Tuesday, 7 February 2012

Canon announces three new EF lenses

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Canon has announced three new additions to the EF (full-frame) lens range - EF 24-70mm f/2.8L II USM , EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM. Interestingly, the 24 and 28mm feature image stabilization, a first for the shorter focal lengths, while the announcement of the first stabilised 24-70mm f/2.8 went to Tamron only yesterday. The EF 24-70mm f/2.8L contrary to rumours (and patents submitted) before the official announcement is not stablised but sees an improvement to the optical construction, as well as mechanical structure, Canon says. At the time of writing, Canon has not confirmed the price or availability.

UPDATE: B&H Photo are accepting pre-orders of the new 24-70mm f/2.8L II at here $2,999.00, with expected delivery April 17, 2012

Editorial comment: The announcement of the 24-70mm f/2.8L with its significantly improved optical performance is an unusual step by Canon, and suggests that the company maybe readying a new high resolution camera, perhaps the EOS 5D Mk III. Although not confirmed at this time, I also suspect the lens could be parfocal, or at least have a mechanism to maintain focus during a change of focal length, like that found on the 24-105mm f/4 IS. That lens is bundled with the current EOS 5D Mk II as the parfocal design is favored for HD filming, but its current optical performance while very good will certainly be behind this new lens. On a slightly negative note, I'm a somewhat discouraged by the increase to a 82mm filter diameter and the fact the lens hood fits the inner barrel, rather than the outer barrel like that of its predecessor. That design protected the delicate inner barrel and while Canon say the 'mechanical structure' has been improved, read made more durable, only time will tell if that's really the case.

Press release:

Class-leading performance, unrivaled flexibility – Canon launches three new lenses

United Kingdom, Republic of Ireland, 7th February 2012 – Canon today adds to its world-famous EF lens series with the launch of three new lenses for photography professionals and enthusiasts. The new  EF 24-70mm f/2.8L II USM professional zoom lens is an update to the popular EF 24-70mm f/2.8L USM, while the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are the world’s first (according to Canon research as of February 2012) wide-angle prime lenses to feature optical Image Stabilizer (IS) technology. All three provide the highest levels of performance for modern digital photographers, combining premium image quality with durable, user-friendly designs.

EF 24-70mm f/2.8L II USM: the ultra-high performance standard zoom
The new EF 24-70mm f/2.8L II USM features completely redesigned optics to provide outstanding clarity, image quality and durability. A compact design makes it ideal for carrying on every shoot, and a range of optical enhancements provide improved performance – capturing greater detail across the frame while reducing distortion throughout the entire zoom range, particularly at the maximum 70mm focal length.

With a redesigned optical system that includes two Ultra-low Dispersion (UD) and one Super UD aspheric elements to minimise chromatic aberration and colour blurring, the lens delivers consistently sharp, high-contrast images. Each lens element also features Canon’s optimised Super Spectra coatings to reduce ghosting and flare and ensure excellent colour balance. Additionally, a fluorine coating minimises the amount of dust, dirt and fingerprints that adhere to the front and rear of the lens, helping to maintain superior image quality.

The EF 24-70mm f/2.8L II USM also enables photographers to capture their subjects up close, with a minimum focusing distance of 0.38m at all focal lengths throughout the zoom range. A ring-type Ultrasonic Motor (USM) works in combination with a high-performance CPU and advanced AF algorithms to ensure accurate, silent and ultra-responsive autofocus. For those who prefer to maintain full control in every shot, full-time manual focusing allows photographers to precisely tweak or alter the focus of their shot at any time, even when AF is engaged.

Distinguished L-series design
The EF 24-70mm f/2.8L II USM is the latest lens from the elite L-series to offer Canon’s high-grade and user-focused design enhancements. The mechanical structure of the lens has been improved to offer enhanced zoom durability and greater shake and shock resistance within the lens barrel. The size of the lens has also been reduced by 10mm compared to the previous model, providing enhanced portability and greater convenience in everyday use. A new Zoom Lock lever also enables photographers to lock the zoom position at the extreme wide end to prevent damage to the lens in transit, while a water and dustproof construction (Waterproof construction around the lens mount, switch panel, zoom ring, focusing ring and zoom lock. Weatherproof when used with weatherproof EOS bodies) enables users to continue shooting in harsh conditions.

 

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Introducing the world’s first wide-angle primes with IS
Canon today also launches the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM – the world’s first 24mm and 28mm fixed wide-angle lenses to feature optical IS technology. Ideal for landscape and reportage, both lenses offer outstanding flexibility allowing photographers to shoot an even broader range of scenes and subjects – combining fast apertures with IS to enable sharp results when shooting handheld, even in low light conditions.

Offering an advantage of up to 4-stops over lenses without IS, both lenses are ideal for capturing more of the scene thanks to their wider focal lengths. Both feature a wide f/2.8 aperture, allowing photographers to explore shallow depth of field, or to shoot in lower-light conditions. Wide apertures and IS technology also make each lens ideal for shooting fast-moving subjects, while Canon’s advanced IS technology is able to detect intentional panning movement and automatically switch from Normal IS mode to Panning IS mode – helping users to capture movement with greater accuracy.

