Nikon unwraps new 10-24mm f/3.5-4.5 DX zoom

Nikon has announced a new 10-24mm f/3.5-4.5 DX zoom, the equivalent to a 16-35mm (in 35mm terms), and will retail from the 1st May at $899.95/£799.99/€972.

Press release:

TOKYO –Nikon Corporation is pleased to announce the new AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED lens with built-in Silent Wave Motor (SWM) for Nikon DX-format digital SLR cameras. Compact and lightweight, this ultra wide-angle 2.4x zoom DX NIKKOR features a focal length range of 10 to 24mm, whose picture angle of 109°-61° is equivalent to a focal length of 15 to 36mm in FX- and 35mm format cameras.

This lens is suitable for diverse scenes from restrictive interiors, architecture and panoramic landscapes to a creatively exaggerated perspective. The newly developed optical system features two ED glass and three aspherical lens elements for truly outstanding optical quality, producing stunning images. The Silent Wave Motor (SWM) incorporated in the lens body offers fast, smooth and nearly silent AF operation, providing photographers with outstanding handling performance.

The AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED, with its ultra wide-angle perspective and superior image quality, gives users of Nikon DX-format digital SLRs — including the D300, D90, D60, D40 and the new D5000 — more opportunities for creative photographic expression.

Note:
Although DX NIKKOR lenses can be attached to 35mm format and IX 240 format film cameras, the smaller image circle they project to the film plane prohibits compatibility with these cameras. When this (or any DX NIKKOR) lens is mounted on a Nikon FX-format digital SLR, with the Image Area option set to Auto DX crop (default), the camera recognizes that a DX NIKKOR lens is in use and the DX crop mode is selected automatically.


AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Major Features

DX-format, ultra wide-angle 2.4x zoom lens with focal length ranging from 10 to 24mm (picture angle is equivalent to a focal length of 15 to 36mm in FX- and 35mm formats)
Newly developed optical system features two ED glass and three aspherical lens elements
Superior reproduction capability, with the distortion that is common with ultra wide-angle lenses dramatically reduced
Silent Wave Motor (SWM) ensures smooth, quiet AF operation
Two focus modes available – M/A (manual-priority autofocus) and M (manual focus)
Seven-blade rounded diaphragm for natural blur effects
Internal focusing (IF) system means the lens barrel length does not change during focusing

Nikon add second DSLR with HD video Nikon D5000

Nikon has taken the wraps off its second DSLR to feature HD video. The new 12.3-megapixel D5000 adopts the D90's HD 720p video, features a 2.7-inch articulated screen (230k dot) and has a body only price of $729.99/£719.99/€878. With the 18-55mm VR starter lens that rises to $849.95/£799.99/€972.

Read the full press release:

TOKYO – Nikon Corporation is pleased to announce the newest addition to its family of quality DX-format digital SLRs, the D5000. With a robust feature set and simple operability backed by Nikon’s superlative technology, the D5000 is the ideal choice for both entry-level digital SLR users and those looking for an upgrade to raise their level of photographic expression.

The D5000 features a versatile Vari-angle LCD monitor that can be viewed in normal position flush against the camera back, or swung out and rotated and/or tilted. This unequaled freedom of movement adds a unique level of creativity to Live View shooting, allowing easy viewing from virtually any perspective. When not in use, the monitor can be stowed with the LCD panel facing the camera back, essentially becoming its own rugged monitor cover. Measuring 2.7 inches with 230,000-dot resolution, the monitor provides 100% scene coverage in Live View and assures accurate image review.

The D5000 inherits the same brilliant image quality from Nikon's highly regarded DX-format digital SLR, the D90. Featuring a 12.3 effective megapixel CMOS sensor, Nikon's exclusive EXPEED image processing system, and compatibility with a comprehensive selection of NIKKOR lenses, the D5000 produces highly detailed images that exhibit smooth tonal gradation, outstanding color reproduction, and low noise across a wide ISO sensitivity range. EXPEED also contributes to streamlined handling of advanced imaging features such as Nikon's original Scene Recognition System with Face Detection and Active D-Lighting.

In addition to superior imaging capabilities, the D5000 offers excellent photographic performance thanks to continuous shooting as fast as 4 frames per second, advanced 3D Color Matrix Metering II for outstanding exposure accuracy, 11-point selectable autofocus, and four Live View AF modes, along with automatic exposure and white balance bracketing functions. There is also a new Quiet Shooting mode that reduces mirror cycling noise for quieter shooting in environments where minimal noise is desired.

Ease-of-use is a hallmark of Nikon digital SLRs and the D5000 successfully carries on this tradition, both in form and function. The compact, agile body boasts an intelligent layout with controls sensibly positioned for easy operation, while 19 automatic Scene Modes add point-and-shoot ease for beautiful results in a wide variety of challenging shooting situations. Scene Modes even include example images for each mode to make selection easy for anyone.

Extensive in-camera image control is available using Nikon’s Picture Control System, which allows users to customize key image capture characteristics to suit personal preferences. For additional creative control, the D5000 includes a comprehensive set of in-camera editing functions via its Retouch Menu that enhance photos with a variety of effects — without the need for a computer.

Combining famous Nikon quality and high performance, the D5000 opens the door to a level of creative expression never before possible in a camera so fun.


