Olympus announces OM-D (E-M5)

UPDATE, 11th Feb, 2012: the OMD E-M5 is available to pre-order, please see the links below.

Olympus has announced a new flagship model, the E-M5, the first in the OM-D series sitting at the top of its micro-four-thirds (MFT) system. The new camera features a 16-MP L-MOS sensor and adopts the same lens range as the PEN series, however the OM-D (E-M5) as it's being called, has a built-in 1.44 million dot electronic viewfinder (EVF), new five axis image stabilization system, 'world-beating' FAST AF system all wrapped in a weather sealed magnesium alloy body. Olympus say the new AF system is the fastest currently available of 'any interchangeable lens camera' (ILC) including pro-level DSLRs (and quite a claim though the company is clear that's as of November 2011).

As well as incorporating a 120fps L-MOS sensor, and FAST AF system that featured on the E-P3, lens control communication has improved, resulting in an AF speed increase with MSC compatible lenses. The OM-D is capable of of sequential shooting at up to 9fps (dropping to 4.2fps with AF invoked). Live View black-out times (return times) have been noticeably reduced due to separate processor cores found in the TruePic V1 processor, though timings have yet to be announced.

The EVF features a 100-percent field of view with a 1.15x max magnification and 18mm eye-point, while a new EVF Creative Control feature is said to permit monitoring of highlight and shadow brightness in the viewfinder using a tone control overlay. White balance, magnification and aspect ratio can similarly be adjusted without the eye moving away from the viewfinder.

The OM-D is the first to feature a five axis image stabilization system, correcting not only for yaw and pitch but also , horizontal and vertical shift and rotary motion (rolling). Olympus says the system is particularly effective at compensating for high magnification stills (such as macro shooting), but it's not clear if the same system is used in the MSC IS system, adopted for movie capture. The new camera adopts the MOV format (MPEG-4 AVC/H.264), for movie clips up to 29-minutes as well as the less compact AVi (Motion JPEG) option with linear PCM audio used for both modes.

The OM-D also has a tilting 3.0 OLED touch sensitive panel with 610K dot resolution that's capable of displaying video at the equivalent of VGA resolution (though it's not clear at this time if that's accounting for the different screen ratio). A new Live Bulb feature updates the LiveView image on the rear-panel monitor at preset intervals and also allows the user to assess the final image during the exposure and to adjust the exposure time accordingly.

OM-D main features:

· Speed - the world’s fastest* FAST AF auto-focusing system plus 3D tracking for improved moving object tracking performance
· 16.1-megapixel new Live MOS sensor, for high resolution and excellent low-light performance
· 1.44 million dot high-definition electronic viewfinder, with unique optical design to reduce vignetting, 100% field of view and very short display time lag
· Powerful TruePic VI image engine, for faster recovery time and excellent image quality (still image shooting sensitivity as high as ISO25600)
· Ultra-effective in-body image stabilization using the world’s first*1 5-axis IS, for blur-free movies and stills with any lens
· Compact, lightweight body in the tradition of the famous OM series, in magnesium alloy and enhanced with proven dust-/splash-proof capability
· Fully compliant with the Micro Four Thirds System standard
· Additional lens options under development - the M.ZUIKO DIGITAL ED 75mm 1:1.8 and the M.ZUIKO DIGITAL ED 60mm 1:2.8 macro

Additional features:

· Tilt LCD (3.0-inch swivel-type OLED monitor, capacitive touchscreen panel with fast response)
· Full HD (1920 x 1080), now in MPEG4 (AVC/H.264)
· New Echo effect for movies (one-shot echo and multi-echo)
· Live Bulb feature, updating the Live View image on the rear-panel monitor at pre-set intervals during bulb shooting
· New “Key Line” Art Filter, making the picture look more like an illustration by enhancing the edge lines; and new variations “Cross Process II” and “Dramatic Tone II”

The OM-D is available from April 2012 as a kit with the M.ZUIKO DIGITAL ED 12-50mm 1:3.5-6.3 for $1299 / £1149.99. Body only price $999 / £999 inc VAT.

 

Pre-order the OM-D E-M5:

Please follow the link to pre-order the E-M5 at Adorama.

B&H Photo are also taking pre-orders, please follow the link here.

Amazon (all countries), please follow the link here.

UK readers can pre-order the E-M5 with the ED 12-50mm at Jessops for £1,149.95, please follow the link here.

Warehouse Express have various combinations available to pre-order here.

For more information, please visit www.olympusomd.com

Thank you for buying through this site's links.

Press release:

Faster, sharper, smarter: the dust and splash-proof Olympus OM-D, with game-changing IS, electronic viewfinder and stunning new lenses

London, February 8 2012
Olympus is taking the forty-year pedigree of the OM series into the next generation with the launch of the OM-D, featuring the world’s first*1 5-axis image stabilization (IS) system to eliminate blur in stills and movies.

See the blur reduction effect live via the fast electronic viewfinder, while simultaneously benefitting from the fastest*2 auto-focus of any interchangeable lens camera (including all D-SLRs) with a further refinement of the world-beating FAST AF (Frequency Acceleration Sensor Technology) also found on the popular PEN series models.

The camera’s innovative new 16.1 megapixel high-resolution Live MOS Sensor works in tandem with the powerful TruePic VI image processing engine to achieve outstandingly refined image quality and high sensitivity.

The integrated 1.44 million dot high-definition electronic viewfinder lets the photographer to check manual adjustments to brightness and colour tones on-screen and with a new interface for exceptionally easy viewing.

This faster, sharper, smarter camera comes attractively packaged in a durable dust-/splash-proof magnesium-alloy body that ensures lets the OM-D go-anywhere. New accessories such as the optional HDL-6 power battery holder grip, MMF-3 Four Thirds mount adapter and FL-600R electronic flash add to its adaptability, while two new lens options – the M.ZUIKO DIGITAL ED 75mm 1:1.8 and the M.ZUIKO DIGITAL ED 60mm 1:2.8 macro – are under development and will extend creative applications for the user.

The OM-D (E-M5) comes in a silver or black body.

The OM-D is available from April 2012 as a kit with the M.ZUIKO DIGITAL ED 12-50mm 1:3.5-6.3 for £1149.99. Body only price to be confirmed.

Additional Images

 

 

 

 

 

 

 

Contact

For more information please visit www.olympus.co.uk, or www.olympusamerica.com

Olympus announces M.Zuiko 75mm f/1.8, 60mm f/2.8 macro under development

Olympus has announced two new lenses are under development - the M.ZUIKO DIGITAL ED 75mm 1:1.8 and the M.ZUIKO DIGITAL ED 60mm 1:2.8 macro. The 75mm lens adopts a high-quality metal barrel and fast
maximum aperture for portraits and indoor sports shooting, while the dust and splash proof 60mm lens features 1:1 macro and a closest shooting distance of just 0.19m. It's expected the lenses will be available later in the year.

