I really wish Leica wouldn't do this sort of thing. I mean it's fine to offer the embossed ostrich skin as an alternative to the leather finish on the standard X1, but to call it a limited edition is a bit much. Pricing is 230,300 yen ($2750) but availability is still to be announced. Just 80 units will be offered for sale.
Source DC.WATCH.
After dropping hints a few days ago, Carl Zeiss has announced they're to produce a range of UV and polariser filters in 58, 67, 72 and 82mm filter threads. Oddly, the popular pro size of 77mm has been omitted. The company has also announced a new shoulder strap using patented air-cell padding. As of posting, there's no indication of price or availability.
OBERKOCHEN/Germany, 07.09.2010.
Carl Zeiss now offers photographers special accessories to support their work with ZEISS lenses. The new UV and POL filters from Carl Zeiss are optically and mechanically tailored to the high-quality ZEISS SLR lenses and protected against light reflections with the ZEISS T* multi-coating. Because good optics can be somewhat heavy at times, Carl Zeiss now offers a special camera strap with air cell padding for SLR cameras.
“It is important for us to not only deliver ideal image results, but to also make photography something to remember. This does not stop at lenses. We have also taken the demands and needs of photographers into consideration during development of our accessory products. They are the ideal addition to our ZEISS SLR lenses," explains Martin Klottig, Marketing Manager of the Camera Lens Division at Carl Zeiss AG.
The new UV and POL filters meet the highest demands on mechanical quality and can be quickly and easily changed. High-quality optical glass is tailored to the performance of ZEISS lenses, while the T* multi-coating minimizes light reflections on the glass-air surfaces and improves transmission. In addition to the filter function, the front lens element of the lens provides protection against contamination and scratches. With the standard thread diameters of 58, 67, 72 and 82 mm, the filters also fit the lenses of other manufacturers.
The camera straps ensure that your equipment does not lead to shoulder and neck strain, even when used for longer periods. Patented air cell padding and the elastic material unite comfort and maximum durability. Special quick-action locks enable users to quickly, easily and safely connect the straps to all standard SLR cameras.
Red Bull Illume, the world’s premier action and adventure sports photography competition, has revealed the winners of its 2010 Image Quest.
The finalists of the competition, sponsored by SanDisk, the global leader in flash memory cards, were unveiled during a ceremony in Trinity College Dublin, Ireland, with Chris Burkard from the USA being named as the overall winner.
His image of surfer Peter Mendria riding the waves in golden sunlight on Chile's West Coast was selected by an international panel of 53 photo experts, winning him a variety of photography products including a Leica S2 camera and a selection of SanDisk flash memory cards.
TECHNICAL INFO
Camera: Nikon D700
Lens: 70.0-200.0 mm f/2.8
ISO: 125
F-Stop: f 6.3
Shutter Speed: 1/1000
The category winners and finalists were selected from the 22,764 images submitted to the 2010 Image Quest by thousands of photographers worldwide. Fifty-three judges from picture desks across the world voted over three rounds to determine ten category winners as well as the overall winner.
Gerry Edwards, SanDisk Imaging Senior Product Marketing Manager, commented: “The entries in this year’s competition were outstanding and we are extremely proud to be a part of this prestigious event. The competition is a great way to recognise and reward the planning, time and effort that goes into capturing the perfect picture.”
Visit www.redbullillume.com to see all the work and for updates on the nominated photographers and tour as well as picture galleries, news, interviews and videos about the world of action sports photography.
I am so blessed,” said Burkard on picking up the biggest prize in freesports photography. “I feel really, really lucky just to be here and be surrounded by people I look up to and my peers. There’s something to be said to win an award in front of people you respect. So for me this is huge, a really huge honour. I’m really grateful.”
“As action sports photographers, we’re used to getting towards the action and getting close to it. And nine times out of ten, that’s what we’ll do. But I decided to get as far from the action as I could so I could show the whole landscape so people could appreciate everything that was going on and not just the surfer.”
Burkard’s image proved to be a hugely popular choice with fellow photographers and the public on the night. “The overall winning shot by Chris Burkard is amazing,” said New Creativity finalist Silvano Zeiter. “When I saw the random pictures exhibited on the Red Bull Illume website, I looked through them and saw that one picture by Chris Burkard. I made a screen shot and said to my friend, ‘This is going to be shot!’”
Fred Montagne, the previous winner of the Image Quest in 2007 also thought Burkard was a worthy winner. “My favorite photo was the overall winner by Chris Burkard, really. I like these kind of photos where you see the athlete in a big environment. It’s not just about the action, it’s about the action in some crazy environment. I like when the individual is really small. It would still be a good photo without the surfer.”
