Tuesday, 18 August 2009

Leica confirm Europe specification of S2 system





Following the US press-release on Friday last, Leica UK has announced the full-specification of the forthcoming Leica S2 camera body and system. The camera is expected to be available in October.

Leica UK Press release:

The LEICA S2: In a class of its own


18 August 2009: Following the announcement of the availability and pricing of its new S-System last month, Leica has now revealed the full specifications of the camera and lens system. This ground-breaking new product will set the standard in professional digital photography.

A perfect synthesis
The LEICA S2’s excellence is based not only on its high-resolution image sensor but also the unique S format and full range of features, such as autofocus, high-speed MAESTRO image processor, highly durable design and optimal size and ease-of-use for the professional photographer. The S2 achieves a perfect combination of the highest image quality in a camera with unrivalled ease-of-use. It breaks new ground in every way, ensuring that photographers will enjoy perfect results from a camera that is truly easy to handle. The Leica S-System is the only professional camera system to make a clean break from legacy categories such as the 35mm or medium format and was developed solely for the digital domain. This means the LEICA S2 has established its own format focused primarily on ease-of-use and optimal image quality - the Leica S format. This format pioneers the optimal quality of all components and embodies easy handling, giving photographers the creative scope they require. The decisive advantage of the LEICA S2 is in the sum of its features: flexibility, durability and easy operation combined with industry-leading resolution and image quality. The S2 outperforms other camera systems in the medium-format category, setting a completely new standard for quality.



A unique image sensor design for unparalleled quality
The S2’s image sensor was developed especially for the S system by Kodak. With a resolution of 37.5 megapixels, the 30 x 45mm CCD sensor features an aspect ratio of 3:2 and an area nearly 60% larger than that of a traditional 35mm camera, resulting in stunning image quality. In the interest of preserving image sharpness, the camera dispenses with the standard low-pass filter. Instead, Moiré effects are detected and eliminated by the camera's internal signal processing, thus taking full advantage of the system's high-resolution lenses. A special micro-lens pattern allows complete capture of angled light rays on the image periphery for optimal use of available light. With a sensitivity of up to ISO 1250, low-noise images can be captured under limited lighting conditions.

Compact design and familiar feel
The LEICA S2 has the look and feel of traditional 35mm SLR cameras, preserving the handling qualities that have long been appreciated by professional photographers. The integration of electronic components and the very latest design methods have made the S2 remarkably smaller than other medium-format cameras. The number of controls has been kept to a bare minimum without limiting the camera’s many features and options. Operation of the S2 becomes intuitive after minimal operation of the camera. The result is a finely balanced camera with a comfortable weight that allows photographers to work spontaneously.

The size and weight are far lower than comparable medium-format systems in a camera that features a high-resolution CCD and high-speed operation. The LEICA S2 is not only the right choice for the studio, but also for working on location and capturing images without the use of a tripod.




Faster results with a high-speed system
The S2’s high-speed MAESTRO image processor chip and additional camera control processor deliver exceptional processing power. Fast signal processing by the MAESTRO chip allows up to 1.5 images per second at maximum resolution. The powerful MAESTRO dual processor allows high-quality JPEG files to be created in the camera – the only medium-format camera to have this feature. The LEICA S2 has slots for both Compact Flash and SD, with an option for saving RAW format Adobe DNG data onto Compact Flash and JPEG to the SD card, simultaneously. This allows for easy image viewing on the camera while streamlining post-processing. Using Adobe DNG for raw imaging data gives photographers the ultimate flexibility because this open-source data format is supported by almost all major graphic-editing and workflow solutions. Leica supplies the universal Adobe Lightroom workflow solution as part of the camera’s equipment. Leica’s proprietary Image Shuttle software allows all the S2 features to be controlled remotely from a computer, and image files are written directly onto the hard drive for immediate processing. An HDMI interface allows images to be presented and checked directly on monitors, television screens and projectors.

Reference-class lenses
The highest priority during development of the Leica S lenses was image quality. Their sophisticated design features special grades of glass and aspherical surfaces rarely found in optics of this size. In addition, lenses manufactured to extremely narrow tolerances, with each lens centered by hand, guarantees superior quality and optical performance. The maximum performance of each lens is available even at full aperture setting, or when shooting from a distance or capturing close-up images. Vignetting, distortion and chromatic aberrations have been reduced to the point of imperceptibility, eliminating the need for quality-degrading image corrections and simplifying digital post-processing considerably. The newly developed S-bayonet mount ensures rapid and precise digital exchange of data and commands between the camera and lens.

Four S series lenses will be launched for the key focal lengths by the end of 2009, including the classic LEICA SUMMARIT-S 70mm F/2.5 ASPH and the LEICA APO-TELE-ELMAR-S F/180mm telephoto lens. The LEICA APO-MACRO-SUMMARIT-S 120mm F/2.5, the solution for close-ups and portraits, and the wide-angle LEICA SUMMARIT-S 35mm F/2.5 ASPH are set to follow in late 2009. By multiplying the listed focal distances by 0.8, the user is given a comparison to corresponding 35mm-format lenses. A selection of the S lenses will also be available in a CS variant with an integrated focal-plane shutter. Leica is planning to prioritise the expansion of its range of S lenses in the near future.

Dual shutter system
The LEICA S2 allows photographers to choose the shutter system that best matches the task at hand. The S2 is equipped with a metal focal-plane shutter with the fastest shutter speed of 1/4000 of a second and a flash synch time of 1/125 of a second. Lenses of key focal lengths will be available in the future with integrated leaf shutters designed by Leica engineers that photographers can activate via the camera’s main switch. The integrated leaf shutter allows flash units to be used at the fastest shutter speed of 1/500 of a second, giving photographers more options for suppressing unwanted ambient light. Several patents are pending for the Leica leaf shutter, which features an electronically-controlled drive guaranteeing reliable, fast exposure times and low energy consumption.

Precise, high-speed autofocus
The autofocus developed by Leica for the S2 is based on a centrally positioned cross-hair sensor for high precision focusing. Each S lens has its own Leica-designed microprocessor for precise autofocus and iris diaphragm control. The integrated focusing drive is a proprietary Leica design that features silent gearing. All S lenses have a generous focus ring with just the right amount of drag, letting the photographer override the autofocus at any time.

