon Europe says: “The new AF-S NIKKOR 85mm f/1.4G takes portraiture to another level. Lenses like this encapsulate what the NIKKOR brand stands for: amazing contrast and resolution, with unique bokeh qualities.” He added: “We think it will set a new benchmark for stills photographers as well as the growing army of videographers using D-SLRs like the D3S.”

Bokeh Master

The AF-S NIKKOR 85mm f/1.4G is designed to be the ultimate optic for professional portraiture. The fast f/1.4 aperture provides excellent subject-background separation, whilst the rounded nine-blade diaphragm renders stunning bokeh with smooth out of focus areas.

Leading Light

The AF-S NIKKOR 85mm f/1.4G features a newly-developed optical system with 10 elements in 9 groups and incorporates Nikon’s exclusive anti-reflection Nano Crystal coat, drastically reducing ghosting and flare to deliver rich, high contrast images even under the most testing lighting conditions.

Smooth Operator

The AF-S NIKKOR 85mm f/1.4G features a dedicated Silent Wave Motor (SWM) to ensure quiet and accurate focusing. The gearing mechanism has been refined to offer extremely smooth operation when using Manual focus.

Tough Customer

As you would expect, the lens has the tough NIKKOR magnesium body and sealing against moisture and dust to continue working in the toughest of shooting conditions. Weighing in at 595g, it balances well on Nikon’s advanced and professional D-SLRs like the D700 and D3 series cameras.

The lens is supplied with a hood HB-55 and a soft pouch.

 

Sample images

Nikon D3x, 85mm at f/1.4, ISO640 courtesy of Nikon

Crop of same. Note the smooth areas of differential focus, or, what's becoming a more frequently used term, 'bokeh'. I reckon there's a hint of CA, too.

Lens construction

MTF

Nikon announces 60 millionth Nikkor lens

Somewhat behind the announcement from Nikon US earlier in the month, Nikon UK has today announced the company has achieved production of its 60 millionth Nikkor SLR lens since 5cm f/2 'tick-marked' standard lens for the Nikon F in 1959. Back then, it was delivered fitted to the camera complete with an every-ready case in a nondescript grey box, with barely a 'Nikon' or 'Nikkor' trade-name to be found.

Incidentally, arch-rival Canon announced its 60 millionth EF lens in February, the range started in 1987. Before that though there was the manual focus FDn, FD and FL lenses. I wonder how many of those were made?

Press release:

Nikon announces the production of its 60 millionth NIKKOR interchangeable lens for Nikon SLR cameras

London, UK, April 2011 – Nikon celebrates a significant milestone this month, with the production of its 60 millionth NIKKOR interchangeable lens. The landmark figure is the culmination of over 50 years of Nikon’s commitment to supplying professional and amateur photographers alike with the best possible equipment.  

Five million lenses have been produced in the last seven months alone, after total production of NIKKOR lenses reached 55 million in August 2010. Since then, Nikon has continued to expand the product lineup by releasing six new NIKKOR lenses for FX- and DX-format SLR cameras. The popularity of the six new releases, which satisfy the needs of a wide variety of photographers, has helped production surpass expectations.

NIKKOR lenses released since August 2010:
-            AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR (released September 2010)
An ultra high-power zoom lens with magnification of approximately 10.7× that covers a broad range of focal lengths from the wide-angle 28 mm to the telephoto 300 mm; equipped with Nikon's latest vibration reduction system, VR II, which provides image stabilization equivalent to an approximately four-step increase in shutter speed. This lens is compatible with the FX format. 
-            AF-S NIKKOR 85mm f/1.4G (released September 2010)
A fast, mid-telephoto, fixed focal length (prime) lens that offers pleasing blur characteristics and superior resolution with a focal length of 85 mm and fast maximum aperture of f/1.4. This lens is compatible with the FX format. 
-            AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR (released September 2010)
An ultra high-power zoom lens with magnification of approximately 5.5× that covers the 55 mm to 300 mm range of focal lengths; equipped with Nikon's latest vibration reduction system, VR II, and high refractive index (HRI) lens elements. This lens is compatible with the DX format. 
-            AF-S NIKKOR 24-120mm f/4G ED VR (released September 2010)
A 5× standard zoom lens with a fixed maximum aperture of f/4 throughout the entire zoom range; utilizes Nano Crystal Coat and is equipped with Nikon's latest vibration reduction system, VR II. This lens is compatible with the FX format. 
-            AF-S NIKKOR 200mm f/2G ED VR II (released October 2010)
A fast, telephoto, fixed focal length (prime) lens with a focal length of 200 mm and maximum aperture of f/2 that is equipped with Nikon's latest vibration reduction system, VR II, and utilizes Nano Crystal Coat. This lens is compatible with the FX format.    
-            AF-S NIKKOR 35mm f/1.4G (released November 2010)
A fast, wide-angle lens that exhibits superior image quality with shooting at f/1.4 maximum aperture; utilizes Nano Crystal Coat and is equipped with Nikon's Silent Wave Motor (SWM). This lens is compatible with the FX format. 
 
