Live Webcast on 9/9/2009 - The next Generation of Leica Cameras from leica camera on Vimeo.
See our recent review of the Leica M8.2 here.
Monday, 31 August 2009
Leica to announce M9 on 09/09/09?
Thursday, 27 August 2009
Saturday, 22 August 2009
Leica M8.2 review
Leica M8.2 with 35mm f/2 Summicron ASPH
The Leica M8.2 is a reworked version of the original M8 launched late 2006. At the time the M8 received mixed reviews and the M8.2 was Leica’s response to some of that criticism. At $5,995 / £3850 body only, the M8.2 is around $2000 / £1000 more than the original M8, which is still made. The differences between two then are really meant placate those who thought the M8 fell short of what was expected. If you’re not familiar with the brand, it’s a make that’s now bought by two types of customer; the die-hard pro and the collector.
In fairness to Leica, the company has to cater to both to survive but those customers have very different requirements. Long before the advent of DSLRs most imaging professionals criticised the manual mechanical M6 for having a built-in meter. But even as some of them began to adopt the DSLR, the replacement M7
was more-or-less dismissed as a serious camera, just because it had an electronic shutter. The firm quickly sidestepped the issue by introducing the mechanical MP
, albeit with a meter, that found favour with both types of customer. There was a certain amount of trepidation then when the firm announced its intention to produce a digital M8.Like most new offerings from the firm the M8 was criticised by professionals at first, but after time was largely accepted. One of the main gripes, apart from the 1.3x FOV cropped sensor, was the sensitivity to infra-red but a noisy shutter, inaccurate frame lines at mid-distance and plain-looking body covering was just too much for some users and reviewers.
M8.2
The M8.2 has the same body, layout and controls, though the matte black-chrome finish version, which is well-known as being prone to unsightly wear has been replaced by a classy black-paint model; it will ‘brass’, but it’s acknowledged as looking better. While the cosmetic changes have been a success, the replacing of the body material with a hard-wearing traditional-looking but ever-so slightly slippery synthetic vulcanite covering is less so, but hardly a point for concern.
A far more important tweak is the more definite click-stops between the drive-mode selector, surrounding the shutter release; you wont find it slipping from single-shot mode to the self-timer when that once in lifetime photo-op appears in front of you. We also approve of the re-configuring of the viewfinder frame lines; they now cover the sensor area when the lens is focused at 2m, roughly portrait distance, as opposed to the less useful 0.7m; the minimum focus distance of the 35mm (50mm equivalent) Summicron we had during the review.
Of course this a rangefinder camera; you don’t view through the taking lens, rather focusing and framing is a achieved through separate finders. Most of the common focal lengths use the built-in finder that sets frame lines automatically though longer focal lengths; 90mm for instance, occupies a small frame in the centre of viewfinder. It can be a shock, if you’re a dyed-in-the-wool DSLR user. Ultrawide lenses need an add-on finder, much like that seen re-introduced with the Olympus E-P1, but that additional real-estate, surrounding the area captured by the sensor, can be an aid to composition.
Focus is all manual; the brass helicoid adds to the overall weight of the lenses, but durability and optical precision is of paramount importance. You’ll have to reassess your focusing skills but it’s a relief from inappropriate distance detection and the occasional hunting back-and-forth of auto-focus systems. Sure, we got some out-of-focus shots, but it was down to us, not the CPU.
Around the back the LCD screen stays the same 2.5-inches in size and resolution, which for the most part is perfectly adequate for day-to-day use including focus confirmation. The only change being the protective cover is now made from scratch-resistant sapphire glass. Menu operation isn’t quite as slick as it could be. Every setting either from the short-cut menu or the main menu requires confirmation before being accepted, which is fine once you get used to it. Settings don’t get changed accidentally and a well-placed Set button means it’s not as big a chore as it could have been. A rear command wheel is welcome for selection and focus confirmation but we found it a bit stiff in operation, though it feels like it will last a lifetime's use.
Leica has also altered the shutter mechanism (it's the same full-frame shutter from the R9 SLR), and while not as quiet as some high-end digital compacts, the noise is not unbearable and can be quietened further for single-shot use by delaying the noisier charging cycle till releasing the shutter button. Burst shooting isn’t exactly a strong point, but then it’s probably ample for most needs. We managed to capture ten Raw+ JPEG fine files in 5.6 seconds (1.8fps), before the buffer filled and the camera stalled.
We’re not so impressed by swapping the 1/8000sec max of the M8 for a Snap shot mode using auto selection of shutter speeds, ISOs and JPEG capture only along with a couple of suggested apertures, based on the lens in use. It won’t appeal to the majority of users but it’s easy enough to ignore, if you want to. For all that, the M8.2 offers manual exposure and aperture priority, just like the 35mm analog M7. Indeed, the M8 and M8.2 are amongst the least complicated digital cameras available; we found it made us concentrate more on our subject than endlessly checking and re-checking our settings. To our way of thinking, that’s got to be a good thing.
The bottom plate must be removed to change SD (HC) cards and recharge the battery,
not unlike analog M-system cameras (when changing film)
A far more important tweak is the more definite click-stops between the drive-mode selector, surrounding the shutter release; you wont find it slipping from single-shot mode to the self-timer when that once in lifetime photo-op appears in front of you. We also approve of the re-configuring of the viewfinder frame lines; they now cover the sensor area when the lens is focused at 2m, roughly portrait distance, as opposed to the less useful 0.7m; the minimum focus distance of the 35mm (50mm equivalent) Summicron we had during the review.
Of course this a rangefinder camera; you don’t view through the taking lens, rather focusing and framing is a achieved through separate finders. Most of the common focal lengths use the built-in finder that sets frame lines automatically though longer focal lengths; 90mm for instance, occupies a small frame in the centre of viewfinder. It can be a shock, if you’re a dyed-in-the-wool DSLR user. Ultrawide lenses need an add-on finder, much like that seen re-introduced with the Olympus E-P1, but that additional real-estate, surrounding the area captured by the sensor, can be an aid to composition.
Focus is all manual; the brass helicoid adds to the overall weight of the lenses, but durability and optical precision is of paramount importance. You’ll have to reassess your focusing skills but it’s a relief from inappropriate distance detection and the occasional hunting back-and-forth of auto-focus systems. Sure, we got some out-of-focus shots, but it was down to us, not the CPU.
The 2.5-inch screen isn't overly large but it's ample for most tasks
Around the back the LCD screen stays the same 2.5-inches in size and resolution, which for the most part is perfectly adequate for day-to-day use including focus confirmation. The only change being the protective cover is now made from scratch-resistant sapphire glass. Menu operation isn’t quite as slick as it could be. Every setting either from the short-cut menu or the main menu requires confirmation before being accepted, which is fine once you get used to it. Settings don’t get changed accidentally and a well-placed Set button means it’s not as big a chore as it could have been. A rear command wheel is welcome for selection and focus confirmation but we found it a bit stiff in operation, though it feels like it will last a lifetime's use.
We’re not so impressed by swapping the 1/8000sec max of the M8 for a Snap shot mode using auto selection of shutter speeds, ISOs and JPEG capture only along with a couple of suggested apertures, based on the lens in use. It won’t appeal to the majority of users but it’s easy enough to ignore, if you want to. For all that, the M8.2 offers manual exposure and aperture priority, just like the 35mm analog M7. Indeed, the M8 and M8.2 are amongst the least complicated digital cameras available; we found it made us concentrate more on our subject than endlessly checking and re-checking our settings. To our way of thinking, that’s got to be a good thing.
Picture Quality
With good exposure, ISO2500 isn't always 'off-limits'
In terms of performance, the M8.2 likely won’t impress pixel peepers; noise levels are higher then you might expect, with the maximum ISO2500 being very digital-looking and largely off-limits. However, noise is detectable in shadow areas at ISO320 but is fine grained up to ISO1250 and not unlike film. That’s not as big a deal as it might sound for low-light shooting. Thanks to the lack of a reflex mirror with their inherent image softening effect, rangefinders can use shutter speeds of at least one or two stops slower than SLRs.
Best of all though, using the defaults, Leica has set metering and exposure to deliver JPEGs with a good balance overall by means of excellent tonality; as opposed to the overexposed look for consumers or the pro-preference for slightly underexposed images. Shadow and highlight detail is excellent without either being excessively clipped, except in the most tricky (strongly-backlit) lighting. Out of camera mono (JPEG) images are sublime, if you like slightly lower contrast shots that is.
White-balance is generally good, though the propensity to reveal ruddy skin tones and for magenta casts from certain black coloured synthetic materials under tungsten lighting doesn’t differ from the M8. The thin (0.5mm) sensor coverglass means detail from M-mount lenses is very high with Raw files, but we were unable to test it definitively using our preferred test target.
Out-of-camera JPEG - no EV correction
Leica M8.2 with 35mm f/2.0 Summicron
Best of all though, using the defaults, Leica has set metering and exposure to deliver JPEGs with a good balance overall by means of excellent tonality; as opposed to the overexposed look for consumers or the pro-preference for slightly underexposed images. Shadow and highlight detail is excellent without either being excessively clipped, except in the most tricky (strongly-backlit) lighting. Out of camera mono (JPEG) images are sublime, if you like slightly lower contrast shots that is.