Rugged, durable design
The camera’s body is made of robust die-cast magnesium with a leather-grain finish for maximum grip. The S2 and all S lenses are extensively weatherproofed and can withstand exposure to rain and dust, and the USB and remote control ports feature rugged bayonet locks with strain relief. The S2 can also be supplied with a highly scratch-resistant LEICA S2-P sapphire glass display cover for the most extreme and demanding conditions.

Authorised sales and service network
The LEICA S2 is only sold through authorised dealers who also offer access to specialised support as part of the extended S-System service package. The S-System will have its own customer care team with a dedicated helpline, making immediate service accessible for any questions that may arise. Professional photographers who demand absolute reliability from their camera systems can choose from additional service package upgrades to enhance the standard warranty coverage. The Platinum service package includes free maintenance in addition to offering loan equipment for the duration of the service work. More information can be found in the service package information below.

Pricing and availability
From October 2009, LEICA S2 will be available at an SRP of £15,996 from selected authorised dealers. At £19,092, the LEICA S2-P with sapphire display includes the Platinum service package.

The LEICA SUMMARIT-S 70 mm f/2.5 ASPH. at £3,096 and the LEICA APO-TELE-ELMAR-S 180 mm f/3.5 for £4,541 will also be available when the S2 is launched. The LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5, also priced at £4,541, and the LEICA SUMMARIT-S 35 mm f/2.5 ASPH., priced at £3,612, will reach the market in late 2009.

The CS variant models of the S lenses will be introduced successively over time. The first CS models to reach dealers will be the LEICA SUMMARIT-S 70 mm f/2.5 ASPH. CS (£4,025), the LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5 CS and the LEICA APO-TELE-ELMAR-S 180 mm f/3,5 CS (the macro and telephoto priced at £5,160 each).

The LEICA SUMMARIT-S 35 mm f/2.5 ASPH. CS will follow for £4,231. Accessories for the S2 will also be available at launch, including the professional S charging unit that recharges two batteries simultaneously (£258) as well as various components such as alternative viewfinder screens. Specialist dealers will also offer accessories such as lens caps, cable releases and the LEICA SF 58 flash unit. An S all-purpose grip will be available in early 2010 for £851. Prices include VAT.


Technical data LEICA S2 / LEICA S2-P

Camera type: Digital single-lens reflex camera for use with Leica S lenses
Image sensor: low-noise Kodak CCD sensor. Resolution: 37.5 megapixels (7,500 x 5,000).
Size: 45 x 30mm, pixel spacing: 6µm. Aspect ratio: 3:2.
Dynamic range: 12 stops, colour depth: 16 bits per pixel, low-pass filter: none (Moiré detection and suppression using digital signal processing)
Sensitivity range: ISO 80 to 1250 (manual or automatic control)
Data storage (format): DNG (approx. 75 MB per image), JPEG (basic or fine),
Memory cards: CompactFlash (up to 64 GB), SD cards (HC)
Maximum frame rate: 1.5 images/s, buffer memory: 1 GB (for a minimum sequence of 8 images in DNG format)
Control monitor: 3-inch TFT with 460,000 pixels, 16 million colours, cover glass: highly abrasion and scratch resistant sapphire glass (only with the LEICA S2-P)
Connections: High-speed USB 2.0 (robust connection with strain-relief, cable included), HDMI, remote release, X sync, SCA3002
Exposure metering: Multi-field metering (5 fields), centre-weighted integral metering, spot metering (3.5%)
Exposure control: Program mode (with Shift function), shutter priority, aperture priority, manual metering
Shutter: Metal focal-plane shutter integrated in body: 1/4000 s to 32 s (B to 120 s), flash sync time: 1/125 s, optional leaf shutter in selected lenses: 1/500 s to 32 s, flash synch time: All speeds
Flash operation: Metering method: TTL (multi-field, center-weighted, spot), TTL-HSS rapid synchronisation up to 1/4000 s with focal plane shutter, Compatibility: fully compatible with LEICA SF 58 and devices with SCA3002 adapters
Auto Focus: Central crosshair sensor, focusing drive in lens
Operating Modes: AF Continuous, AF Single, MF, MF Override
Viewfinder: High eye-point pentaprism viewfinder
Magnification: 0.86x, viewfinder field: 96%, dioptre compensation -3 to +1,
focusing screen: Matte with cross-hairs (interchangeable)
Power supply: Li-Ion battery (7.4 V, 2150 mAh)
Housing: Die-cast magnesium, size (without lens):
160 x 120 x 80 mm, weight: 1410 g (including battery), resistant to dust and dripping/splashing water
Scope of supply Software: Adobe Lightroom, Leica Image Shuttle, one battery, charging unit, USB cable


Technical data LEICA SUMMARIT-S 35 mm f/2.5 ASPH. (CS)

Lenses/groups: 11/9 (2 aspherical surfaces)
Optical design: Rear group focusing
Image angle (diagonal,
horizontal, vertical): approx. 75°, 65°, 46°, approx. corresponds to 28 mm
in 35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.55 m
Largest image scale: 1:11
Filter thread size: 82 mm
Dimensions
(diameter/length): 88 mm/122 mm
Weight: 930 g (CS: 1080 g)


Technical data LEICA SUMMARIT-S 70 mm f/2.5 ASPH. (CS)

Lenses/groups: 8/6 + 1 protective filter (1 aspherical surface)
Optical design: Floating element focusing*
Image angle (diagonal,
horizontal, vertical): approx. 42°, 35,5°, 24°, approx. corresponds to 56 mm
in 35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.5 m
Largest image scale: 1:4.7
Filter thread size: 82 mm
Dimensions
(diameter/length): 90 mm/93 mm
Weight: 740 g (CS: 890 g)

*during focusing the relative position of two lens elements changes compared to the rest of the optical system


Technical data LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5 (CS)

Lenses/groups: 9/7
Optical design: Floating element focusing*
Image angle (diagonal,
horizontal, vertical): approx. 25°, 21°, 14°, approx. corresponds to 96 mm in
35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.57 m
Largest image scale: 1:2
Filter thread size: 72 mm
Dimensions
(diameter/length): 91 mm/128 mm
Weight: 1135 g (CS: 1285 g)

*during focusing the relative position of two lens elements changes compared to the rest of the optical system

Technical data LEICA APO-TELE-ELMAR-S 180 mm f/3.5 (CS)