Photograper: Eric Berger, Athlete: Dan Treadway, Location: Whistler, BC, Canada
TECHNICAL INFO
Camera: Nikon D3
Lens: 10.5mm f/2.8
ISO: 250
F-Stop: f7.1
Shutter Speed: 1/1250
Photographer: Adam Kokot, Athlete, Michal Krol, Location: Spisske Tomasovce, Slovakia
TECHNICAL INFO
Camera: Canon EOS 350D DIGITAL
Lens: 10.0-20.0 mm
ISO: 100
F-Stop: f 4,0
Shutter Speed: 1/80
Photographer: Alessio Barbanti, Athlete: Taddy Blazusiak, Location: Città di Castello, Perugia, Italy
TECHNICAL INFO
Camera: Canon EOS-1D Mark II N
Lens: EF28-300mm f/3.5-5.6L IS USM
ISO: 200
F-Stop: f 5.6
Shutter Speed: 1/500
Photographer: Brian Bielmann, Athlete: Andy Irons, Location: Teahupoo, French Polynesia
TECHNICAL INFO
Camera: Canon EOS 40D
Lens: 10-17mm
ISO: 100
F-Stop: f 3,5
Shutter Speed: 1/800
Okay, so it's not as big a news as the AF-S Nikkor 35mm f/1.4G ED we're all expecting in just over a weeks time (I'm guessing), but I never really liked the LF-1 rear lens cap - after all it doesn't seal that well and certainly could of been made to mate with the rubber gasket on the pro-Nikkors.
Anyhow, this site say the new cap is called the LF-4 (even I can work that out without using Google translator - it's in Japanese). I wonder what happened to the LF-2 and 3? Was one of those the slight amendment for non-English speakers with the Pac-Man type icon that replaced the word "Open"? Who cares? Anyway this looks like a substantial revision, and I wonder if it's made in green for use in the factory? The price is 378 yen, or around $5, which will end up as £5 in UK.
UPDATE 07/09/10: I now have a new AF-S Nikkor 55-300mm f/4.5-5.6 with the new LF-4, and while the rear cap doesn't seal with the rear rubber gasket, it covers more of the mount than the LF-1. It's also easier to grip and it certainly feels more secure when attached. Oh, and yeah, the other very welcome benefit, is that it now locks on the body cap (BF-1A and older BF-1 manual focus version), so they'll stay together in your camera bag (so you can loose both together, rather than one or the other). Now where is the rumored AF-S 35mm f/1.4G?
Kevin
Carl Zeiss has introduced a super-fast, manual focus 35mm prime with a maximum aperture of f/1.4, for Nikon and Canon EOS users. Recommended retail is £1275, 1386 Euros, plus tax, and will be available for sale early 2011.
The image above shows the Canon ZE version, the Nikon ZF.2 has a manual aperture ring.
OBERKOCHEN/Germany, 01.09.2010.
A woman is sitting at the bar of a dimly-lit cafe. Lost in thoughts, she doesn’t notice the glass of wine the bartender places before her. From a distance, a photographer tries to capture her mood. He brings her face, which is leaning toward her phone, into focus. Everything around her becomes a blur, and the lights in the background coalesce into a wild “dance” of diffuse shapes.
This shot will only work with a fast lens with short focal length and harmonious bokeh. Carl Zeiss introduces a new lens for just such images: the Distagon T* 1,4/35.
By introducing the Distagon T* 1,4/35, Carl Zeiss is complementing the Planar T*1,4/50 and T*1,4/85 lenses with a wide-angle lens that shares the same high speed. Crisp, sharp images work every time, whether at dusk or in the weak lighting conditions of a café, and without the need for a tripod. With its 35-mm, the Distagon T* 1,4/35 matches the classic and versatile standard focal lengths when used on cameras with APS-C sensor formats.
Due to the special bokeh effects in both the foreground and background areas, the Distagon T*1,4/35 opens up new creative possibilities, giving photographers more options to ‘play’ with focus. Thanks to its large focus ring, photographers can also create highly accurate, sharp pictures, even at maximum aperture opening. In addition, the optical construction of the lens guarantees high image quality across the entire image range. Furthermore, with one step less than the full aperture opening, the light fall-off toward the edges is just one f-stop.
With the ZEISS T*‘s anti-reflective coating, its sophisticated stray light reduction and the excellent flare control the new Distagon also takes pictures of bright light sources without artifacts. The Distagon T*1,4/35’s extremely long-lasting and robust all-metal precision mechanics, for which Carl Zeiss is known, make this lens perfect for use on-the-go and for photo reports.
The Distagon T* 1,4/35 will be available in first quarter of 2011 at a recommended retail price of 1385.71 euros (excluding VAT)*.
Excellent differential focus (bokeh) and colour rendition of the new Distagon 35mm f/1.4
Follow the link here for the official UK distributor, Robert White in Poole, Dorset.
Buy from our affiliate, Adorama in NYC: Nikon, Canon.
If you run both Canon and Nikon systems as I do (and Olympus as well), then buy the Nikon version and use a high-quality lens adapter such as this one as the Canon has the shorter flange focal distance (FFD)* of the two systems. It costs a little more than the standard version but allows mounting of AI-S and G-series Nikkor lenses. Metering is unaffected, as Canon cameras meter and operate in stopped down mode, and focusing is unaffected (it's a MF lens afterall).
*Most third-party manufacturers design the Nikon version first due to the maker's longer FFD, as it's easier to compensate for Canon, Pentax, Sony and the rest with their shorter registers.
This is a full working model albiet in concept form but I so want Canon to make it for real. The 4K as it is currently known shoots at 60 frames per second at 4k resolution using a single 8 megapixel 2/30inch CMOS sensor and it weighs in at only 5.5 pounds. Let's just go over that sentence, 4K resolution video is approximately quadruple the resolution of 1080p - wow.
The hardware is essentially a huge DSLR body packing a fixed video-style lens complete with zoom and focus controls and a high-def flip-out LCD viewfinder, the same LCD found in Canon's new XF-300 and XF-305 video cameras.