Default conversion from DNG, using ACR 5.4 beta and sharpened for web use
Leica M8.2 with 35mm f/2 Summicron at f/5.6, ISO160
The Silver Cup Public House
100-percent crop, actual pixels, from the above
White-balance is generally good, though the propensity to reveal ruddy skin tones and for magenta casts from certain black coloured synthetic materials under tungsten lighting doesn’t differ from the M8. The thin (0.5mm) sensor coverglass means detail from M-mount lenses is very high with Raw files, but we were unable to test it definitively using our preferred test target.
In Summary
Leica aren’t competing with a specific rival camera; the Epson R-D1x isn’t freely available in the West, though there are several models that maybe tempting, especially if price is a concern (when isn’t it?). The most immediately obvious perhaps is the rangefinder-like Olympus E-P1, especially as the short flange back distance means M-mount lenses can be fitted with an adaptor. Even without the ability to use M-mount lenses, the E-P1 works pretty well as a small, discrete camera for candids.
Leica aren’t competing with a specific rival camera; the Epson R-D1x isn’t freely available in the West, though there are several models that maybe tempting, especially if price is a concern (when isn’t it?). The most immediately obvious perhaps is the rangefinder-like Olympus E-P1, especially as the short flange back distance means M-mount lenses can be fitted with an adaptor. Even without the ability to use M-mount lenses, the E-P1 works pretty well as a small, discrete camera for candids.
Of course a good DSLR may also make a practical alternative, but the M8.2 is most likely to appeal to those that already have one of those for other, specific jobs, such as fast action or more mainstream work. The M8.2 then is going to appeal to those wanting to use it for certain niche jobs; street photography and portraiture, and for that the M8.2 seems well suited.
We would have liked weatherproof sealing, (after all it’s featured on the forthcoming Leica S2) and maybe a full-frame (35mm form-factor) sensor, but that, if it's coming, is going to cost extra. We think Leica has successfully morphed the film based M cameras into the digital age, and if you liked using those, even with the few gripes we have, you’ll likely enjoy the M8.2.
Additional samples:
All the images above were taken with the outstanding Leica 35mm f/2 Summicron-M ASPH ($3,195).
Search for the M8.2 on eBay here.
Update:
Please note the Leica M8.2 has since been replaced by the 35mm full frame M9.
Search for the M8.2 on eBay here.
Search for the M8.2 on eBay here.
Friday, 21 August 2009
Wednesday, 19 August 2009
Canon out 10MP PowerShot G11
As expected Canon today announced the upgrade to the high-end G10, called, not surprisingly, the G11. What is a surprise though, is that resolution drops from 14.7-megapixels to 10-megapixels (to reduce noise levels, and allow sensitivity up to ISO3200 at full resolution).
However, while industry pundits expected the sensor to be a CMOS unit, and maybe use a large DSLR format sensor, Canon stayed with the 1/1.7-in type that's usually reserved for digital compacts. Despite that, it seems like manufacturers are finally getting the message about pixel counts. Certainly rival Panasonic seem to be selling all they can make of the 10-million pixel LX3 / Leica D-Lux 4.
The image stabilized (IS) lens looks to be identical to the G10's, and we applaud the return of the vari-angle screen to the G-series compacts - not seen since the G7, if memory serves*. All that's missing is a fast maximum aperture. Still, you can't have everything, after all what would they sell you tomorrow?
According to Canon, the PowerShot G11 will be available from early October 2009 priced at $499 / £569.00 / €659.00 RRP inc. VAT. Can anyone tell me from Canon, why Europe is paying such a high price?
Read the full press release here.
Our friend David, over at the MacCreate site, had live coverage of the event from NYC.
* Never trust to memory when you can look up one of your own reviews; it was G6, not the G7, that was the last G-series to have an articulated screen.
Tuesday, 18 August 2009
Leica confirm Europe specification of S2 system
Following the US press-release on Friday last, Leica UK has announced the full-specification of the forthcoming Leica S2 camera body and system. The camera is expected to be available in October.
Leica UK Press release:
The LEICA S2: In a class of its own
18 August 2009: Following the announcement of the availability and pricing of its new S-System last month, Leica has now revealed the full specifications of the camera and lens system. This ground-breaking new product will set the standard in professional digital photography.
A perfect synthesis
The LEICA S2’s excellence is based not only on its high-resolution image sensor but also the unique S format and full range of features, such as autofocus, high-speed MAESTRO image processor, highly durable design and optimal size and ease-of-use for the professional photographer. The S2 achieves a perfect combination of the highest image quality in a camera with unrivalled ease-of-use. It breaks new ground in every way, ensuring that photographers will enjoy perfect results from a camera that is truly easy to handle. The Leica S-System is the only professional camera system to make a clean break from legacy categories such as the 35mm or medium format and was developed solely for the digital domain. This means the LEICA S2 has established its own format focused primarily on ease-of-use and optimal image quality - the Leica S format. This format pioneers the optimal quality of all components and embodies easy handling, giving photographers the creative scope they require. The decisive advantage of the LEICA S2 is in the sum of its features: flexibility, durability and easy operation combined with industry-leading resolution and image quality. The S2 outperforms other camera systems in the medium-format category, setting a completely new standard for quality.
A unique image sensor design for unparalleled quality
The S2’s image sensor was developed especially for the S system by Kodak. With a resolution of 37.5 megapixels, the 30 x 45mm CCD sensor features an aspect ratio of 3:2 and an area nearly 60% larger than that of a traditional 35mm camera, resulting in stunning image quality. In the interest of preserving image sharpness, the camera dispenses with the standard low-pass filter. Instead, Moiré effects are detected and eliminated by the camera's internal signal processing, thus taking full advantage of the system's high-resolution lenses. A special micro-lens pattern allows complete capture of angled light rays on the image periphery for optimal use of available light. With a sensitivity of up to ISO 1250, low-noise images can be captured under limited lighting conditions.
Compact design and familiar feel
The LEICA S2 has the look and feel of traditional 35mm SLR cameras, preserving the handling qualities that have long been appreciated by professional photographers. The integration of electronic components and the very latest design methods have made the S2 remarkably smaller than other medium-format cameras. The number of controls has been kept to a bare minimum without limiting the camera’s many features and options. Operation of the S2 becomes intuitive after minimal operation of the camera. The result is a finely balanced camera with a comfortable weight that allows photographers to work spontaneously.
The size and weight are far lower than comparable medium-format systems in a camera that features a high-resolution CCD and high-speed operation. The LEICA S2 is not only the right choice for the studio, but also for working on location and capturing images without the use of a tripod.
Faster results with a high-speed system
The S2’s high-speed MAESTRO image processor chip and additional camera control processor deliver exceptional processing power. Fast signal processing by the MAESTRO chip allows up to 1.5 images per second at maximum resolution. The powerful MAESTRO dual processor allows high-quality JPEG files to be created in the camera – the only medium-format camera to have this feature. The LEICA S2 has slots for both Compact Flash and SD, with an option for saving RAW format Adobe DNG data onto Compact Flash and JPEG to the SD card, simultaneously. This allows for easy image viewing on the camera while streamlining post-processing. Using Adobe DNG for raw imaging data gives photographers the ultimate flexibility because this open-source data format is supported by almost all major graphic-editing and workflow solutions. Leica supplies the universal Adobe Lightroom workflow solution as part of the camera’s equipment. Leica’s proprietary Image Shuttle software allows all the S2 features to be controlled remotely from a computer, and image files are written directly onto the hard drive for immediate processing. An HDMI interface allows images to be presented and checked directly on monitors, television screens and projectors.
Reference-class lenses
The highest priority during development of the Leica S lenses was image quality. Their sophisticated design features special grades of glass and aspherical surfaces rarely found in optics of this size. In addition, lenses manufactured to extremely narrow tolerances, with each lens centered by hand, guarantees superior quality and optical performance. The maximum performance of each lens is available even at full aperture setting, or when shooting from a distance or capturing close-up images. Vignetting, distortion and chromatic aberrations have been reduced to the point of imperceptibility, eliminating the need for quality-degrading image corrections and simplifying digital post-processing considerably. The newly developed S-bayonet mount ensures rapid and precise digital exchange of data and commands between the camera and lens.
Four S series lenses will be launched for the key focal lengths by the end of 2009, including the classic LEICA SUMMARIT-S 70mm F/2.5 ASPH and the LEICA APO-TELE-ELMAR-S F/180mm telephoto lens. The LEICA APO-MACRO-SUMMARIT-S 120mm F/2.5, the solution for close-ups and portraits, and the wide-angle LEICA SUMMARIT-S 35mm F/2.5 ASPH are set to follow in late 2009. By multiplying the listed focal distances by 0.8, the user is given a comparison to corresponding 35mm-format lenses. A selection of the S lenses will also be available in a CS variant with an integrated focal-plane shutter. Leica is planning to prioritise the expansion of its range of S lenses in the near future.
Dual shutter system
The LEICA S2 allows photographers to choose the shutter system that best matches the task at hand. The S2 is equipped with a metal focal-plane shutter with the fastest shutter speed of 1/4000 of a second and a flash synch time of 1/125 of a second. Lenses of key focal lengths will be available in the future with integrated leaf shutters designed by Leica engineers that photographers can activate via the camera’s main switch. The integrated leaf shutter allows flash units to be used at the fastest shutter speed of 1/500 of a second, giving photographers more options for suppressing unwanted ambient light. Several patents are pending for the Leica leaf shutter, which features an electronically-controlled drive guaranteeing reliable, fast exposure times and low energy consumption.