Lenses/groups: 9/7
Optical design: Internal focusing
Image angle (diagonal,
horizontal, vertical): approx. 17°, 14°, 9.5°, approx. corresponds to 144 mm
in 35 mm-format
Aperture range: 3.5 to 32
Shortest distance: 1.5 m
Largest image scale: 1:7
Filter thread size: 72 mm
Dimensions
(diameter/length): 88 mm/151 mm
Weight: 1150 g (CS: 1300 g )

Overview of service packages for LEICA S2 body and S2 lenses


Service package/ Warranty Premium package Platinum package
Type of service


Validity (validity always
commences with date
of purchasing S product): 12-months 24 months 24 months

1-year extension: no yes yes

Dedicated Leica
service helpline: yes yes yes

Product replacement within the first 3 months after purchase of new product:

no yes yes
Replacement parts
stocked 6 years: yes yes yes

30% repair discount: no yes yes


Replacement unit free of charge for duration of repair (24 hrs):

no no yes
Free maintenance (including one shutter replacement):

no no yes


Saturday, 15 August 2009

Shriro announce Masters of Photography




Shriro HK, the Hasselblad importer for the Far East, has announced the Masters of Photography Exhibition Series in Hong Kong will be held over 22nd-30th August 2009. See here for more details.

Sponsored by HP, SanDisk, Broncolor and Hahnemühle, the exhibition will also be shown in Copenhagen, New York and London. The dates and venues have yet to be confirmed.


Monday, 10 August 2009

Mamiya announce three new digital backs




Mamiya has today announced three new digital backs; the M18, M22 and M31, with resolutions of 18-22-and-31 megapixels, respectively. Mamiya has also announced the backs will be fully compatible with the forthcoming 645DF, showcased at the 2009 Tokyo Photo Imaging Expo.


Read the press-release (below).


Mamiya Digital Imaging Co., Ltd
Marketing Department

August 10th 2009
Mamiya Announce New M series digital backs
M18, M22 and M31
On sale now

Mamiya Digital Imaging is proud to announce our new M series digital backs, consisting of three new models: the M18, M22 and M31, the latest additions to our digital line-up.

The M series digital backs have all been designed for compatibility with Mamiya’s 645AFDIII, as well as the soon-to-be-released 645DF, which was recently show-cased at the 2009 Tokyo Photo Expo. Through use of the specifically designed digital back adapter HX701, the backs can also be attached to our famed RZ Pro IID.

The M18 has a resolution of 18 megapixels and a CCD size of 44.2 x 33.1mm.
The M22 has a resolution of 22.1 megapixels and a CCD size of 48.9 x 36.7mm while the M31 has a resolution of 31.6 megapixels and a CCD size of 44.2 x 33.1mm. These large sized CCDs make the digital backs ideal for medium format photography. Each digital back can be purchased separately or in a system kit with the Mamiya 645AFDIIIcamera and Sekor 80mm F2.8 D lens. The M series backs are the quintessential tool for commercial photographers and studios, covering portraiture and on location work.

M18: The new Mamiya M18 digital back features one of the fastest capture rates of any medium format system, up to 72 frames per minute sustained depending on camera settings and storage medium. The highly versatile M18 combines easily manageable file sizes with full 16-bit capture and 12 stops of dynamic range, producing images of extraordinary quality which no DSLR can equal. With an ISO range from 100 to 800, and exposure times up to one-hour duration with Xpose+ technology, the M18 is one of the most versatile digital backs available today.

M22: The M22 digital back features a nearly full-frame 22MP CCD producing images of breathtaking clarity and sharpness with virtually negligible effect on lens focal length. With an ISO range from 50 to 800, 16-bit capture, 12 stops of dynamic range and exposure times up to one-hour duration with Xpose+ technology, the M22 is ideally suited to commercial photography both on the AFD III or when mounted on a view camera.

M31: The new M31 digital back combines high resolution captures of 31MP with fast shooting speed of up to 45 frames per minute sustained. Perfect for fashion or field photography, the M31 has high ISO capability up to 1600, 12 stops of dynamic range and exposure times up to one-hour duration with Xpose+ technology. With powerful moiré control, the M31 is ideally suited to fashion and portrait photography, whilst the high resolution 31MP captures make it the ideal back for commercial applications also.


Bundled Goods for the Mamiya Digital Back M

Mamiya Digital Back M/ hard carry case/ rear body cover/ battery charger/ AC adapter for use with battery charger/ car use cigarette lighter battery charger/ international socket plug set for battery charger (5pcs)/ battery/ IEEE 1394 cable (4.5m)/ IEEE 1394 interface exchange adapter (400-800)/ CCD sensor cleaning kit/ focusing screen/ USB stick (containing user guide)/ Capture One 4DB (development software)


Bundled Goods for the Mamiya Digital Back M System Kit

Mamiya Digital Back M/645AFDIIIcamera body/ Sekor AF 80mm F2.8 D lens/ camera body front cover/ rear cover/ lens front cap/ lens rear cap/ lens hood/ AA batteries (6pcs)/ camera strap/ hard carry case/ rear body cover/ battery charger/ AC adapter for use with battery charger/ car use cigarette lighter battery charger/ international socket plug set for battery charger (5pcs)/ battery/ IEEE 1394 cable (4.5m)/ IEEE 1394 interface exchange adapter (400-800)/ CCD sensor cleaning kit/ focusing screen/ USB stick (containing user guide)/ Capture One 4DB (development software).



M18 M22 M31
Resolution 18 megapixels 4904x3678 pixels 22.1 megapixels @5436x4080 pixels 31.6 megapixels @6496x4872 pixels
CCD size 44.2x33.1mm 48.9x36.7mm 44.2x33.1mm
Pixel size 9_9 microns 9_9 microns 6.8_6.8 microns
ISO range 100-800 50-800 100-1600
Micro lenses on Pixels Yes No Yes
Exposure Time From 1/10,000 sec. to 1hour
Live Preview Mode Full Color with 1.5 to 3 frames transferred per second
Capture Rate 0.8 sec. per frame 1.5 sec. per frame 1.25 sec. per frame
File size IIQ S @approx. 13MB
IIQ L @approx. 20MB IIQ S @approx. 17MB
IIQ L @approx. 25MB IIQ S @approx. 22MB
IIQ L @approx. 35MB
Battery Lifetime 4 hours/5,000 shots 4hours/4,000 shots 4 hours/3,000 shots
Compatible cameras 645DF/ 645AFD
RZ Pro 67†Di with separately sold digital adapter HX701
All view cameras with Phase One FlexAdapter
LCD 230,000 pixels/ 2.2 inch display


Mamiya Digital products are exclusively distributed in the UK by Johnsons Photopia.