Unlike competing camera-maker RED's offerings, apparently the 4K concept is not specifically designed for digital cinema. It's actually intended to offer "multipurpose image capture" . Despite Canon admitting that the 4K will never come to market we can't help but admire Canon's brave step from the norm, wouldn't you want one?
We didn't think that secret would keep, well here you have it, Olympus have officially announced the new all-black E-P2 micro four thirds camera today, along with 40-150mm and 75-300mm lenses.
The new E-P2 EVF Edition kit comes with a 17mm 1:2.8 pancake lens (also in black), and the VF-2 electronic viewfinder, in black too. Also included is a new lens cap with "F" logo, which you can see in the photo above. Available in the shops from October, for 1,079 Euros, with US pricing not yet listed for this version. The E-P2 Special Black EVF Edition contents include:
E-P2 camera in black
M.ZUIKO DIGITAL 17mm 1:2.8 Pancake lens exclusively in black
VF-2 electronic viewfinder in black
Historic lens cap with F logo
Otherwise, the E-P2 Special Black Flash Edition comes with the above pancake lens and lens cap, swapping the viewfinder for the FL-14 external flash—hence the "flash edition" name. Supposedly this version will retail for $1,000 / 1,049 Euros come October. E-P2 camera in black boxed contents include:
E-P2 camera in black
M.ZUIKO DIGITAL 17mm 1:2.8 Pancake lens exclusively in black
FL-14 external flash exclusively in black
Historic lens cap with F logo cap with F logo
On to the lenses, and the 75-300mm f/4.8-6.7 will cost $900 / 899 Euros from December, and the 40-150mm 1:4.0-5.6 will come in at a more affordable $300 / 329 Euros from November for the US, October for Euro
The Olympus Pen F was the world's first and only half-frame system single-lens reflex camera, released in 1963. The Olympus Pen F was a revolutionary camera packed with innovative features. With the new digital PEN cameras Olympus started a new era of mirror less cameras with outstanding design. The lens cap with the special F logo has a diameter of 37mm and can be used with the M.ZUIKO DIGITAL 17mm 1:2.8 Pancake lens.
No true PEN enthusiast would be without this stylish and historic accessory. Its silver F logo is a striking visual reference to the front of the original Olympus Pen F and blends superbly with the black metal body of the E-P2. The cap can also be purchased separately for ¤49.90. Part number: LC-37 F Logo MFT Lens Cap.
We're sure you've read the announcement from Canon's team last week announcing a massive 120 megapixel sensor, well this week the technicians at team Canon have announced the biggest ever CMOS sensor, measuring 202x205 mm - that's round 8 inches square; making this sensor roughly around 40 times larger than the sensor currently found in the 5D Mark II.
Canon says it'll be good for filming stars and nocturnal animals, we couldn't agree more.
Here's the full press release, if you want to have a read...
Canon Inc. announced today that it has successfully developed the world’s largest*1 CMOS image sensor, with a chip size measuring 202 x 205 mm. Because its expanded size enables greater light-gathering capability, the sensor is capable of capturing images in one one-hundredth the amount of light required by a professional-model digital SLR camera.
At 202 x 205 mm, the newly developed CMOS sensor is among the largest chips that can be produced from a 12-inch (300 mm) wafer, and is approximately 40 times the size of Canon’s largest commercial CMOS sensor.*2
In the past, enlarging the size of the sensor resulted in an increase in the amount of time required between the receiving and transmission of data signals, which posed a challenge to achieving high-speed readout. Canon, however, solved this problem through an innovative circuit design, making possible the realization of a massive video-compatible CMOS sensor. Additionally, by ensuring the cleanest of cleanroom environments during the production process, the sensor minimizes image imperfections and dust.
Because the increased size of the new CMOS sensor allows more light to be gathered, it enables shooting in low-light environments. The sensor makes possible the image capture in one one-hundredth the amount of light required by a 35 mm full-frame CMOS sensor, facilitating the shooting of 60 frame-per-second video with a mere 0.3 lux of illumination.
Potential applications for the new high-sensitivity CMOS sensor include the video recording of stars in the night sky and nocturnal animal behavior.
Through the further development of distinctive CMOS image sensors, Canon will break new ground in the world of new image expression, in the area of still images as well as video.
and Pen E-P2
(the latter is particularly useful with the built-in IS system) and as a result you don’t need to use any adapter. There is no auto-focus of course, this is a manual focus lens. The price is expected to be in the region of $1000 with availability by October/November.
No secret is safe anymore including the latest cameras coming from Olympus, that's if 42rumors.com are to be believed and it certainly looks pretty believable.
1) The new E-P2 kit with black 17mm lens and black external flash.
There will be also two new MFT lenses:
2) The new M.Zuiko ED 75-300mm f/4.8-6.7 (equivalent of 150-600mm in 35mm)
It is the world smallest 600mm zoom lens. It weights 430 grams and has a diameter of 7cm and 11.6cm length.
It allows nearly silent HD movie recording.
The new lenses are made with ED (extra-low dispersion)
It will be available in December 2010 for $899.99
3) The new M.Zuiko ED 40-150mm f/4.0-5.6 equivalent of 80-300mm in 35mm)
It weights 190 grams.
It will be available in November 2010 for $299.99
It has 12 Megapixel, two more than the “older” E-3. It has the new TruePic 5 engine for better detail, 720p hd video at 30p, 11 pt af, 920k dot res lcd, 3 inches, art filters and a mic jack.