Precise, high-speed autofocus
The autofocus developed by Leica for the S2 is based on a centrally positioned cross-hair sensor for high precision focusing. Each S lens has its own Leica-designed microprocessor for precise autofocus and iris diaphragm control. The integrated focusing drive is a proprietary Leica design that features silent gearing. All S lenses have a generous focus ring with just the right amount of drag, letting the photographer override the autofocus at any time.
Rugged, durable design
The camera’s body is made of robust die-cast magnesium with a leather-grain finish for maximum grip. The S2 and all S lenses are extensively weatherproofed and can withstand exposure to rain and dust, and the USB and remote control ports feature rugged bayonet locks with strain relief. The S2 can also be supplied with a highly scratch-resistant LEICA S2-P sapphire glass display cover for the most extreme and demanding conditions.
Authorised sales and service network
The LEICA S2 is only sold through authorised dealers who also offer access to specialised support as part of the extended S-System service package. The S-System will have its own customer care team with a dedicated helpline, making immediate service accessible for any questions that may arise. Professional photographers who demand absolute reliability from their camera systems can choose from additional service package upgrades to enhance the standard warranty coverage. The Platinum service package includes free maintenance in addition to offering loan equipment for the duration of the service work. More information can be found in the service package information below.
Pricing and availability
From October 2009, LEICA S2 will be available at an SRP of £15,996 from selected authorised dealers. At £19,092, the LEICA S2-P with sapphire display includes the Platinum service package.
Validity (validity always
commences with date
of purchasing S product): 12-months 24 months 24 months
1-year extension: no yes yes
Dedicated Leica
service helpline: yes yes yes
Product replacement within the first 3 months after purchase of new product:
no yes yes
Replacement parts
stocked 6 years: yes yes yes
30% repair discount: no yes yes
Replacement unit free of charge for duration of repair (24 hrs):
no no yes
Free maintenance (including one shutter replacement):
no no yes
The LEICA S2: In a class of its own
18 August 2009: Following the announcement of the availability and pricing of its new S-System last month, Leica has now revealed the full specifications of the camera and lens system. This ground-breaking new product will set the standard in professional digital photography.
A perfect synthesis
The LEICA S2’s excellence is based not only on its high-resolution image sensor but also the unique S format and full range of features, such as autofocus, high-speed MAESTRO image processor, highly durable design and optimal size and ease-of-use for the professional photographer. The S2 achieves a perfect combination of the highest image quality in a camera with unrivalled ease-of-use. It breaks new ground in every way, ensuring that photographers will enjoy perfect results from a camera that is truly easy to handle. The Leica S-System is the only professional camera system to make a clean break from legacy categories such as the 35mm or medium format and was developed solely for the digital domain. This means the LEICA S2 has established its own format focused primarily on ease-of-use and optimal image quality - the Leica S format. This format pioneers the optimal quality of all components and embodies easy handling, giving photographers the creative scope they require. The decisive advantage of the LEICA S2 is in the sum of its features: flexibility, durability and easy operation combined with industry-leading resolution and image quality. The S2 outperforms other camera systems in the medium-format category, setting a completely new standard for quality.
A unique image sensor design for unparalleled quality
The S2’s image sensor was developed especially for the S system by Kodak. With a resolution of 37.5 megapixels, the 30 x 45mm CCD sensor features an aspect ratio of 3:2 and an area nearly 60% larger than that of a traditional 35mm camera, resulting in stunning image quality. In the interest of preserving image sharpness, the camera dispenses with the standard low-pass filter. Instead, Moiré effects are detected and eliminated by the camera's internal signal processing, thus taking full advantage of the system's high-resolution lenses. A special micro-lens pattern allows complete capture of angled light rays on the image periphery for optimal use of available light. With a sensitivity of up to ISO 1250, low-noise images can be captured under limited lighting conditions.
Compact design and familiar feel
The LEICA S2 has the look and feel of traditional 35mm SLR cameras, preserving the handling qualities that have long been appreciated by professional photographers. The integration of electronic components and the very latest design methods have made the S2 remarkably smaller than other medium-format cameras. The number of controls has been kept to a bare minimum without limiting the camera’s many features and options. Operation of the S2 becomes intuitive after minimal operation of the camera. The result is a finely balanced camera with a comfortable weight that allows photographers to work spontaneously.
The size and weight are far lower than comparable medium-format systems in a camera that features a high-resolution CCD and high-speed operation. The LEICA S2 is not only the right choice for the studio, but also for working on location and capturing images without the use of a tripod.
Faster results with a high-speed system
The S2’s high-speed MAESTRO image processor chip and additional camera control processor deliver exceptional processing power. Fast signal processing by the MAESTRO chip allows up to 1.5 images per second at maximum resolution. The powerful MAESTRO dual processor allows high-quality JPEG files to be created in the camera – the only medium-format camera to have this feature. The LEICA S2 has slots for both Compact Flash and SD, with an option for saving RAW format Adobe DNG data onto Compact Flash and JPEG to the SD card, simultaneously. This allows for easy image viewing on the camera while streamlining post-processing. Using Adobe DNG for raw imaging data gives photographers the ultimate flexibility because this open-source data format is supported by almost all major graphic-editing and workflow solutions. Leica supplies the universal Adobe Lightroom workflow solution as part of the camera’s equipment. Leica’s proprietary Image Shuttle software allows all the S2 features to be controlled remotely from a computer, and image files are written directly onto the hard drive for immediate processing. An HDMI interface allows images to be presented and checked directly on monitors, television screens and projectors.
Reference-class lenses
The highest priority during development of the Leica S lenses was image quality. Their sophisticated design features special grades of glass and aspherical surfaces rarely found in optics of this size. In addition, lenses manufactured to extremely narrow tolerances, with each lens centered by hand, guarantees superior quality and optical performance. The maximum performance of each lens is available even at full aperture setting, or when shooting from a distance or capturing close-up images. Vignetting, distortion and chromatic aberrations have been reduced to the point of imperceptibility, eliminating the need for quality-degrading image corrections and simplifying digital post-processing considerably. The newly developed S-bayonet mount ensures rapid and precise digital exchange of data and commands between the camera and lens.
Four S series lenses will be launched for the key focal lengths by the end of 2009, including the classic LEICA SUMMARIT-S 70mm F/2.5 ASPH and the LEICA APO-TELE-ELMAR-S F/180mm telephoto lens. The LEICA APO-MACRO-SUMMARIT-S 120mm F/2.5, the solution for close-ups and portraits, and the wide-angle LEICA SUMMARIT-S 35mm F/2.5 ASPH are set to follow in late 2009. By multiplying the listed focal distances by 0.8, the user is given a comparison to corresponding 35mm-format lenses. A selection of the S lenses will also be available in a CS variant with an integrated focal-plane shutter. Leica is planning to prioritise the expansion of its range of S lenses in the near future.
Dual shutter system
The LEICA S2 allows photographers to choose the shutter system that best matches the task at hand. The S2 is equipped with a metal focal-plane shutter with the fastest shutter speed of 1/4000 of a second and a flash synch time of 1/125 of a second. Lenses of key focal lengths will be available in the future with integrated leaf shutters designed by Leica engineers that photographers can activate via the camera’s main switch. The integrated leaf shutter allows flash units to be used at the fastest shutter speed of 1/500 of a second, giving photographers more options for suppressing unwanted ambient light. Several patents are pending for the Leica leaf shutter, which features an electronically-controlled drive guaranteeing reliable, fast exposure times and low energy consumption.
Precise, high-speed autofocus
The autofocus developed by Leica for the S2 is based on a centrally positioned cross-hair sensor for high precision focusing. Each S lens has its own Leica-designed microprocessor for precise autofocus and iris diaphragm control. The integrated focusing drive is a proprietary Leica design that features silent gearing. All S lenses have a generous focus ring with just the right amount of drag, letting the photographer override the autofocus at any time.
Rugged, durable design
The camera’s body is made of robust die-cast magnesium with a leather-grain finish for maximum grip. The S2 and all S lenses are extensively weatherproofed and can withstand exposure to rain and dust, and the USB and remote control ports feature rugged bayonet locks with strain relief. The S2 can also be supplied with a highly scratch-resistant LEICA S2-P sapphire glass display cover for the most extreme and demanding conditions.
Authorised sales and service network
The LEICA S2 is only sold through authorised dealers who also offer access to specialised support as part of the extended S-System service package. The S-System will have its own customer care team with a dedicated helpline, making immediate service accessible for any questions that may arise. Professional photographers who demand absolute reliability from their camera systems can choose from additional service package upgrades to enhance the standard warranty coverage. The Platinum service package includes free maintenance in addition to offering loan equipment for the duration of the service work. More information can be found in the service package information below.
Pricing and availability
From October 2009, LEICA S2 will be available at an SRP of £15,996 from selected authorised dealers. At £19,092, the LEICA S2-P with sapphire display includes the Platinum service package.
The LEICA SUMMARIT-S 70 mm f/2.5 ASPH. at £3,096 and the LEICA APO-TELE-ELMAR-S 180 mm f/3.5 for £4,541 will also be available when the S2 is launched. The LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5, also priced at £4,541, and the LEICA SUMMARIT-S 35 mm f/2.5 ASPH., priced at £3,612, will reach the market in late 2009.