The history of NIKKOR lenses began in 1959, when Nikon (then Nippon Kogaku K.K.) released its first SLR camera, the Nikon F. At the same time, Nikon also released its first NIKKOR interchangeable lenses for Nikon SLR cameras, among them the NIKKOR-S Auto 5cm f/2. The current lineup of more than sixty NIKKOR lenses for Nikon SLR cameras offers a rich variety of lenses, including fisheye lenses, super wide-angle to super telephoto lenses, micro lenses and PC-E lenses. 

Please click here for further information.

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Nikon announces SB-910 Speedlight

Nikon has announced the new SB-910 Speedlight, the replacement for the earlier top-of-the-range SB-900. The new model has redesigned controls and clearer UI (user interface) as well as a redesigned thermal protection system. The new model will be available from 15th December with an RRP of £449.95 / 522.00 Euros (inc VAT).

Buy from Jessops online at £369.95 inc VAT. US readers can buy via Adorama Camera for $546.95. Thank you for buying through this site's links.

More information can be found at the Nikon website.

Nikon say the SB-910 has a new, clearer user interface.

Press release:

London, UK, 30 November 2011: Nikon today introduces a brand-new flagship i-TTL Speedlight; the Nikon SB-910 that replaces the highly regarded SB-900.
 
Fast, versatile and powerful, with re-designed menus and controls, the SB-910 offers extensive opportunities for on-camera or wireless flash photography. A powerful tool for professionals who demand studio quality lighting, the new model combines enhanced operation with an extended zoom range of 17-200mm and three illumination patterns for total control over flash coverage.
 
“The SB-900 cemented its position as a class-leading flash”, says Zurab Kiknadze, Product Manager, Lenses, Accessories & Software, Nikon Europe. He goes on: “and now the new SB-910 is set to continue this legacy, taking operability to the next level with improved ergonomics and more intuitive control.”
 
Light Control
The SB-910 is a powerful portable light source that delivers precise flash exposures and seamless fill-flash performance—even in challenging lighting situations. Perfect for professionals seeking complete control over the quality of light, it offers Centre-weighted, Even and Standard illumination patterns to accommodate any shooting environment and can cover a zoom range of 17-200mm while maintaining an even light distribution. Bounce flash capability is provided through a head that can be tilted up to 90º, down to 7º and rotated horizontally through 180º to the right and to the left. The thermal protection system has been improved allowing more optimal heat detection and recycling time management.

Smooth Operator
The SB-910 boasts refined ergonomics and re-designed menus for more intuitive control, with the same reliability as its predecessor. Menus are clearer and the selector dial incorporates a groove so you can feel when you change settings. Illuminated buttons offer better visibility in the dark and the SB-910 includes hard cover (plastic) colour filters that are more durable and easier to attach.
 
Part of the acclaimed Nikon Creative Lighting System, the SB-910 is easily incorporated into multiple-flash lighting set-ups.
 
Major Features
 
·         Professional i-TTL (intelligent TTL) Speedlight: compatible with FX- and DX-format SLR cameras. Part of the Nikon Creative Lighting System, it offers total control over flash coverage.
·         Guide number: 34 (STD)/39 (CW)/31 (EVEN) (FX-format, ISO 100, m, at 35 mm)
Maximum guide number: 54.5 (CW, FX-format, ISO 100, m, at 135 mm)
·         Centre-weighted, Even and Standard illumination patterns: Centre-weighted mode concentrates illumination to the centre of the frame, useful when using a telephoto lens. Even mode diffuses light evenly across the frame, useful when taking group shots. Standard mode offers a standard balance of power and light distribution.
·         Multi-step auto zoom covers wide 17-200mm zoom range.
·         Refined ergonomics for intuitive operation. Boasts a large LCD screen, clear menu systems, conveniently placed controls and illuminated buttons that offer more comfortable operation in low light.
·         Automatic detection of sensor format: automatically recognizes FX- or DX-format cameras.
·         High-speed recycling time of 2.3 seconds when using LR6 NiMH batteries.
·         AF-Assist illumination: compatible with Multi-CAM 3500 FX/DX AF sensor module.
·         Bounce capability: rotates 180º horizontally to the right and to the left; tilts up to 90º and down to 7º.
·         Thermal protection system: warns of excessive heat buildup during high intensity firing.
·         Hard-type incandescent and fluorescent colour filters included.
·         Automatic filter detection: Speedlight automatically adjusts the attached camera’s colour temperature settings according to the colour of the filter being used.
·         Firmware can be upgraded via the storage media in the attached camera.