The image above is of the new 75mm-300mm lens.
EOS MOVIE plug-in update for Final Cut Pro
United Kingdom, Republic of Ireland 26th August 2010 – Canon today announces a new plug-in further enhancing quicker and easier editing of EOS MOVIE footage in Apple’s software suite, Final Cut Pro. The update will be available to download for free from mid-September.
EOS Movie Plug-in-E1 for Final Cut Pro version 1.1 will add to the recently released Plug-in-E1 by providing support for the Canon EOS 60D, the latest addition to the EOS range. The plug-in will allow users to view metadata and EXIF data for movie files. It will also provide support for multi-core processing, allowing even faster conversations with the latest generation of Macs.
The original plug-in was designed to convert EOS MOVIE footage from Canon’s EOS 5D Mark II, EOS 7D and EOS-1D Mark IV Digital SLR cameras to Apple’s high-quality ProRes 422 codec at approximately twice the speed of Apple’s standard conversion. Users will still have the benefits of being able to add timecode and reel names to footage quickly and easily.
Canon has unwrapped replacements for their existing 1.4x and 2x Extenders (teleconverters), boasting an easier to use lens release mechanism, improved optical train, and fluorine coatings to reduce marking and improve AF performance. Both units will be available in December with a price of £549.99 / 659.99 Euros inc Tax.
Extend the reach of your telephoto lens with Canon’s Extender EF 1.4x III and Extender EF 2x III
United Kingdom, Republic of Ireland 26th August 2010 – Canon today unveils two lens extenders designed for its L-series range of new super-telephoto lenses. Designed for photojournalists, nature and sports photographers who need to get close to distant and challenging subjects, the Extender EF 1.4x III and Extender EF 2x III increase the focal length of a lens by a factor of 1.4x and 2x respectively while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, they also combine enhanced environmental protection, redesigned optics and improved data communication between lens and camera.
Canon professional image quality
Allowing professional photographers to shoot distant subjects without having to carry a number of heavy lenses with them, these new extenders ensure there is no compromise on image quality. The Extender EF 1.4x III features seven lens elements in three groups, and the Extender EF 2x III features nine lens elements in five groups, ensuring improved optical performance. All optical elements use Canon’s Super Spectra coating, reducing ghosting and flare to minimise post-processing requirements. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings.
To facilitate the accurate transfer of imaging data between the lens and camera body, both models feature an integrated processor which ensures all focusing, metering and ID information is available – allowing the photographer to capture crisp, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable higher AF accuracy compared to previous generations, ensuring professionals achieve perfectly sharp shots, even when capturing moving subjects.
Redesigned for high performance
The Extender EF 1.4x III and Extender EF 2x III have been designed to complement the latest range of L-series lenses, matching their appearance and offering a visible differentiation from previous models. A carefully positioned lens release mechanism also makes it easy to mount the extenders quickly, reducing the time that the camera and lens are exposed to the environment. The extenders offer the exceptional build-quality expected from Canon’s professional products, and are resistant to both dust and water, allowing photographers to use them in extreme shooting conditions.
For convenient transport, the 225g Extender EF 1.4x III and 325g Extender EF 2x III are supplied with a soft case (LP811) and Extender Cap EII.
Pricing and Availability
The Extender EF 1.4x III is available from December priced £549.99 / ¤659.99 RRP inc VAT
The Extender EF 2x III is available from December priced £549.99 / ¤659.99 RRP inc VAT
Canon are set to reveal updates to their 500mm and 600mm f/4 super-telephoto lenses next month at the Photokina trade show in Cologne. No word has been communicated on a release date or price, but it's expected the duo will be on sale in early 2011.
Press release
Canon announces development of advanced super-telephoto professional lenses
United Kingdom, Republic of Ireland; 26 August 2010 – Canon today announces the development of two new super-telephoto lenses for its leading range of EOS Digital SLR cameras – the EF 500mm F/4L IS II USM and the EF 600mm F/4L IS II USM. The new lenses will be displayed for the first time in Europe during Photokina 2010 in Cologne, Germany.
Developed as part of Canon’s acclaimed L-series of professional lenses, the new lenses will achieve new and advanced levels of image quality. Each will include the highest quality components, featuring high specification Image Stabilizer technology alongside the use of optical materials such as Fluorite, to correct aberrations ensuring high resolution images rich in detail and contrast.
Succeeding the widely-respected EF 500mm F/4L IS USM and EF 600mm F/4L IS USM, the EF 500mm F/4L IS II USM and EF 600mm F/4L IS II USM are being developed for photographers who require high performance, fast aperture and a longer focal length. Redesigned, lightweight bodies will provide added mobility alongside enhanced protection against dust and water, making them ideal for the toughest shooting conditions.
Both new lenses have been designed to reflect Canon’s renowned high standards for the elite L-series, combining exceptional-quality optics with easy-to-reach controls and signature designs. The models will be released as part of Canon’s continued development of its EF lens line-up, offering enhanced performance and improved functions that cater for the needs of photographers from beginners through to professionals.
The EF 500mm F/4L IS II USM can be pre-ordered at Adorama here, and is currently $10,499, while the EF 600mm F/4L IS II USM, can be pre-ordered here at just $12,999.