The CS variant models of the S lenses will be introduced successively over time. The first CS models to reach dealers will be the LEICA SUMMARIT-S 70 mm f/2.5 ASPH. CS (£4,025), the LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5 CS and the LEICA APO-TELE-ELMAR-S 180 mm f/3,5 CS (the macro and telephoto priced at £5,160 each).
The LEICA SUMMARIT-S 35 mm f/2.5 ASPH. CS will follow for £4,231. Accessories for the S2 will also be available at launch, including the professional S charging unit that recharges two batteries simultaneously (£258) as well as various components such as alternative viewfinder screens. Specialist dealers will also offer accessories such as lens caps, cable releases and the LEICA SF 58 flash unit. An S all-purpose grip will be available in early 2010 for £851. Prices include VAT.
Technical data LEICA S2 / LEICA S2-P
Camera type: Digital single-lens reflex camera for use with Leica S lenses
Image sensor: low-noise Kodak CCD sensor. Resolution: 37.5 megapixels (7,500 x 5,000).
Size: 45 x 30mm, pixel spacing: 6µm. Aspect ratio: 3:2.
Dynamic range: 12 stops, colour depth: 16 bits per pixel, low-pass filter: none (Moiré detection and suppression using digital signal processing)
Sensitivity range: ISO 80 to 1250 (manual or automatic control)
Data storage (format): DNG (approx. 75 MB per image), JPEG (basic or fine),
Memory cards: CompactFlash (up to 64 GB), SD cards (HC)
Maximum frame rate: 1.5 images/s, buffer memory: 1 GB (for a minimum sequence of 8 images in DNG format)
Control monitor: 3-inch TFT with 460,000 pixels, 16 million colours, cover glass: highly abrasion and scratch resistant sapphire glass (only with the LEICA S2-P)
Connections: High-speed USB 2.0 (robust connection with strain-relief, cable included), HDMI, remote release, X sync, SCA3002
Exposure metering: Multi-field metering (5 fields), centre-weighted integral metering, spot metering (3.5%)
Exposure control: Program mode (with Shift function), shutter priority, aperture priority, manual metering
Shutter: Metal focal-plane shutter integrated in body: 1/4000 s to 32 s (B to 120 s), flash sync time: 1/125 s, optional leaf shutter in selected lenses: 1/500 s to 32 s, flash synch time: All speeds
Flash operation: Metering method: TTL (multi-field, center-weighted, spot), TTL-HSS rapid synchronisation up to 1/4000 s with focal plane shutter, Compatibility: fully compatible with LEICA SF 58 and devices with SCA3002 adapters
Auto Focus: Central crosshair sensor, focusing drive in lens
Operating Modes: AF Continuous, AF Single, MF, MF Override
Viewfinder: High eye-point pentaprism viewfinder
Magnification: 0.86x, viewfinder field: 96%, dioptre compensation -3 to +1,
focusing screen: Matte with cross-hairs (interchangeable)
Power supply: Li-Ion battery (7.4 V, 2150 mAh)
Housing: Die-cast magnesium, size (without lens):
160 x 120 x 80 mm, weight: 1410 g (including battery), resistant to dust and dripping/splashing water
Scope of supply Software: Adobe Lightroom, Leica Image Shuttle, one battery, charging unit, USB cable
Technical data LEICA SUMMARIT-S 35 mm f/2.5 ASPH. (CS)
Lenses/groups: 11/9 (2 aspherical surfaces)
Optical design: Rear group focusing
Image angle (diagonal,
horizontal, vertical): approx. 75°, 65°, 46°, approx. corresponds to 28 mm
in 35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.55 m
Largest image scale: 1:11
Filter thread size: 82 mm
Dimensions
(diameter/length): 88 mm/122 mm
Weight: 930 g (CS: 1080 g)
Technical data LEICA SUMMARIT-S 70 mm f/2.5 ASPH. (CS)
Lenses/groups: 8/6 + 1 protective filter (1 aspherical surface)
Optical design: Floating element focusing*
Image angle (diagonal,
horizontal, vertical): approx. 42°, 35,5°, 24°, approx. corresponds to 56 mm
in 35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.5 m
Largest image scale: 1:4.7
Filter thread size: 82 mm
Dimensions
(diameter/length): 90 mm/93 mm
Weight: 740 g (CS: 890 g)
*during focusing the relative position of two lens elements changes compared to the rest of the optical system
Technical data LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5 (CS)
Lenses/groups: 9/7
Optical design: Floating element focusing*
Image angle (diagonal,
horizontal, vertical): approx. 25°, 21°, 14°, approx. corresponds to 96 mm in
35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.57 m
Largest image scale: 1:2
Filter thread size: 72 mm
Dimensions
(diameter/length): 91 mm/128 mm
Weight: 1135 g (CS: 1285 g)
*during focusing the relative position of two lens elements changes compared to the rest of the optical system
Technical data LEICA APO-TELE-ELMAR-S 180 mm f/3.5 (CS)
Lenses/groups: 9/7
Optical design: Internal focusing
Image angle (diagonal,
horizontal, vertical): approx. 17°, 14°, 9.5°, approx. corresponds to 144 mm
in 35 mm-format
Aperture range: 3.5 to 32
Shortest distance: 1.5 m
Largest image scale: 1:7
Filter thread size: 72 mm
Dimensions
(diameter/length): 88 mm/151 mm
Weight: 1150 g (CS: 1300 g )
Overview of service packages for LEICA S2 body and S2 lenses
Service package/ Warranty Premium package Platinum package
Type of service
Technical data LEICA S2 / LEICA S2-P
Camera type: Digital single-lens reflex camera for use with Leica S lenses
Image sensor: low-noise Kodak CCD sensor. Resolution: 37.5 megapixels (7,500 x 5,000).
Size: 45 x 30mm, pixel spacing: 6µm. Aspect ratio: 3:2.
Dynamic range: 12 stops, colour depth: 16 bits per pixel, low-pass filter: none (Moiré detection and suppression using digital signal processing)
Sensitivity range: ISO 80 to 1250 (manual or automatic control)
Data storage (format): DNG (approx. 75 MB per image), JPEG (basic or fine),
Memory cards: CompactFlash (up to 64 GB), SD cards (HC)
Maximum frame rate: 1.5 images/s, buffer memory: 1 GB (for a minimum sequence of 8 images in DNG format)
Control monitor: 3-inch TFT with 460,000 pixels, 16 million colours, cover glass: highly abrasion and scratch resistant sapphire glass (only with the LEICA S2-P)
Connections: High-speed USB 2.0 (robust connection with strain-relief, cable included), HDMI, remote release, X sync, SCA3002
Exposure metering: Multi-field metering (5 fields), centre-weighted integral metering, spot metering (3.5%)
Exposure control: Program mode (with Shift function), shutter priority, aperture priority, manual metering
Shutter: Metal focal-plane shutter integrated in body: 1/4000 s to 32 s (B to 120 s), flash sync time: 1/125 s, optional leaf shutter in selected lenses: 1/500 s to 32 s, flash synch time: All speeds
Flash operation: Metering method: TTL (multi-field, center-weighted, spot), TTL-HSS rapid synchronisation up to 1/4000 s with focal plane shutter, Compatibility: fully compatible with LEICA SF 58 and devices with SCA3002 adapters
Auto Focus: Central crosshair sensor, focusing drive in lens
Operating Modes: AF Continuous, AF Single, MF, MF Override
Viewfinder: High eye-point pentaprism viewfinder
Magnification: 0.86x, viewfinder field: 96%, dioptre compensation -3 to +1,
focusing screen: Matte with cross-hairs (interchangeable)
Power supply: Li-Ion battery (7.4 V, 2150 mAh)
Housing: Die-cast magnesium, size (without lens):
160 x 120 x 80 mm, weight: 1410 g (including battery), resistant to dust and dripping/splashing water
Scope of supply Software: Adobe Lightroom, Leica Image Shuttle, one battery, charging unit, USB cable
Technical data LEICA SUMMARIT-S 35 mm f/2.5 ASPH. (CS)
Lenses/groups: 11/9 (2 aspherical surfaces)
Optical design: Rear group focusing
Image angle (diagonal,
horizontal, vertical): approx. 75°, 65°, 46°, approx. corresponds to 28 mm
in 35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.55 m
Largest image scale: 1:11
Filter thread size: 82 mm
Dimensions
(diameter/length): 88 mm/122 mm
Weight: 930 g (CS: 1080 g)
Technical data LEICA SUMMARIT-S 70 mm f/2.5 ASPH. (CS)
Lenses/groups: 8/6 + 1 protective filter (1 aspherical surface)
Optical design: Floating element focusing*
Image angle (diagonal,
horizontal, vertical): approx. 42°, 35,5°, 24°, approx. corresponds to 56 mm
in 35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.5 m
Largest image scale: 1:4.7
Filter thread size: 82 mm
Dimensions
(diameter/length): 90 mm/93 mm
Weight: 740 g (CS: 890 g)
*during focusing the relative position of two lens elements changes compared to the rest of the optical system
Technical data LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5 (CS)
Lenses/groups: 9/7
Optical design: Floating element focusing*
Image angle (diagonal,
horizontal, vertical): approx. 25°, 21°, 14°, approx. corresponds to 96 mm in
35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.57 m
Largest image scale: 1:2
Filter thread size: 72 mm
Dimensions
(diameter/length): 91 mm/128 mm
Weight: 1135 g (CS: 1285 g)
*during focusing the relative position of two lens elements changes compared to the rest of the optical system
Technical data LEICA APO-TELE-ELMAR-S 180 mm f/3.5 (CS)
Lenses/groups: 9/7
Optical design: Internal focusing
Image angle (diagonal,
horizontal, vertical): approx. 17°, 14°, 9.5°, approx. corresponds to 144 mm
in 35 mm-format
Aperture range: 3.5 to 32
Shortest distance: 1.5 m
Largest image scale: 1:7
Filter thread size: 72 mm
Dimensions
(diameter/length): 88 mm/151 mm
Weight: 1150 g (CS: 1300 g )
Overview of service packages for LEICA S2 body and S2 lenses
Service package/ Warranty Premium package Platinum package
Type of service
Validity (validity always
commences with date
of purchasing S product): 12-months 24 months 24 months
1-year extension: no yes yes
Dedicated Leica
service helpline: yes yes yes
Product replacement within the first 3 months after purchase of new product:
no yes yes
Replacement parts
stocked 6 years: yes yes yes
30% repair discount: no yes yes
Replacement unit free of charge for duration of repair (24 hrs):
no no yes
Free maintenance (including one shutter replacement):
no no yes
Saturday, 15 August 2009
Shriro announce Masters of Photography
Shriro HK, the Hasselblad importer for the Far East, has announced the Masters of Photography Exhibition Series in Hong Kong will be held over 22nd-30th August 2009. See here for more details.