Contact

For more information please visit www.olympus.co.uk, or www.olympusamerica.com

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Olympus announces new OM-D (E-M5)

Pentax launches image transfer software for 645D

Press release:

PENTAX RICOH IMAGING COMPANY, LTD. is pleased to announce the launch of PENTAX IMAGE Transmitter, exclusive software for the transfer and saving of images taken with the PENTAX 645D medium-format digital SLR camera to a personal computer.
 
Overview
I.           Available in CD-ROM format
l  Transfer recorded images to a designated file on a personal computer. It is also possible to record the images simultaneously on an SD memory card installed in the camera.
l  The camera’s shutter can be remotely released using the personal computer.
l  Available in Japanese and English
II.         Operating manual contained in the CD-ROM
 
Notes:
The camera’s firmware must be updated to the latest version in order to use this software. The latest firmware is contained in the CD-ROM.
With the Windows version, Microsoft’s .NET Framework 4 software must be installed on a personal computer in advance.
 

♦Windows is a registered trademark of Microsoft Corporation in the United States and other countries.
♦.NET Framework is a registered trademark of Microsoft Corporation in the United States and other countries.
♦ Macintosh and Mac OS are trademarks of Apple Inc., registered in the U.S. and other countries.
 
 
The PENTAX IMAGE Transmitter will be available at RRPS of £249.99.
 

Pentax announces seven in-development products

Press release:
PENTAX RICOH IMAGING COMPANY, LTD. is pleased to announce the exhibition of seven reference products — interchangeable lenses and camera accessories currently under development — at CP+ 2012, one of the largest and most comprehensive camera and imaging shows in Asia. This annual event will be held from February 9th to 12th at the PACIFIC YOKOHAMA convention center in Japan.
Reference Products
1.   Interchangeable lens for medium-format digital SLR camera
　Model name (tentative): smc PENTAX-D FA645 90mm f/2.8
·         Unifocal medium-telephoto lens for use with the PENTAX 645D
·         Focal length ideal for portraiture and high-quality image reproduction with beautiful bokeh (out-of-focus) effect
·         Market launch scheduled for 2012
 
2.   Interchangeable K-mount lenses for digital SLR cameras
Model name (tentative): smc PENTAX-DA 560mm f/5.6
·         Unifocal super-telephoto lens for use with PENTAX K-mount digital SLR cameras
·         Sharp, well-defined images — particularly with distant subjects — thanks to the adoption of optics used in astronomical telescopes
·         Market launch scheduled for 2012
 
3　Model name (tentative): smc PENTAX-DA 50mm f/1.8
·         Unifocal standard lens for use with PENTAX K-mount digital SLR cameras
·         Maximum aperture of F1.8 for high-quality images with a superb rendition of depth and natural bokeh (out-of-focus) effect
·         Market launch scheduled for 2012
 
4.   Interchangeable Q-mount lenses for digital SLR cameras
　Model name (tentative): TELEPHOTO ZOOM
·         Telephoto zoom lens (high-performance-lens series) for use with PENTAX Q-mount digital SLR cameras
·         Exceptional image rendition for sharp, high-contrast images, even at the edges of the image field, thanks to the state-of-the-art optical design
·         Market launch scheduled for 2012
 
5　Model name (tentative): MOUNT CAP LENS
·         Unifocal standard lens (unique-lens series) for use with PENTAX Q-mount digital SLR cameras
·         Eye-catching “body cap” design, along with a toy-camera-like visual effect
·         Market launch scheduled for 2012
 
6.   Interchangeable K-mount lens for the PENTAX K-01
　Model name: TBA
·         Super-thin interchangeable lens especially designed for the PENTAX K-01 digital camera
·         Market launch: TBA
 
7.   Lens adapter
　Model name: Adapter Q for K-mount Lenses
·         Lens adapter for mounting a K-mount lens onto a Q-mount digital SLR camera body
·         Built-in shutter unit; manual-focus operation only
·         Market launch scheduled for Spring 2012

Pre-order Nikon D800 models

B&H Photo in the US are taking pre-orders for the newly announced 36-megapixel Nikon D800 ($2,999.95) and D800E (without AA filter, $3,299.95). Please follow the link here.

Amazon has added the D800 for $2,999, please follow the link here. Amazon US have stopped taking pre-orders for a while. Amazon UK link has now been added at £2,399, please click here.

Pre-orders can be placed at Adorama for the D800 here at $2,999.95 or the D800E here for $3,299.95.

UK readers can pre-order the D800 from Warehouse Express at £2,399 (inc VAT), and Jessops are listing both models for pre-order at £2399.95 and £2689.95, please follow the link here.

Thank you for ordering through this site's links.

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Nikon announces world's first 36MP D800, D800E DSLRs

Nikon D4 available to pre-order

Nikon announces new flagship D4

Nikon launches world's first 36MP D800 and D800E DSLRs

Press release:

Nikon D800 – Get the Big Picture
 
RRPs
D800: £2399.99 / Eur 2829
Sales start date: 22nd March 2012 (TBC)
D800E: £2689.99 / Eur 171 (selected retailers only)
Sales start date: 12th April 2012 (TBC)
MB-D12: £379.99 / Eur 448
 
London, UK, 7th February 2012 Nikon today announces a groundbreaking new 36.3 megapixel FX-format professional D-SLR, the Nikon D800.
 
Designed to answer the needs of tomorrow’s photography and video today, the masterful Nikon D800 is packed with new technology that delivers unprecedented levels of depth and detail in photography, and offers all the flexibility necessary to shoot broadcast quality video.
 
Firmly establishing a league of its own, the Nikon D800 offers imaging potential to rival medium format cameras, but with all of the agility of the D-SLR format — giving professionals who demand attention to detail the freedom to create monumental images.
 
In an industry first, this exciting launch includes a special edition of the D800 – the Nikon D800E. With a modified optical filter, the D800E offers a unique alternative for those seeking the ultimate in definition.
 
Kentaro Kusakari, Product Planning Manager, Nikon UK says: “The D800 sets a new benchmark for photographers shooting both still images and video. The combination of the powerful 36.3 megapixel resolution that records detail like never before, and the comprehensive video options will captivate photographers and moviemakers of all disciplines. He adds: “We’re excited about the D800 and know it will help to shape the future of the way we capture images and movies.”
 
The big picture
The groundbreaking 36.3 megapixel FX-format (full-frame) CMOS sensor incorporates key technologies that enables unprecedented levels of detail and tonal range.
 
12-channel readout with 14-bit A/D conversion and high signal-to-noise ratio: delivers images of remarkable quality with low noise and wide dynamic range.
 
Broad ISO: offering an ISO range of 100–6400, extendable up to 25600 (equivalent) and down to 50 (equivalent), the D800 will set a new benchmark for D-SLRs with this level of resolution. The camera’s intelligent noise reduction systems manage noise without sacrificing fine details, allowing superb flexibility under all lighting conditions: images are crisp and clean, even at higher ISO settings.
 
