Pentax announce weather resistant (WR) 18-55mm & 50-200mm zooms

PENTAX UK is pleased to announce the launch of two compact, lightweight zoom lenses: the smc PENTAX-DA18-55mmF3.5-5.6AL WR, and the smc PENTAX-DA50-200mmF4-5.6ED WR. Featuring a newly designed, simplified weather-resistant construction, these zoom lenses offer excellent reliability in various outdoor conditions — particularly rain, fog and mist.


Main features

1. Simplified weather-resistant construction
These new zoom lenses feature a simplified weather-resistant construction designed to minimise the intrusion of water and moisture into the lens barrel. Mount on PENTAX weather-resistant digital SLR camera bodies, assures the user of improved durability and reliability during shooting in rain, fog or mist.

2. SP coating to block dust and dirt
The front surface of these lenses is treated with PENTAX-original SP (Super Protect) coating, which applies a special fluorine compound to the lens surface through a vapour deposition process. This SP coating not only repels dust, water and grease, but it also makes it easy to wipe off fingerprints and cosmetics.

3. Digital-SLR-exclusive optical design
PENTAX has optimised the characteristics of these lenses — including lens coating, curvature and positioning of optical elements — to reproduce the finest possible digital images. As a result, they are practically free of flare and ghost images, and bring out the best in the PENTAX digital SLR camera bodies they are used with. Their image circle is also perfectly proportioned to the size of the image sensor used in PENTAX digital SLR cameras, helping to reduce the camera’s overall size and weight and guarantee outstanding cost performance.

4. Quick-Shift Focus system for instant AF/MF switching
After the subject is captured in focus by the camera’s AF system, the unique Quick-Shift Focus system allows the photographer to instantly switch to manualfocus operation for final pin-point focus adjustment.

5. Other features
1. Durable, dependable metallic lens mount
2. Lens hood with a PL (polarising filter) window included as a standard accessory

Overview of the smc PENTAX-DA18-55mmF3.5-5.6AL WR lens
This standard zoom lens covers focal lengths from 27.5mm wide angle to 84.5mm moderate telephoto (in the 35mm format). Incorporating a high-performance aspherical (AL) optical element and a super-low-dispersion glass optical element in its optics, it ensures outstanding image resolution and remarkable brightness, even at the edges, while effectively compensating various aberrations.

Overview of the smc PENTAX-DA50-200mm F4-5.6ED WR lens
This telephoto zoom lens covers focal lengths from 76.5mm moderate telephoto to 307mm super telephoto (in the 35mm format). Incorporating an extra-low dispersion (ED) glass optical element in its optics, it assures excellent description of the subject in various telephoto applications, including portraiture, sports/action and landscape, while effectively compensating chromatic aberration over the entire zoom range.

Pentax finally unwrap K-7 DSLR

After a teaser campaign on their site in Japan, Pentax has finally taken the wraps off the new K-7. What's especially noticeable, with an Olympus E-30 in front of me, is just how similar the two bodies look. The big news though, is the addition of 720p30 video but anyone expecting a full-frame (35mm) sensor will be disappointed, the K-7 uses a APS-C CMOS imager. Oh, and I forgot to add, the K-7 is substantially smaller than the K10D/20D models yet with a mag-alloy body (amongst other things) comfortably exceeds their specification.

UK press release:

PENTAX UK is pleased to announce the launch of the PENTAX K-7 lens-interchangeable digital SLR camera. The K-7 combines a variety of advanced functions and user-friendly features to ensure outstanding reliability and capability within a compact, lightweight body.

The K-7 joins the current PENTAX K digital SLR camera series as a high-end model in the range. True to its series concept, it has been designed to deliver outstanding image quality combined with ease of use, to benefit photo enthusiasts of all levels, including advanced amateurs. The K-7 also includes revised and upgraded features including viewfinder, shutter unit, continuous-shooting capacity, and exposure and autofocus systems.
Protected by a durable, high-quality metallic body, the K-7 is extremely compact and functional — as with all other K-series models — delivering enhanced portability and manoeuverability. The model includes several new user-friendly features, including video recording, high dynamic range (HDR), and automatic horizon correction. All of these features serve to deliver a highly effective photographic tool, perfect for all discerning digital SLR photographers.
Main Features

1. Durable and functional body, smaller than any other in its class
The K-7 is exceptionally solid and durable in design, with a stainless-steel alloy frame and lightweight magnesium-steel alloy body. With 77 special seals applied to the body, it also features a dustproof, weather and cold-resistant construction, ensuring reliable operation even under harsh conditions and at temperatures as low as -10°C. It also features a newly designed shutter unit providing a top shutter speed of 1/8000 second and the outstanding capability to withstand 100,000 shutter releases.