Sponsored by HP, SanDisk, Broncolor and Hahnemühle, the exhibition will also be shown in Copenhagen, New York and London. The dates and venues have yet to be confirmed.
Monday, 10 August 2009
Mamiya announce three new digital backs
Mamiya has today announced three new digital backs; the M18, M22 and M31, with resolutions of 18-22-and-31 megapixels, respectively. Mamiya has also announced the backs will be fully compatible with the forthcoming 645DF, showcased at the 2009 Tokyo Photo Imaging Expo.
Read the press-release (below).
Mamiya Digital Imaging Co., Ltd
Marketing Department
August 10th 2009
Mamiya Announce New M series digital backs
M18, M22 and M31
On sale now
Mamiya Digital Imaging is proud to announce our new M series digital backs, consisting of three new models: the M18, M22 and M31, the latest additions to our digital line-up.
The M series digital backs have all been designed for compatibility with Mamiya’s 645AFDIII, as well as the soon-to-be-released 645DF, which was recently show-cased at the 2009 Tokyo Photo Expo. Through use of the specifically designed digital back adapter HX701, the backs can also be attached to our famed RZ Pro IID.
The M18 has a resolution of 18 megapixels and a CCD size of 44.2 x 33.1mm.
The M22 has a resolution of 22.1 megapixels and a CCD size of 48.9 x 36.7mm while the M31 has a resolution of 31.6 megapixels and a CCD size of 44.2 x 33.1mm. These large sized CCDs make the digital backs ideal for medium format photography. Each digital back can be purchased separately or in a system kit with the Mamiya 645AFDIIIcamera and Sekor 80mm F2.8 D lens. The M series backs are the quintessential tool for commercial photographers and studios, covering portraiture and on location work.
M18: The new Mamiya M18 digital back features one of the fastest capture rates of any medium format system, up to 72 frames per minute sustained depending on camera settings and storage medium. The highly versatile M18 combines easily manageable file sizes with full 16-bit capture and 12 stops of dynamic range, producing images of extraordinary quality which no DSLR can equal. With an ISO range from 100 to 800, and exposure times up to one-hour duration with Xpose+ technology, the M18 is one of the most versatile digital backs available today.
M22: The M22 digital back features a nearly full-frame 22MP CCD producing images of breathtaking clarity and sharpness with virtually negligible effect on lens focal length. With an ISO range from 50 to 800, 16-bit capture, 12 stops of dynamic range and exposure times up to one-hour duration with Xpose+ technology, the M22 is ideally suited to commercial photography both on the AFD III or when mounted on a view camera.
M31: The new M31 digital back combines high resolution captures of 31MP with fast shooting speed of up to 45 frames per minute sustained. Perfect for fashion or field photography, the M31 has high ISO capability up to 1600, 12 stops of dynamic range and exposure times up to one-hour duration with Xpose+ technology. With powerful moiré control, the M31 is ideally suited to fashion and portrait photography, whilst the high resolution 31MP captures make it the ideal back for commercial applications also.
Bundled Goods for the Mamiya Digital Back M
Mamiya Digital Back M/ hard carry case/ rear body cover/ battery charger/ AC adapter for use with battery charger/ car use cigarette lighter battery charger/ international socket plug set for battery charger (5pcs)/ battery/ IEEE 1394 cable (4.5m)/ IEEE 1394 interface exchange adapter (400-800)/ CCD sensor cleaning kit/ focusing screen/ USB stick (containing user guide)/ Capture One 4DB (development software)
Bundled Goods for the Mamiya Digital Back M System Kit
Mamiya Digital Back M/645AFDIIIcamera body/ Sekor AF 80mm F2.8 D lens/ camera body front cover/ rear cover/ lens front cap/ lens rear cap/ lens hood/ AA batteries (6pcs)/ camera strap/ hard carry case/ rear body cover/ battery charger/ AC adapter for use with battery charger/ car use cigarette lighter battery charger/ international socket plug set for battery charger (5pcs)/ battery/ IEEE 1394 cable (4.5m)/ IEEE 1394 interface exchange adapter (400-800)/ CCD sensor cleaning kit/ focusing screen/ USB stick (containing user guide)/ Capture One 4DB (development software).
M18 M22 M31
Resolution 18 megapixels 4904x3678 pixels 22.1 megapixels @5436x4080 pixels 31.6 megapixels @6496x4872 pixels
CCD size 44.2x33.1mm 48.9x36.7mm 44.2x33.1mm
Pixel size 9_9 microns 9_9 microns 6.8_6.8 microns
ISO range 100-800 50-800 100-1600
Micro lenses on Pixels Yes No Yes
Exposure Time From 1/10,000 sec. to 1hour
Live Preview Mode Full Color with 1.5 to 3 frames transferred per second
Capture Rate 0.8 sec. per frame 1.5 sec. per frame 1.25 sec. per frame
File size IIQ S @approx. 13MB
IIQ L @approx. 20MB IIQ S @approx. 17MB
IIQ L @approx. 25MB IIQ S @approx. 22MB
IIQ L @approx. 35MB
Battery Lifetime 4 hours/5,000 shots 4hours/4,000 shots 4 hours/3,000 shots
Compatible cameras 645DF/ 645AFD
RZ Pro 67†Di with separately sold digital adapter HX701
All view cameras with Phase One FlexAdapter
LCD 230,000 pixels/ 2.2 inch display
Mamiya Digital products are exclusively distributed in the UK by Johnsons Photopia.
Mamiya Digital Imaging Co., Ltd
Marketing Department
August 10th 2009
Mamiya Announce New M series digital backs
M18, M22 and M31
On sale now
Mamiya Digital Imaging is proud to announce our new M series digital backs, consisting of three new models: the M18, M22 and M31, the latest additions to our digital line-up.
The M series digital backs have all been designed for compatibility with Mamiya’s 645AFDIII, as well as the soon-to-be-released 645DF, which was recently show-cased at the 2009 Tokyo Photo Expo. Through use of the specifically designed digital back adapter HX701, the backs can also be attached to our famed RZ Pro IID.
The M18 has a resolution of 18 megapixels and a CCD size of 44.2 x 33.1mm.
The M22 has a resolution of 22.1 megapixels and a CCD size of 48.9 x 36.7mm while the M31 has a resolution of 31.6 megapixels and a CCD size of 44.2 x 33.1mm. These large sized CCDs make the digital backs ideal for medium format photography. Each digital back can be purchased separately or in a system kit with the Mamiya 645AFDIIIcamera and Sekor 80mm F2.8 D lens. The M series backs are the quintessential tool for commercial photographers and studios, covering portraiture and on location work.
M18: The new Mamiya M18 digital back features one of the fastest capture rates of any medium format system, up to 72 frames per minute sustained depending on camera settings and storage medium. The highly versatile M18 combines easily manageable file sizes with full 16-bit capture and 12 stops of dynamic range, producing images of extraordinary quality which no DSLR can equal. With an ISO range from 100 to 800, and exposure times up to one-hour duration with Xpose+ technology, the M18 is one of the most versatile digital backs available today.
M22: The M22 digital back features a nearly full-frame 22MP CCD producing images of breathtaking clarity and sharpness with virtually negligible effect on lens focal length. With an ISO range from 50 to 800, 16-bit capture, 12 stops of dynamic range and exposure times up to one-hour duration with Xpose+ technology, the M22 is ideally suited to commercial photography both on the AFD III or when mounted on a view camera.
M31: The new M31 digital back combines high resolution captures of 31MP with fast shooting speed of up to 45 frames per minute sustained. Perfect for fashion or field photography, the M31 has high ISO capability up to 1600, 12 stops of dynamic range and exposure times up to one-hour duration with Xpose+ technology. With powerful moiré control, the M31 is ideally suited to fashion and portrait photography, whilst the high resolution 31MP captures make it the ideal back for commercial applications also.