More information can be found at the Nikon website.

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Nikon announces new flagship D4

After a series of unfortunate leaks, the successor to the Nikon D3 was launched yesterday at a press conference in London. With a full frame 16.2-megapixel CMOS sensor and extended video capabilities, the new D4 is the new flagship model and update to the D3s - with the new naming convention it seems unlikely now that we'll see a D4x (but you never know, a D4s could be introduced in 12-months time with the D4x to follow). However, just in time for the Olympic Games in London, the new D4 has several important features (remote control over WLAN with new WT-5, AF with the 600mm f/4 and 2x converter, uncompressed HDMI output for external recording) and the adoption of a new card format, XQD, though after this announcement about CFast, I'm a bit surprised. I hope either to expand on them here or at a later day in a review. A spokesperson for Nikon UK confirmed to the DJP that the new camera will be available in March, not mid-Feb as advised at the launch, at £4,799.99.

UPDATE 8th Jan: UK retailer Jessops is taking pre-orders for the new D4 at £4,799.95 (inc VAT), please follow the link here.

 

Press release:

The Nikon D4 – Built to push limits
 
RRP: £4,799.99 / Eur 5,658
Sales start date: 16th February 2012 (tbc)
 
London, UK, 6th January 2012: Nikon today announces the launch of the D4, its new flagship D-SLR for photographers who are looking for the ultimate digital SLR camera to revolutionize photography.
 
Designed to push the limits and realize every shooting opportunity, this new professional FX-format camera brings new levels of image quality, speed and precision to both still photography and video.
 
Equipped with a 16.2-megapixel FX-format sensor, phenomenally high ISO and Nikon’s powerful EXPEED3 image processing engine, the new model offers uncompromised performance and unrivaled versatility in extreme lighting and environmental conditions.
 
“The introduction of the Nikon D4 sets a new benchmark for photography,” says Kentaro Kusakari, Product Planning Manager, Nikon UK. “We’re proud to be launching a new flagship model that exceeds the capabilities of its world renowned predecessor, the Nikon D3. This new camera has been designed for class leading professionals looking to push the limits of photography and improve their workflow. We’re confident that the Nikon D4 will help take them to the next level.”

 
Uncompromised Image quality—Exceptional speed
Engineered to deliver remarkable image integrity in the most diverse lighting conditions, the D4 offers blisteringly fast fps performance and sets a new benchmark in low-noise performance. The 16.2 megapixel FX-format (full-frame) CMOS sensor with fast channel readout delivers up to 11 fps—faster than any other Nikon DSLR camera.
 
Images of remarkable quality with low noise and wide dynamic range can be realized even at high ISO sensitivities thanks to the optimized noise reduction design and 14-bit A/D signal processing built into the sensor. The phenomenal ISO range sets a new benchmark of ISO12800 and extends the range one EV further to make ISO 100 a standard. For more challenging conditions, equivalent ISO 50 and ISO 204,800 sensitivities make the D4 the camera of choice for photographers who typically face extreme lighting challenges.
 
Super-charged EXPEED3 image processing engine
Thanks to Nikon’s next-generation EXPEED 3 image-processing engine, the D4 makes light work of multiple data-rich tasks without sacrificing the speed and quality that pros are accustomed to. High-speed 16-bit image processing follows the 14-bit A/D conversion to deliver submission-ready JPEGs straight out of the camera. Performance is never compromised, even when undertaking the most data-intensive tasks. Images boast faithful, well-saturated colour and natural depth. Even when shooting in dim lighting at high ISO sensitivities, the camera’s intelligent, performance-proven noise reduction lowers noise without degrading image sharpness.
 
Broadcast quality video
For professionals whose workflow demands video, the D4 offers all the flexibility required for a wide variety of movie applications. It’s large format movie shooting at its best, with a comprehensive variety of frame rates.
 
Frame rates: Full HD (1080p) movies can be recorded in 30p, 25p and 24p, with 60p, 50p, 30p and 25p options at 720p. Movie clips can be close to 30 minutes long (approx. 29.59 min).
 
Multi-area mode: Full HD (1080p) recording is possible in both FX and DX based formats as well as in native Full HD (1920x1080) crop.
 