Nikon D5000 Feature Highlights

New Vari-angle monitor
The innovative Vari-angle monitor swings down approximately 90° and rotates 180°, allowing users to easily shoot from interesting angles in Live View mode. Featuring a bright 2.7-in. 230,000-dot LCD, the new monitor provides a comfortable view from virtually any shooting perspective. The monitor can also be stowed with the LCD panel neatly tucked against the camera back to protect the screen when not in use.

Nikon DX-format 12.3-megapixel CMOS image sensor
At 12.3 effective megapixels, the D5000 produces high-resolution images with outstanding enlargement capability. The high signal-to-noise ratio results in images with extremely low noise even when shooting at high ISO settings. Normal ISO sensitivity is ISO 200 to 3200. For added shooting versatility, a Hi 1 setting increases sensitivity to ISO 6400 while a Lo 1 setting decreases it to ISO 100.

Specially designed EXPEED image processing system
The D5000 is equipped with Nikon’s exclusive EXPEED image processing system. This leading-edge technology provides the power to process the large amount of data generated by the D5000’s 12.3-megapixel CMOS sensor. EXPEED realizes excellent resolution, long tonal scale, and superb color while also making possible fast processing of the D5000’s advanced imaging functions such as Scene Recognition with Face Detection, Live View AF, and Active D-Lighting — all of which demand tremendous processing capability.

Live View shooting
Nikon’s versatile Live View shooting, now enhanced by the D5000’s Vari-angle monitor, can be accessed with one-touch ease by pressing the Live View button. Autofocus with Live View has been further improved by the addition of Subject tracking AF, which automatically locks onto a pre-selected subject and maintains focus on it even if it momentarily leaves the frame. This mode joins three other contrast-detect AF modes with which the D5000 is equipped: Face priority AF (which automatically detects up to five faces in a scene then focuses on the closest face); Wide area AF (which offers a large AF area for optimal handheld shooting) and; Normal area AF (which provides pin-point focusing accuracy for excellent results when using a tripod).

Movie clips with D-Movie
In response to user demand for video shooting capability in digital SLRs, the D5000 includes Nikon’s D-Movie function. First available on the Nikon D90, D-Movie gives users the flexibility to shoot Motion JPEG movie clips in different formats at a smooth 24 frames per second. For high-quality playback on HDTVs, the D5000 produces clips at 1,280 x 720 pixels. Users who want to view on standard computer monitors or upload to photo sharing websites can shoot at 640 x 424 pixels or 320 x 216 pixels, respectively. Because the D5000’s sensor is much larger than that of a typical camcorder, movie clips display superior image quality and low noise even when shot at high ISO settings. Additionally, the D5000’s compatibility with NIKKOR AF-S and AF-I lenses opens up a wide range of possibilities for dramatic expression, from fisheye and wide-angle shots to long telephoto scenes and extreme close-ups.

19 Scene Modes
Scene Modes empower users to obtain great looking shots in a variety of situations with point-and-shoot ease. These modes adjust exposure, white balance, Active D-lighting, and Picture Control settings depending on the selected mode. Six commonly used modes can be selected using the D5000’s mode dial, while the remaining 13 are accessed by setting the mode dial to SCENE then simply turning the command dial to make the selection. To assist in determining the best mode, the D5000 displays a sample photo as each mode is selected. Newly added modes are Pet portrait, Candlelight, Blossom, Autumn colors, Food, Silhouette, High key, and Low key.

Scene Recognition System with Face Detection System
In order to accurately adjust exposure and white balance as well as assist autofocus, the D5000 utilizes a 420-pixel RGB sensor to analyze color and illumination over the entire scene milliseconds prior to exposure. This allows the D5000 to better evaluate scene content, resulting in improved exposure for better image quality while also boosting autofocus performance. Additionally, the D5000 detects human faces using its Face Detection System.

Active D-Lighting
The D5000 incorporates Nikon’s Active D-Lighting function to vastly improve details in the shadows and highlights of high-contrast scenes. Like the Scene Recognition System, Active D-Lighting utilizes the 420-pixel RGB sensor to analyze a scene then adjust exposure to achieve images that closely resemble what the human eye sees. During processing, this function also restores details in areas of the image that exhibit image loss. There are six Active D-Lighting settings — Auto, Extra high, High, Normal, Low, and Off — along with a bracket mode that allows users to shoot one image with Active D-Lighting and one without.

11-point AF system with Multi-CAM 1000 autofocus module
Employing 11-point autofocus driven by Nikon’s Multi-CAM 1000 autofocus module, the D5000 delivers fast, precise focus over a wide area of the frame when shooting through the optical viewfinder. Four versatile AF modes are available: single-point AF for stationary subjects, especially ones that are off-center; dynamic-area AF for moving subjects; auto-area AF when you want the D5000 to automatically determine the proper focus method and; 3D-tracking (11 points) AF for maintaining focus on subjects even if the composition changes.

Picture Control System
The Picture Control System of the D5000 gives users the ability to customize key image capture characteristics to suit personal preferences. Six settings are available — Standard, Neutral, Vivid, Monochrome, Portrait, and Landscape — along with the ability to create up to nine custom Picture Control settings.

Photo editing
After shooting, the D5000’s newly expanded photo editing functions allow for in-camera retouching, lessening the need for a computer to enhance or modify images. The D5000 introduces several new editing options under its Retouch Menu, including Soft Filter, Perspective Control (which helps correct distortions in perspective), and Color Outline (which creates monochrome outlines of objects in images by eliminating color and tonal gradations). Each editing function is applied to a copy of the image, with the original left unmodified.