Canon has updated two of their super-telephotos with new barrel designs, with some components made from titanium no less, and improved optical, AF and IS systems. The 400mm f/2.8, once the real heavyweight compared with Nikon's rival offering, is now the lightest available (the current model weighs 5.37 kg (11.8lb), the Nikkor 4.62Kg (10.18lb) and the new Canon 3.85Kg (8.5lb)). Both the new Canon lenses will be available during December priced at £7500 and a staggering £11,499 inc. Tax, respectively.
Press release:
Outstanding design, exceptional performance – Canon sets new standards with the EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM
United Kingdom, Republic of Ireland; August 2010 – Canon today enhances its premium L-series with the launch of the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM – two high quality super-telephoto lenses designed to meet the demands of professional photographers. Offering optical excellence and consistently high performance, the new lenses combine super-telephoto focal lengths, fast aperture and outstanding image quality, providing photographers with reliability and exceptional results.
Succeeding the well-respected EF 300mm f/2.8L IS USM and the EF 400mm f/2.8L IS USM, both new models will appeal to nature, wildlife and sports photographers. Each features a completely redesigned optical system and the latest iteration of Canon’s original Image Stabilizer (IS) technology, while an all-new magnesium alloy construction and titanium components ensure the designs are both robust and lightweight. The EF 400mm f/2.8L IS II USM is the lightest lens in its class ( as of August 2010) offering unrivaled mobility due to an incredible 28% reduction in weight (1.5KG) compared to its predecessor, while the EF 300mm f/2.8L IS II USM offers photographers an 8% weight reduction.
Ultra high performance optics
Manufactured using the very best optical components, the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM mark a significant step forward for Canon’s L-series, which is already renowned for its outstanding quality. Both lenses feature 16 elements in 12 different groups, using high performance fluorite lens elements that correct chromatic aberration to deliver high resolution and high contrast shots of the best possible quality – allowing photographers to capture images rich with edge-to-edge detail.
The optical elements also feature Canon’s latest Super Spectra Coatings, optimised for both the position and type of each lens element. A SubWavelength Structure Coating (SWC), which uses microscopic cone-shaped structures smaller than a wavelength of visible light, reduces ghosting caused by light bouncing back from the imaging sensor. Fluorine coating is also used on the front and rear elements of the lenses, repelling dust and dirt for clearer shots. The coating is also water repellent, keeping the front element free of water marks and smearing by ensuring water runs off the lens quickly.
New, improved IS and rapid AF
Both models feature Canon’s new Image Stabilizer system, providing outstanding results when the photographer is moving around and when capturing moving subjects. A 4-stop advantage offers greater image quality during handheld shooting, allowing users to shoot at speeds up for four times slower than normally required with minimal additional blur. Operation of IS mode 2 has been improved when shooting panning motion and a new third IS mode has been added, assisting users when quickly switching between subjects by activating the IS unit only during exposure.
Both lenses offer a constant f/2.8 aperture, allowing photographers to shoot at faster shutter speeds and capture clear shots of fast-moving subjects. The wide aperture also allows users to creatively isolate their subjects from the background, with a nine-blade circular iris creating dramatic and striking background blur that instantly adds beauty to an image.
Fast, quiet Auto Focusing (AF) is provided by a ring-type USM, new dedicated AF algorithms and a new high-speed CPU, which offer quick and accurate focusing during shooting. Photographers can also utilise full-time manual focusing functionality, which enables the adjustment and fine-tuning of focus even when the AF system is activated, providing even greater control over image capture. A new Power Focus mode aids focusing during video shooting, allowing the photographer to smoothly adjust focus during filming by twisting the focus recall ring.
All-new premium L-series design
Developed in line with Canon’s philosophy for the elite L-series, both the EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM boast a refined design that reflects their status as market-leading, benchmark lenses. Both feature a new design layout, with carefully-positioned controls that improve operation in everyday use. The AF stop buttons are now location-adjustable, improving ergonomics by allowing users to custom-select the position of the lens grip, where the AF stop buttons are located.
A choice of dedicated tripod mounts provides added flexibility, allowing photographers to use a long or short foot suitable for monopods or tripods. A new rotational mechanism for the tripod collar also provides a smoother movement when turning the lens from portrait to landscape orientation. In addition, both models feature a new high quality exterior texture, while a new shade of white casing indicates the new advanced design and higher precision that each lens offers. A new Kensington-type wire security lock has also been added, allowing photographers to keep their lenses secure during location-based shoots.
A robust weatherproof design makes both lenses suitable for use in extreme conditions when paired with a weatherproof EOS body.
Complementary, high quality lens extenders
Both new models are compatible with the new set of Canon lens extenders designed for L-series super-telephoto lenses – the Extender EF 1.4x III and Extender EF2x III. Manufactured to complement the new optical systems featured in both lenses, the Extender EF 1.4x III and Extender EF2x III will allow professionals to instantly extend the focal length of either lens by 1.4x or 2x respectively – enabling the capture of high quality, detailed images of subjects that may typically be beyond reach.
Pricing and Availability
The EF 300mm f/2.8L IS II USM is available from December priced £7499.99 / ¤8929.99 RRP inc VAT
The EF 400mm f/2.8L IS II USM is available from December priced £11499.99 / ¤13689.99 RRP inc VAT9.99 R
Canon today has addressed the rumors circulating of an ultra-wide zoom from them to rival the Nikkor 14-24mm. It's not that exactly, but it's equally as impressive, offering both circular and full frame images. The EF 8-15mm f/4L Fisheye USM is available from January 2011 priced £1499.99 / 1789.99 Euros inc Tax.