2. Optical viewfinder featuring approx. 100% field of view
The K-7’s glass prism finder offers approximately 100% field of view along with approximately 92% magnification to facilitate focusing and framing operations. It also features a new Natural-Bright-Matte III focusing screen to improve focusing accuracy during manual-focus operation.

3. High-speed continuous shooting at approx. 5.2 images per second
The K-7’s high-speed continuous shooting mode captures as many as 40 images (in JPEG recording format) at a maximum speed of approximately 5.2 images per second, allowing the photographer to follow the movement of an active subject or preserve a sequence of the subject’s expressions.

4. New DR II mechanism to minimise dust spots
The K-7 comes equipped with the newly developed DR (Dust Removal) II mechanism, designed to effectively minimise annoying dust spots on recorded images, even after changing lenses in dust-prone outdoor settings. The K-7’s unique dust-alert system also lets the user check for dust on the filter prior to actual shooting.

5. High-quality image reproduction
(1) Approximately 14.6 effective megapixels for true-to-life image reproduction
The K-7 incorporates a newly developed CMOS image sensor measuring 23.4mm by 15.6mm featuring a high-speed, four-channel image data read-out. With approximately 14.6 effective megapixels, this image sensor can faithfully and accurately reproduce fine-detailed, gradation-rich images. With the adverse effects of digital noise greatly reduced, the sensitivity can be increased from ISO 100 up to the highest level of ISO 6400 (via a custom function).
(2) High-performance, high-speed PRIME II imaging engine
The K-7 features the newly developed PRIME (PENTAX Real Image Engine) II as its imaging engine, an upgrade of the original PRIME,. This new imaging engine offers greater data-processing speed and produces improved quality images with richer gradation and more accurate colour rendition. It also offers high-speed movie data transmission.

6. New 77-segment multi-pattern metering
Newly developed for the K-7, a sophisticated 77-segment multi-pattern metering system greatly improves light-metering accuracy. By accurately analysing various types of data (such as the image’s composition and format between upright and horizontal, and the subject’s distance and magnification) transmitted from the sensors in the camera body, this system greatly improves the accuracy of exposure control.

7. New-generation SR mechanism for improved shake-reduction effect
The K-7 features the PENTAX-developed SR (Shake Reduction) feature, which effectively minimises the adverse effect of camera shake by approximately 2.5 to 4 shutter steps, assuring sharp, blur-free images even under demanding shooting conditions. This innovative feature is compatible with all PENTAX interchangeable lenses — including a selection of the lenses designed for film-format cameras.*
* Lenses compatible with this mechanism are the PENTAX K-, KA-, KAF-, KAF2- and KAF3-mount lenses; screw-mounted lenses (with an adapter); and 645-and 67system lenses (with an adapter). Some functions may not be available with certain lenses.

8. Live View real-time, on-display image confirmation with Face Recognition AF and high-speed continuous shooting modes
The K-7 features the Live View function, which allows the user to view the image on the LCD monitor during shooting. You can take advantage of this convenient function not only in the Contrast AF mode, which optimizes the focus based on the subject’s contrast, but also in the Face Recognition AF mode, which automatically and accurately focuses on the subject’s face.

9. High-quality still image recording at 1280 x 720 pixels; 30-frames-per-second movie recording at HD-television proportions
The K-7 adds a new movie recording function, extending the benefits of SLR photography to the world of movie shooting. Beautiful movie clips can be recorded at various sizes — 640 x 416 pixels, 1536 x 1024 pixels, or 1280 x 720 pixels (16:9 high-definition TV proportions) — at a frame rate of 30 frames per second. The K-7 is also equipped with an HVMI terminal and an external microphone input terminal.