Bundled Goods for the Mamiya Digital Back M
Mamiya Digital Back M/ hard carry case/ rear body cover/ battery charger/ AC adapter for use with battery charger/ car use cigarette lighter battery charger/ international socket plug set for battery charger (5pcs)/ battery/ IEEE 1394 cable (4.5m)/ IEEE 1394 interface exchange adapter (400-800)/ CCD sensor cleaning kit/ focusing screen/ USB stick (containing user guide)/ Capture One 4DB (development software)
Bundled Goods for the Mamiya Digital Back M System Kit
Mamiya Digital Back M/645AFDIIIcamera body/ Sekor AF 80mm F2.8 D lens/ camera body front cover/ rear cover/ lens front cap/ lens rear cap/ lens hood/ AA batteries (6pcs)/ camera strap/ hard carry case/ rear body cover/ battery charger/ AC adapter for use with battery charger/ car use cigarette lighter battery charger/ international socket plug set for battery charger (5pcs)/ battery/ IEEE 1394 cable (4.5m)/ IEEE 1394 interface exchange adapter (400-800)/ CCD sensor cleaning kit/ focusing screen/ USB stick (containing user guide)/ Capture One 4DB (development software).
M18 M22 M31
Resolution 18 megapixels 4904x3678 pixels 22.1 megapixels @5436x4080 pixels 31.6 megapixels @6496x4872 pixels
CCD size 44.2x33.1mm 48.9x36.7mm 44.2x33.1mm
Pixel size 9_9 microns 9_9 microns 6.8_6.8 microns
ISO range 100-800 50-800 100-1600
Micro lenses on Pixels Yes No Yes
Exposure Time From 1/10,000 sec. to 1hour
Live Preview Mode Full Color with 1.5 to 3 frames transferred per second
Capture Rate 0.8 sec. per frame 1.5 sec. per frame 1.25 sec. per frame
File size IIQ S @approx. 13MB
IIQ L @approx. 20MB IIQ S @approx. 17MB
IIQ L @approx. 25MB IIQ S @approx. 22MB
IIQ L @approx. 35MB
Battery Lifetime 4 hours/5,000 shots 4hours/4,000 shots 4 hours/3,000 shots
Compatible cameras 645DF/ 645AFD
RZ Pro 67†Di with separately sold digital adapter HX701
All view cameras with Phase One FlexAdapter
LCD 230,000 pixels/ 2.2 inch display
Mamiya Digital products are exclusively distributed in the UK by Johnsons Photopia.
Sunday, 9 August 2009
Sony to launch A850 at IFA?
Well this weblog is fast becoming a rumor site, more's the pity. Still, as there's an instruction manual floating around the web for the Sony A850, and, having seen it, I would say appears to be genuine. With this year's Internationale Funkausstellung (IFA), the world's largest Consumer Electronics trade show, not that far off (from 4th to 9th September) in Berlin, I reckon we'll see it launched there.
The overall spec and looks are close to the original A900, but offers 3fps shooting and lacks the close to 100-percent viewfinder accuracy (see above). This should make the A850 considerably cheaper. Along with economies of scale, I would say the A850 body is likely to have a street price of around £1500 or $2000 in the US, maybe even less. Anyone remember what we said here? Expect Canon to follow suit.
I can honestly say I wouldn't be surprised to see the day when APS-C will be relegated to digital compacts. It's a marketing strategy that will eventually marginalize those camera makers who can't follow. Pretty much a repeat of what happened in the late 1980's and early 1990's when Pentax and Olympus practically left SLRs to Nikon and Canon, and produced some excellent compacts instead.
As things stand now, that looks like Panasonic and Olympus to me, unfortunately. Pentax could possibly reverse the trend, as Nikon are desperately trying to do right now, without alienating their APS-C customer base. Call it sitting on the fence, but it's happening.
Not that I want that to happen you understand, I like them all. I have no preference. There are models that I like over others for sure, but I like cameras and lenses, not brands. That said, there are some brands that repeatedly get it right. Nikon did this better than anyone else, till the introduction of their AF lens range in the mid 1980's.
What was their tie up with Minolta at the time? Can anyone tell me? Those people I've asked that do know, won't tell me.
In case you're not entirely familiar, the Nikon lens AF lens range was almost a carbon copy of the Minolta AF lens range introduced in 1984. It wasn't just the AF mechanism that was identical, many of the lens designs including optical formulae bore more than a passing resemblance. It was for this reason, and the obvious fact the Canon EOS AF telephoto lenses focused faster, that Nikon lost a lot its credibility.
Certainly, Minolta and Nikon were either of the same keiretsu or closely related in someway (take a look here for a better understanding), but diametrically opposed to the Fuyo keiretsu, of which Canon was and still is a member.
Further back in time, Nikon was part of the Mitsubishi zaibatsu, one of the four major conglomerates in Japan up to the end of WWII and are still a core member today. Sony is outside of any keiretsu, so we have strong competition between Sony, Canon and Nikon.
Thursday, 6 August 2009
Panasonic close to launching GF1 with Leica micro Four Thirds lenses too?
According to this well-known Chinese forum, Panasonic are close to announcing their own version of the Olympus Pen E-P1. Dubbed the GF1, the mFT camera looks a lot like the firm's high-end LX3 digital compact.
Not much can be gleaned from the site or from the photos except for the lack of an EVF but it looks like it has a pop-up, built-in flash, and note the addition of the HD moniker on the front plate and the AVCHD Lite logo, which identifies the GF1 as recording 720p video.
Also interesting are the two lenses; they show a Leica-branded Macro Elmarit 45mm /2.8 (90mm-e f/2.8), seemingly confirming the rumor that Leica are about to introduce mFT lenses. The other, a 20mm (40mm-e) f/2.8? could be a Leica objective, but is more likely to be Lumix (Panasonic) branded.
Please feel free to make comments. Do you think this is fake? The Leica 45mm (90m-e) macro, for instance, could be faked. The Forum shows a Lumix version, so maybe the lens is real (for the GH1) but the body has been faked using the LX3 as a guide. Let me know what you think. Panasonic has seen this, and they've not come back to me, as yet, with any comments. If it were fake, they would say, wouldn't they?
Update: see here for the official announcement of the Lumix GF1.
Tuesday, 4 August 2009
Nikon announce new site for Coolpix cameras
After the announcement of the new S1000pj and several other compacts this morning, Nikon has a new site detailing the complete range. It seems from this the high-end P6000 is no longer in the line-up.
PocketWizard announce UK pricing and availability of MiniTT1 & FlexTT5 ControlTL™
Announced earlier in the year, the new innovative MiniTT1 & FlexTT5 ControlTL™ System from flash-trigger specialists PocketWizard is available now in the UK.
Press release:
JP Distribution is pleased to announce the new MiniTT1 & FlexTT5 ControlTL™ System from PocketWizard
Professional photographers worldwide have depended on PocketWizard wireless triggering systems for reliable performance, advanced features and the greatest operating range. For over two decades they have triggered their flash units and cameras wirelessly, capturing images that would have been impossible to make without PocketWizard.
Since the first introduction of PocketWizard, professional photographers have demanded a TTL (Through-The-Lens) flash controlled PocketWizard system. Now, with rapid development of digital technology, PocketWizard responds with a simple solution for off-camera TTL flash without limitations or complexity.
PocketWizard has made it possible with “Slide-n-Shoot” simplicity by utilizing their new ControlTL™ system featuring the MiniTT1™ Transmitter and FlexTT5™ Transceiver dedicated for Canon camera/flash systems (Nikon i-TTL international version due early 2010). These new E-TTL II and i-TTL (Canon/Nikon flash systems) enabled PocketWizard wireless radios provide effortless off-camera flash photography.
MiniTT1 Canon SRP £209.99 Inc VAT
FlexTT5 Canon SRP £229.99 Inc VAT.
Press release:
JP Distribution is pleased to announce the new MiniTT1 & FlexTT5 ControlTL™ System from PocketWizard
Professional photographers worldwide have depended on PocketWizard wireless triggering systems for reliable performance, advanced features and the greatest operating range. For over two decades they have triggered their flash units and cameras wirelessly, capturing images that would have been impossible to make without PocketWizard.
Since the first introduction of PocketWizard, professional photographers have demanded a TTL (Through-The-Lens) flash controlled PocketWizard system. Now, with rapid development of digital technology, PocketWizard responds with a simple solution for off-camera TTL flash without limitations or complexity.
PocketWizard has made it possible with “Slide-n-Shoot” simplicity by utilizing their new ControlTL™ system featuring the MiniTT1™ Transmitter and FlexTT5™ Transceiver dedicated for Canon camera/flash systems (Nikon i-TTL international version due early 2010). These new E-TTL II and i-TTL (Canon/Nikon flash systems) enabled PocketWizard wireless radios provide effortless off-camera flash photography.
MiniTT1 Canon SRP £209.99 Inc VAT
FlexTT5 Canon SRP £229.99 Inc VAT.
Nikon takes wraps off Coolpix S1000pj with built-in projector
Nikon has launched the world's first digital compact camera with a built-in video projector. Called the Coolpix S1000pj, the camera boasts not only a 12.1 megapixel sensor, 2.7-in (230k dot) LCD and a 5x optical zoom lens (28-140mm f/3.9-5.8 equivalent) but also can project images from 5-to-40-inches in size (depending on ambient lighting).
Nikon press release:
NIKON REVEALS WORLD’S FIRST PROJECTOR CAMERA
RRP: £399.99 / €485.00
Sales start date: September 09
Nikon UK today announces the introduction of the world’s first camera with an integrated projector, as part of its new autumn/winter COOLPIX range. The ground-breaking COOLPIX S1000pj is expected to shake up the compact digital camera market and revolutionise the way we share images and videos, using personal projection.