See everything through different eyes – Canon launches the EF 8-15mm f/4L Fisheye USM zoom lens
United Kingdom, Republic of Ireland, 26 August 2010 – Canon today unveils the world’s first fisheye zoom lens offering both circular and full frame images, thanks to an extreme wide-angle focal range of 8-15mm. Replacing the EF 15mm f/2.8 fisheye, the new EF 8-15mm f/4L Fisheye USM is the latest addition to Canon’s L-series range of professional lenses, providing outstanding image quality, constant aperture throughout the zoom range and a robust design for reliable shooting in challenging weather conditions.
When paired with Canon’s full-frame DSLR bodies, such as the EOS 5D Mark II or the EOS-1Ds Mark III, professional photographers can choose to capture circular or full-frame fisheye images, allowing them to view a scene in a completely new and unique way. This new level of choice provides enhanced creative flexibility when shooting scenes such as the night sky, where the full 180º horizontal and vertical fields of view (FOV) allow every detail to be captured with incredible clarity in one single image.
When used with EOS bodies featuring APS-C or APS-H sensors, the EF 8-15mm f/4L Fisheye USM produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge. ‘C’ and ‘H’ markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor, allowing photographers to achieve optimum results with any EOS body.
Advanced optics for professional imaging
The EF 8-15mm f/4L Fisheye USM showcases over 70 years of Canon’s optical engineering heritage, boasting 14 lens elements in 11 different groups, including one aspherical and one Ultra-low Dispersion (UD) element to correct chromatic aberration and produce high-quality, high-contrast shots with excellent colour reproduction.
Ghosting and flare caused by strong light sources can be a particular challenge when shooting at such a wide angle, and, in order to counteract these artefacts, all lens elements have been covered with Canon’s Super Spectra Coating. The inner surface of the front element also features Canon’s SubWavelength Structure Coating (SWC), which uses tiny cone-like structures, shorter than the wavelength of visible light on the surface of the lens element, to gradually slow light down until it is at the same speed as it travels through glass, removing the risk of flare occurring before the light reaches the sensor.
To maintain optimum image quality, the front and rear lens elements also feature a Fluorine Coating which actively repels water, dust and dirt, making it easier to clean the lens and leaving it unobstructed by particles.
Fast, accurate focusing and low light performance
The ultra-wide angle zoom of the EF 8-15mm f/4L Fisheye USM offers a fresh take on sporting action or architecture shots, while the constant f/4.0 aperture allows faster shutter speeds to be employed for natural-looking images in low light.
A ring-type ultrasonic motor (USM), provides quick and accurate focusing when shooting and enables a full-time manual focus functionality allowing photographers to adjust the focus of any shot, even when the AF system is activated, for even greater control over image capture and improved creative flexibility.
Built for professional performance
The EF 8-15mm f/4L Fisheye USM features a high-grade physical design that reflects its elite performance. High resistance to both dust and water enables it to be used in a range of challenging situations, and, when used with a professional EOS body, it allows continued shooting in the harshest weather conditions. The external design also features the new exterior texture, for a high quality look and feel indicative of all new L-series models.
High quality accessories
The EF 8-15mm f/4L Fisheye USM is supplied with a dedicated lens cap, lens pouch and a felt-lined lens hood EW-77 for use when using the zoom at the 15mm setting, preventing lens flare.
Pricing and Availability
The EF 8-15mm f/4L Fisheye USM is available from January 2011 priced £1499.99 / ¤1789.99 RRP inc VAT
Canon has announced a new, "affordable" L-series EF 70-300mm f/4-5.6L IS USM (note the zoom ring to the front of the barrel, instead of being behind the focus ring as the pro lenses are arranged). It will be available from October priced £1599.99 / 1909.99 Euros inc Tax.
Lightweight, compact and versatile - Canon unveils the EF 70-300mm f/4-5.6L IS USM
United Kingdom, Republic of Ireland; 26th August 2010 – Canon today announces the latest addition to its renowned L-series of professional lenses, the EF 70-300mm f/4-5.6L IS USM, designed to answer growing demand for a high performance zoom lens which offers outstanding mobility and versatility.
The EF 70-300mm f/4-5.6L IS USM offers a 4.3x telephoto zoom range of 70-300mm, with a variable aperture of f/4-5.6. The compact (143mm) design also features the build quality that photographers have come to expect from Canon’s acclaimed L-series lenses. With its impressive focal range and travel-friendly size, the EF 70-300mm f/4-5.6L IS USM is ideally suited to professionals and advanced amateur photographers wishing to capture portraits, nature and action shots in superb detail.
Canon signature image quality
Thanks to two ultra-low dispersion (UD) elements and a floating lens group, the EF 70-300mm f/4-5.6L IS USM captures stunning high-contrast, high-resolution images with low levels of chromatic aberration throughout the zoom range. The lens makes use of Canon’s Super Spectra coatings, reducing ghosting and flare to ensure the highest possible image quality and minimising the requirement for extensive post processing.
Canon’s advanced optical Image Stabilizer (IS) provides photographers with a four-stop IS advantage, enabling the capture of sharp images even when shooting at maximum zoom or in low light conditions, by allowing the use of slower shutter speeds than would usually be possible with handheld shooting.