Peak performance 
Equipped with Nikon’s next-generation EXPEED 3 image-processing engine, the D800 makes light work of data-rich tasks without sacrificing the speed and quality that professionals are accustomed to.
 
16-bit image processing: offering richer colours and tones than ever before, this cutting-edge image processor delivers smooth gradations with abundant detail and tone all the way up the scale to pure white, even when shooting in JPEG.

 

 
Broadcast quality video
For professionals whose workflow demands video, the D800 offers all the flexibility required for a wide variety of movie applications.  It’s large format movie shooting at its best, with a comprehensive variety of frame rates.
 
Frame rates: Full HD (1080p) movies can be recorded in 30p, 25p and 24p, with 60p, 50p and 25p options at 720p. Movie clips can be up to 29:59 minutes long.
 
Multi-Format Full HD D-Movie: as introduced with the D4, Full HD recording is possible in both FX and DX based formats, enabling exceptional freedom of expression.
 
High-fidelity audio control: responding to feedback from the industry, the D800 sets a new standard for D-SLR audio recording, enabling your movies to sound as good as they look. Aside from the external stereo microphone input, an audio out for external headphones lets you fine tune audio in isolation, both before and during movie recording. A line input setting for PCM linear recorders is also provided.   
 
Uncompressed HDMI output: for those who need the purest video output for professional quality editing, the D800 offers the possibility to output the uncompressed live view to external recorders and monitors.  As with the Nikon D4, this data is output at the designated image size and frame rate, and is clean of the information overlay that can be simultaneously displayed on the camera’s TFT monitor. 
 
Convenient custom controls: have been implemented for live view operation. Instead of rotating the command dial, power aperture enables smoother aperture control using assigned buttons on the front of the camera. Index marking helps you tag important frames in the timeline by attaching markers during movie recording, which makes for easy location during editing.
 
Advanced scene recognition with 91K-pixel RGB sensor
Nikon’s revolutionary Advanced Scene Recognition System now incorporates a newly designed 91,000-pixel RGB sensor that meticulously analyses each scene for outstanding accuracy. It can detect human faces with startling exactness even with exclusive use of the optical viewfinder, and recognises a scene’s colours and brightness with unprecedented precision.
 
This level of detailed scene analysis is also utilised to support more accurate autofocus; auto exposure and i-TTL flash exposure results in a diverse range of compositional and lighting situations. For example, 3D-subject tracking is particularly improved when shooting smaller subjects.
 
Implementing Nikon’s highly-acclaimed Multi-CAM 3500FX AF system — with individually selectable or configurable 9-, 21- and 51-point coverage settings — the autofocus sensor module and algorithms have been re-engineered to significantly improve low light acquisition sensitivity capabilities down to  -2 EV (ISO 100, 20°C/68°F). The overall performance is similar to the latest flagship of Nikon, the D4: AF operation is even possible under a combined aperture value of f8 (e.g. a 600mm f/4 AF-S lens combined with 2x-teleconverter TC-20EIII) with 11 AF sensor involved, and with 15 AF sensors between f/5.6 and f/8.
 
Simplified AF and AF-area mode selection is now possible without taking your eye away from the viewfinder.
 
Responsive and intuitive 
The Nikon D800 responds as quickly as you do, with secure, conveniently placed, buttons and controls that quickly become an extension of your hand. 
 
Fast response: start-up is approx. 0.12 seconds[1], release time lag is minimized to approx. 0.042 seconds[2] (equivalent to that of the D4), with continuous approx. 4 fps capability in FX-format and crop modes, pushed to approx. 6 fps capability in DX-format Crop mode with the optional Multi-Power Battery Pack MB-D12.
 
Precision 8-cm (3.2-in.), approx. 921k-dot, wide-viewing-angle LCD monitor with automatic monitor brightness control: delivers bright, crisp image playback with a much wider color reproduction capacity. LCD brightness is automatically adjusted according to the viewing environment and images can be magnified up to 46x during playback, which can be a big help for spot focus confirmation.
 
Glass prism optical viewfinder with approximately 100% frame coverage and 0.7x magnification (50mm f/1.4 lens at infinity, -1.0m-1). 
 
Dual-axis electronic virtual horizon offers accurate confirmation of level shooting by letting you check the LCD monitor, or the viewfinder, for both the camera’s position in relation to the horizontal plane and its pitch (forward or rear rotation).
 
Enhanced ergonomics: buttons and dials have been strategically laid out for fluid operation. Improvements around the shutter-release button mean your index finger can rest comfortably for longer periods of time, while the designated movie record button means you’re ready to trigger movie shooting in an instant.
 
Release mode dial: mode visibility and operability has been improved via a four-button layout and release mode dial on the camera’s top panel, along with dedicated buttons for ISO, White Balance and Image Quality. A new bracketing button has been strategically placed to aid such features as HDR.
 
Direct access to Picture Controls via a new, dedicated button, rather than via the menu. Picture Controls let you customise the look of your stills and videos by fine-tuning parameters such as sharpness, saturation, and hue.
 
Durability
Despite its light weight and compact size, the D800 is as tough as Nikon’s professional single digit cameras, with extensive weather and dust sealing throughout to ensure you can keep working when the going gets tough.
 
High-precision, high-durability shutter: the shutter unit has been tested to well over 200,000 cycles of release to prove durability and precision. Boasts a speed range of 1/8000 to 30s; features an intelligent self-diagnostic shutter monitor and, for the first time, a drive unit designed to reduce the demand on power when the shutter is raised for extended periods during movie shooting.   
 
Efficient power management: a re-working of the D800’s circuits now enables approx. 850 shots[3] of still image shooting or approx. 60 min. of movie live view[4]. All on one charge of a Rechargeable Li-ion Battery EN-EL15.
 
Build quality: as reliable on the road as it is in the studio, the D800 boasts a weather- and dust-sealed magnesium alloy body that weighs in at approx. 10% lighter than the D700.
 
Storage media:  high-speed CF (UDMA 7) and SD (SDXC and UHS-1) dual card slots.
 
High-speed data transfer with USB 3.0. 

 

 
Nikon D800E - The ultimate alternative
The Nikon D800E is a special edition of the D800, specifically designed for those seeking absolute definition.

Incorporating an optical filter with anti-aliasing properties removed in order to facilitate the sharpest images possible, this is an ideal tool for photographers who can control light, distance and their subject to the degree where they can mitigate the increased risk of moiré[5] and false colour.  Aside from the optical filter, all functions and features are the same as on the D800. 
 
Creative expansion tools
The D800 incorporates a variety of creative and practical tools for those too busy to spend time in excessive post-production.
 
Time-lapse movies: the D800 extends the popular time-lapse photography function by saving images as a movie file in the camera. With playback rates from 24 to 36,000 times faster than normal.
 
HDR (High Dynamic Range) shoots one overexposed and one underexposed frame in a single shutter release. The range can be widened by up to 3 EV for different looks, full of saturation and tonal gradation, while the smoothness of the edge where the two exposures meet can be adjusted for a more natural appearance.
 