Nikon Integrated Dust Reduction System
Dust reduction is handled by the Nikon Integrated Dust Reduction System. This is a comprehensive solution that reduces generation and accumulation of dust and also provides measures to remove dust. A key element of the solution is the Airflow Control System, which directs dust away from the image sensor. The system also includes an image sensor cleaning function that activates automatically when the D5000 is powered on. This vibrates the low-pass filter (located in front of the sensor) to free it from dust.



Nikon D5000 Other Features

On-demand grid lines both when shooting via the optical viewfinder and in Live View mode.
Extensive playback options that allow viewing of images one at a time or in batches of 4, 9, and 72 as well as Calendar view that organizes images by shooting date and time. A histogram display is also available that shows exposure data for a magnified area of the image.
Direct HDTV connectivity via built-in HDMI (High-Definition Multimedia Interface) connector.
Highly durable shutter unit tested to 100,000 cycles.
Compatible with all NIKKOR AF-S and AF-I lenses that have an autofocus motor.
Built-in flash with a guide number of approx. 17/56 (ISO 200, m/ft., 20°C/68°F) and support for Nikon’s i-TTL flash control.
Support for the Nikon Creative Lighting System when using SB-900 or SB-800 Speedlights, or the SU-800 Wireless Speedlight Commander.
Long-lasting Rechargeable Li-ion Battery EN-EL9a that provides up to 510 shots per charge. (CIPA standard, with AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR and flash fired at full power once every other shot.)
Compatible with the optional ML-L3 Wireless Remote Control. There are two shutter release modes available when using the control: Quick mode for immediate triggering of the shutter release and Delayed mode, which delays triggering for two seconds.
Compatible with the optional GPS Unit GP-1, which automatically appends longitude, latitude, altitude, and time information to the EXIF data of each image.
Compatible with the optional Remote Cord MC-DC2, which enables remote shutter release and time (bulb) exposures.
Includes Nikon ViewNX image browsing and editing software, which lets you organize, label, and select images as well as perform NEF (RAW) image editing adjustments and conversions.
Image data from the D5000 can be used with optional Nikon Capture NX 2 photo-editing software, which features patented U Point® technology and powerful tools for quick and easy photo editing, including enhanced NEF (RAW) Editing.

Pentax 15mm f/4 ED Al Limited available now

The digital only Pentax 15mm f/4 Limited announced on our site here is in stock at B&H. Like others in the range, on a APS-C DSLR, the angle of view changes due to the smaller sensor size. It becomes the equivalent of a 23mm f/4, and well over due for Pentax users by all accounts. That's not to criticize at all, Pentax are to be applauded for their range of primes, but a new wide-angle is sure to be high the list of priorities for Pentax shooters. It also promises to be quite a performer, if the superb little 35mm f/2.8 macro I have in for review is anything to go by. Kind of slipped in (to stock) under my radar though.

Olympus update firmware for E3

Olympus (Japan) has just announced a firmware update for the pro-grade E3 DSLR. It's said to further improve AF performance, but further details, including how to perform the upgrade, can be found at the maker's site here.

Pentax K20D Titan and olive K-m for Japan only?

I like cameras that stand out from the crowd, and while I reckon the white version of Pentax K-m was a stretch for most people, I think it's far more agreeable in olive green (above).

Pentax has also announced a titanium color (I would say chrome) K20D, pictured below. That's the good news, the bad is that both appear to be limited to a 1000 units in all and are for domestic consumption (i.e. to be sold in Japan) only. For more pictures and info (in Japanese only) please visit here.

Trek-Tech announce TrekPod Go Pro Hiking pole

Hiking poles are an essential item for walking in the mountains, not only saving your knees and ankles, but also by helping to maintain your balance with a heavy backpack or when trekking with your camera gear. Combining a hiking pole and monopod isn't a new idea but Trek-Tech have announced TrekPod Go Pro, an aluminium pole boasting both a mini ball head with quick-release mount and collapsable stabilizing legs.

Press release:

JP Distribution is pleased to announce the TrekPod Go Pro from Trek-Tech which is available with immediate effect.

The TrekPod Go Pro is a photographer’s multi-tool that goes from monopod to tripod in seconds and can even be used as a hiking staff. The lightweight, (just over 790g) height-adjustable TrekPod Go Pro comes with a quick-release MagMount Pro system for attaching a camera or optical device. The MagMount Pro lets you instantly attach almost any camera, spotting scope or other device that uses the industry standard ¼ inch mounting thread. Once you’ve lined up your shot, simply activate the anti-rotation feature to lock your portrait in place. Then, when you’re finished shooting, you can release the camera and fold up the legs, and the TrekPod Go Pro will immediately transform into a handy walking pole.

TrekPod Go Pro c/w MagMount Pro & Travel case - £149.99 Inc vat
MagMount Pro (mini ball head with quick-release plate) - £74.99 inc vat

For more information, including stockists, please visit the distributors site here.

For more info on Trek-Tech, please visit here.

Apple Updates Xserve with Twice the Performance

Features Next Generation Architecture and Intel “Nehalem” Xeon Processors

CUPERTINO, California—April 7, 2009—Apple® today announced an updated Xserve® that delivers up to twice the performance of the previous system.* Using Intel “Nehalem” Xeon processors and a next generation system architecture, the 1U rack-optimised Xserve delivers up to an 89 percent improvement in performance per watt.** Xserve is available with up to two 2.93 GHz Intel Xeon processors and industry-leading storage options that include a low-power solid state drive (SSD) and up to 3TB of internal storage. Starting at £2,399 (inc. VAT), Xserve includes an unlimited client license for Mac OS® X Server version 10.5 Leopard®.