An eight-blade circular aperture also offers excellent bokeh ideal for portraiture, producing a more pleasant background and creatively isolating the subject.
Autofocus (AF) is fast and quiet thanks to a ring-type USM AF motor, combined with the independent lens CPU and advanced AF algorithms to enable accurate, reliable focusing in all conditions. As with all Canon L series lenses, full time manual focus override is possible, allowing photographers to manually focus, even when the AF motor is engaged. With a minimum focusing distance of 1.2m (3.9ft) throughout the zoom range, photographers can achieve sharp results, even when close to the action.
L-series – robust performance in all conditions
Honouring the L-series heritage, the EF 70-300mm f/4-5.6L IS USM offers exceptional build quality, ideal for daily use by professionals and advanced amateurs. The lens includes environmental protection, allowing photographers to shoot in harsh conditions - even in the extremes of the desert or rainforest. Canon’s new Fluorine Coating also makes cleaning the lens easier, preventing smears or streaking.
Professional accessories
As part of the L-series range, the EF 70-300mm f/4-5.6L IS USM is supplied with a lens hood ET-73B and lens case LP1424 as standard. In addition, an optional, dedicated tripod mount C (WII) can be directly attached to the lens. This allows it to be stabilised easily and the camera switched quickly from vertical to horizontal and back, without having to reposition the camera body on the tripod, perfect for fast-paced action with a variety of subjects.
Pricing and Availability
The EF 70-300mm f/4-5.6L IS USM is available from October priced £1599.99 / ¤1909.99 RRP inc VAT
Previously leaked on several sites around the internet, Canon has today officially announced the 18-megapixel APS-C format EOS 60D. Body only price is £1100 / 1300 Euros inc Tax, and it will be available from October.
Press release:
Control, power, creativity – Canon empowers photographers to take the next step with the new EOS 60D
United Kingdom, Republic of Ireland; 26th August 2010 - Canon today announces the latest addition to its world-famous EOS series of Digital SLR (DSLR) cameras – the new EOS 60D. Replacing the EOS 50D, the EOS 60D is designed for photographers who want to take their skills to the next level, offering high performance, a series of creative features, a Vari-angle LCD screen and enhanced ergonomics – empowering photography enthusiasts to capture outstanding stills and Full High Definition (HD) video for unique, creative results.
High speed, high resolution
With an 18 Megapixel APS-C sensor, the EOS 60D offers high levels of detail and a magnification of 1.6x the focal length of the lens to capture poster-size images in a variety of aspect ratios (1:1, 16:9, 4:3 in addition to the standard 3:2 dimension). Canon’s powerful DIGIC 4 technology rapidly processes image information captured from the CMOS sensor’s four-channel output, providing outstanding colour reproduction, as well as high-speed shooting at 5.3fps in bursts of 58 full-resolution JPEGs.
A standard ISO range of 100-6400 is extendable to 12800, providing smooth images with minimal noise in low light conditions. A 9-point, all cross-type autofocus (AF) system also provides swift and accurate focusing, with an extra-sensitive centre point for lenses faster than f/2.8, allowing photographers to artistically employ a shallow depth of field during portraiture or for more atmospheric shooting.
The EOS 60D features Canon’s iFCL metering system, first introduced with the acclaimed EOS 7D, with a 63-zone Dual-Layer sensor. Information on subject location is gathered from the Auto Focus system, and is combined with colour and luminance readings for consistent accurate exposures whatever the situation. The Integrated Speedlite transmitter also provides in-camera control of multiple EX flash units for more creative lighting.
Shoot from all angles
A new 7.7cm (3.0”) Vari-angle wide LCD monitor features a 3:2 aspect ratio and a 1,040k dot resolution, providing added flexibility and allowing photographers to view their images in incredible detail. The Vari-angle wide LCD helps frame shots from difficult angles, and can be positioned with Live View enabled to achieve the desired composition if shooting isn’t possible using the viewfinder. The ability to capture wildlife portraits, overhead shots or ground-level photography is instantly enhanced, and the surface of the screen features an anti-reflective, water-repellent coating to protect the screen allows easy viewing in bright light and from a variety of angles.
Empowering creativity
A new Basic + function makes it easy for photographers to add their own creative touch to images without worrying about changing settings. Photographers can add ambiance to a scene by shooting according to lighting and scene type, with Portrait, Landscape, Close-Up, Sport, Night Snapshot or Creative AUTO modes all available. Different effects can be achieved by shooting with Basic + enhancements such as Daylight, Cloudy or Sunset or pre-set Picture Styles including Vivid, Soft, Warm or Monochrome.
Designed to provide power for those who wish to extend their creative vision, the EOS 60D features a host of new functions that help capture better images and in-camera effects to add an extra dimension. The powerful DIGIC 4 processor supports in-camera RAW image processing, allowing photographers to edit settings such as brightness, contrast, white balance or correct distortion or chromatic aberration. The edited image can then be resaved as a JPEG, ready to be printed or uploaded to a PC or the web.
For photographers who want to add post-production effects to their images without the need for expensive software, the EOS 60D also features a range of new creative filters that can be applied in-camera. Filters including Grainy B/W, Soft Focus, Toy Camera Effect and Miniature Effect provide images with a different feel, allowing photographers to create a themed collection - using Grainy B/W to give images a reportage style, for example – or easily smooth skin tone in portraits with Soft Focus.