High-fidelity audio control: responding to feedback from the industry, the D4 introduces new possibilities for D-SLR audio recording that enable your movies to sound as good as they look. Aside from the external stereo microphone input, an audio out for external headphones lets you fine tune audio in isolation.
 
Uncompressed HDMI output: for those who need the purest video output for professional quality editing, the D4 offers the possibility to output the uncompressed live view to external recorders and monitors. The first time this has been possible in an SLR camera, data is output at 1080i (Full HD) at the designated image size and frame rate. Data output can be scaled down if necessary and is clean of the information overlay that can be simultaneously displayed on the camera’s TFT monitor. 
 
Convenient custom controls: live view operation is enhanced thanks to convenient custom controls. Instead of rotating the command dial, power aperture enables smoother aperture control via assigned buttons on the front of the camera. Index marking enables important frames to be tagged in the timeline during movie recording, which makes for easy location during editing.
 
New levels of speed and accuracy
When it comes to nailing decisive moments, the D4’s enhanced auto operation gives photographers a clear advantage.
 
Advanced scene recognition with 91K-pixel RGB sensor: Nikon’s revolutionary Advanced Scene Recognition System now incorporates the newly designed 91,000-pixel RGB sensor that meticulously analyses each scene for outstanding accuracy.
 
3D-subject tracking is particularly improved when shooting and tracking smaller subjects. Human faces are detected with startling exactness even when working in real time through the optical viewfinder. This level of detailed scene analysis is also utilised to support more accurate autofocus and auto exposure, even under the most challenging lighting conditions.
 
Advanced Multi-CAM3500FX AF Sensor Module: Nikon’s highly acclaimed Multi-CAM 3500FX AF system  —with individually selectable or configurable 9-, 21- and 51-point coverage settings — has been re-engineered for faster subject detection.
 
The autofocus sensor module and algorithms significantly improve low light acquisition sensitivity capabilities down to -2 EV (ISO 100, 20°C/68°F). All 51 focus type sensors are fully responsive with any AF NIKKOR lens f/5.6 and—for the first time—this superb performance does not end at f/5.6 apertures. 
 
Powerful AF sensors compatible up to f/8: the D4 maintains the power of the eleven central AF sensors, including one cross-type even if the combined open aperture value is f/8. A big plus for shooting sports and wildlife, this delivers a new level of detection potential when combining, for example, a 600mm f/4 AF-NIKKOR lens with a NIKKOR 2.0x teleconverter. If the combined aperture value is between f/5.6 and f/8, you even have the power of fifteen central AF sensors available, of which nine are cross type sensors.
 
Faster total workflow speed
The D4’s speed runs across its entire workflow.
 
Newly developed Kevlar/carbon fiber-composite shutter unit: the new, highly durable shutter unit offers a standard life cycle rating of 400,000 releases, with a maximum shutter speed of 1/8000 to 30s and flash synchronization at up to 1/250 sec.  An intelligent self-diagnostic shutter monitor and a drive unit reduce the demand on power when the shutter is raised for extended periods during movie shooting.   
 
Fast response: start-up is approx. 0.12 seconds[1], release time lag is minimised to approx. 0.042 seconds[2] (equivalent to that of the D3S), with approx. up to 11 fps capability in FX-format and all crop modes.
 
Storage media: the D4 offers two card slots. One for high-speed CF (UDMA 7) cards and one for high-speed, high-capacity XQD card slot.
 
Connectivity: a powerful data communication and control system makes both wired and wireless LAN file transfer faster and easier than ever. Wireless LAN support is available via the compact, newly designed WT-5 Wireless Transmitter, which features HTTP and FTP connection modes and also allows for the simultaneous release of several cameras equipped with WT-5. HTTP mode has also been designed to work with iPhone screen resolutions. For the first time in a Nikon camera, a wired LAN connection is integrated into the camera body.
 
Always up to the job
Every millisecond can count, and the D4’s improved operability helps photographers respond quickly to changing situations.
 
Intuitive horizontal and vertical control: each orientation has identically laid-out controls, conveniently placed so that the camera may quickly become an extension of your hand whether you shoot in landscape or portrait. 
 
Simplified AF and AF-area mode selection: now possible without taking your eye away from the viewfinder.

 
Precision 8-cm (3.2-in.), approx. 921k-dot, wide-viewing-angle LCD monitor with automatic brightness control. The monitor delivers bright, crisp image playback with a much wider colour reproduction capacity. LCD brightness is automatically adjusted according to the viewing environment and images can be magnified up to 46x during playback, which can be a big help for spot focus confirmation.
 