Silent, high-speed AF performance is provided by the inclusion of a ring-type USM and additional features including optimized AF control. Full-time manual focusing also ensures adjustments can be made even when AF is engaged, while a minimum focusing distance of 0.20m (EF 24mm f/2.8 IS USM) and 0.23m (EF 28mm f/2.8 IS USM) allows photographers to get even closer to smaller or more detailed subjects.

 

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Designed to perform
Both the EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM feature redesigned optics to improve image quality and reduce the need for post-production. An aspherical glass moulded (GMo) lens element is incorporated to correct aberration throughout the optical system, while Canon’s optimised Super Spectra Coatings reduce ghosting and flare for stand-out image quality. Externally, both models also boast a number of design similarities with Canon’s professional L-series lenses, with a similar coating on the barrel and a similar design on the focus ring. A distance scale is also included to assist with landscape photography, while the compact design makes these lenses an unobtrusive addition to any kit bag.

EF 24-70mm f/2.8L II USM – key features
All-new optical design delivers exceptional sharpness
Ultra-low dispersion (UD) and super UD elements
Fast f/2.8 maximum aperture
Sealed against dust and moisture
Fast, silent ultrasonic autofocus
Manual focus override
Nine-bladed circular aperture

EF 24mm f/2.8 IS USM – key features
24mm wide angle lens (38mm equivalent on APS-C sized sensors)
Fast f/2.8 maximum aperture
Up to four-stop Image Stabilizer
Ultrasonic autofocus mechanism
Circular aperture for soft background blur
Super Spectra coatings reduce flare

EF 28mm f/2.8 IS USM – key features
28mm wide-angle lens (45mm equivalent on APS-C sized sensors)
Fast f/2.8 maximum aperture
Up to four-stop Image Stabilizer
Ultrasonic autofocus mechanism
Circular aperture for soft background blur
Super Spectra coatings reduce flare

Monday, 6 February 2012

Tamron announces new image stabilised SP 24-70mm f/2.8

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While rumours circulate of an impemding announcement of an new IS 24-70mm f/2.8 from Canon, Tamron has officially announced the SP 24-70mm F/2.8 Di VC USD, featuring image stabilization and a Ultrasonic Silent Drive (USD) AF motor. The lens will be available in Canon, Nikon and Sony A mounts. No prices or delivery dates have been announced.

Press release:

New Tamron SP 24-70mm F/2.8 VC USD lens with Vibration Compensation.
Full-size, high-speed standard zoom with class-leading resolution and
Tamron’s proprietary VC (Vibration Compensation)

 

Tamron Co., Ltd., a leading manufacturer of optical equipment, announced the development of the SP 24-70mm F/2.8 Di VC USD (Model A007), a full-size high-speed standard zoom lens equipped with VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive), with resolution at the top of its class.

Product Features

1. A full-size, high-speed standard zoom with built-in VC (Vibration Compensation). Even when shooting in low-light conditions with a slow shutter speed to render sharpness, Tamron’s acclaimed VC allows for stable handheld camera work, to more fully enjoy the benefits of this high-speed zoom lens.

2. Uses special high-grade glass in the three LD elements, three glass molded aspherical lenses, one hybrid aspherical lens and two XR (Extra Refractive Index) glasses, delivering top-of-the-class quality images suited to this high-grade lens. Using a rounded diaphragm, the lens achieves gorgeous blur effects. This rounded diaphragm retains a nearly circular shape even when taken two stops down from its fully open state.

3. Features Tamron proprietary USD (Ultrasonic Silent Drive) to power a speedy AF drive together with a continuous manual mechanism.

4. This high-speed standard zoom lens has a wide-end focal length of 24mm that expands the photographic area.

5. The lens adopts the new technology including the latest optical design, VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive), all in a lighter and more compact package.

6. Moisture-resistant construction helps prevent water from penetrating the lens.

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For more information, please visit www.tamron.com, or www.tamron.co.uk

Canon UK start Photo Experience Training promotion

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Press release:

Canon announce their Photography Experience Training Promotion

Your EOS Adventure starts here.

 

The promotion:

Photographers can claim a free Photography Experience Pack worth up to £230, which includes Experience Training Vouchers and Canon Essential Guide DVD's.

The Experience Training Promotion is available against purchases of the EOS 550D, EOS 600D and EOS 60D.

    •    Experience Training Vouchers

Camera                Photography Experience
                        Voucher Value
EOS 550D               £50
EOS 600D               £100
EOS 60D                 £150

    •    Canon Essential Guide DVD's

Photographers can also choose one pack from the two DVD packs below:

Starter Pack:
    •    Getting Started With Your Digital EOS
    •    The Essential Guide to Portrait and Family Photography
    •    The Essential Guide to Wildlife Photography
    •    The Essential Guide to Landscape Photography

Intermediate Pack:
    •    Introduction to Photography With Your Digital EOS
    •    The Essential Guide to Portrait and Family Photography
    •    The Essential Guide to Wildlife Photography
    •    The Essential Guide to Landscape Photography

 

 

To be eligible for the free Photography Experience Pack:
    •    Customers must purchase one of the selected DSLR products by 31st March 2012
    •    The deadline for customer claims will be 30th April 2012
    •    The Experience Training will be run between 1st March 2012  and 31st October 2012

 

Readers enquiries:
For further details and full terms and conditions please visit www.canon.co.uk/eosexperience/

Friday, 3 February 2012

Sigma announces new CEO

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Following the death of of former CEO, Michihiro Yamaki, Sigma Japan has announced Mr. Kazuto Yamaki, previously Chief Operating Officer, has been appointed as Chief Executive Officer of the Sigma Corporation and is now the sole director of Sigma Imaging (UK) Ltd.