“The Xserve is the best workgroup server for our education, business and creative customers,” said David Moody, Apple’s vice president of Worldwide Mac Product Marketing. “With up to twice the performance, better power efficiency and an innovative SSD drive option, this is the best Xserve we’ve ever made.”

The new Xserve includes Intel Xeon processors running at speeds up to 2.93 GHz, each with an integrated memory controller with three channels of 1066 MHz DDR3 ECC memory that delivers up to 2.4 times the memory bandwidth while cutting memory latency up to 40 percent.*** Using high-efficiency power supplies and intelligent thermal management, Xserve delivers a 19 percent reduction in idle power use.

Xserve’s industry-leading storage capabilities include a 128GB SSD boot-drive option that requires a fraction of the power of a hard disk and delivers up to 48 times faster random access times without occupying a drive bay. Xserve’s three 3.5 inch drive bays support both 7200 rpm SATA and 15,000 rpm SAS drives and can be configured with up to 3TB of internal storage. Two PCI Express 2.0 x16 expansion slots provide massive I/O bandwidth to support the latest high-bandwidth expansion cards. The Xserve RAID card option now delivers improved performance up to 497MB/s**** and supports RAID levels 0, 1 and 5 with 512MB of cache without using a valuable PCI Express expansion slot. A 72-hour backup battery is included for enhanced data protection.

Every Xserve ships with an unlimited client edition of Leopard Server, offering support for Mac®, Linux and Windows clients without the added cost of client-access licenses. Leopard Server extends Apple’s legendary ease of use with Server Assistant and Server Preferences, which allow even nontechnical users to quickly manage users and groups on the server and easily set up key services. Leopard Server includes Podcast Producer, the ideal way to automatically publish podcasts to iTunes® or the web; Wiki Server, allowing people to collaboratively create and modify their shared websites with just a few clicks; and iCal® Server, the world’s first commercial CalDAV standard-based calendar server. Leopard Server is fully UNIX compliant and LDAP and Active Directory support allows Xserve to fit right in to existing IT environments.

The new Xserve joins Apple’s latest hardware products in setting new standards for environmentally friendly design. Xserve uses PVC-free internal cables and components, contains no brominated flame retardants and features a power supply with an average energy efficiency of 89 percent.

Pricing & Availability
The new Xserve is immediately available through the Apple Store® (www.apple.com/uk) and Apple Authorised Resellers.

The Xserve standard configuration, with a suggested retail price of £2,399 (inc. VAT), includes:
• a single 2.26 GHz Quad-Core Xeon 5500 series processor with 8MB of fully shared L3 cache;
• 3GB of 1066 MHz DDR3 ECC RAM;
• a single 160GB 7200 rpm SATA Apple Drive Module;
• dual Gigabit Ethernet on-board;
• two PCI Express 2.0 x16 expansion slots;
• Bonjour®-enabled Lights-Out Management processor and Server Monitor Software;
• internal graphics with Mini DisplayPort output;
• two FireWire® 800 and three USB 2.0 ports; and
• an unlimited client license for Mac OS X Server version 10.5 Leopard.

Build-to-order options and accessories for Xserve include: dual 2.26 GHz, 2.66 GHz or 2.93 GHz Intel Xeon processors; 160GB and 1TB 7200 rpm SATA Apple Drive Modules; 450GB 15,000 rpm SAS drives (third party option); internal Xserve RAID card; Gigabit Ethernet, 4Gb Fibre Channel cards and a 750W redundant power supply.

*Testing conducted by Apple in February 2009 using a preproduction 2.93 GHz 8-core Xserve (2 chips, 8 cores, 4 cores per chip, 2.93 GHz; SPECjbb2005 bops = 203,439, SPECjbb2005 bops/JVM = 50,860) and a shipping 3.0 GHz 8-core Xserve (2 chips, 8 cores, 4 cores per chip, 3.0 GHz; SPECjbb2005 bops = 103,387, SPECjbb2005 bops/JVM = 25,847). SPEC® and SPECjbb2005® are trademarks of the Standard Performance Evaluation Corporation (SPEC); seewww.spec.org for more information. Competitive benchmark results stated above reflect internal Apple testing and were submitted to SPEC in February 2009. For the latest SPECjbb2005 benchmark results, visit www.spec.org/osg/jbb2005. Performance tests are conducted using specific computer systems and reflect the approximate performance of Xserve.

**Testing conducted by Apple in February 2009 using a preproduction 2.93 GHz 8-core Xserve (SPECpower_ssj™2008 result of 464 overall ssj_ops/watt; 173W at Active Idle; 227,974 ssj_ops and 334W at 100 percent target load) and a shipping 3.0GHz 8-core Xserve (SPECpower_ssj™2008 result of 245 overall ssj_ops/watt; 213W at Active Idle; 141,739 ssj_ops and 353W at 100 percent target load). All units were configured for optimal memory performance (18GB for 2.93 GHz 8-core units and 16GB for 3.0 GHz 8-core units). SPEC® and the benchmark name SPECpower_ssj™ are trademarks of the Standard Performance Evaluation Corporation (SPEC); see www.spec.org for more information. Competitive benchmark results stated here reflect internal Apple testing and were submitted to SPEC in March 2009. For the latest SPECpower_ssj2008 benchmark results, visit www.spec.org/power_ssj2008. Performance tests are conducted using specific computer systems and reflect the approximate performance of Xserve.