Refined colour temperature control enables minute control over white balance. The monitor hue of live view and the resulting image’s white balance can be adjusted so that the two are aligned. Colour temperature can be manually set in 10-Kelvin increments, or in mired units.
 
Auto shutter speed control for auto ISO sensitivity control: a new auto option for minimum shutter speed, which automatically controls the balance between shutter speed and ISO sensitivity based on the focal length of the lens being used.
 
Four image area options: for the first time in a camera of this class, you can choose from a variety of image crop modes, all visually masked in the viewfinder. 5:4 (30.0 x 24.0 mm), 1.2x (30.0 x 19.9 mm), and DX-format (23.4 x 15.6 mm).
 
In-camera editing: captured images and movies can be altered and edited in camera and on the fly if required. Retouch menus include an array of useful features such as NEF (RAW) processing, resize, distortion control, fisheye, miniature effect, red-eye correction, filter effects and image overlay — as well as the ability to designate the start and end point of movie clips all at once, in order to save them more efficiently.
 
Accessories
Multi-Power Battery Pack MB-D12 (optional) accommodates a variety of batteries (see specifications) and utilises the same integral magnesium alloy construction and weather sealing as the D800 body itself. You also get approx. 6 fps continuous shooting speed[6] in DX-format. The MB-D12 has its own dedicated shutter-release button and command dials for vertical composition shooting.
 
Nikon SB-910 (optional) — unparalleled lighting performance: Nikon’s SB-910 offers versatile i-TTL for on-camera or wireless flash control, refined operability and a powerful guide number of 34/112 (ISO 100, m/ft, STD, FX format, zoom 35mm). Menus and controls have been improved for more operational ease. Hard-type incandescent and fluorescent colour filters are included, which can adjust your D800‘s white balance instantly.
 
Capture NX 2 (optional) — Fast, powerful and creative image processing: to accommodate the imaging power of the D800’s 36.3 effective megapixels, the latest Capture NX 2 is faster than before and 64-bit compatible[7].
 
Camera Control Pro 2 (optional) — Versatile remote camera controls: aside from controlling exposure mode, shutter speed, and aperture, the software now offers numerous improvements to make the D800’s live view operation exceptionally smooth. New creative controls include remote start and stop for movie shooting and switching between live view for stills and movies.
 
ViewNX 2 (supplied) — Browse, edit, share and more: this bundled, all-in-one software implements an easy-to-use interface and an array of editing functions, including basic editing of RAW files and D-Movies. Seamlessly integrates with my Picturetown, Nikon’s photo sharing and storage service.

Pre-orders

B&H Photo in the US are taking pre-orders for the newly announced D800 ($2,999.95) and D800E ($3,299.95). Please follow the link here.

Amazon has added the D800 for $2,999, please follow the link here.

UK readers can pre-order the D800 from Warehouse Express at £2,399 (inc VAT), and Jessops are listing both models for pre-order at £2399.95 and £2689.95, please follow the link here.

Canon announces three new EF lenses

Canon has announced three new additions to the EF (full-frame) lens range - EF 24-70mm f/2.8L II USM , EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM. Interestingly, the 24 and 28mm feature image stabilization, a first for the shorter focal lengths, while the announcement of the first stabilised 24-70mm f/2.8 went to Tamron only yesterday. The EF 24-70mm f/2.8L contrary to rumours (and patents submitted) before the official announcement is not stablised but sees an improvement to the optical construction, as well as mechanical structure, Canon says. At the time of writing, Canon has not confirmed the price or availability.

UPDATE: B&H Photo are accepting pre-orders of the new 24-70mm f/2.8L II at here $2,999.00, with expected delivery April 17, 2012

Editorial comment: The announcement of the 24-70mm f/2.8L with its significantly improved optical performance is an unusual step by Canon, and suggests that the company maybe readying a new high resolution camera, perhaps the EOS 5D Mk III. Although not confirmed at this time, I also suspect the lens could be parfocal, or at least have a mechanism to maintain focus during a change of focal length, like that found on the 24-105mm f/4 IS. That lens is bundled with the current EOS 5D Mk II as the parfocal design is favored for HD filming, but its current optical performance while very good will certainly be behind this new lens. On a slightly negative note, I'm a somewhat discouraged by the increase to a 82mm filter diameter and the fact the lens hood fits the inner barrel, rather than the outer barrel like that of its predecessor. That design protected the delicate inner barrel and while Canon say the 'mechanical structure' has been improved, read made more durable, only time will tell if that's really the case.

Press release:

Class-leading performance, unrivaled flexibility – Canon launches three new lenses

United Kingdom, Republic of Ireland, 7th February 2012 – Canon today adds to its world-famous EF lens series with the launch of three new lenses for photography professionals and enthusiasts. The new  EF 24-70mm f/2.8L II USM professional zoom lens is an update to the popular EF 24-70mm f/2.8L USM, while the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are the world’s first (according to Canon research as of February 2012) wide-angle prime lenses to feature optical Image Stabilizer (IS) technology. All three provide the highest levels of performance for modern digital photographers, combining premium image quality with durable, user-friendly designs.

EF 24-70mm f/2.8L II USM: the ultra-high performance standard zoom
The new EF 24-70mm f/2.8L II USM features completely redesigned optics to provide outstanding clarity, image quality and durability. A compact design makes it ideal for carrying on every shoot, and a range of optical enhancements provide improved performance – capturing greater detail across the frame while reducing distortion throughout the entire zoom range, particularly at the maximum 70mm focal length.

With a redesigned optical system that includes two Ultra-low Dispersion (UD) and one Super UD aspheric elements to minimise chromatic aberration and colour blurring, the lens delivers consistently sharp, high-contrast images. Each lens element also features Canon’s optimised Super Spectra coatings to reduce ghosting and flare and ensure excellent colour balance. Additionally, a fluorine coating minimises the amount of dust, dirt and fingerprints that adhere to the front and rear of the lens, helping to maintain superior image quality.

The EF 24-70mm f/2.8L II USM also enables photographers to capture their subjects up close, with a minimum focusing distance of 0.38m at all focal lengths throughout the zoom range. A ring-type Ultrasonic Motor (USM) works in combination with a high-performance CPU and advanced AF algorithms to ensure accurate, silent and ultra-responsive autofocus. For those who prefer to maintain full control in every shot, full-time manual focusing allows photographers to precisely tweak or alter the focus of their shot at any time, even when AF is engaged.

Distinguished L-series design
The EF 24-70mm f/2.8L II USM is the latest lens from the elite L-series to offer Canon’s high-grade and user-focused design enhancements. The mechanical structure of the lens has been improved to offer enhanced zoom durability and greater shake and shock resistance within the lens barrel. The size of the lens has also been reduced by 10mm compared to the previous model, providing enhanced portability and greater convenience in everyday use. A new Zoom Lock lever also enables photographers to lock the zoom position at the extreme wide end to prevent damage to the lens in transit, while a water and dustproof construction (Waterproof construction around the lens mount, switch panel, zoom ring, focusing ring and zoom lock. Weatherproof when used with weatherproof EOS bodies) enables users to continue shooting in harsh conditions.