Sunday, 9 August 2009

Sony to launch A850 at IFA?



Well this weblog is fast becoming a rumor site, more's the pity. Still, as there's an instruction manual floating around the web for the Sony A850, and, having seen it, I would say appears to be genuine. With this year's Internationale Funkausstellung (IFA), the world's largest Consumer Electronics trade show, not that far off (from 4th to 9th September) in Berlin, I reckon we'll see it launched there.



The overall spec and looks are close to the original A900, but offers 3fps shooting and lacks the close to 100-percent viewfinder accuracy (see above). This should make the A850 considerably cheaper. Along with economies of scale, I would say the A850 body is likely to have a street price of around £1500 or $2000 in the US, maybe even less. Anyone remember what we said here? Expect Canon to follow suit.

I can honestly say I wouldn't be surprised to see the day when APS-C will be relegated to digital compacts. It's a marketing strategy that will eventually marginalize those camera makers who can't follow. Pretty much a repeat of what happened in the late 1980's and early 1990's when Pentax and Olympus practically left SLRs to Nikon and Canon, and produced some excellent compacts instead.

As things stand now, that looks like Panasonic and Olympus to me, unfortunately. Pentax could possibly reverse the trend, as Nikon are desperately trying to do right now, without alienating their APS-C customer base. Call it sitting on the fence, but it's happening.

Not that I want that to happen you understand, I like them all. I have no preference. There are models that I like over others for sure, but I like cameras and lenses, not brands. That said, there are some brands that repeatedly get it right. Nikon did this better than anyone else, till the introduction of their AF lens range in the mid 1980's.

What was their tie up with Minolta at the time? Can anyone tell me? Those people I've asked that do know, won't tell me.

In case you're not entirely familiar, the Nikon lens AF lens range was almost a carbon copy of the Minolta AF lens range introduced in 1984. It wasn't just the AF mechanism that was identical, many of the lens designs including optical formulae bore more than a passing resemblance. It was for this reason, and the obvious fact the Canon EOS AF telephoto lenses focused faster, that Nikon lost a lot its credibility.

Certainly, Minolta and Nikon were either of the same keiretsu or closely related in someway (take a look here for a better understanding), but diametrically opposed to the Fuyo keiretsu, of which Canon was and still is a member.

Further back in time, Nikon was part of the Mitsubishi zaibatsu, one of the four major conglomerates in Japan up to the end of WWII and are still a core member today. Sony is outside of any keiretsu, so we have strong competition between Sony, Canon and Nikon.

Thursday, 6 August 2009

Panasonic close to launching GF1 with Leica micro Four Thirds lenses too?




According to this well-known Chinese forum, Panasonic are close to announcing their own version of the Olympus Pen E-P1. Dubbed the GF1, the mFT camera looks a lot like the firm's high-end LX3 digital compact.

Not much can be gleaned from the site or from the photos except for the lack of an EVF but it looks like it has a pop-up, built-in flash, and note the addition of the HD moniker on the front plate and the AVCHD Lite logo, which identifies the GF1 as recording 720p video.

Also interesting are the two lenses; they show a Leica-branded Macro Elmarit 45mm /2.8 (90mm-e f/2.8), seemingly confirming the rumor that Leica are about to introduce mFT lenses. The other, a 20mm (40mm-e) f/2.8? could be a Leica objective, but is more likely to be Lumix (Panasonic) branded.



Please feel free to make comments. Do you think this is fake? The Leica 45mm (90m-e) macro, for instance, could be faked. The Forum shows a Lumix version, so maybe the lens is real (for the GH1) but the body has been faked using the LX3 as a guide. Let me know what you think. Panasonic has seen this, and they've not come back to me, as yet, with any comments. If it were fake, they would say, wouldn't they?

Tuesday, 4 August 2009

Nikon announce new site for Coolpix cameras



After the announcement of the new S1000pj and several other compacts this morning, Nikon has a new site detailing the complete range. It seems from this the high-end P6000 is no longer in the line-up.



PocketWizard announce UK pricing and availability of MiniTT1 & FlexTT5 ControlTL™



Announced earlier in the year, the new innovative MiniTT1 & FlexTT5 ControlTL™ System from flash-trigger specialists PocketWizard is available now in the UK.


Press release:

JP Distribution is pleased to announce the new MiniTT1 & FlexTT5 ControlTL™ System from PocketWizard

Professional photographers worldwide have depended on PocketWizard wireless triggering systems for reliable performance, advanced features and the greatest operating range. For over two decades they have triggered their flash units and cameras wirelessly, capturing images that would have been impossible to make without PocketWizard.

Since the first introduction of PocketWizard, professional photographers have demanded a TTL (Through-The-Lens) flash controlled PocketWizard system. Now, with rapid development of digital technology, PocketWizard responds with a simple solution for off-camera TTL flash without limitations or complexity.

PocketWizard has made it possible with “Slide-n-Shoot” simplicity by utilizing their new ControlTL™ system featuring the MiniTT1™ Transmitter and FlexTT5™ Transceiver dedicated for Canon camera/flash systems (Nikon i-TTL international version due early 2010). These new E-TTL II and i-TTL (Canon/Nikon flash systems) enabled PocketWizard wireless radios provide effortless off-camera flash photography.

MiniTT1 Canon SRP £209.99 Inc VAT
FlexTT5 Canon SRP £229.99 Inc VAT.

Nikon takes wraps off Coolpix S1000pj with built-in projector



Nikon has launched the world's first digital compact camera with a built-in video projector. Called the Coolpix S1000pj, the camera boasts not only a 12.1 megapixel sensor, 2.7-in (230k dot) LCD and a 5x optical zoom lens (28-140mm f/3.9-5.8 equivalent) but also can project images from 5-to-40-inches in size (depending on ambient lighting).

Nikon press release:

NIKON REVEALS WORLD’S FIRST PROJECTOR CAMERA

RRP: £399.99 / €485.00
Sales start date: September 09

Nikon UK today announces the introduction of the world’s first camera with an integrated projector, as part of its new autumn/winter COOLPIX range. The ground-breaking COOLPIX S1000pj is expected to shake up the compact digital camera market and revolutionise the way we share images and videos, using personal projection.