The COOLPIX S1000pj doesn’t just pack a punch with its projector – the compact camera delivers high resolution images with 12.1 effective megapixels and a 2.7” wide viewing-angle TFT LCD monitor. With a high ISO 6400 sensitivity and using Nikon’s exclusive image processing concept, EXPEED, the camera offers the kind of high quality images you expect from Nikon. This is all wrapped up in a sleek casing that contains a wide-angle 5x zoom NIKKOR lens.
Mark Pekelharing, Product Line Manager Consumer Products at Nikon Europe B.V: “The launch of our unique COOLPIX projector camera is exciting for gadget and photo lovers everywhere – and another first for Nikon with a compact digital camera that can project images. People can’t help but be blown away by such a beautifully crafted device. It’s packed with everything you need to take amazing photos so easily as well as to show your pictures; a great screen and amazing projector. Sharing photos and videos has never been so easy – or so fun.”
One touch projection
If you’ve ever wanted to share your photos or videos at a party or relive a day’s memories while on your travels, then now you can with one-touch projection on the COOLPIX S1000pj. The built-in projector easily projects an image size from approximately 5 inches up to 40 inches[1]. A supplied remote control means that you can wirelessly operate both the projector and usual camera functions, and a simple projection stand is supplied for optimal viewing wherever you are.
Getting the shot you imagine
The COOLPIX S1000pj features Scene Auto Selector mode, whereby the camera automatically selects the appropriate scene mode based on the contents of your shot, allowing picture perfect images at the touch of a button. In addition, five functions to reduce image blur and the Smart Portrait System ensure you get those ‘red carpet smiles’ every time. An additional feature enables users to ‘airbrush’ someone’s face using the Skin Softening function to reduce the appearance of blemishes. Together with face tracking and anti-shake functionality, the COOLPIX S1000pj helps you to get the shot you envisaged without any hassle.
my Picturetown
You can now store your images safely and securely using Nikon’s my Picturetown, a free online digital photo storage and sharing service. Easily share photo memories with friends and organise precious memories into online collections. You get 2GB of space free to use for storing thousands of memories and you can upgrade your membership to Gold Account at any time if you need to store more pictures.
*Availability dates can vary from region to region. Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2009 ©2009 Nikon Corporation.
ENDS
NIKON REVEALS WORLD’S FIRST PROJECTOR CAMERA
RRP: £399.99 / €485.00
Sales start date: September 09
Nikon UK today announces the introduction of the world’s first camera with an integrated projector, as part of its new autumn/winter COOLPIX range. The ground-breaking COOLPIX S1000pj is expected to shake up the compact digital camera market and revolutionise the way we share images and videos, using personal projection.
The COOLPIX S1000pj doesn’t just pack a punch with its projector – the compact camera delivers high resolution images with 12.1 effective megapixels and a 2.7” wide viewing-angle TFT LCD monitor. With a high ISO 6400 sensitivity and using Nikon’s exclusive image processing concept, EXPEED, the camera offers the kind of high quality images you expect from Nikon. This is all wrapped up in a sleek casing that contains a wide-angle 5x zoom NIKKOR lens.
Mark Pekelharing, Product Line Manager Consumer Products at Nikon Europe B.V: “The launch of our unique COOLPIX projector camera is exciting for gadget and photo lovers everywhere – and another first for Nikon with a compact digital camera that can project images. People can’t help but be blown away by such a beautifully crafted device. It’s packed with everything you need to take amazing photos so easily as well as to show your pictures; a great screen and amazing projector. Sharing photos and videos has never been so easy – or so fun.”
One touch projection
If you’ve ever wanted to share your photos or videos at a party or relive a day’s memories while on your travels, then now you can with one-touch projection on the COOLPIX S1000pj. The built-in projector easily projects an image size from approximately 5 inches up to 40 inches[1]. A supplied remote control means that you can wirelessly operate both the projector and usual camera functions, and a simple projection stand is supplied for optimal viewing wherever you are.
Getting the shot you imagine
The COOLPIX S1000pj features Scene Auto Selector mode, whereby the camera automatically selects the appropriate scene mode based on the contents of your shot, allowing picture perfect images at the touch of a button. In addition, five functions to reduce image blur and the Smart Portrait System ensure you get those ‘red carpet smiles’ every time. An additional feature enables users to ‘airbrush’ someone’s face using the Skin Softening function to reduce the appearance of blemishes. Together with face tracking and anti-shake functionality, the COOLPIX S1000pj helps you to get the shot you envisaged without any hassle.
my Picturetown
You can now store your images safely and securely using Nikon’s my Picturetown, a free online digital photo storage and sharing service. Easily share photo memories with friends and organise precious memories into online collections. You get 2GB of space free to use for storing thousands of memories and you can upgrade your membership to Gold Account at any time if you need to store more pictures.
*Availability dates can vary from region to region. Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2009 ©2009 Nikon Corporation.
ENDS
Thursday, 30 July 2009
Nikon make D3000 and D300s a reality
After months of rumor and speculation, Nikon has today officially released the entry-level D3000 and D300s. Announced alongside are two lenses, both updates to existing models; the long-rumored AF-S 70-200mm f/2.8G VRII, and the AF-S 18-200mm f/3.5-5.6G VR II.Despite a ground swell calling for the company to release new primes, no fixed focal length lenses were announced at this time.
Nikon UK press release:
NIKON GUIDES THE WAY WITH THE LAUNCH OF THE D3000
The DSLR made simple
RRP
D3000 body only: £429.99 /€522.00
D3000 + 18-55mm VR: £499.99 / €607.00
Sales start date: 28th August 2009
Nikon UK is pleased to announce its simplest, most accessible DSLR to date, the D3000. The new model is packed with user friendly, intuitive features which have been designed to guide DSLR first timers towards capturing professional looking images at the click of a button.
Jordi Brinkman, Product Manager for Nikon Europe says: “The D3000 dispels the view that DSLR cameras are complicated and makes taking great pictures simpler than ever before. You can really concentrate on having fun with photography and the Guide mode helps you to get the best results with the minimum of fuss.”
DSLR, pure and simple
The D3000 is designed for anyone who wants to take pictures without worrying about settings. You can select the type of subject or scene and the camera will do the rest, ensuring the correct parameters are set for the perfect shot, and the instant response time means you never miss a moment. The 11-point autofocus system ensures everyone is in focus, and the bright viewfinder means you get what you want, when you want it.
Great pictures, automatically
The 10.2 megapixel sensor, powerful EXPEED processing system and brilliant NIKKOR lenses ensure excellent pictures wherever you are, whatever you or your subject is doing. The comprehensive exposure metering system, ISO 1600 sensitivity and built-in pop up flash make light work of dark places.
Guide the way
The new intelligent Guide mode demystifies the often complex world of digital SLR photography by helping DSLR first timers to get the most from their images by recommending the appropriate settings for their subject or scene. The visual demonstrations help you to pre-visualise the end result and teach you how to improve your photography skills by clearly identifying the settings used to achieve the image. Once you have mastered the basic skills you can take your photography to the next level by testing out the more creative options within the guide mode.
3-inch LCD screen
The 3-inch LCD screen means you can share your efforts with family and friends and makes retouching your pictures in-camera great fun. Beyond the Guide mode, the GUI menus are larger and simpler to use thanks to extensive use of visuals instead of text. The wide variety of exciting in-camera processing effects means you can get really creative with your pictures and share them with friends and family.
Anytime and anywhere
Whatever you do, wherever you go, the D3000 is a must have for any family event or day out. The camera’s comprehensive technologies and tough exterior are ready to handle whatever your free time can throw at it. The exclusive dust reduction system with Airflow control minimises the impact of dust on the image sensor and its compact size and weight – and tough housing – on both body and lens make the D3000 impossible to leave behind.
Key features
10.2megapixel CCD sensor: Even in low light the image resolution makes easy work of big prints and sharp enlargements.
11-point autofocus system: Keeps even the fastest moving subjects in focus, often the biggest challenge for compact cameras
Fast response: The start up time and shutter lag means you can capture the shot almost instantly, without the delayed response time common of compact cameras
Guide mode: Simply the easiest way to get great pictures, without having to read the manual
3-inch TFT: With pictures this good, you will need a great screen to share them with friends and family
EXPEED image processing: Exclusive system to deliver rich, bright results close to what you saw with your own eyes
Picture Controls: Lets you set the look and mood of your images before you shoot
3 fps continuous shooting allows you to capture fast-moving action at 3 frames per second
Intuitive ergonomics: We challenge anyone to pick up a D3000 and it not to feel part of your hand
Stylish discrete appearance: The D3000 does not become a barrier between you and your subject, resulting in natural looking expressions
Compact, light and durable: It won’t fit in your pocket, but with pictures this good you will find a shoulder to hang it on
NIKON GUIDES THE WAY WITH THE LAUNCH OF THE D3000
The DSLR made simple
RRP
D3000 body only: £429.99 /€522.00
D3000 + 18-55mm VR: £499.99 / €607.00
Sales start date: 28th August 2009
Nikon UK is pleased to announce its simplest, most accessible DSLR to date, the D3000. The new model is packed with user friendly, intuitive features which have been designed to guide DSLR first timers towards capturing professional looking images at the click of a button.