 

Introducing the world’s first wide-angle primes with IS
Canon today also launches the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM – the world’s first 24mm and 28mm fixed wide-angle lenses to feature optical IS technology. Ideal for landscape and reportage, both lenses offer outstanding flexibility allowing photographers to shoot an even broader range of scenes and subjects – combining fast apertures with IS to enable sharp results when shooting handheld, even in low light conditions.

Offering an advantage of up to 4-stops over lenses without IS, both lenses are ideal for capturing more of the scene thanks to their wider focal lengths. Both feature a wide f/2.8 aperture, allowing photographers to explore shallow depth of field, or to shoot in lower-light conditions. Wide apertures and IS technology also make each lens ideal for shooting fast-moving subjects, while Canon’s advanced IS technology is able to detect intentional panning movement and automatically switch from Normal IS mode to Panning IS mode – helping users to capture movement with greater accuracy.

Silent, high-speed AF performance is provided by the inclusion of a ring-type USM and additional features including optimized AF control. Full-time manual focusing also ensures adjustments can be made even when AF is engaged, while a minimum focusing distance of 0.20m (EF 24mm f/2.8 IS USM) and 0.23m (EF 28mm f/2.8 IS USM) allows photographers to get even closer to smaller or more detailed subjects.

 

 

Designed to perform
Both the EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM feature redesigned optics to improve image quality and reduce the need for post-production. An aspherical glass moulded (GMo) lens element is incorporated to correct aberration throughout the optical system, while Canon’s optimised Super Spectra Coatings reduce ghosting and flare for stand-out image quality. Externally, both models also boast a number of design similarities with Canon’s professional L-series lenses, with a similar coating on the barrel and a similar design on the focus ring. A distance scale is also included to assist with landscape photography, while the compact design makes these lenses an unobtrusive addition to any kit bag.

EF 24-70mm f/2.8L II USM – key features
All-new optical design delivers exceptional sharpness
Ultra-low dispersion (UD) and super UD elements
Fast f/2.8 maximum aperture
Sealed against dust and moisture
Fast, silent ultrasonic autofocus
Manual focus override
Nine-bladed circular aperture

EF 24mm f/2.8 IS USM – key features
24mm wide angle lens (38mm equivalent on APS-C sized sensors)
Fast f/2.8 maximum aperture
Up to four-stop Image Stabilizer
Ultrasonic autofocus mechanism
Circular aperture for soft background blur
Super Spectra coatings reduce flare

EF 28mm f/2.8 IS USM – key features
28mm wide-angle lens (45mm equivalent on APS-C sized sensors)
Fast f/2.8 maximum aperture
Up to four-stop Image Stabilizer
Ultrasonic autofocus mechanism
Circular aperture for soft background blur
Super Spectra coatings reduce flare

Related Posts

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Canon unwraps EOS-1D X (with editorial comment)

Tamron announces new image stabilised SP 24-70mm f/2.8

While rumours circulate of an impemding announcement of an new IS 24-70mm f/2.8 from Canon, Tamron has officially announced the SP 24-70mm F/2.8 Di VC USD, featuring image stabilization and a Ultrasonic Silent Drive (USD) AF motor. The lens will be available in Canon, Nikon and Sony A mounts. No prices or delivery dates have been announced.

Press release:

New Tamron SP 24-70mm F/2.8 VC USD lens with Vibration Compensation.
Full-size, high-speed standard zoom with class-leading resolution and
Tamron’s proprietary VC (Vibration Compensation)

 

Tamron Co., Ltd., a leading manufacturer of optical equipment, announced the development of the SP 24-70mm F/2.8 Di VC USD (Model A007), a full-size high-speed standard zoom lens equipped with VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive), with resolution at the top of its class.

Product Features

1. A full-size, high-speed standard zoom with built-in VC (Vibration Compensation). Even when shooting in low-light conditions with a slow shutter speed to render sharpness, Tamron’s acclaimed VC allows for stable handheld camera work, to more fully enjoy the benefits of this high-speed zoom lens.

2. Uses special high-grade glass in the three LD elements, three glass molded aspherical lenses, one hybrid aspherical lens and two XR (Extra Refractive Index) glasses, delivering top-of-the-class quality images suited to this high-grade lens. Using a rounded diaphragm, the lens achieves gorgeous blur effects. This rounded diaphragm retains a nearly circular shape even when taken two stops down from its fully open state.

3. Features Tamron proprietary USD (Ultrasonic Silent Drive) to power a speedy AF drive together with a continuous manual mechanism.

4. This high-speed standard zoom lens has a wide-end focal length of 24mm that expands the photographic area.

5. The lens adopts the new technology including the latest optical design, VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive), all in a lighter and more compact package.

6. Moisture-resistant construction helps prevent water from penetrating the lens.

For more information, please visit www.tamron.com, or www.tamron.co.uk

Canon UK start Photo Experience Training promotion

Press release:

Canon announce their Photography Experience Training Promotion

Your EOS Adventure starts here.

 

The promotion:

Photographers can claim a free Photography Experience Pack worth up to £230, which includes Experience Training Vouchers and Canon Essential Guide DVD's.

The Experience Training Promotion is available against purchases of the EOS 550D, EOS 600D and EOS 60D.

    •    Experience Training Vouchers

Camera                Photography Experience
                        Voucher Value
EOS 550D               £50
EOS 600D               £100
EOS 60D                 £150

    •    Canon Essential Guide DVD's

Photographers can also choose one pack from the two DVD packs below:

Starter Pack:
    •    Getting Started With Your Digital EOS
    •    The Essential Guide to Portrait and Family Photography
    •    The Essential Guide to Wildlife Photography
    •    The Essential Guide to Landscape Photography

Intermediate Pack:
    •    Introduction to Photography With Your Digital EOS
    •    The Essential Guide to Portrait and Family Photography
    •    The Essential Guide to Wildlife Photography
    •    The Essential Guide to Landscape Photography

 

 

To be eligible for the free Photography Experience Pack:
    •    Customers must purchase one of the selected DSLR products by 31st March 2012
    •    The deadline for customer claims will be 30th April 2012
    •    The Experience Training will be run between 1st March 2012  and 31st October 2012

 

Readers enquiries:
For further details and full terms and conditions please visit www.canon.co.uk/eosexperience/

Sigma announces new CEO

Following the death of of former CEO, Michihiro Yamaki, Sigma Japan has announced Mr. Kazuto Yamaki, previously Chief Operating Officer, has been appointed as Chief Executive Officer of the Sigma Corporation and is now the sole director of Sigma Imaging (UK) Ltd.