Press release:

We would like to announce that Mr. Kazuto Yamaki, previously Chief Operating Officer, has been appointed as Chief Executive Officer of the Sigma Corporation and is now the sole director of Sigma Imaging (UK) Ltd.

Mr Kazuto Yamaki is the son of the late Michihiro Yamaki and joined the Sigma Corporation in 1993. His roles within the organisation have included Corporate Planning Division manager, Vice-President and Chief Operating Officer.

Mr Kazuto Yamaki is dedicated to the Sigma Corporation that his father founded 50 years ago and will continue in the tradition or innovation and cutting edge technology. A combination of experience, commitment and energy plus a genuine love of photography and consideration for the customer will ensure that Sigma’s future is in safe hands.

For more information please visit www.sigma-imaging-uk.com

Mifsuds UK Gitzo specials

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Canon and Nikon Pro dealer, Mifsuds Photographic (based in the UK), have several online specials on Gitzo tripods, available via their eBay store. The lightweight, the four-section GT2541 EX (Explorer), for instance is just £379 (was £399) inc VAT. Although now officially discontinued*, the four-section Systematic GT3541LS is available at £519 (that's a saving of around £50). Better savings still can be had from the top-of-the range GM5561T six section monopod, normally around £299, it's available for just £229 inc VAT. It's not particularly tall, but it's very compact and can hold a 800mm f/5.6. Delivery is quoted at just £10.00 for each of these items, which is low even for the monopod.

Please use this link to the Mifsuds eBay store.

Related Posts

*Gitzo softly launches new Systematic tripod range
How to choose a Gitzo tripod

Thank you for ordering through this site's links.

Gitzo softly launches new Systematic tripod range.

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After this site broke the news that Gitzo were replacing the Systematic range of tripods, the DJP has since discovered the company has launched the new range 'softly', on their website. The modular Systematic range has been extended to include Series 2, aluminum 4 and 5 series has been replaced with carbon fibre, while new top casting geometry is said to improve stability, says Gitzo. It should also lessen twisting when used with fluid heads for HDDLSRs - the top-plate is removable and can be replaced with either a 75mm or 100mm video bowl, necessary for leveling fluid-type video heads. No prices have been announced at this time, but from our previous report, the new tripods should be available by the end of February.

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A new GT4552GTS 'Geant' is an interesting new addition, with a maximum height of 240cm/94.5 inches and weighing 2.72kg/6lbs. Gitzo says it's capable of a 25kg/55lbs load - or a 600mm f/4 and pro-DSLR in real world terms. The 5 series has been expanded too. With a 40kg/88lbs maximum load, Gitzo say these are preferred for the 800mm f/5.6 combinations.

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A a new ratchet type lever (seen more clearly in the picture at the head of the post) is used to secure the top-plate, and should be an improvement over the hex locking nut of previous versions.

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The top casting now has additional security for the removable top-plate. Note the button at the top of the picture, this must be depressed before the plate can be detached - saving inadvertent spills, it's claimed.

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New leg braces offer more room to grip, making set-up easier, Gitzo adds.

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Built-in spikes - the previous range offered optional spikes.

Contact

For more information, please visit www.gitzo.com

Sales

Gitzo Systematic tripods at;

Warehouse Express (UK)

Thursday, 2 February 2012

Hasselblad set to launch Hasseblad TV

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Press Release

Copenhagen, February 2nd 2012

 

Hasselblad Launches State-of-the-art Online Video Platform

" Hasselblad is set to launch Hasselblad tv – an exclusive new multi-language online video platform that will ‘target and engage’ the company’s global audience of professional and aspirational photographers..."

After two years of planning HTV will launch on February 2 offering viewers a range of channel options, including education and training videos, product information, global news and events plus peer videos submitted by Hasselblad photographers worldwide.

Chris Russell-Fish, Hasselblad’s Global Sales and Marketing Director said: “This is a very exciting project for us, our customers and trade partners like broncolor, Epson and SanDisk”. “We are working with award-winning digital specialists Skylab to produce a comprehensive standalone platform – primarily an education and research tool of ‘all things Hasselblad’. It will be easy to use but with all the appropriate functionality, including options to download PDF information photographers may find useful after browsing a particular video.” He added: “We all know there are countless thousands of videos available on YouTube but we wanted to create one single place where Hasselblad enthusiasts can go to access fundamental training on our camera systems; how to attach a back, for example, or tips and tricks on software techniques. We have emulated the excellent BBC iPlayer model but we also wanted to provide our service across a number of languages, including French, German, Italian, Spanish and Chinese. So an Italian architectural photographer will be able to simply access our Italian channel and watch a playlist of videos in that genre, in his or her native language.”