Glass prism optical viewfinder: offers approximately 100% frame coverage and 0.7x magnification (50mm f/1.4 lens at infinity, -1.0m-1). The high eyepoint design of Nikon’s viewfinders is renowned for minimizing visual fatigue when using the camera for extended periods of time.
 
Dual-axis electronic virtual horizon: offers accurate confirmation of level shooting by letting you check the LCD monitor, or the viewfinder, for both the camera’s position in relation to the horizontal plane and its pitch (forward or rear rotation).
 
Direct access to Picture Controls: via a dedicated button, rather than the menu. Picture Controls let you customize the look of your stills and videos by fine-tuning parameters such as sharpness, saturation, and hue.
 
Complete control over workflow
The D4 is built for speed, but not for speed alone. Readiness and versatility go hand in hand with control options that can deliver a real advantage when time is of the essence.
 
Time-lapse movies: the D4 extends the popular time-lapse photography function by saving images as a movie file in the camera. With playback rates from 24 to 36,000 times faster than normal.
 
HDR (High Dynamic Range): shoots one overexposed and one underexposed frame in a single shutter release. The range can be widened by up to 3 EV for different looks, full of saturation and tonal gradation. The smoothness of the edge where the two exposures meet can be adjusted for a more natural look.
 
Refined colour temperature control: enables minute control over white balance. The monitor hue of live view and the resulting image’s white balance can be adjusted so that the two are aligned. Colour temperature can be manually set in 10-Kelvin increments, or in mired units.
 
Four image area options: you can choose from a variety of image crop modes, all visually masked in the viewfinder. 5:4 (30.0 x 24.0 mm), 1.2x (30.0 x 19.9 mm), and DX-format (23.4 x 15.6 mm).
 
In-camera editing: captured images and movies can be altered and edited in camera and on the fly if required. Retouch menus include an array of useful features such as NEF (RAW) processing, resize, distortion and perspective control just to name some of them. On top of that it has the ability to designate the start and end point of movie clips all at once, in order to save them more efficiently.
 
Accessories
Compact WT-5 Wireless Transmitter (optional): attaches to the camera’s designated interface connector and is powered by the camera body. It features HTTP and FTP connection modes and allows for the simultaneous release of several cameras equipped with WT-5.
 
GP-1 GPS unit (optional): records location information such as latitude, longitude, altitude and time (UTC) as ‘geotags’ in the image data (Exif) and allows simultaneous operation together with the WT-5.
 
Compact Stereo Microphone ME-1 (optional): records clear sound while significantly reducing mechanical noise.
 
Nikon SB-910 (optional)—Unparalleled lighting performance: offers versatile i-TTL for on-camera or wireless flash control, refined operability and a powerful guide number of 34/112 (ISO 100, m/ft, STD, FX format, zoom 35mm). Menus and controls have been improved for more operational ease. Hard-type incandescent and fluorescent colour filters are included, which can adjust your D4’s white balance instantly.
 
Capture NX 2 (optional)—Fast, powerful and creative image processing: to accommodate the imaging power of the D4, Capture NX 2 is faster than before and boasts full 64-bit compatibility. 
 
Camera Control Pro 2 (optional)—Versatile remote camera controls: aside from controlling exposure mode, shutter speed, and aperture, this software now offers numerous improvements to make the D4’s live view operation exceptionally smooth. New creative controls include remote start and stop for movie shooting and the option to switch quickly between stills and movies in live view.
 
ViewNX 2 (supplied)—Browse, edit, share and more: bundled, all-in-one software implements an easy-to-use interface and an array of editing functions, including basic editing of RAW files and D-Movies. Seamlessly integrates with my Picturetown, Nikon’s photo sharing and storage service
 

Additional Images

Storage media: the D4 offers two card slots. One for high-speed CF (UDMA 7) cards and one for high-speed, high-capacity XQD card slot.
 

As this particular perspective shows, the D4's curvaceous body is a departure for Nikon. Their top-of-the-range model is looking more like rival offerings.

Contact

For more information, please visit www.nikon.co.uk

Related Posts

Nikon announces AF-S Nikkor 85mm f/1.8G

Canon unwraps EOS 1Dx (with editorial comment)

Rare finds on eBay

Listing at $3,675.00, a rare Nikon 58mm f/1.2 Ai-S Noct-Nikkor (with unusual, most likely misspelt 'Nocf-Nikkor' engraving) is just one example from several pages of rare and esoteric lenses and cameras for sale at SH Photo on eBay. Some choice examples include:

Nikon 3.5/3.5cm Stereo Nikkor (early 3D twin-lens and mirror/prism attachment) $42,630.00
Nikon SP Black paint with S36 motordrive $36,750.00
Nikon I (Nikon's first rangefinder) $36,500.00
Zeiss (Contax) 2.8/300mm Tele-Apotessar T* $14,699.00
Zunow f (Nikon RF) 1.1/5cm black with rare vented hood $11,760.00
Zeiss (Contax) 1.2/85mm Planar T* 50th Year Edition $5,879.00

There are just too many to mention all of them, please follow the link here to browse.