Press release:

We would like to announce that Mr. Kazuto Yamaki, previously Chief Operating Officer, has been appointed as Chief Executive Officer of the Sigma Corporation and is now the sole director of Sigma Imaging (UK) Ltd.

Mr Kazuto Yamaki is the son of the late Michihiro Yamaki and joined the Sigma Corporation in 1993. His roles within the organisation have included Corporate Planning Division manager, Vice-President and Chief Operating Officer.

Mr Kazuto Yamaki is dedicated to the Sigma Corporation that his father founded 50 years ago and will continue in the tradition or innovation and cutting edge technology. A combination of experience, commitment and energy plus a genuine love of photography and consideration for the customer will ensure that Sigma’s future is in safe hands.

For more information please visit www.sigma-imaging-uk.com

Mifsuds UK Gitzo specials

Canon and Nikon Pro dealer, Mifsuds Photographic (based in the UK), have several online specials on Gitzo tripods, available via their eBay store. The lightweight, the four-section GT2541 EX (Explorer), for instance is just £379 (was £399) inc VAT. Although now officially discontinued*, the four-section Systematic GT3541LS is available at £519 (that's a saving of around £50). Better savings still can be had from the top-of-the range GM5561T six section monopod, normally around £299, it's available for just £229 inc VAT. It's not particularly tall, but it's very compact and can hold a 800mm f/5.6. Delivery is quoted at just £10.00 for each of these items, which is low even for the monopod.

Please use this link to the Mifsuds eBay store.

Related Posts

*Gitzo softly launches new Systematic tripod range
How to choose a Gitzo tripod

Thank you for ordering through this site's links.

Gitzo softly launches new Systematic tripod range.

After this site broke the news that Gitzo were replacing the Systematic range of tripods, the DJP has since discovered the company has launched the new range 'softly', on their website. The modular Systematic range has been extended to include Series 2, aluminum 4 and 5 series has been replaced with carbon fibre, while new top casting geometry is said to improve stability, says Gitzo. It should also lessen twisting when used with fluid heads for HDDLSRs - the top-plate is removable and can be replaced with either a 75mm or 100mm video bowl, necessary for leveling fluid-type video heads. No prices have been announced at this time, but from our previous report, the new tripods should be available by the end of February.

A new GT4552GTS 'Geant' is an interesting new addition, with a maximum height of 240cm/94.5 inches and weighing 2.72kg/6lbs. Gitzo says it's capable of a 25kg/55lbs load - or a 600mm f/4 and pro-DSLR in real world terms. The 5 series has been expanded too. With a 40kg/88lbs maximum load, Gitzo say these are preferred for the 800mm f/5.6 combinations.

A a new ratchet type lever (seen more clearly in the picture at the head of the post) is used to secure the top-plate, and should be an improvement over the hex locking nut of previous versions.

The top casting now has additional security for the removable top-plate. Note the button at the top of the picture, this must be depressed before the plate can be detached - saving inadvertent spills, it's claimed.

New leg braces offer more room to grip, making set-up easier, Gitzo adds.

Built-in spikes - the previous range offered optional spikes.

Contact

For more information, please visit www.gitzo.com

Related Posts

Gitzo discontinue current Systematic tripod range
How to choose a Gitzo tripod

Sales

Gitzo Systematic tripods at;

Warehouse Express (UK)

Hasselblad set to launch Hasseblad TV

 

Press Release

Copenhagen, February 2nd 2012

 

Hasselblad Launches State-of-the-art Online Video Platform

" Hasselblad is set to launch Hasselblad tv – an exclusive new multi-language online video platform that will ‘target and engage’ the company’s global audience of professional and aspirational photographers..."

After two years of planning HTV will launch on February 2 offering viewers a range of channel options, including education and training videos, product information, global news and events plus peer videos submitted by Hasselblad photographers worldwide.

Chris Russell-Fish, Hasselblad’s Global Sales and Marketing Director said: “This is a very exciting project for us, our customers and trade partners like broncolor, Epson and SanDisk”. “We are working with award-winning digital specialists Skylab to produce a comprehensive standalone platform – primarily an education and research tool of ‘all things Hasselblad’. It will be easy to use but with all the appropriate functionality, including options to download PDF information photographers may find useful after browsing a particular video.” He added: “We all know there are countless thousands of videos available on YouTube but we wanted to create one single place where Hasselblad enthusiasts can go to access fundamental training on our camera systems; how to attach a back, for example, or tips and tricks on software techniques. We have emulated the excellent BBC iPlayer model but we also wanted to provide our service across a number of languages, including French, German, Italian, Spanish and Chinese. So an Italian architectural photographer will be able to simply access our Italian channel and watch a playlist of videos in that genre, in his or her native language.”

Hasselblad is now looking for photographers to submit videos of interesting shoots, stories and events. Of course Hasselblad will retain the right to edit material but there will be no overarching censorship criteria - other than the obvious and universal constraints of common decency. These videos are frequently between three and seven minutes long but if photographers submit material that is of particular interest but longer, then Hasselblad would still provide the space.

Added Russell-Fish: “This initiative is very much a work in progress and it’s a ‘call to action’ to photographers worldwide. We want everyone, from students to leading professionals - from those who rent Hasselblad cameras and those who own them - to submit their videos.”

Launch channels will include Hasselblad: products, company history, news and events; education and training – cameras, software, and innovation. Hasselblad Masters’ videos encompassing various photo-genres including architectural, editorial, fashion/beauty; fine art, landscape/nature; portrait/social and wildlife. Hasselblad is setting up initial bespoke channels for France, Germany, Italy, Spain, UK, USA & Canada, Asia Pacific and Europe - with more global channels to follow. There will also be a Hasselblad Studio and a VICTOR Magazine/Bulletin channel. Hasselblad tv is easily accessible on PC or Mac computers and on iPhones and iPads.

Please check out htv.hasselblad.com

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Pentax makes K-01 official

UPDATE: The Pentax K-01 with the 40mm f/2.8 XS (shown above) is now available to pre-order at Adorama for $899.95, please follow the link here. UK retailer, Jessops, has the K-01 in various guises (starting at £629.99 body only), please follow the link here. Thank you for buying from this site's links.

Pre CP+, Pentax has officially announced the rumored, and recently leaked K-01 mirrorless camera. The new model features a 16-MP APS-C format CMOS (like that of the Ricoh* GXR A16 announced earlier this morning) and, interestingly, the Pentax K-mount, meaning the camera will integrate with the maker's range of DSLR system and lenses. The K-01 will be available from end March 2012. with a body only price of £629.99 or £679.99 complete with the new 40mm DA XS 'pancake' lens (shown above).

*Ricoh now own the Pentax brand.