Hasselblad is now looking for photographers to submit videos of interesting shoots, stories and events. Of course Hasselblad will retain the right to edit material but there will be no overarching censorship criteria - other than the obvious and universal constraints of common decency. These videos are frequently between three and seven minutes long but if photographers submit material that is of particular interest but longer, then Hasselblad would still provide the space.

Added Russell-Fish: “This initiative is very much a work in progress and it’s a ‘call to action’ to photographers worldwide. We want everyone, from students to leading professionals - from those who rent Hasselblad cameras and those who own them - to submit their videos.”

Launch channels will include Hasselblad: products, company history, news and events; education and training – cameras, software, and innovation. Hasselblad Masters’ videos encompassing various photo-genres including architectural, editorial, fashion/beauty; fine art, landscape/nature; portrait/social and wildlife. Hasselblad is setting up initial bespoke channels for France, Germany, Italy, Spain, UK, USA & Canada, Asia Pacific and Europe - with more global channels to follow. There will also be a Hasselblad Studio and a VICTOR Magazine/Bulletin channel. Hasselblad tv is easily accessible on PC or Mac computers and on iPhones and iPads.

Please check out htv.hasselblad.com

Pentax makes K-01 official

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UPDATE: The Pentax K-01 with the 40mm f/2.8 XS (shown above) is now available to pre-order at Adorama for $899.95, please follow the link here. UK retailer, Jessops, has the K-01 in various guises (starting at £629.99 body only), please follow the link here. Thank you for buying from this site's links.

Pre CP+, Pentax has officially announced the rumored, and recently leaked K-01 mirrorless camera. The new model features a 16-MP APS-C format CMOS (like that of the Ricoh* GXR A16 announced earlier this morning) and, interestingly, the Pentax K-mount, meaning the camera will integrate with the maker's range of DSLR system and lenses. The K-01 will be available from end March 2012. with a body only price of £629.99 or £679.99 complete with the new 40mm DA XS 'pancake' lens (shown above).

*Ricoh now own the Pentax brand.

Press Release

An interchangeable-lens digital camera designed in collaboration with designer Marc Newson
PENTAX RICOH IMAGING COMPANY LTD. is delighted to announce the launch of the PENTAX K-01 interchangeable-lens digital camera in conjunction with the world’s thinnest interchangeable lens* - the smc PENTAX-DA 40mm F2.8 XS unifocal. This latest addition to the popular Pentax K series and the new lens were both designed in partnership with world renowned designer, Marc Newson.
The PENTAX K-01 features 16.28 megapixels, high-speed burst shooting, an extra-wide sensitivity range with a top sensitivity of ISO 25600** and Full HD video recording.
The camera also features the reliable and ever-popular PENTAX K lens mount, so users can make effective use of their entire range of PENTAX lenses, including those produced for film-format SLR cameras.***
The PENTAX K-01 is a creative and bold step in camera design and has been developed with Newson’s three design themes in mind — TIMELESS, TRUSTY and TOUCHABLE, whilst still maintaining the full array of advanced functions and user-friendly features that you would expect from a digital interchangeable lens camera.
PENTAX RICOH IMAGING COMPANY has a strong history of innovation – it was the first to develop colour digital SLRs and front customizable compacts, as well as pioneering concept models created in collaboration with various designers and artists.
Newson’s K-01 is a modern digital camera with a contemporary yet timeless design. The body consists of clean and simple lines creating an elegant graphical composition whilst preserving all the functions of a professional camera. Original-design push buttons and control levers are efficiently laid out across the body, while bright colours are used on two key buttons for instant recognition: red for the video recording button, and green for the functional green button. The combination of machined aluminium and natural rubber provide the user with a tactile and durable piece of technology. The mode dial and the power switch are made of a high-quality aluminium alloy, while the memory card slot and connectors on the comfortable, easy-to-hold grip are covered with protective rubber.
Newson’s original design concept is evident in all elements of the K-01, including the product logo, the camera strap and even on the start-up screen when the K-01 is turned on.
The optical viewfinder and quick-return mirror were eliminated during the design process to allow more freedom in the design of the camera body.  The result is a camera that shows Marc Newson’s originality in every detail.
Speaking of his design inspiration, Marc says: “I wanted to create something that represented quality and expertise in photography. Some of my favourite photographic devices have been Pentax products. I wanted to return to the high quality roots of the brand and create something which was really unique and iconic.”
The K-01 is the perfect choice for anyone looking for their first easy-to-operate digital interchangeable lens camera or those photographers who demand a camera with originality and style. The K-01 makes a wonderful second camera for current PENTAX SLR users requiring a stylish back-up for their photographic system.

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The PENTAX K-01 comes in the following colour combinations:
Black with black grip
Black with yellow grip
Silver with black grip

 

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The PENTAX K-01 will be available from end March 2012.
K-01 body only - £629.99
K-01 + 40mm DA XS lens - £679.99
K-01 + DAL 18-55mm lens - £679.99
K-01 + DAL 18-55mm lens + DAL 50-200mm lens - £799.99

*The world’s thinnest lens for interchangeable-lens digital cameras, as of February 1, 2012 (based on PENTAX’s research).
**When expanded.
*** K-, KA- KAF, KAF2, and KAF3- mount lenses can be used with the PENTAX K-01, while screw-mount lenses, 645-system lenses and 67-system lenses can be used with an adapter. Some functions may not be available on certain lenses.