Please help support the DJP by visiting our affiliates; Jessops, Warehouse Express, Adorama Camera and Amazon. Note; sales through these links may benefit this site.

Robert White Nikon specials, ex-demo

Robert White has the hard to find Nikkor 200mm f/2 VR (first version, I think) available as ex-demo for just £2,225 plus VAT:
http://www.robertwhite.co.uk/product.asp?P_ID=2627&PT_ID=674

Nikon Special Offers - LIMITED STOCKS
Prices valid on in stock items ONLY
PRIME LENSES
24mm f1.4 AFS G £1325.00 plus VAT
http://www.robertwhite.co.uk/product.asp?P_ID=2807&PT_ID=672
35mm f1.4 AFS G £1161.00 plus VAT
http://www.robertwhite.co.uk/product.asp?P_ID=3238&PT_ID=672
50mm f1.4 AFS G £245.00 plus VAT
http://www.robertwhite.co.uk/product.asp?P_ID=2619&PT_ID=673
85mm f1.4 AFS G £1010.00 plus VAT
http://www.robertwhite.co.uk/product.asp?P_ID=3087&PT_ID=674

Adobe releases ACR 7.1, LR 4.1 adds support for Fuji X-Pro1

Adobe has introduced ACR 7.1 and LR 4.1 adding support for the Canon EOS 5D Mark III, Fujifilm X-Pro1, Nikon D800, Leica M-Monochrom and Olympus OM-D E-M5. (Lightroom 4.1 was released as RC2 but didn't have support for the Fuji X-Pro1 Raw (.RAF) files).

Other features of Lightroom 4.1 include;

The ability to process HDR TIFF files. (16, 24 or 32-bit TIFF files)
Additional Color Fringing corrections to help address chromatic aberration.
Save photobooks created in the Book Module to JPEG
Publishing photos to Adobe Revel is now accessible via a Publish plugin
Corrections for issues introduced in previous versions of Lightroom.

The update is free to existing users and can be found here (page down to the bottom).

Buy Lightroom 4.1 from Amazon.

List of new cameras supported:

    •    Canon EOS 1D X
    •    Canon EOS 5D Mark III
    •    Canon EOS 60Da
    •    Canon PowerShot G1 X
    •    Fuji FinePix F505EXR
    •    Fuji FinePix F605EXR
    •    Fuji FinePix F770EXR
    •    Fuji FinePix F775EXR
    •    Fuji FinePix HS30EXR
    •    Fuji FinePix HS33EXR
    •    Fuji X-Pro1
    •    Leaf Credo 80
    •    Leica M Monochrom
    •    Leica X2
    •    Nikon D4
    •    Nikon D800
    •    Nikon D800E
    •    Olympus OM-D E-M5
    •    Panasonic Lumix DMC-GF5
    •    Pentax K-01
    •    RICOH LENS A16 24-85mm F3.5-5.5
    •    Samsung NX20
    •    Samsung NX210
    •    Samsung NX1000
    •    Sony Alpha NEX-F3
    •    Sony Alpha NEX-VG20
    •    Sony Alpha SLT-A37
    •    Sony Alpha SLT-A57

Nikon AF-S 85mm f/1.8 G starts to ship

Although slated for a mid-March release the AF-S 85mm f/1.8 G has already started to appear on dealer's shelves (we received ours for testing only yesterday). We hope to post some example shots later in the day.

To buy from Jessops UK at £469.95, please follow the link here. US readers can buy from Adorama at $499.95, please follow the link here.

Thank you for buying from this site's links.

Related Posts

Nikon announces AF-S Nikkor 85mm f1.8 G

Nikon make long rumored 24mp D600 official

Product Highlights

• 24.3MP FX-Format CMOS Sensor
• EXPEED 3 Processor
• 3.2" LCD Monitor
• 1080p HD Video Capture
• 100-6400 ISO - Expandable to 50-25600
• 5.5 fps Continuous Shooting
• 39 Wide-Area AF Focus Points
• Stereo Mic & Headphone Inputs
• i-TTL Flash
• Wi-Fi Connectivity with Optional Adapter

Pre order options


B&H Photo

Nikon D800 body only $2,099.95 (expected availability 19th September)

Option to save $100 on purchase of 24-85mm f/3.5-4.5G

Gura Gear out Chobe 19-24L

Earlier this month, and under our radar, Gura Gear announced the Chobe 19-24L shoulder bag. After the success of the Kiboko (30L) back-pack, this new bag promises to be a versatile addition to the range. As well as accommodating a 15-inch laptop, a couple of pro DSLR bodies and lenses the Chobe can be expanded to include an over-night change of clothes. The bag is constructed of lightweight but tough Sailcloth (a kind of heavy-duty ripstop), features a removable padded inner and has a 5-year warranty against manufacturing defects. It's available for pre-order now at $349 plus shipping.