***Testing conducted by Apple in February 2009 using preproduction 2.93GHz 8-core Xserve units and shipping 3.0 GHz 8-core Xserve units. All units were configured for optimal memory performance (18GB for 8-core 2.93 GHz units, 12GB for 4-core 2.26 GHz units, and 16GB for 8-core 3.0 GHz units). Results are based on the STREAM v. 5.8 benchmark (www.cs.virginia.edu/stream/ref.html) using OMP support for multiprocessor-compiled builds. Performance tests are conducted using specific computer systems and reflect the approximate performance of Xserve. Memory latency data provided by Intel.

****Testing conducted by Apple in February 2009 using preproduction 2.93 GHz 8-core Xeon-based Xserve units configured with Xserve RAID Card. Testing conducted using Iometer 2006.07.27 with a 30-second ramp-up, five-minute run duration, 512KB request size, four outstanding IOs, and using non-OS-cached reads and writes. System configured with the operating system on Xserve SSD drive. Performance tests are conducted using specific computer systems and reflect the approximate performance of Xserve RAID Card. Drive average read latency data from manufacturer’s published data sheets.

Wacom demos Intuous 4 at TFC Birmingham

This Thursday, 9th April, Wacom will be invading the Birmingham branch with a day of demos, tutorials and hands on with the new Intuos 4 range of graphics tablets. Come along and try them out, we think you'll be amazed at how much more productive you can be using one of these. Check out http://www.theflashcentre.com/wacom-c351.html for more details.

Following last years hugely successfull day, we're [TFC] running another Equestrian Photography Workshop. On may 20th at the World Horse Walfare in Snetterton, Norfolk, Steve Dawe will be doing a really hands-on session where you'll get loads of opportunity to shoot horses in lots of situations, as well as grooms and riders. It's sure to be another fun day and a bargain at £60, including lunch! Go to http://www.theflashcentre.com/equestrian-photography-workshop-i3452.html for more information and to book.

That's all for now, but keep an eye out, as we'll soon be releasing information on a very special series of outdoor lighting seminars......

Nik Software updates Silver Efex Pro for Lightroom

Nik Software Announces Silver Efex Pro™ Update for
Adobe® Photoshop® Lightroom® 2

Award-winning Silver Efex Pro now compatible with Adobe Photoshop Lightroom
Hamburg, April 8th 2009 - Nik Software announces today that Silver Efex Pro, its popular digital photographic plug-in offering the most advanced, complete, and straightforward black-and-white solution, is now available for Adobe Photoshop Lightroom 2.3 and higher. The update is available now as a free download to current owners of Silver Efex Pro.
“With Silver Efex Pro now joining Viveza and Color Efex Pro for Lightroom, three of our most
powerful products offer photographers even more efficient ways to apply image enhancements
seamlessly within Lightroom,” said Michael J. Slater president and CEO of Nik Software. “Our goal is to provide compatibility with popular photo applications such as Lightroom. Offering these free updates for Lightroom enables our users to continue their workflow using their favorite plug-in products regardless of which application they use.”

Silver Efex Pro installs as a plug-in for Lightroom 2.3, itself a free update from earlier versions and available for download at www.adobe.com/downloads/updates. Once installed, Silver Efex Pro is accessible via the Lightroom Photo>Edit In… menu. Edits made using the plug-in within Lightroom are non-destructive in nature, with edits applied automatically to a newly generated TIFF file and not the original. It also takes advantage of Lightroom and its efficiencies for everyday tasks, like the ability to edit multiple images in one session, saving time and increasing productivity for photographers.

About Silver Efex Pro

Silver Efex Pro uses a range of advanced imaging algorithms that protect against unwanted artifacts, a comprehensive collection of 18 emulated black-and-white film types, and a state-of-the-art grain engine that truly mimics the traditional silver halide process to create the highest quality black and-white images possible from scanned or digital color photographs. Nik Software's patented U-Point technology, also found in Silver Efex Pro, provides easy-to-use tools for direct on-image control of tonality, contrast, and structure. Precisely controlling specific areas of a photo can be achieved easily using just a few mouse clicks without the need to create complicated selections and layer masks. Silver Efex Pro combined with U Point technology offers users unprecedented control over selective tonal and contrast adjustment in black-and-white images. For more product information including video lessons visit: www.niksoftware.com/silverefexpro.

Working seamlessly within Photoshop, Lightroom and Aperture, Silver Efex Pro begins by presenting photographers with a basic “neutral” conversion of their color image to black-and-white. One-click adjustments can be made from a choice of nearly 30 preset styles from nostalgic processes like the ambrotype and tintype to classic artistic renderings, trendy high contrast, soft focus or grainy images that emulate the most popular film types and shooting styles.

This initial set of creative options can be used as is or as a starting point for photographers who
wish to create and even share their own customized black-and-white styles. In addition, color
filters, variable toning controls (includes sepia, selenium, split-toning and user-defined colors for maximum flexibility), vignettes, burning, and more only add to the number of advanced stylistic effects photographers will enjoy with Silver Efex Pro.

Nik Software also announces that all of its remaining photographic filter products are being updated to support Lightroom. The next plug-in will be Sharpener Pro 3.0. As these Lightroom-compatible versions become available, current owners will receive updates free of charge. All products as well as a Complete Collection Lightroom Editiopn are expected to be available by the end of the second quarter of 2009.