EOS Movies: Full HD video with complete control
Offering photographers the freedom to go beyond stills, the EOS 60D captures 1920x1080p HD video with a variety of user-selectable frame rates, including 30, 25 and 24fps, as well as 720p video at 60 and 50fps. Movie Crop mode is also available, recording with the central 640x480 pixel area of the sensor to create an effective magnification of approximately seven times the focal length of the lens.
Full manual control in Movie mode allows photographers to employ their own exposure and focus settings and take advantage of the effects achieved from Canon’s wide range of EF lenses. An external stereo microphone terminal and the ability to adjust sound recording level ensures the audio track recorded matches the visual quality of the video, capturing broadcast-quality sound.
For those who want to share images with friends and family, an integrated HDMI port is compatible with Consumer Electronics Control (HDMI-CEC), allowing video and images to be viewed on any compatible HD-ready TV and controlled via the TV remote.
Designed for flexibility
The EOS 60D features a completely redesigned body, combining an ergonomically enhanced, curved shape with a new button layout to make it quick and comfortable for photographers to change settings. Frequently used camera controls are grouped together for easy access, while the Quick Control Dial, Multi-controller and SET button have all been merged into one Multi Control Dial, enabling photographers to operate menus and enter settings quickly using their thumb. The mode dial also features a lock button, preventing unintentional changes to settings mid-shoot.
A dedicated Quick Control access button allows photographers to instantly reach the most common shooting settings and playback controls. Customising the functions of a number of buttons is also possible, allowing photographers to tailor the camera to suit their individual needs. To help achieve landscapes with perfectly level horizons, a horizontal Electronic Level can be displayed in the viewfinder or in Live View to assist composition and remove any potential need for post-production correction.
The EOS 60D is one of the latest Canon models to support high-capacity SDXC memory cards, providing up to 2TB of available space, allowing photographers to keep shooting HD video and full resolution RAW and JPEG stills without changing cards. For better management of larger image libraries on the camera, EOS 60D photographers can add a rating of 1 to 5 to their favourite images, allowing them to be easily located and viewed on-screen. Once transferred from the camera to a PC, the tags can also be viewed using a number of image editing and management programs, including Canon’s DPP software.
Share the moment
For photographers who want to transfer content wirelessly, the EOS 60D includes Eye-Fi connected functions. The EOS 60D features a dedicated Eye-Fi section in the User Interface allowing WiFi functionality to be turned off when not required to save battery life
EOS 60D features at a glance:
18 MP APS-C CMOS sensor
Advanced creative features with Basic +
Vari-angle 7.7cm (3.0”) 3:2 ratio LCD
Full HD movies with manual control
DIGIC 4
ISO 100-6400, H:12800
5.3fps shooting for up to 58 JPEGs
9-point cross type AF System
iFCL metering with 63-zone Dual-layer Sensor
Integrated Speedlite transmitter
In-camera RAW processing
Pricing and Availability
The EOS 60D body only is available from October priced £1099.99 / ¤1309.99 RRP inc VAT
The EOS 60D EF-S 18-55mm f/3.5-5.6 IS is available from October priced £1199.99 / ¤1429.99 RRP inc VAT
The EOS 60D EF-S 18-135mm f/3.5-5.6 IS is available from October priced £1399.99 / ¤1669.99 RRP inc VAT
The EOS 60D EF-S 17-55mm f/2.8 IS USM is available from October priced £1999.99 / ¤2379.99 RRP inc VAT
The EOS 60D EF-S 17-85mm f/4-5.6 IS USM is available from October priced £1449.99 / ¤1789.99 RRP inc VAT
Press release
OBERKOCHEN/Germany, 24.08.2010.
This year’s visitors to the Carl Zeiss booth at photokina will be able to touch, test and even walk through high-quality lenses. The optical experts want to make an encounter with the world of Carl Zeiss something to remember.
“We will present new lenses and, for the first time, accessories at photokina. You'll have to be a bit more patient to find out exactly what we have in store," announces Martin Klottig, Marketing Manager of the Camera Lens Division at Carl Zeiss AG. Twice as large as its predecessor in 2008, the "application island" at the booth in Hall 2.1 will allow visitors to test the entire line of Carl Zeiss lenses. Using a number of real subjects, photographers and anyone else interested will have the opportunity to try our various focal lengths and settings. In addition to the entirely new ZEISS lenses, guests will also be able to use Sony lenses featuring Carl Zeiss technology and the coveted Compact Prime CP.2 lenses on HDSLR cameras for video recording.
The walk-through lens introduced in 2008, invites this year’s visitors to experience the 120-year history of lenses at Carl Zeiss. It shows how Carl Zeiss has accompanied photography from one era to the next and how developments of the past have laid the foundation for the future. The high-performance Tessar lenses, for example, have been around since 1902. These pioneering, compact designs are used in a miniaturized form in high-end Nokia mobile phones.
Our partner Nokia will also present its latest smart phones at our booth, and demonstrate how compact, creative and high-quality mobile photography with Carl Zeiss works.
is the one to go for between the two, and if Sony update the Carl Zeiss DT16-80 f/3.5-4.5
(shown on the Alpha 33) with a SSM internal AF motor, I will have to fight hard to resist. Times are a changin'.
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