For more information please visit: www.guragear.com

Editorial comment:

While the Kiboko was outstanding (I reviewed one for BJP) this is a much tougher segment to crack, as there are very strong rivals in the form of ThinkTank Photo's Urban Disguise 60 and LowePro's Pro Roller Attache, to name but two (also reviewed). The Chobe promises to be light in weight though (well under 4 lbs with the insert) and it's able to accommodate pro DSLR bodies width-ways, something the Urban Disguise 60 and reserve shoulder bag of the Attache x50 can't.

I'm also looking forward to the Kiboko 22L. There are far fewer credible small backpacks out there. This* is one of the most compelling pro-level packs I've seen on the net, but, unfortunately, I've not seen it in the flesh. If the Kiboko 22L is similar (and it should be if it's a Kiboko) it should be equally outstanding.

*UPDATE 19/9/11: After sports photographer Dan Carr made comment about the WRP MP-5, it made look back to check and sure enough I'd made a mistake. It was this pack, the MP-7, I was referring to.

I forgot to mention the ThinkTank Photo Glass Taxi, seen above with the Nikon AF-S Nikkor 200-400mm f/4G ED VR II, complete with hood. This is another often over-looked back-pack as it's most likely used as a shoulder-bag (it has a built-in harness but also ships with a padded shoulder strap). The bright green grass comes courtesy of the JPEG engine of the Leica X1.

Here's another shot of the same bag, this time holding a D3x or D3s, I can't recall, but also the Nikon AF-S Nikkor 200mm f/2G ED VR II (albeit without the hood) and AF-S Nikkor 85mm f/1.4G, with room to spare...

Gura Gear Chobe 19-24L additional images

Please help support the DJP by visiting our affiliates; Jessops, Warehouse Express, Adorama Camera and Amazon. Note; sales through these links may benefit this site.

Carl Zeiss add lens bundle for NAB show

Pre NAB Show, Las Vegas, and Carl Zeiss has announced a special bundled kit of five of their DSLR lenses; 21mm f2.8, 28mm f2, 35mm f2, 50mm f1.4 and 85mm f1.4. Available in Canon or Nikon fit, the set will be available for Eur 4,562 ($6063) ex VAT starting in May.

Press release:

NAB Show 2011 in Las Vegas: New SLR lens set with custom-made suitcase

Attractive offer for filmmakers and filming photographers in entry-level HD video segment

OBERKOCHEN/Germany, 05.04.2011.
During the NAB Show in Las Vegas from April 9-14, 2011, Carl Zeiss will introduce an attractive bundled lens set offer for its SLR lenses. The set contains the following lenses with F (ZF.2) or EF bayonet (ZE): Distagon T* 2,8/21, Distagon T* 2/28, Distagon T* 2/35, Planar T* 1,4/50 and Planar T* 1,4/85. This offer is a response to the strong demand from the HD Video segment for lenses with precise manual focus. With this offer Carl Zeiss supports filmmakers and still photographers entering the booming HD video market with the right equipment that meets their needs.

“Many production budgets don’t justify investing in a set of cinematography lenses right away, like our Compact Prime CP.2 lenses. Our SLR lenses with their precise manual focus are a reasonable alternative for getting started in HD video,” said Michael Schiehlen, Director of Sales for the Camera Lens Division of Carl Zeiss AG. Schiehlen stressed the benefit of these lenses for videography over lenses with autofocus. “Our SLR lenses feature an outstanding manual focus mechanism, so the precision when focusing is far higher than with a manually operated auto-focus.” In addition, SLR lenses by Carl Zeiss are robust, offer a high aperture speed, and feature an especially harmonious rendering of the bokeh (the out-of-focus area).

The five lenses come in a special waterproof case (IP67), custom-made for this set and feature openings for six lenses. As common for photography lenses, each Carl Zeiss SLR lens has a different size and weight. Therefore a special inlay ensures that each lens fits perfectly inside the suitcase and protects the lenses from shock and vibration. The new SLR lens set will be offered at a recommended retail price of Eur 4562 ($6063), excluding VAT, and will be available starting May.