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Tokina UK announce AT-X 17-35mm f/4

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After the announcement in September last year by the manufacturer Kenko Tokina, Kenro, the official UK distributor for Tokina has announced the introduction of the AT-X 17-35mm f/4 in the UK. The new lens has an RRP of £829.99 (inc VAT) and is available now (UPDATE it has been delayed in the UK, but it will be available in March 2012).

Buy from:

Amazon $719

Adorama $719

Press release:

 

New Tokina AT-X 17-35mm lens - widening photographers' options

Designed for full-frame cameras, Tokina's new AT-X 17-35mm F/4 lens adds a whole new meaning to the phrase "a wide choice."

With a focal length of 17mm at its widest, the lens opens up a spectacular 103.9 degree field of view which is great for shooting in tight situations but it's just as effective at taking in wide expanses of space when used at 35mm.

Image quality is ensured with the use of two Super-Low Dispersion glass and one aspheric glass elements for excellent contrast and sharpness as well as chromatic aberration control while Tokina's exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the lens mount for manual focusing.

It's also designed to stand up to the rigours of daily use in a wide variety of shooting conditions and environments. Additionally the lens has been fitted with better seals around moving parts and although it's not waterproof it's much more water resistant than previous lenses.

This compact wide-angle zoom has a bright constant F/4 aperture which makes viewing and auto focus possible in lower light situations, it weighs in at just 600g and will fit Canon EOS or Nikon-D cameras.

Said Paul Kench, MD of Tokina UK Distributors Kenro: "If photographers have to choose which lens to put in their bag along with the camera, this must come pretty close to the top of the list. With a minimum focus distance of just 11 inches (28cm) it gives photographers the wherewithal to capture a flower, an insect, a piece of jewellery or anything else which calls for really close up photography but at the other end of its focal range it will just as successfully help capture a wide expanse of landscape which needs to be shown in all its glory."

For more information on Kenro's range of products go to www.kenro.co.uk or call Kenro's head office on 01793 615836.

Technical Features:

· Focal length 17-35mm
· Aperture F4
· Minimum aperture F22
· Format – 24x36mm / Full size exclusive for digital cameras
· Optical structure (Elements/Groups) -13-12
· Coating – multi coating
· Angle of view – 103.96 – 64.74 degrees
· Filter size – 82mm
· Minimum Focus Distance – 0.28m
· Maximum macro magnification – 1 : 4.82
· Focusing system – front inner focusing
· Number of aperture diaphragms – 9
· Maximum lens diameter 0 89mm
· Overall length – 94.5mm
· Weight – 600gms
· Hood – BH-821 – (included)

Ricoh reveals GXR 24-85mm camera unit

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Pre CP+ in Japan, Ricoh has announced a new 24-85mm equivalent camera unit (complete with 16.2-megapixel CMOS sensor) for the GXR camera body. The A16 24-85mmF3.5-5.5 will be available at £449.99, inc VAT. A kit will also be available for £599.99, inc VAT, that will include the GXR body (normally £299, inc VAT).

For more information in the UK, please follow the link to Alpha Digital Services.

Please help support the DJP by visiting our affiliates; Jessops, Warehouse Express, Adorama Camera and Amazon. Note; sales through these links may benefit this site.

Press release:

A new GXR camera unit featuring a 3.5x optical zoom lens (24-85 mm) and an APS-C size CMOS sensor
Tokyo, Japan, February 2, 2012—Ricoh Co., Ltd. today announced the development and release of RICOH LENS A16 24-85mm F3.5-5.5, the fifth camera unit in the GXR interchangeable unit camera system.

First introduced in December 2009, the GXR is a revolutionary interchangeable unit camera system in which lenses can be changed by mounting camera units that integrate lens, image sensor, and image processing engine into a single unit.

The new RICOH LENS A16 24-85mm F3.5-5.5 brings together a newly developed 24-85 mm wide-angle zoom lens, an APS-C size CMOS sensor, and the proven Smooth Imaging Engine IV to create a unit with high image quality, high power of expression, and high flexibility.

The A16 24-85mmF3.5-5.5 will be available at £449.99. A kit will also be available for £599.99 which will include the GXR body and the new lens.

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Main features of RICOH LENS A16 24-85mm F3.5-5.5

1) Newly developed 24-85 mm wide-angle zoom lens with an APS-C size CMOS sensor with approximately 16.20 million pixels
    This newly developed lens features a 9-group, 11-element configuration. The utilization of three double-sided aspherical lenses as well as high-refraction lenses effectively reduces various types of distortion across the entire zoom range. The result is high resolution and imaging power from edge to edge.
    The configuration of nine rounded aperture blades enables both highly precise aperture settings and beautiful bokeh.
    This camera unit features a 23.6 mm×15.7 mm (APS-C size) 16M CMOS sensor. In combination with the image processing engine Smooth Imaging Engine IV, this image sensor makes it possible to shoot high-quality images with smooth tonal gradations, as well as low noise and high-resolution.