Press Release

An interchangeable-lens digital camera designed in collaboration with designer Marc Newson
PENTAX RICOH IMAGING COMPANY LTD. is delighted to announce the launch of the PENTAX K-01 interchangeable-lens digital camera in conjunction with the world’s thinnest interchangeable lens* - the smc PENTAX-DA 40mm F2.8 XS unifocal. This latest addition to the popular Pentax K series and the new lens were both designed in partnership with world renowned designer, Marc Newson.
The PENTAX K-01 features 16.28 megapixels, high-speed burst shooting, an extra-wide sensitivity range with a top sensitivity of ISO 25600** and Full HD video recording.
The camera also features the reliable and ever-popular PENTAX K lens mount, so users can make effective use of their entire range of PENTAX lenses, including those produced for film-format SLR cameras.***
The PENTAX K-01 is a creative and bold step in camera design and has been developed with Newson’s three design themes in mind — TIMELESS, TRUSTY and TOUCHABLE, whilst still maintaining the full array of advanced functions and user-friendly features that you would expect from a digital interchangeable lens camera.
PENTAX RICOH IMAGING COMPANY has a strong history of innovation – it was the first to develop colour digital SLRs and front customizable compacts, as well as pioneering concept models created in collaboration with various designers and artists.
Newson’s K-01 is a modern digital camera with a contemporary yet timeless design. The body consists of clean and simple lines creating an elegant graphical composition whilst preserving all the functions of a professional camera. Original-design push buttons and control levers are efficiently laid out across the body, while bright colours are used on two key buttons for instant recognition: red for the video recording button, and green for the functional green button. The combination of machined aluminium and natural rubber provide the user with a tactile and durable piece of technology. The mode dial and the power switch are made of a high-quality aluminium alloy, while the memory card slot and connectors on the comfortable, easy-to-hold grip are covered with protective rubber.
Newson’s original design concept is evident in all elements of the K-01, including the product logo, the camera strap and even on the start-up screen when the K-01 is turned on.
The optical viewfinder and quick-return mirror were eliminated during the design process to allow more freedom in the design of the camera body.  The result is a camera that shows Marc Newson’s originality in every detail.
Speaking of his design inspiration, Marc says: “I wanted to create something that represented quality and expertise in photography. Some of my favourite photographic devices have been Pentax products. I wanted to return to the high quality roots of the brand and create something which was really unique and iconic.”
The K-01 is the perfect choice for anyone looking for their first easy-to-operate digital interchangeable lens camera or those photographers who demand a camera with originality and style. The K-01 makes a wonderful second camera for current PENTAX SLR users requiring a stylish back-up for their photographic system.

The PENTAX K-01 comes in the following colour combinations:
Black with black grip
Black with yellow grip
Silver with black grip

 

The PENTAX K-01 will be available from end March 2012.
K-01 body only - £629.99
K-01 + 40mm DA XS lens - £679.99
K-01 + DAL 18-55mm lens - £679.99
K-01 + DAL 18-55mm lens + DAL 50-200mm lens - £799.99

*The world’s thinnest lens for interchangeable-lens digital cameras, as of February 1, 2012 (based on PENTAX’s research).
**When expanded.
*** K-, KA- KAF, KAF2, and KAF3- mount lenses can be used with the PENTAX K-01, while screw-mount lenses, 645-system lenses and 67-system lenses can be used with an adapter. Some functions may not be available on certain lenses.

Tokina UK announce AT-X 17-35mm f/4

After the announcement in September last year by the manufacturer Kenko Tokina, Kenro, the official UK distributor for Tokina has announced the introduction of the AT-X 17-35mm f/4 in the UK. The new lens has an RRP of £829.99 (inc VAT) and is available now (UPDATE it has been delayed in the UK, but it will be available in March 2012).

Buy from:

Amazon $719

Adorama $719

Press release:

 

New Tokina AT-X 17-35mm lens - widening photographers' options

Designed for full-frame cameras, Tokina's new AT-X 17-35mm F/4 lens adds a whole new meaning to the phrase "a wide choice."

With a focal length of 17mm at its widest, the lens opens up a spectacular 103.9 degree field of view which is great for shooting in tight situations but it's just as effective at taking in wide expanses of space when used at 35mm.

Image quality is ensured with the use of two Super-Low Dispersion glass and one aspheric glass elements for excellent contrast and sharpness as well as chromatic aberration control while Tokina's exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the lens mount for manual focusing.

It's also designed to stand up to the rigours of daily use in a wide variety of shooting conditions and environments. Additionally the lens has been fitted with better seals around moving parts and although it's not waterproof it's much more water resistant than previous lenses.

This compact wide-angle zoom has a bright constant F/4 aperture which makes viewing and auto focus possible in lower light situations, it weighs in at just 600g and will fit Canon EOS or Nikon-D cameras.

Said Paul Kench, MD of Tokina UK Distributors Kenro: "If photographers have to choose which lens to put in their bag along with the camera, this must come pretty close to the top of the list. With a minimum focus distance of just 11 inches (28cm) it gives photographers the wherewithal to capture a flower, an insect, a piece of jewellery or anything else which calls for really close up photography but at the other end of its focal range it will just as successfully help capture a wide expanse of landscape which needs to be shown in all its glory."

For more information on Kenro's range of products go to www.kenro.co.uk or call Kenro's head office on 01793 615836.

Technical Features:

· Focal length 17-35mm
· Aperture F4
· Minimum aperture F22
· Format – 24x36mm / Full size exclusive for digital cameras
· Optical structure (Elements/Groups) -13-12
· Coating – multi coating
· Angle of view – 103.96 – 64.74 degrees
· Filter size – 82mm
· Minimum Focus Distance – 0.28m
· Maximum macro magnification – 1 : 4.82
· Focusing system – front inner focusing
· Number of aperture diaphragms – 9
· Maximum lens diameter 0 89mm
· Overall length – 94.5mm
· Weight – 600gms
· Hood – BH-821 – (included)

Related posts

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Ricoh reveals GXR 24-85mm camera unit

Pre CP+ in Japan, Ricoh has announced a new 24-85mm equivalent camera unit (complete with 16.2-megapixel CMOS sensor) for the GXR camera body. The A16 24-85mmF3.5-5.5 will be available at £449.99, inc VAT. A kit will also be available for £599.99, inc VAT, that will include the GXR body (normally £299, inc VAT).

For more information in the UK, please follow the link to Alpha Digital Services.

Please help support the DJP by visiting our affiliates; Jessops, Warehouse Express, Adorama Camera and Amazon. Note; sales through these links may benefit this site.

Press release:

A new GXR camera unit featuring a 3.5x optical zoom lens (24-85 mm) and an APS-C size CMOS sensor
Tokyo, Japan, February 2, 2012—Ricoh Co., Ltd. today announced the development and release of RICOH LENS A16 24-85mm F3.5-5.5, the fifth camera unit in the GXR interchangeable unit camera system.

First introduced in December 2009, the GXR is a revolutionary interchangeable unit camera system in which lenses can be changed by mounting camera units that integrate lens, image sensor, and image processing engine into a single unit.

The new RICOH LENS A16 24-85mm F3.5-5.5 brings together a newly developed 24-85 mm wide-angle zoom lens, an APS-C size CMOS sensor, and the proven Smooth Imaging Engine IV to create a unit with high image quality, high power of expression, and high flexibility.