Pricing and Availability

The fully compatible Silver Efex Pro product, offering support for Adobe Photoshop, Lightroom, and Apple Aperture, is available immediately for electronic delivery directly from Nik Software (www.niksoftware.com) or through specialty camera retailers. A complete list of resellers may be found at www.niksoftware.com/resellers. Current owners of Silver Efex Pro may download a free update at www.niksoftware.com/lightroom.

The suggested retail price of Silver Efex Pro is € 199.95 (incl. VAT). Silver Efex Pro installs as a pluginfor Adobe Photoshop, Lightroom or Apple Aperture 2.1 and is available for Windows and
Macintosh operating systems, including Vista and Leopard. For more information about Silver Efex Pro, including video tutorials showing the software running within Photoshop, Lightroom and Aperture and a free 15-day fully functional trial version, please visit
www.niksoftware.com/silverefexpro.

Lastolite launch new, improved Camera Bracket

JP Distribution, distributor for Lastolite announces a new camera bracket for portable flashguns.

The new Lastolite 2408 camera bracket allows the camera to be flipped between vertical and horizontal while retaining the flash position. The handle is extendable and has the option of hotshoe or spigot fixing.

The 2408 is the ideal partner for the Ezybox Hotshoe and the new range of Off Camera Cords.

More information can be found at the maker's site here.

Tom Mackie announces New England workshop

The American Dream – Fabulous Photography in the Fall with Tom Mackie

April 6 2009 – Tom Mackie Images, a leader in photography and photographic training is pleased to introduce to its training and workshop portfolio a new landscape and architectural event on 5th – 14th October 2009. Taking place in Tom’s native USA this event will enable you to capture one of America’s finest photographic locations – New England.

This unique event brings together colour, architecture, coastline, wildlife, mountains and much more – there really is something for everyone. Tom will be working and supporting the group with knowledge and super cool ideas for imaginative images.

Discovering with Tom how to capture natural, innovative images on location you will learn how to achieve the type of images normally associated with travel magazines and front cover shots.

“This event will appeal to anyone interested in creating stunning photography that is exciting and full of vibrant colour.

“However, New England is not just about colour in the Fall, the group and I will be exploring the superb coastline with its beautiful and quaint fishing villages, boats and the majestic lighthouses of Maine.

“We will also visit Acadia National Park and the classic villages of Vermont with their tall white painted churches and covered bridges commented Tom Mackie.”

Set to be one of the most popular overseas landscape events this year, this event will inspire your imagination and provide you with the trip of a lifetime!

Tom Mackie photographic events are renowned for there exclusivity as they are designed for very small groups of attendees. This event therefore has limited places so if you are interested in receiving rewarding advice and images you should contact +44 (0)1603 465 292 / www.tommackie.com to book your place.

If you are interested in other photographic training workshops and events please also call to discuss.

Canon hits milestone with production of 10 million consumer D-SLRs

Canon took the not unusual step, yesterday, to announce that it has sold over 10 million DSLR cameras, beginning with the EOS 300D. That's an odd statement bearing in mind they had already been manufacturing DSLRs before that time. I can't imagine they didn't sell many. The EOS D30 (as opposed to the EOS 30D) had already garnered worldwide praise, and presumably sales, then there was the EOS 10D, which I believe from memory was introduced before the EOS 300D. What's more, there were several pro models before that, though they were made in conjunction with Kodak. But I suppose I'm nit-picking.

Also interesting from the press release (see below) is the revelation of selling in excess of 50 million SLRs since May 1959. The Canon Flex, their first SLR, may not have seen the same success as arch-rival Nikon's F, which sold close to a million units from 1959 to 1973 but the company has produced some classic cameras nonetheless.

The shutter-priority AE-1 introduced in 1976, if memory serves, and was the best selling model of all time, selling over 3 million bodies. (UPDATE, I forgot to add the further 2-million units Canon sold after I had one, Wikipedia has a good article about the AE-1 here. Did you spot the deliberate mistake, though? The New FD lens range was introduced with the AV-1 in 1979, not with the AE-1 as suggested). I had one and it was a good camera indeed. I always hankered after the multi-mode A1, though. Available in black only, it was a beautiful looking and handling camera that was well received by the press. Of course there was the pro-grade F1 and New F1, both very close on a technical level with the Nikon F, F2 and F3 of the time, but neither model really received the same critical acclaim of their rivals.

I want to mention the AT-1, too, an oddball if ever there was one. The manual exposure AT-1 was a parred down AE-1, selling for around 10-percent less than the AE-1, but, and here is the rub, it retained the electronic shutter. An electronic camera with no automation, apart from a exposure meter. What was that all about? I couldn't see the attraction then and I still can't today. After all, part of the appeal of a manual camera (aside from the obvious) is a mechanical shutter that'll keep working long after the batteries (or battery in the AT-1) fail. But then it was never meant as a pro camera, so I guess if it meant someone could afford it, who couldn't save the extra for the AE-1, it must have been a good thing. Right? A sign of independent thinking maybe, but I don't think it sold well.

It wasn't until the introduction of the EOS 650 in 1986, the very first EOS, that Canon started doing things very differently to their rivals. And over time, attracting professionals, especially the press, away from Nikon. It's perhaps with some irony then, that at the time of this press release, Nikon is staging something of a comeback with three pro-grade full-frame models in their line up, and newcomer Sony is snapping at both companies' heels. With such a huge range of optics, including an extensive range of high-speed fixed focal length lenses, Canon is in a strong position. But who's to say what the landscape will look like in 10 years time. Competition maybe tough, but it leads to real innovation.