2) Diverse shooting functions and high operability
    Dynamic range compensation reduces overexposure of highlights and underexposure of dark areas. For backlit and high-contrast scenes that cannot be handled with exposure compensation, doing the dynamic range compensation in specific portions of the image makes it possible to shoot the subject at a brightness level close to that seen by the naked eye.
    ISO sensitivity can be set in 1EV or 1/3EV steps.
    With the new ISO bracketing function, the photographer can shoot and record three images with different ISO sensitivities.
    When the new function for maintaining the same shooting settings is set on, by keeping the shutter release button pressed halfway after taking a picture, the photographer can continue to shoot with the same settings (focus, exposure, white balance, etc.).
    The function for recording a JPEG image simultaneously with the RAW image has been expanded so that it is now possible to record only the RAW image. This is suitable for a work flow based on the premise that image finishing is to be done on a PC after shooting. Since a JPEG file is not simultaneously recorded, this option is also useful when the photographer wants to increase the number of images which can be recorded on the memory card.
    It is now possible to turn ON/OFF the white saturation display that shows areas where bright portions will be rendered white and where color shade gradations will be lost.
    The tilt indicator function has been enhanced. In addition to the conventional horizontal indicator, this function can now also detect camera movement direction tilting.
    Copyright information such as the photographer’s name can be entered and written to the image Exif data. The recorded information can be checked on the playback screen detailed information display.

3) Highly precise focusing
    For the AF area size for spot AF, either normal or pinpoint can be selected.
A focus-assist function has been included in an effort to raise the accuracy of manual focusing. The photographer can select from two modes and check the focus by strengthening outlines and contrast.
    The shooting screen can be magnified for convenience in focusing. The magnified area can be displayed in the center or across the entire screen. In addition, the image quality for 4x and 8x magnification has been further enhanced. The area to be magnified can be moved using the direction pad.

4) The power of expression that is a hallmark of the GXR series
    Picture settings for image quality and color can be customized with nine levels for easy creation of a diverse range of images.
    My Settings enables the settings for a wide range of shooting functions to be recorded in advance and specified in an instant when needed. For the setting storage, now six patterns can be stored in the body’s My Settings Box and six patterns can be stored in the SD card. This expands the world of photo expression by enabling GXR users to exchange their shooting settings.
    B (bulb) and T (time) can now be selected as the shutter speed in manual exposure mode. With “B,” the exposure continues while the shutter release button is pressed, and with “T,” the shutter release button is pressed to start and end the exposure. For both, the exposure is forcibly ended when 180 seconds have elapsed.
    New scene mode options have been added for the easy enjoyment of a wide range of photo expression. The five new options are soft focus, cross process, toy camera, miniaturize, and high contrast B&W. The photographer can create a unique image by just pressing the shutter release button.
    An image flag function has been added to enable the quick display of specific images from among those in the camera. Up to 20 images can be flagged.
It is possible to shoot 1280 × 720 pixel HD movies.
* Note: When shooting movies of 1280×720 size, the use of an SD/SDHC memory card with an SD speed class of Class 6 or higher is recommended.

5) New options added
    A newly designed lens hood (LH-2) especially for this camera unit.
    A lens cap (LC-3) that opens and closes simultaneously with the movement of the lens. It does not need to be removed when shooting.
    A wrapping sheet (WS-1) that can wrap the GXR when the camera unit, external viewfinder, and other options are attached.

Contact

For more information in the UK, please follow the link to Alpha Digital Services.

Nikon UK start Nikon 1 promotion

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Nikon announced a new promotion on the Nikon 1 system yesterday, with mail in rebate worth up to £50 / Euro 60 on any Nikon 1 J1 or V1 camera or lens combination.

Press release:

NIKON’S NUMBER 1 NEW CASHBACK OFFER


London, UK, 1st February 2012: Nikon UK today launches a new Nikon 1 promotion offering cashback on Nikon 1 J1 and V1 kits from 2nd February – 2nd April 2012 (inclusive).

Customers are entitled to claim up to £50/ Euro 60 cashback on any Nikon 1 J1 or V1 camera or lens combination. The promotion will run from 2nd February – 2nd April 2012 inclusive and all claims must be received by the 30th April 2012 in order to qualify.

Simon Iddon, Product Manager for Nikon 1 says: “I am excited to introduce a new cashback offer on the innovatively designed Nikon 1 system. These lightweight and portable cameras, which have been designed to think and act fast, are perfect for capturing high quality stills and movies whilst on the move”.

The ultra-portable Nikon 1 interchangeable lens system camera has been designed to bring new levels of speed, simplicity and enjoyment to the way you capture your world. It offers all you need to shoot great photos and movies, with astonishingly fast autofocus system, strong low-light performance and clever shooting modes.


For more information on the promotion, and how to submit your claim, please visit: www.nikon.co.uk/cashback.

Terms and conditions apply. Offer is subject to availability.

Sales

Buy from Amazon UK
Buy From Warehouse Express (UK)
Buy from Jessops online only (price not available in store)

Related Posts

Fuji X-Pro1 body and lenses available for pre-order

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US retailers B&H, Adorama and Amazon have started taking pre-orders for the recently announced and eagerly anticipated Fuji X-Pro1 body and lenses.