The COOLPIX S1000pj doesn’t just pack a punch with its projector – the compact camera delivers high resolution images with 12.1 effective megapixels and a 2.7” wide viewing-angle TFT LCD monitor. With a high ISO 6400 sensitivity and using Nikon’s exclusive image processing concept, EXPEED, the camera offers the kind of high quality images you expect from Nikon. This is all wrapped up in a sleek casing that contains a wide-angle 5x zoom NIKKOR lens.

Mark Pekelharing, Product Line Manager Consumer Products at Nikon Europe B.V: “The launch of our unique COOLPIX projector camera is exciting for gadget and photo lovers everywhere – and another first for Nikon with a compact digital camera that can project images. People can’t help but be blown away by such a beautifully crafted device. It’s packed with everything you need to take amazing photos so easily as well as to show your pictures; a great screen and amazing projector. Sharing photos and videos has never been so easy – or so fun.”

One touch projection
If you’ve ever wanted to share your photos or videos at a party or relive a day’s memories while on your travels, then now you can with one-touch projection on the COOLPIX S1000pj. The built-in projector easily projects an image size from approximately 5 inches up to 40 inches[1]. A supplied remote control means that you can wirelessly operate both the projector and usual camera functions, and a simple projection stand is supplied for optimal viewing wherever you are.

Getting the shot you imagine
The COOLPIX S1000pj features Scene Auto Selector mode, whereby the camera automatically selects the appropriate scene mode based on the contents of your shot, allowing picture perfect images at the touch of a button. In addition, five functions to reduce image blur and the Smart Portrait System ensure you get those ‘red carpet smiles’ every time. An additional feature enables users to ‘airbrush’ someone’s face using the Skin Softening function to reduce the appearance of blemishes. Together with face tracking and anti-shake functionality, the COOLPIX S1000pj helps you to get the shot you envisaged without any hassle.

my Picturetown
You can now store your images safely and securely using Nikon’s my Picturetown, a free online digital photo storage and sharing service. Easily share photo memories with friends and organise precious memories into online collections. You get 2GB of space free to use for storing thousands of memories and you can upgrade your membership to Gold Account at any time if you need to store more pictures.

*Availability dates can vary from region to region. Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2009 ©2009 Nikon Corporation.

ENDS

Thursday, 30 July 2009

Nikon make D3000 and D300s a reality


After months of rumor and speculation, Nikon has today officially released the entry-level D3000 and D300s. Announced alongside are two lenses, both updates to existing models; the long-rumored AF-S 70-200mm f/2.8G VRII, and the AF-S 18-200mm f/3.5-5.6G VR II.

Despite a ground swell calling for the company to release new primes, no fixed focal length lenses were announced at this time.

Nikon UK press release:

NIKON GUIDES THE WAY WITH THE LAUNCH OF THE D3000
The DSLR made simple

RRP
D3000 body only: £429.99 /€522.00
D3000 + 18-55mm VR: £499.99 / €607.00
Sales start date: 28th August 2009

Nikon UK is pleased to announce its simplest, most accessible DSLR to date, the D3000. The new model is packed with user friendly, intuitive features which have been designed to guide DSLR first timers towards capturing professional looking images at the click of a button.

Jordi Brinkman, Product Manager for Nikon Europe says: “The D3000 dispels the view that DSLR cameras are complicated and makes taking great pictures simpler than ever before. You can really concentrate on having fun with photography and the Guide mode helps you to get the best results with the minimum of fuss.”

DSLR, pure and simple
The D3000 is designed for anyone who wants to take pictures without worrying about settings. You can select the type of subject or scene and the camera will do the rest, ensuring the correct parameters are set for the perfect shot, and the instant response time means you never miss a moment. The 11-point autofocus system ensures everyone is in focus, and the bright viewfinder means you get what you want, when you want it.

Great pictures, automatically
The 10.2 megapixel sensor, powerful EXPEED processing system and brilliant NIKKOR lenses ensure excellent pictures wherever you are, whatever you or your subject is doing. The comprehensive exposure metering system, ISO 1600 sensitivity and built-in pop up flash make light work of dark places.

Guide the way
The new intelligent Guide mode demystifies the often complex world of digital SLR photography by helping DSLR first timers to get the most from their images by recommending the appropriate settings for their subject or scene. The visual demonstrations help you to pre-visualise the end result and teach you how to improve your photography skills by clearly identifying the settings used to achieve the image. Once you have mastered the basic skills you can take your photography to the next level by testing out the more creative options within the guide mode.

3-inch LCD screen
The 3-inch LCD screen means you can share your efforts with family and friends and makes retouching your pictures in-camera great fun. Beyond the Guide mode, the GUI menus are larger and simpler to use thanks to extensive use of visuals instead of text. The wide variety of exciting in-camera processing effects means you can get really creative with your pictures and share them with friends and family.

Anytime and anywhere
Whatever you do, wherever you go, the D3000 is a must have for any family event or day out. The camera’s comprehensive technologies and tough exterior are ready to handle whatever your free time can throw at it. The exclusive dust reduction system with Airflow control minimises the impact of dust on the image sensor and its compact size and weight – and tough housing – on both body and lens make the D3000 impossible to leave behind.

Key features
10.2megapixel CCD sensor: Even in low light the image resolution makes easy work of big prints and sharp enlargements.
11-point autofocus system: Keeps even the fastest moving subjects in focus, often the biggest challenge for compact cameras
Fast response: The start up time and shutter lag means you can capture the shot almost instantly, without the delayed response time common of compact cameras
Guide mode: Simply the easiest way to get great pictures, without having to read the manual
3-inch TFT: With pictures this good, you will need a great screen to share them with friends and family
EXPEED image processing: Exclusive system to deliver rich, bright results close to what you saw with your own eyes
Picture Controls: Lets you set the look and mood of your images before you shoot
3 fps continuous shooting allows you to capture fast-moving action at 3 frames per second
Intuitive ergonomics: We challenge anyone to pick up a D3000 and it not to feel part of your hand
Stylish discrete appearance: The D3000 does not become a barrier between you and your subject, resulting in natural looking expressions
Compact, light and durable: It won’t fit in your pocket, but with pictures this good you will find a shoulder to hang it on


Leica announce S-system availability and pricing




Leica Camera has today announced pricing and availability of the eagerly-awaited medium-format Leica S2 system. Originally slated for a September release, the first shipment is expected in October, with the S2 camera body retailing at £15,966 inc VAT (at 15-percent)/€18,624 /$22,759. Announced Sept 2008, the 37.5 megapixel Leica S2 DSLR has a 30x45mm sensor (1.5x the size of a 35mm FF sensor) in a highly portable 35mm-sized body.