Kevin

UK Press release:

United Kingdom / Republic of Ireland, 3 April, 2009: Canon has announced that it has produced over 10 million consumer D-SLRs (digital single-lens-reflex) worldwide since the launch of the EOS 300D in 2003. Canon’s D-SLR products have achieved consecutive no.1 rankings in GfK’s consumer hitlist since 2004. Starting with the Canon EOS 300D, the market-leading spot was passed to the 350D in 2005, the EOS 400D in 2006 and the EOS 450D in 2008 (GfK WEU14 Jan~Dec for each respective year) and it is hoped the trend will continue following the recent release of the EOS 500D.

“Canon remains at the forefront of this consumer market growth with a market share of 40 per cent in Europe (GfK WEU14 Jan~Dec 2008) which we account for our commitment to consumer demand and our passion for high-quality image,” said Rainer Fuehres, Head of Canon Consumer Imaging (CCI), Canon Europe. “We hope that the release of the EOS 500D will further strengthen our market position this year.”

The increasing volume of consumer-orientated D-SLR models on the market has also driven an increase the volume of lens sales. Canon’s EF lens portfolio is now the world’s most extensive and popular range of D-SLR lenses, with over 60 models and 40 million sales worldwide.

Canon recently celebrated the 50th anniversary of Canon SLR (single lens reflex) cameras, having launched the Canon Flex in May 1959. Over 50 million Canon SLRs have been sold worldwide and Canon SLR cameras are accepted as the benchmark standard for amateur and professional photography.

Capture One adds support for Jpeg & Tiff with version 4.7

Phase One, the digital back maker, has added support yesterday for Jpeg and Tiff files with the latest release of C1 V4.7. A new EIP file format has been added for Phase One backs, as has tethered shooting with the Canon EOS 5D MkII and Nikon D3x. Read the full press release for further information:

COPENHAGEN, April 2, 2009 -- Phase One’s Capture One version 4.7 introduces a new enhanced image package file format to make it easier to share adjusted Phase One digital back-generated RAW files. It also permits adjustment of both JPEG and TIFF files. And it adds tethered shooting support for Canon 5D Mark II and Nikon D3X.

New features include:

NEWLY-DESIGNED FILE FORMAT for Phase One RAW files
The Enhanced Image Package (.eip file extension) permits packaging of a Phase One RAW image file together with the adjustment settings applied to the RAW file, with no changes to the original RAW file or re-arrangement of settings.

Ideal for photographers working with retouchers or pre-press, the .eip file format makes it easier to share adjusted Phase One RAW files and helps simplify image archiving and management.

The concept is simple and based on well known, proven ZIP technology (but without the file compression). It is possible to capture directly to .eip or to convert existing files into .eip files. The .eip format leaves the original RAW file untouched, so it is always possible to ‘unpack’ the original RAW file and settings.

SUPPORT FOR JPEG and TIFF files as ‘Input’ Files
Many unique attributes of Capture One 4 have been available only for Phase One back users or DSLR shooters using RAW capture. With v4.7, JPEG and TIFF support has been added. All of the existing technology in Capture One 4 is activated for both JPEG and TIFF files with the exception of the Lens correction tools. Now, scans, or older archived files that are in TIFF or JPEG format can be added to existing work and adjusted using Phase One’s patented algorithms.

Note: For optimal image quality, it is still recommended to capture and work with images in RAW format.

ADDED TETHERED CAPTURE SUPPORT (PRO and DB versions)
o Canon 5D Mark II
o Nikon D3X



AVAILABILITY
Capture One 4.7 is available now and comes in three versions: 4.7, 4.7 PRO and 4.7 DB.
Capture One 4.7 is a free service release to existing Capture One 4.x owners. Capture
One 3.x customers can upgrade to a similar version of Capture One 4.6 at no extra cost.

Voigtlander Bessa III

South coast dealer and official importer for Voigtlander in the UK, Robert White, has announced they expect the new Bessa III (pictured) to be in stock during May 09. It's the first medium format camera to be introduced for an age, and has the unique ability to swap between film formats (6x7/6x6) using a selector switch. The price is listed at £1650 + VAT.

For more details and to pre-order, please visit here.

PhotoVoice Lecture Series 2009

PhotoVoice are hosting a couple of events in the coming months.

Image © Adam Broomberg & Oliver Chanarin

The series kicks off with long-term collaborators Adam Broomberg and Oliver Chanarin, whose unusual and innovative approach to photojournalism has earned them a place amongst the most progressive photographers working on the frontline today.

Adam Broomberg and Oliver Chanarin were embedded with the British Army in Helmand Province, Afghanistan last June. They were skeptical of their role as embedded journalists and of the particular narrative of the war they were expected to illustrate. They will be presenting this recent project (The Day Nobody Died), as well as earlier works produced in Iraq (The Red House) and Israel (Chicago).

7.30pm Tuesday 19th May 2009
Conway Hall, South Place Ethical Society
25 Red Lion Square
London, WC1R 4RL


And Simon Norfolk is speaking in June:

Image © Simon Norfolk

Anyone who has already seen Simon Norfolk speak will know they are in for a lively and fascinating lecture.