For more information please click here.

Leica X1 review

Along with the 35mm M9 rangefinder and űber-expensive medium format S2, the X1 reviewed here is the more affordable of the three digital cameras designed and made by Leica in Germany.

Adopting a 12-megapixel APS-C format CMOS sensor with a fixed focal length Leica 35mm equivalent f/2.8, that retracts into the camera body the X1 is by far the smallest of the trio too, boasting a design and similar dimensions reminiscent to that of the original pre-war Leitz rangefinder cameras.

It has the same rounded body that can be found on the modern day classic 18-megapixel full-frame M9, each harking back to the days of the 35mm cassette, but thereafter the similarities end. It lacks a rangefinder system for focusing, or indeed any built-in optical finder, relying instead on the large 2.7-inch LCD to the rear for composition and a contrast-detection system for AF.

If you’re feeling flush, though, the X1 boasts an excellent, bright and clear optional optical viewfinder, but it will set you back a further £204 ex VAT. Ouch. A small LED placed near the accessory shoe flashes when the AF system has found focus, but other than that there’s no further shooting data as you might expect with an EVF.

Despite the metal body, in the hands the X1 feels strangely delicate. On the top plate two machined dials provide the user with settings for the shutter-speeds and, interestingly, apertures. Both dials have an Auto setting, for shutter and aperture-priority exposure modes while aligning the two gives you the handy program mode. It’s neat, but with aperture dial close to edge and not particularly stiff to turn we found it occasionally nudged inadvertently.

At the rear the X1 has similar controls and layout to the M9. The Leica’s various menus are straightforward to navigate but there’s one particularly frustrating anomaly. As part of the direction-pad, a dedicated self-timer button will only function if the shutter release lever is set to the self-timer mode.

As well as an additional command dial, which can be used for scrolling through menus, playback images and for manual focusing. The latter is handy particularly when used with the enlarged view option, not just for confirming focus accuracy, but also for reducing shutter-lag.

It’s a likely deal-breaker for those who had wanted the X1 for street photography, as the various AF system options are all leisurely in operation. The flip-side is that focus accuracy is some of the best we’ve seen, and the 35mm f/2.8 equivalent lens is top-notch in terms of optical quality. Wide open the lens is sharp out to the corners and needs only closing down a stop or two to produce its best performance.

Light fall off, or vignetting, was low for this type of compact too, with the corners just 0.7 stops darker at maximum aperture. Unlike some rivals the X1’s image processing engine doesn’t remove chromatic fringing, distortion or the vignetting, as each are visible in JPEGs when scrutinized. But in each case they’re trifling.

Another highlight is the auto WB. Even under difficult mixed lighting at high ISO’s the X1 produced low noise with truly excellent colors. We’re not so enthused about the Vibrant color mode, greens were too garish for our liking but otherwise Leica’s processing engine produced brilliantly sharpened JPEGs that even professional retouchers would find difficult to replicate.

The X1 is something of a conundrum then. On the one hand there’s no faulting of the snaps it can produce, but the speed of operation is a burden at times and like every Leica, they really don’t come cheap.





Leica X1, taken with a Nikon D3s with 85mm f/1.4 AF-S at f/1.4 (notice the slight spherochromatism of the Nikkor at maximum aperture).





It would be nice if the lens was as compact as it is shown in the first image, but that's not the case. There are two extending barrels, adding another couple of centimeters to the overall length but it's well made and there's very little movement unlike some rivals offerings.





The optional Leica finder is a must for day-to-day operation. Note the two command-style dials to the rear - the upper most is used for manual focusing and scrolling through the menu / picture memory - the two shooting dials on the top-plate are used for shutter speed / aperture selection.





Poor light and shot at ISO3200. No additional noise reduction.





Abysmal lighting saw off a Sony NEX 3 and Sigma DP2 I was using at the same time, the Leica X1 had by far the better white-balance of the three. ISO3200.





The first of a sequence of five shots, taken in continuous mode. Believe it or not this was taken (mistakenly) at ISO1600.





Black and white conversions (in Lightroom) look good from the X1.





Out of camera JPEG. ISO100 f/5.6 but set to vibrant - makes for punchy if somewhat garish greens.





If you needed any convincing about the quality of Leica optics, then take a look at this MTF 50 chart produced in Imatest. Central sharpness is consistently good throughout the aperture range with the edges only behind slightly over the first couple of stops. That's what you're paying for.








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Related posts:




Read our review of the full-frame Leica M9 here, and the APS-H Leica M8.2 here. We've recently added a review of the new Fujiflm FinePix X100 here.







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