Leica Camera also announced the S2 will be fully supported by a professional users servicing scheme, the details of which have to still to be confirmed. Jon Sareen, UK commercial manager, Leica S-System, added, "The eagerly-anticipated Leica S-System is a very new and different challenge for Leica Camera Ltd, in comparison to other products in our range. We have engaged new experts, and arrangements regarding leasing and rental facilities are well under way. Service and support will be very hot topics for Leica S-System users, and we can confirm that we are planning a rapid [turnaround] third party UK solution, to work in conjunction with our head office in Germany."

Leica S-System: 2009 range pricing details

LEICA S2 Black £15,996.00 / €18.624 /$22,759
LEICA S2-P Black* £19,092.00 / €22.270 / $27,214
SUMMARIT-S 1:2.5/70 ASPH £3,096.00 / €3.611 / $4,413
SUMMARIT-S 1:2.5/70 ASPH CS £4,025.00 / €4.695/ $5,737
APO-TELE-ELMAR-S 1:3.5/180 £4,541.00 / €5.297 / $ 6,471
APO-TELE-ELMAR-S 1:3.5/180 CS £5,160.00 / €6.019 / $7,355
APO-MACRO-SUMMARIT-S 1:2.5/120 £4,541.00 / €5.297/ $ 6,471
APO-MACRO-SUMMARIT-S 1:2.5/120 CS £5,160.00 / €6.019 / $7,355
SUMMARIT-S 1:2.5/35 ASPH £3,612.00 / €4.213 / $5,148
SUMMARIT-S 1:2.5/35 ASPH CS £4,231.00 / €4,935/ $6,030
Multifunction handgrip S £851.00 / €992 / $1,213
Professional battery charger S £258.00 / €310 / $368

* includes Sapphire Glass monitor screen and S-Body Platinum Service (more details to be announced)
CS = Central Shutter Lens
Prices include VAT at 15%, 30 July 2009
Euro prices - straight GBP conversion (with VAT at 15%)
USD prices - GBP conversion net of tax (ex VAT). Please note, several US sites are quoting substantially higher prices in USD.


Wednesday, 22 July 2009

Canon announce new Hybrid IS system


Canon has today announced the development of a new Hybrid IS (Image Stabilization) system that compensates for both rotational movement (tipping or pitching) as well as linear movement (caused by shaking, or vibration). Existing anti-shake systems reduce blur caused by horizontal and vertical (linear) movement only. Canon say the new Hybrid IS system will be introduced in a DSLR lens sometime before the end of this year.

Canon EF lens range, 2008

My own thoughts are that we'll see this implemented in a new EF 70-200mm f/2.8L first. Alongside the 16-35mm f/2.8, this lens type is by far the most important and widely used among professional photographers and is often showcased by manufacturers. Shortages and rumors of an update have been circulating on this lens for sometime (as have that of the Nikon equivalent, who won't want to be seen to lag too far behind again).

We will then most likely see the systematic updating of every current IS lens, and after starting with the 70-200mm f/2.8 swiftly moving on to the super telephotos: 300mm f/2.8, 400mm f/2.8, 500mm f/4 and 600mm f/4. Most of these lenses are several years old and are due for updating (improved optical formulae, Sub-wavelength Super Spectra Coatings, lighter weight magnesium alloy barrels and possibly improved USMs), the 300mm f/2.8L especially (it's a 10-year old design). I wouldn't expect to see the 200mm f/2 or 800mm f/5.6 updated for the time being.

We may even see the long rumored EF 180mm f/3.5L IS macro and EF 24-70mm f/2.8L IS, if only to stop the banter about Sony's IS system being available with the Carl Zeiss 24-70mm f/2.8 and 16-35mm f/2.8 (it's built-into the A900 and A700 camera bodies). Who knows, the Hybrid system could find its way in a new EF14-35mm f/2.8L and maybe even the way overdue EF 150-600mm f/5.6L or smaller EF 200-400mm f/4L. I doubt it somehow but would certainly like to think so.


Monday, 20 July 2009

Induro C414 tripod review



Serious competition, the Induro C414

Induro C414 $669 / £460 (inc VAT), head extra

SPEC (exc ball-head)

Max Height (column down): 66.8 in (170cm)
Max Height (column up): 77.2 in (196cm)
Min Height: 23.1 in (58cm)
Leg Sections: 4
Closed Length: 25.2 in (64cm)
Weight: 6.2 lbs (2.8kg)
Load capacity: 26.5 lbs (12kg)


Quality 5/5
Features & Design 4/5
Value for Money 5/5
Overall 4.5/5

The Induro C414 is the top-of-the-range model with 4-section legs and column made of carbon fiber while the body casting is magnesium alloy for low weight. Both the tubing and twist lock leg design resemble that of Gitzo, as does the build quality generally. In terms of tubing diameter the legs fall somewhere between the 3 and 5-series carbon fiber Gitzo in size (series 4 is aluminium). It’s very impressive.

Like the pricey rival, the C414 uses the usual three-position lock for adjusting the leg spread, up to a full 80 degrees from closed to nearly horizontal. This allows a good deal of versatility while maintaining excellent rigidity. Also similar is the anti-rotation legs and rubber faced twist-locks for the leg-sections. They’re dust and moisture sealed, but more importantly, they lock off positively and very firmly. There were no accidental slips at any time during the test period. Non-slip rubber feet can be replaced with the supplied steel spikes.


Induro C414 + Markins M20 Q-ball

The C414 has a reversible rapid column with a solid ballast hook, but I had to (almost) over-tighten the clamp to prevent higher than expected rotational play on the column. Due to the inclusion of a rapid (not geared) column the C414 uses a 70mm head plate so it's not really suitable for a head such as the RRS BH-55 (although it fits it looks enormous and out of proportion), but was a fine fit for a mid-sized Markins M20.

You could use a gimble head like the Wimberley Version II, but you would want to make sure the column was retracted and locked off firmly. If I can, I will try posting some sample shots with these heads.

The small pack-down size and reasonable weight make it more suitable for location and landscape work than you might expect. But price is the most likely limiting factor. All the same, if you're looking for a solid tripod, capable of supporting a decent load, then the Induro C414 really should be on your shortlist.