Simon Norfolk's lecture will cover:

The earliest photojournalism
18th century Romantic painting
The relationship between forensics and archaeology
The design of the gardens of English country houses
The sublime awfulness of modern weapons systems
How to photograph a nuclear missile
And how to yomp 12,000 watts of lighting through the jungles of the Yucatan..

7.30pm Thursday 11th June 2009
Conway Hall, South Place Ethical Society
25 Red Lion Square
London, WC1R 4RL

For more information and to book tickets click here or call 020 70333878

Photographic Trade Show at Hatfield House

The Photovision pro roadshow will be at Hatfield House, Hertfordshire, England, on the 28th April 2009. Both parking and entry is free, but you should register to attend before arrival. See here for more info and to register.

Cosina announce Voigtlander VM Micro FourThirds lens adaptor

It's not the first I've seen, but welcome nonetheless, Cosina has announced a Micro FourThirds lens adaptor for the Panasonic Lumix G1 and recently introduced GH1.

That means you can marry those gorgeous VM series lenses, as well those superb Leica M and Zeiss ZM lenses with those little Lumix hybrids. L series require a converter, but with one or two exceptions can be used.

More information, albeit in Japanese (though you'll get the gist) can be found here.

The price is 19,800 Yen or around $200 (£140 + VAT), using a straight currency conversion.

For a list and link of the official worldwide distributors, please take a look here.

London Camera Exchange Pro Show London

London Camera Exchange is hosting the LCE Southampton Pro Show 2009 on Wednesday 1st April at the Novotel Hotel, 1 West Quay Road, Southampton. They'll be opening the doors from 11am-7pm and entry is entirely free.

More details can be found here.

Living and Loving Landscapes with Tom Mackie

copyright Tom Mackie

Tom Mackie is hosting a two-day landscape workshop in Norfolk, 19th - 20th September 2009.

Press release:

Tom Mackie Images, a leader in photography and photographic training is pleased to introduce a new two-day landscape workshop on 19th - 20th September 2009. Taking place in Norfolk the event is designed to support all photographers to take their landscape photography to another level.

Over the weekend you will have the opportunity to explore some of the best shooting locations around Norfolk with award-winning Landscape and Architectural photographer Tom Mackie. Tom will be demonstrating how he captures amazing landscapes and will show how you can too by exploring alternative approaches.

Commenting on the event, Tom Mackie said, “This exclusive two day workshop starts just before sunrise and then we go straight into an intensive but extremely enjoyable couple of days of shooting. I will be showing the group my favourite shooting locations such as Norfolk’s expansive stunning coastline, the Broads, eye-catching windmills and much more.”

Tom has worked at some of the best locations in the UK and overseas and he will offer everyone that attends the opportunity to learn from his expertise and experience.

Both days will concentrate on taking pictures as much as possible in the field but Tom will also talk about planning, designing the locations, composition and the use of natural light. Additionally the event will also informatively include time for you to ask Tom for advice or the opportunity to have him critique your work.

Wherever the location, if you have the desire to capture images to be proud of this event will help you to rethink your creative approach and provide you with images that you will be extremely proud of.

Tom Mackie photographic events are renowned for there exclusivity as they are designed for very small groups of attendees. This event therefore has limited places so if you are interested in receiving rewarding advice and images you should contact +44 (0)1603 465 292 / www.tommackie.com to book your place.

If you are interested in other photographic training workshops and events please also call to discuss.

Accessible D-SLR quality with added creativity: Olympus E-450

31 March 2009 – Building on the success of the popular E-420, the new E-450 is packed with features that encourage new comers to DSLR to have fun and explore their creative potential. Three in-camera Art Filters apply stylish effects to any image at the touch of a button. Image composition is simplified via Live View on the bright LCD. Packed with features yet easy to use straight out of the box, this latest addition to the Olympus E-System range is not only one of the smallest and lightest models on the market*, it also boasts all the benefits of the Four Thirds Standard at an affordable price. The E-450 has a full range of Olympus’ innovative E-System technology on board and will be available in stores from May 2009 at a recommended retail price of around £450 for the standard lens kit.

The Olympus E-450 digital SLR – main features:

Usability
• Extremely easy operation – use it straight out of the box
Functionality
• Three Art Filters
• Improved Live View with contrast AF, Face Detection, Shadow Adjustment Technology & phase difference detection AF system
• Perfect Shot Preview to enable comparison of the results of various settings adjustments before actual shooting
• TruePic III+ image processor

Portability
• One of the world’s smallest and lightest D-SLRs providing the ultimate in portability


E-450 Key features:
• 10 Megapixel Live MOS sensor
• High-contrast 6.9cm/2.7” HyperCrystal II LCD
with 176° viewing angle
• The original Supersonic Wave Filter for dust protection
• 28 shooting modes (5 Exposure Modes, 5 Creative Modes,
18 Scene Select Modes)
• Built-in flash (GN12, ISO 100) with commander function for wireless off-camera flash synchronisation
• Wireless flash control in up to 3 groups (separate press release available for Olympus FL-50R and FL-36R flash units)
• 3.5fps with up to eight images in RAW buffer
• One-touch white balance
• AE/AF-lock functionality
• ISO 100 to 1600 for wide-ranging sensitivity
• Depth of field preview function
• 49-segment digital ESP
• Bracketing function (Exposure)
• Detailed info screen with histogram
• Based on Four Thirds Standard
• Dual memory slot for CompactFlash and xD-Picture Card