Please follow the links below to pre-order:

Amazon ($1699.95 body only) (link now corrected)
Amazon - 18mm (28 mm) f/2.0 $599.95
Amazon 35mm (50mm) f/1.4 $599.95
Amazon - 60mm (90mm) f/2.4 $649.95

Adorama (prices as above)
B&H. (prices as above)

UK retailers:
Warehouseexpress (£1429 body only)
18mm (28 mm) f/2.0 £549
35mm (50mm) f/1.4 £549
60mm (90mm) f/2.4 £599

Jessops are now showing the Fuji X-Pro1 body at £1,429.95, though not the lenses.

 

Thank you for ordering through this site's links.

Tuesday, 31 January 2012

Apple updates Final Cut Pro X

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Apple has addressed some of the earlier criticisms leveled at FCP X by adding new functionality. The update adds multi-cam editing, multi-monitor support using either Thunderbolt or traditional PCIe cards (i.e. DisplayPort and DVI variants) while additional controls including color sampling, edge adjustment and light wrap have been added for chroma keying. The press release also mentions a new $9.99 / £6.99 7toX app that allows FCP 7 projects to be imported into FCP X - one of the major shortcomings of previous versions, but it's still odd Apple didn't build this functionality into the utility, relying on a third-party developer instead.

 

Press release:

Apple Updates Final Cut Pro X 

CUPERTINO, California—January 31, 2012—Apple today released Final Cut Pro X v10.0.3, a significant update to its revolutionary professional video editing application, which introduces multicam editing that automatically syncs up to 64 angles of video and photos; advanced chroma keying for handling complex adjustments right in the app; and enhanced XML for a richer interchange with third party apps and plug-ins that support the fast growing Final Cut Pro X ecosystem. Available today as a free update from the Mac App Store, Final Cut Pro X v10.0.3 also includes a beta of broadcast monitoring that supports Thunderbolt devices as well as PCIe cards.

Final Cut Pro X v10.0.3 includes a collection of groundbreaking new tools for editing multicam projects. Final Cut Pro X automatically syncs clips from your shoot using audio waveforms, time and date, or timecode to create a Multicam Clip with up to 64 angles of video, which can include mixed formats, frame sizes and frame rates. The powerful Angle Editor allows you to dive into your Multicam Clip to make precise adjustments, and the Angle Viewer lets you play back multiple angles at the same time and seamlessly cut between them. 

Final Cut Pro X builds upon its robust, one-step chroma key with the addition of advanced controls including color sampling, edge adjustment and light wrap. You can tackle complex keying challenges right in Final Cut Pro X, without having to export to a motion graphics application, and view your results instantly with realtime playback. 

In the seven months since launch, the third party ecosystem around Final Cut Pro X has expanded dramatically. XML-compatible software like DaVinci Resolve and CatDV provide tight integration for tasks such as color correction and media management. The new 7toX app from Intelligent Assistance uses XML to import Final Cut Pro 7 projects into Final Cut Pro X. In addition, some of the industry’s largest visual effects developers, including GenArts and Red Giant, have developed motion graphics plug-ins that take advantage of the speed and real-time preview capabilities of Final Cut Pro X.

Broadcast monitoring in Final Cut Pro X is currently in beta and allows you to connect to waveform displays, vectorscopes, and calibrated, high-quality monitors to ensure that your project meets broadcast specifications. Final Cut Pro X supports monitoring of video and audio through Thunderbolt I/O devices, as well as through third party PCIe cards.

Pricing & Availability 
Final Cut Pro X v10.0.3 is available from the Mac App Store for £199 to new users, or as a free update for existing Final Cut Pro X customers. A 30-day free trial of Final Cut Pro X is available at www.apple.com/finalcutpro/trial. Full system requirements and more information on Final Cut Pro X can be found at www.apple.com/finalcutpro

Monday, 30 January 2012

Hasselblad UK offers day's studio time with purchase of H4D

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Hasselblad's Pro Centre is offering a day's studio facility normally worth £650 ex VAT, plus all-day access to a professional digital operator for any photographer buying H4D-40, H4D-50 and H4D-60 models bought before June 30, 2012. The offer is not applicable to the 'entry-level' H4D-31.



Press release:

Buy a Hasselblad camera and get central London photo-studio hire free for a full day

Photographers who buy a new Hasselblad camera at London’s E2-based Pro Centre will automatically qualify for a full day’s studio time worth hundreds of pounds, plus all-day access to a professional digital operator.
The Pro Centre exclusive offer applies to H4D-40, H4D-50 and H4D-60 models bought before June 30, 2012.
Explained Pro Centre general manager Renny Lee: “There has never been a better time to buy a new Hasselblad – and with this unique offer photographers will also gain access to a full-day’s free shoot at Hasselblad’s popular, fully equipped studio at Fanshaw Street N1. This alone is worth hundreds of pounds – but as part of this deal we are also offering free access to an experienced digital operator all through the day of the shoot, to enable the photographer to familiarise himself/ herself with the Hasselblad platform.”