Links:



Induro has kindly featured an excerpt of this concise review on their very informative blog.

UPDATE: Please note the C414 has been replaced by the CT414, with modified leg column locks, and a reduced price of $665.



Olympus Pen advert




While we wait for the Pen to arrive, I thought I would post an advert for it. According to several sites, the original idea can be attributed elsewhere (look for 'Stop motion with wolf and pig'), but it's still neat all the same. Must admit my attention wanes after a minute twenty, but you've got to like it up to there. Catchy tune too, don't you think?

Sunday, 19 July 2009

Olympus E-P1 review coming shortly



Just had an email from Olympus this morning (yes it's Sunday morning here in the UK) to say an E-P1 is coming my way. Another camera to add to the long list of reviews, but the Pen will be with us shortly and we hope to post some comparisons with a Leica M8.2. Check back later in the week.


Saturday, 18 July 2009

Induro tripod reviews coming soon



Induro CX213 + Markins M10



I've been testing some Induro tripods and I'm mightily impressed. The above is the Carbonflex CX213 complete with a Markins M10 Q-ball, RRS plate and Pentax K-7 with 35mm f/2.8 Macro Limited. I hope to post a short review later today, or tomorrow. Also to be reviewed is the top-of-the-range C414.

Update August 01, 2009: The C414 review can be found here.



Pentax K-7 HDR examples


Pentax K-7 + 35mm f/2.8 Macro Limited, HDR capture 'Strong'

With all its exposure mode options, many unique to Pentax (such as Sv, TAv and Hyper Program choices including options for the program lines), the new K-7 is a sweet camera for sure. I was also intrigued by the HDR (High Dynamic Range) option.

Somewhat clumsily selected from the main menu, this feature allows the K-7 to take three successive shots (JPEG only) using either Standard or Strong options and processes them in-camera to deliver a single HDR image.

I've posted some examples and comparisons above and below, and while the results are mixed (the softness is due to some movement in the trees - it was a little windy), the feature is an interesting addition; I've just got to find the right subject for it.


Pentax K-7+ 35mm f/2.8 Macro Limited, HDR capture 'Standard'

Pentax K-7 + 35mm f/2.8 Macro Limited, HDR 'Off' , additional D-range settings off.

Unfortunately, there are a couple of shortcomings using HDR capture. Firstly, as previously mentioned it's only available in JPEG mode (so all the image parameters, including WB are baked in), and you can't use the built-in self-timer, meaning you'll need a remote control.

There's also no built-in eyepiece blind either, so care has to be taken during metering. I haven't timed the in-camera processing, but it's in the region of 30 seconds or so. Oh, and you'll need a tripod too. I can easily recommend the Induro C414.


K-7 HDR 'Strong', converted using Nik Silver Efex Pro plug-in

I got to thinking one of the problems with my examples above was the excessive green (a real problem with our landscape), so I converted the first HDR capture (using the Strong setting) to B&W using Aperture and Nik Silver Efex Pro.

The result is much more worthwhile, I would say.

UPDATED August 01, 2009

Just for sheer devilment, I decided to do some quick HDR processing using a JPEG from the series I took that day. I rather like this one also, and I have a far greater control over the whole creative process.





Julius Shulman passes away, aged 98


Julius Shulman, one of the most influential architectural photographers of the modernist era, has died at the age of 98.

(Taschen) - A resident of Los Angeles since 1920, Julius Shulman documented modernist architecture in Southern California and across the globe for nearly eight decades. His images of Pierre Koenig's Case Study House No. 22 (1960) in Los Angeles and Richard J. Neutra's Kaufmann House (1947) in Palm Springs are among the most recognizable and iconic architectural photographs of the 20th century. Shulman's interest in photography developed into a career when he photographed Neutra's Kun Residence in Los Angeles with his Kodak Vestpocket camera in 1936. Neutra admired young Shulman's images and continued to commission his work. Other leading architects of the time followed suit, as did hundreds of magazines, newspapers, and book publishers. Shulman's numerous awards include the Architectural Photography Medal from the American Institute of Architects (1969), a lifetime achievement award from the International Center of Photography in New York (1998), and honorary doctorates from various academic institutions. He died on July 15 and is survived by his daughter, Judy McKee, and grandson, Timothy, both of Santa Barbara.

"Julius Shulman was one of the greatest photographers and image makers of the the 20th century. Even in a biblical age he was an inspiration for generations of admirers, fans and friends. His house was open for everyone and thousands of pilgrims from all over the world came to see him, the man who created the visual memory of Modernism. He was a generous, kind and caring human being with a memory sharp as the latest generation of computers, recalling every trip he made and every photograph he took. I loved this man and I was blessed to have him as my friend and as a TASCHEN artist."
—Benedikt Taschen



Olympus outs Stylus Tough 6010







Olympus has added a new 12mp Mju model to the range that's claimed to be waterproof (to 10M), freeze-proof and shock-proof. Known as the Mju Tough 6010 in Europe, it's also known as the Stylus Tough 6010 in the USA. This model appears to replace the 10-megapixel Mju/Stylus Tough 6000.

Press release:

The µ TOUGH with Magic Filters

The Olympus µ TOUGH-6010: an action hero

London, 17 July 2009 – From adrenaline packed days to activities with the family, the Olympus µ TOUGH-6010 is ready for action. Whether enjoying a day at the beach or out carving on the slopes, this 12 Megapixel powerhouse is the ultimate companion. Shockproof, waterproof, and freezeproof just like the rest of the µ TOUGH series, it ensures extreme fun. Aspiring artists can even find their fill with a new set of Magic Filters. Featuring a 3.6x wide optical zoom, the µ TOUGH-6010 is of course also packed with the latest in Olympus opto-digital technology. Boasting everything from Dual Image Stabilisation to Tap Control, it was created to ensure photographic peace of mind while enjoying life’s many adventures. Available in a striking choice of colours, the latest µ TOUGH will be available from July 2009 for a retail price of £299.99

Interestingly, none of the Olympus sites appear to be carrying information on the new camera.

Thursday, 16 July 2009

Hasselblad ships HCD 35-90mm f/4-5.6 zoom



Hasselblad has announced the new HCD 35-90mm f/4-5.6 zoom, introduced at Photokina, is now shipping. For more info, including stockists, please follow the link.