Jordi Brinkman, Product Manager for Nikon Europe says: “The D3000 dispels the view that DSLR cameras are complicated and makes taking great pictures simpler than ever before. You can really concentrate on having fun with photography and the Guide mode helps you to get the best results with the minimum of fuss.”
DSLR, pure and simple
The D3000 is designed for anyone who wants to take pictures without worrying about settings. You can select the type of subject or scene and the camera will do the rest, ensuring the correct parameters are set for the perfect shot, and the instant response time means you never miss a moment. The 11-point autofocus system ensures everyone is in focus, and the bright viewfinder means you get what you want, when you want it.
Great pictures, automatically
The 10.2 megapixel sensor, powerful EXPEED processing system and brilliant NIKKOR lenses ensure excellent pictures wherever you are, whatever you or your subject is doing. The comprehensive exposure metering system, ISO 1600 sensitivity and built-in pop up flash make light work of dark places.
Guide the way
The new intelligent Guide mode demystifies the often complex world of digital SLR photography by helping DSLR first timers to get the most from their images by recommending the appropriate settings for their subject or scene. The visual demonstrations help you to pre-visualise the end result and teach you how to improve your photography skills by clearly identifying the settings used to achieve the image. Once you have mastered the basic skills you can take your photography to the next level by testing out the more creative options within the guide mode.
3-inch LCD screen
The 3-inch LCD screen means you can share your efforts with family and friends and makes retouching your pictures in-camera great fun. Beyond the Guide mode, the GUI menus are larger and simpler to use thanks to extensive use of visuals instead of text. The wide variety of exciting in-camera processing effects means you can get really creative with your pictures and share them with friends and family.
Anytime and anywhere
Whatever you do, wherever you go, the D3000 is a must have for any family event or day out. The camera’s comprehensive technologies and tough exterior are ready to handle whatever your free time can throw at it. The exclusive dust reduction system with Airflow control minimises the impact of dust on the image sensor and its compact size and weight – and tough housing – on both body and lens make the D3000 impossible to leave behind.
Key features
10.2megapixel CCD sensor: Even in low light the image resolution makes easy work of big prints and sharp enlargements.
11-point autofocus system: Keeps even the fastest moving subjects in focus, often the biggest challenge for compact cameras
Fast response: The start up time and shutter lag means you can capture the shot almost instantly, without the delayed response time common of compact cameras
Guide mode: Simply the easiest way to get great pictures, without having to read the manual
3-inch TFT: With pictures this good, you will need a great screen to share them with friends and family
EXPEED image processing: Exclusive system to deliver rich, bright results close to what you saw with your own eyes
Picture Controls: Lets you set the look and mood of your images before you shoot
3 fps continuous shooting allows you to capture fast-moving action at 3 frames per second
Intuitive ergonomics: We challenge anyone to pick up a D3000 and it not to feel part of your hand
Stylish discrete appearance: The D3000 does not become a barrier between you and your subject, resulting in natural looking expressions
Compact, light and durable: It won’t fit in your pocket, but with pictures this good you will find a shoulder to hang it on
Leica announce S-system availability and pricing
Leica Camera has today announced pricing and availability of the eagerly-awaited medium-format Leica S2 system. Originally slated for a September release, the first shipment is expected in October, with the S2 camera body retailing at £15,966 inc VAT (at 15-percent)/€18,624 /$22,759. Announced Sept 2008, the 37.5 megapixel Leica S2 DSLR has a 30x45mm sensor (1.5x the size of a 35mm FF sensor) in a highly portable 35mm-sized body.
Leica Camera also announced the S2 will be fully supported by a professional users servicing scheme, the details of which have to still to be confirmed. Jon Sareen, UK commercial manager, Leica S-System, added, "The eagerly-anticipated Leica S-System is a very new and different challenge for Leica Camera Ltd, in comparison to other products in our range. We have engaged new experts, and arrangements regarding leasing and rental facilities are well under way. Service and support will be very hot topics for Leica S-System users, and we can confirm that we are planning a rapid [turnaround] third party UK solution, to work in conjunction with our head office in Germany."
Leica S-System: 2009 range pricing details
LEICA S2 Black £15,996.00 / €18.624 /$22,759
LEICA S2-P Black* £19,092.00 / €22.270 / $27,214
SUMMARIT-S 1:2.5/70 ASPH £3,096.00 / €3.611 / $4,413
SUMMARIT-S 1:2.5/70 ASPH CS £4,025.00 / €4.695/ $5,737
APO-TELE-ELMAR-S 1:3.5/180 £4,541.00 / €5.297 / $ 6,471
APO-TELE-ELMAR-S 1:3.5/180 CS £5,160.00 / €6.019 / $7,355
APO-MACRO-SUMMARIT-S 1:2.5/120 £4,541.00 / €5.297/ $ 6,471
APO-MACRO-SUMMARIT-S 1:2.5/120 CS £5,160.00 / €6.019 / $7,355
SUMMARIT-S 1:2.5/35 ASPH £3,612.00 / €4.213 / $5,148
SUMMARIT-S 1:2.5/35 ASPH CS £4,231.00 / €4,935/ $6,030
Multifunction handgrip S £851.00 / €992 / $1,213
Professional battery charger S £258.00 / €310 / $368
* includes Sapphire Glass monitor screen and S-Body Platinum Service (more details to be announced)
CS = Central Shutter Lens
Prices include VAT at 15%, 30 July 2009
Euro prices - straight GBP conversion (with VAT at 15%)
USD prices - GBP conversion net of tax (ex VAT). Please note, several US sites are quoting substantially higher prices in USD.
Wednesday, 22 July 2009
Canon announce new Hybrid IS system
Canon has today announced the development of a new Hybrid IS (Image Stabilization) system that compensates for both rotational movement (tipping or pitching) as well as linear movement (caused by shaking, or vibration). Existing anti-shake systems reduce blur caused by horizontal and vertical (linear) movement only. Canon say the new Hybrid IS system will be introduced in a DSLR lens sometime before the end of this year.
Canon EF lens range, 2008
My own thoughts are that we'll see this implemented in a new EF 70-200mm f/2.8L first. Alongside the 16-35mm f/2.8, this lens type is by far the most important and widely used among professional photographers and is often showcased by manufacturers. Shortages and rumors of an update have been circulating on this lens for sometime (as have that of the Nikon equivalent, who won't want to be seen to lag too far behind again).
We will then most likely see the systematic updating of every current IS lens, and after starting with the 70-200mm f/2.8 swiftly moving on to the super telephotos: 300mm f/2.8, 400mm f/2.8, 500mm f/4 and 600mm f/4. Most of these lenses are several years old and are due for updating (improved optical formulae, Sub-wavelength Super Spectra Coatings, lighter weight magnesium alloy barrels and possibly improved USMs), the 300mm f/2.8L especially (it's a 10-year old design). I wouldn't expect to see the 200mm f/2 or 800mm f/5.6 updated for the time being.
We may even see the long rumored EF 180mm f/3.5L IS macro and EF 24-70mm f/2.8L IS, if only to stop the banter about Sony's IS system being available with the Carl Zeiss 24-70mm f/2.8 and 16-35mm f/2.8 (it's built-into the A900 and A700 camera bodies). Who knows, the Hybrid system could find its way in a new EF14-35mm f/2.8L and maybe even the way overdue EF 150-600mm f/5.6L or smaller EF 200-400mm f/4L. I doubt it somehow but would certainly like to think so.
Monday, 20 July 2009
Induro C414 tripod review
Serious competition, the Induro C414
SPEC (exc ball-head)
Max Height (column down): 66.8 in (170cm)
Max Height (column up): 77.2 in (196cm)
Min Height: 23.1 in (58cm)
Leg Sections: 4
Closed Length: 25.2 in (64cm)
Weight: 6.2 lbs (2.8kg)
Load capacity: 26.5 lbs (12kg)
Quality 5/5
Features & Design 4/5
Value for Money 5/5
Overall 4.5/5
The Induro C414 is the top-of-the-range model with 4-section legs and column made of carbon fiber while the body casting is magnesium alloy for low weight. Both the tubing and twist lock leg design resemble that of Gitzo, as does the build quality generally. In terms of tubing diameter the legs fall somewhere between the 3 and 5-series carbon fiber Gitzo in size (series 4 is aluminium). It’s very impressive.
Like the pricey rival, the C414 uses the usual three-position lock for adjusting the leg spread, up to a full 80 degrees from closed to nearly horizontal. This allows a good deal of versatility while maintaining excellent rigidity. Also similar is the anti-rotation legs and rubber faced twist-locks for the leg-sections. They’re dust and moisture sealed, but more importantly, they lock off positively and very firmly. There were no accidental slips at any time during the test period. Non-slip rubber feet can be replaced with the supplied steel spikes.
Induro C414 + Markins M20 Q-ball
You could use a gimble head like the Wimberley Version II, but you would want to make sure the column was retracted and locked off firmly. If I can, I will try posting some sample shots with these heads.
The small pack-down size and reasonable weight make it more suitable for location and landscape work than you might expect. But price is the most likely limiting factor. All the same, if you're looking for a solid tripod, capable of supporting a decent load, then the Induro C414 really should be on your shortlist.
Links:
Links:
Induro has kindly featured an excerpt of this concise review on their very informative blog.
UPDATE: Please note the C414 has been replaced by the CT414, with modified leg column locks, and a reduced price of $665.
UPDATE: Please note the C414 has been replaced by the CT414, with modified leg column locks, and a reduced price of $665.
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