He added: “And there’s a further bonus for buyers. They will automatically be eligible for all future Hasselblad studio sessions at highly discounted rates – from just £260 a day (excl. VAT) - and that’s a huge saving against the rates of other London studios. Hasselblad’s studio hire offer extends to any registered Hasselblad owner; photographers hiring a Hasselblad camera, or even those using a Hasselblad body with a third party digital back.”

For more in formation please visit, www.hasselbladstudio.com

Saturday, 28 January 2012

Tokina to release new AT-X 116 Pro DX II

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Kenko Tokina Japan has announced an update to the popular 11-16mm f/2.8 AT-X Pro. The new model adopts a high speed and silent DC motor (SDM) as well as a GMR sensor (to improve AF accuracy from wear over time), first seen on the full-frame AT-X Pro 16-28mm f/2.8. The company says the optical construction has been improved with the inclusion of an asphere in the front group (in addition to the second at the rear) and the inclusion of two low dispersion glass elements (denoted as SD/ FK03 in the image below). Interestingly, the new lens also adopts a new multi-coating process that delivers smoother gradation of the shadows, the company adds. The lens retains the 77mm filter diameter of the original.

With no direct equivalent from Canon or Nikon, it's the equivalent to a 17-24mm f/2.8 on a APS-C camera, the Tokina 11-16mm f/2.8 is very popular with press photographers and HD filmmakers. The new model will be available in Nikon first (as it has the longer focal flange distance) in March 2012, followed by a Canon mount version in late July. Both are priced initially at 90,000 Yen ($1,173), excluding Tax. A Sony mount version hasn't been mentioned but it's perhaps unlikely, given the tie-up with Tamron.
The current version is available for $659 after a $40 mail-in-rebate from Adorama, please follow the link here.
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The above MTF chart shows some curvature of field and the resolution and contrast falls off at the edge, presumably this is at maximum aperture.
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Better edge performance at 16mm is hardly surprising. Resolution appears high, centrally at least, though it's difficult to tell at what spatial frequencies the lens has been tested (unless you can read Japanese, that is). I'm assuming 10 and 30 lp/mm, respectively.

Friday, 27 January 2012

Fuji X-Pro 1 user manual available online

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Fuji USA has posted a copy online of the user manual for the eagerly awaited X-Pro 1. To download a copy please follow the link from here (Safari appears to have an issue, though).

Wednesday, 25 January 2012

Gitzo discontinue current Systematic tripod range

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A firm favorite of professional photographers, the Systematic range of tripods has been discontinued and won't be replaced until mid-Feb, a spokesperson for Gitzo told the DJP today. There are no details of the new range, and how they might differ, but those left on dealers shelves are likely to be the last of the current models.

Monday, 23 January 2012

Adobe offer 50-percent off Lightroom 3

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UPDATE; extended through to 02 March, 2012.

For a limited period, Adobe are offering 50-percent off Lightroom 3. Please follow the link here to find out more or to buy. The offer only applies to customers in Europe and finishes was 05 February 2012.

Update: Amazon UK are offering Lightroom 3 for just £95.00 inc VAT (£98.30 inc p&p for the boxed version), and cheaper than the above offer from Adobe.

Lightroom Beta 4 is available to try for free, but will expire when version 4 is formerly released. You will be able to update from v3 to v4 for a fee.

Thursday, 19 January 2012

Kodak files for bankruptcy protection

According to Press Association reports earlier today, Eastman Kodak has filled for chapter 11 bankruptcy protection as it seeks to bolster its finances and stay in business. According to the report, Kodak say it has secured 950 million US dollars in financing from Citigroup during the inevitable reorganization period. Kodak has struggled during the changeover from film to digital and despite some encouraging signs earlier in the year, the Rochester, New York based company has seen its share price plummet over the last quarter.

Wednesday, 18 January 2012

Taschen unwraps Architecture Now! volume 8

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Press release:

Architecture Now! 8
Philip Jodidio
Flexicover with flaps
7.7 x 9.8 in., 480 pages
£ 24.99 / € 29.99
DKK 299.90
ISBN 978-3-8365-2681-4
Multilingual Edition:
English, French, German

 

Currents in architecture around the world

Architecture Now! 8 reviews new and exciting projects completed and under construction in the whole world. No style, no building type is ignored, making this volume a true compendium of what anybody interested in buildings today needs to know. From well-known figures such as Zaha Hadid, Ryue Nishizawa of SANAA fame and Thom Mayne of Morphosis, to rising stars like Joshua Prince-Ramus (REX) and Sou Fujimoto and on to less-known architects who are the “stars” of tomorrow, like the Indians of Studio Mumbai, the Norwegian Todd Saunders, the Burkinabe Diébédo Francis Kéré, and the Colombian Giancarlo Mazzanti, or the Chinese architect Li Xiaodong, they are all here and many more as well. Don’t miss this opportunity to see the best of what architecture has to offer… Now!

For anyone interested in the zeitgeist and building design in the 21st century, the Architecture Now! series is an essential work of reference. Easy-to-navigate illustrated A–Z entries include current and recent projects, biographies, contact information, and websites

Contact

For more information, please visit Taschen at www.taschen.com

Sales

Buy from Amazon here.

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