New Nikon D300S to be announced shortly?


Source, Nikon Rumors

I don't normally report on scuttlebut*, but the Nikon Rumors site is showing photos of the long-wished for HD video equipped D300s. Guess it won't be long before we'll find out if this and the D3000 are real or vapour-ware.

What I really would prefer to see are some new fixed focal length primes. The thing is that Nikon has positioned their pro-level bodies as 35mm full-frame (FX format) cameras and are unlikely (or able) to split resources introducing DX (APS-C) format primes.

Sure, we've seen the 35mm f/1.8 DX (50mm equivalent) introduced recently, but it's a damage limitation exercise. New primes, of interest to pros and enthusiasts, will likely be FX format.

That's the problem when you run two formats, and why makers like Pentax are able to channel their efforts into lenses like the DA (APS-C) format Limited lens range.

Makes it difficult for people to choose, doesn't it?


* Navy slang for hearsay.


Wednesday, 15 July 2009

Along the Water's Edge: The photographs of Tim Wolcott




Big Bear Lake Gallery owner and fine art photographer, Tim Wolcott, has today announced the availability of his new book, Along the Water's Edge. With essays by Michael Reichmann publisher of the Luminous Landscape website and writer Matthew Jaffe, formerly senior writer at Sunset Magazine, Along the Water's Edge features striking photographs taken over the last 20 years of some of America's most beguiling lakes, rivers, waterfalls and oceans.


Big Bear Lake, CA (PRWEB) July 15, 2009 -- Along the Water's Edge, published by the Gallery of the American Landscape, is a volume of exceptional photographs made over the past twenty years. Timothy Wolcott, a fine art landscape photographer and pioneer in pigment photography, has captured images of rivers, streams, waterfalls and oceans like you have never seen them. Shooting with medium and large format camera systems, Wolcott's talents for composition and timing evoke the elusive spirit of a place.

Tim is considered one of the world's most eco-friendly photographers. He was a co-inventor of Evercolor, the first environmentally sound and virtually non-fading photo printing process. He also pioneered inkjet printing and has served as head consultant for the Smithsonian and the Library of Congress where his photographs have been exhibited. They are also on display at his own gallery, Big Bear Lake Gallery, which was designed in 1996 -- the world's first gallery utilizing exclusively eco-friendly processes including all archival and eco-friendly framing and matting.

Along the Water's Edge, is an eco-friendly book using only FSC certified paper. Each carefully selected image has been printed to match tonal range of the shadows, brilliant highlights, and luminous color of Wolcott's hand-crafted exhibition prints. A hexachrome printing process was used to render each image's richly saturated color and subtle detail.

The images in this book were captured during the past 20 years and represent hundreds of thousands of miles traveled and hours of patient searching for the perfect location, the perfect moment, the perfect light. The book includes a complete list of equipment and technical information.

Many of the original photographs comprising the book's 79 images have been exhibited in museums, private corporations and fine art galleries worldwide. Wolcott's work is represented in exhibits at Smithsonian, Library of Congress, Photography West and other Association of International Photography Art Dealers (AIPAD) galleries worldwide.

Copyright, Tim Wolcott

Along the Water's Edge is available now in three versions via the web site at:

http://www.galleryoftheamericanlandscape.com/book.html

Museum Edition with Exhibition Print -- First edition of 500 signed and numbered hardbound books in a handcrafted slipcase with a hand made exhibition print signed and numbered by the artist $250

Collector's Book Edition -- First edition of 500 signed and numbered hardbound books $150

Trade Edition -- First edition hardbound book $50

About Tim Wolcott

Tim Wolcott is a master landscape photographer and eco-friendly artist. Owner of Big Bear Lake Gallery (www.GalleryoftheAmericanLandscape.com), Wolcott belongs to a tradition of American innovation. His ancestor Alexander Wolcott received the first patent for a camera in America and created the first photography exhibition in 1840 and owned the as the first studio.

Although as Wolcott describes it, photography is less about technology than about the light that creates the image, Wolcott credits Copenhagen-based Phase One (www.phaseone.com) with technical innovations that have permitted him to capture a much wider range of light with beautiful shadow detail and rich white highlights that renders extremely rich colors previously not possible with other camera systems. It's this combination of shooting styles - mixing the old and the new - that allows him to produce such superior imagery. In the end, he declares, "There are no short cuts. Great photography requires understanding light and composition, vision and patience - simple discipline - simple but never easy."

As an inventor working with the Evercolor group in 1991, he helped design the world's first eco-friendly process - using no chemicals or heavy metals -- for color photographic prints. To this day no other process has beaten its longevity (250 years with 10% fade). Tim started working with inkjet technology in 1996, trying to make the first pigment inkjet photographs. And in 1995, he helped make the first paper for the process. Since then he continues to help design the right pigments, papers or coatings for what fine art photographers are using today and in the future.

NAPP announce World Wide Photo Walk



15th July 2009, London:

This Saturday, NAPP (National Association of Photoshop Pros) –co-sponsored by Adobe - has organised a worldwide event – over 900 photo walks (33 across UK and Ireland), an expected 17,000 photographers will attend with over 1 million photos taken all on the same day.

What: Photo Walk - social event, photographers walk the streets, shoot photos, interact with other photographers

NAPP –co-sponsor Adobe- is hosting its second-annual day

Post-walks, photographers will process photos in Adobe Photoshop Lightroom and post to NAPP site for a chance to win a grand prize.

Last year, more than 1,017,125 photos were taken on walks that day

Where: Taking place across the world, 900 walks worldwide, 411 outside US, 33 locations across UK & Ireland

When: SATURDAY – 18 July 2009 - same day worldwide, different times - each Photo Walk lasts 2 hours

How much: FREE!

For further details please visit here.

James Ravilious: An English Eye exhibition at National Theatre



The National Theatre on the south bank has a rather timely exhibition of James Ravilious' English Eye. It's open from 13th July through to 13th September.

For more details visit the NT here.

Monday, 13 July 2009

Buy a Hasselblad H3DII and meet Buzz



Hasselblad are celebrating the 40 year anniversary of the lunar landing (and the launch of the new H3DII-60) by inviting a limited number of photographers to meet Buzz Aldrin and the Hasselblad design team at the Kennedy Space Centre. For more details including qualification (you'll need to buy a H3DII 50 / 60; no trifling matter in itself, before the 21 August) follow this link.


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