The A16 24-85mmF3.5-5.5 will be available at £449.99. A kit will also be available for £599.99 which will include the GXR body and the new lens.

Main features of RICOH LENS A16 24-85mm F3.5-5.5

1) Newly developed 24-85 mm wide-angle zoom lens with an APS-C size CMOS sensor with approximately 16.20 million pixels
・    This newly developed lens features a 9-group, 11-element configuration. The utilization of three double-sided aspherical lenses as well as high-refraction lenses effectively reduces various types of distortion across the entire zoom range. The result is high resolution and imaging power from edge to edge.
・    The configuration of nine rounded aperture blades enables both highly precise aperture settings and beautiful bokeh.
・    This camera unit features a 23.6 mm×15.7 mm (APS-C size) 16M CMOS sensor. In combination with the image processing engine Smooth Imaging Engine IV, this image sensor makes it possible to shoot high-quality images with smooth tonal gradations, as well as low noise and high-resolution.

2) Diverse shooting functions and high operability
・    Dynamic range compensation reduces overexposure of highlights and underexposure of dark areas. For backlit and high-contrast scenes that cannot be handled with exposure compensation, doing the dynamic range compensation in specific portions of the image makes it possible to shoot the subject at a brightness level close to that seen by the naked eye.
・    ISO sensitivity can be set in 1EV or 1/3EV steps.
・    With the new ISO bracketing function, the photographer can shoot and record three images with different ISO sensitivities.
・    When the new function for maintaining the same shooting settings is set on, by keeping the shutter release button pressed halfway after taking a picture, the photographer can continue to shoot with the same settings (focus, exposure, white balance, etc.).
・    The function for recording a JPEG image simultaneously with the RAW image has been expanded so that it is now possible to record only the RAW image. This is suitable for a work flow based on the premise that image finishing is to be done on a PC after shooting. Since a JPEG file is not simultaneously recorded, this option is also useful when the photographer wants to increase the number of images which can be recorded on the memory card.
・    It is now possible to turn ON/OFF the white saturation display that shows areas where bright portions will be rendered white and where color shade gradations will be lost.
・    The tilt indicator function has been enhanced. In addition to the conventional horizontal indicator, this function can now also detect camera movement direction tilting.
・    Copyright information such as the photographer’s name can be entered and written to the image Exif data. The recorded information can be checked on the playback screen detailed information display.

3) Highly precise focusing
・    For the AF area size for spot AF, either normal or pinpoint can be selected.
A focus-assist function has been included in an effort to raise the accuracy of manual focusing. The photographer can select from two modes and check the focus by strengthening outlines and contrast.
・    The shooting screen can be magnified for convenience in focusing. The magnified area can be displayed in the center or across the entire screen. In addition, the image quality for 4x and 8x magnification has been further enhanced. The area to be magnified can be moved using the direction pad.

4) The power of expression that is a hallmark of the GXR series
・    Picture settings for image quality and color can be customized with nine levels for easy creation of a diverse range of images.
・    My Settings enables the settings for a wide range of shooting functions to be recorded in advance and specified in an instant when needed. For the setting storage, now six patterns can be stored in the body’s My Settings Box and six patterns can be stored in the SD card. This expands the world of photo expression by enabling GXR users to exchange their shooting settings.
・    B (bulb) and T (time) can now be selected as the shutter speed in manual exposure mode. With “B,” the exposure continues while the shutter release button is pressed, and with “T,” the shutter release button is pressed to start and end the exposure. For both, the exposure is forcibly ended when 180 seconds have elapsed.
・    New scene mode options have been added for the easy enjoyment of a wide range of photo expression. The five new options are soft focus, cross process, toy camera, miniaturize, and high contrast B&W. The photographer can create a unique image by just pressing the shutter release button.
・    An image flag function has been added to enable the quick display of specific images from among those in the camera. Up to 20 images can be flagged.
It is possible to shoot 1280 × 720 pixel HD movies.
* Note: When shooting movies of 1280×720 size, the use of an SD/SDHC memory card with an SD speed class of Class 6 or higher is recommended.

5) New options added
・    A newly designed lens hood (LH-2) especially for this camera unit.
・    A lens cap (LC-3) that opens and closes simultaneously with the movement of the lens. It does not need to be removed when shooting.
・    A wrapping sheet (WS-1) that can wrap the GXR when the camera unit, external viewfinder, and other options are attached.

Contact

For more information in the UK, please follow the link to Alpha Digital Services.

Nikon UK start Nikon 1 promotion

Nikon announced a new promotion on the Nikon 1 system yesterday, with mail in rebate worth up to £50 / Euro 60 on any Nikon 1 J1 or V1 camera or lens combination.

Press release:

NIKON’S NUMBER 1 NEW CASHBACK OFFER

London, UK, 1st February 2012: Nikon UK today launches a new Nikon 1 promotion offering cashback on Nikon 1 J1 and V1 kits from 2nd February – 2nd April 2012 (inclusive).

Customers are entitled to claim up to £50/ Euro 60 cashback on any Nikon 1 J1 or V1 camera or lens combination. The promotion will run from 2nd February – 2nd April 2012 inclusive and all claims must be received by the 30th April 2012 in order to qualify.

Simon Iddon, Product Manager for Nikon 1 says: “I am excited to introduce a new cashback offer on the innovatively designed Nikon 1 system. These lightweight and portable cameras, which have been designed to think and act fast, are perfect for capturing high quality stills and movies whilst on the move”.

The ultra-portable Nikon 1 interchangeable lens system camera has been designed to bring new levels of speed, simplicity and enjoyment to the way you capture your world. It offers all you need to shoot great photos and movies, with astonishingly fast autofocus system, strong low-light performance and clever shooting modes.

For more information on the promotion, and how to submit your claim, please visit: www.nikon.co.uk/cashback.

Terms and conditions apply. Offer is subject to availability.

Sales

Buy from Amazon UK
Buy From Warehouse Express (UK)
Buy from Jessops online only (price not available in store)

Related Posts

Read our Nikon 1 V1 review

Fuji X-Pro1 body and lenses available for pre-order

US retailers B&H, Adorama and Amazon have started taking pre-orders for the recently announced and eagerly anticipated Fuji X-Pro1 body and lenses.

Please follow the links below to pre-order:

Amazon ($1699.95 body only) (link now corrected)
Amazon - 18mm (28 mm) f/2.0 $599.95
Amazon 35mm (50mm) f/1.4 $599.95
Amazon - 60mm (90mm) f/2.4 $649.95

Adorama (prices as above)
B&H. (prices as above)

UK retailers:
Warehouseexpress (£1429 body only)
18mm (28 mm) f/2.0 £549
35mm (50mm) f/1.4 £549
60mm (90mm) f/2.4 £599

Jessops are now showing the Fuji X-Pro1 body at £1,429.95, though not the lenses.

 

Thank you for ordering through this site's links.

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