10. New 11-point wide-frame AF sensor
The K-7’s new SAFOX VIII+ wide-frame autofocus system features 11 sensor points (with 9 cross-type sensors positioned in the middle). This AF system ensures reliable, responsive autofocus operation superior in speed and accuracy to the previous system. The K-7 also incorporates an AF-assisted spotbeam projector in its built-in flash unit to improve autofocusing accuracy in the dark.

11. Custom Image function to easily create desired visual effects
The K-7’s Custom Image function allows the user to provide a finishing touch to an image by highlighting the ambience of the scene. The user can select one of seven modes, including the new “Muted” mode designed to recreate an image with delicate, subdued colours. In addition to saturation, tone, contrast and sharpness — the functions previously available — it is now possible to adjust “key” and “contrast highlight/shadow” to the desired levels. The effects of these factors can be effortlessly confirmed on a preview image using the Digital Preview or Live View function before finalising the settings.

12. Versatile exposure system for faithful reproduction of creative intentions
(1) Hyper Programme function
The K-7’s Hyper Programme function allows the user to instantly switch from the Programmed AE mode, to the Shutter or Aperture-Priority AE mode with a simple turn of the electronic dials on the grip.
(2) Hyper Manual function
When shooting in Manual mode, a single push of the green button allows the user to instantly set the proper exposure for the subject.
(3) Sensitivity-Priority mode
The K-7 features a unique Sensitivity-Priority (Sv) mode, designed to automatically select the optimum combination of aperture and shutter speed for a user-selected sensitivity. The sensitivity can be shifted instantly in 1/2 or 1/3 steps by turning the electronic dial on the back panel.
(4) Shutter/Aperture-Priority mode
The Shutter/Aperture-Priority (TAv) mode automatically selects the most appropriate sensitivity for a user-selected shutter-speed/aperture combination. It allows the user to experiment with a greater range of photographic expressions simply and effectively.



13. Large, easy-to-see 3.0-inch wide-view LCD monitor with approximately 920,000 dots
The K-7 features a large 3.0-inch colour LCD monitor with approximately 920,000 dots on its back panel. Its wide-view design allows the photographer to check the monitor image from approximately 170 degrees both vertically and horizontally, facilitating low- and high-angle shooting using the Live View function.

14. Powerful rechargeable battery
The K-7 is powered by a large-capacity, rechargeable lithium-ion battery, which can capture approximately 980 images** when fully charged.
** Under testing conditions prescribed by PENTAX, when using a rechargeable D-LI90 lithium-ion battery with no flash.

15. Other features
1) HDR (high dynamic range) function to create one composite image with
an extra-wide gradation range from three images with different exposures
2) Dynamic-range expansion function to compensate for both
white-washed (overexposed) and blacked-out (underexposed) areas
3) Digital level function for easy checking of the image’s levels
4) Automatic compensation of distortion and lateral chromatic
aberration (available only with DA- and DFA-series lenses)
5) White balance control, featuring a new CTE mode to emphasise
the colour components of sunset scenes and a new
incandescent-tinted fluorescent light mode
6) Multi-exposure function, with a super-imposition of already-recorded
images on the LCD monitor for at-a-glance comparison
7) Attachment of copyright credits on recorded images
8) RAW button for single-action switching of image file format
9) 16 digital filters to add a range of visual effects; a new function to
record an overwritten history also available
10) Colour-specific control buttons/dials for easy recognition and
quick access, based on the universal colour design
11) PENTAX Digital Camera Utility 4 software package, including
a RAW-data processing application (based on the popular
SILKYPIX RAW-data processing engine developed
by Ichikawa Soft Laboratory) and a browser application

Optional accessory
Battery Grip D-BG4
Exclusively designed for the PENTAX K-7 camera body, the Battery Grip D-BG4 is powered by either a rechargeable lithium-ion battery or six AA-size batteries. Since it supplements the camera’s battery as an additional power source, the number of recordable images is greatly increased. To facilitate vertical-position shooting, this grip features an extra shutter-release button, preview lever, electronic dials, AE-lock button, Green button and AF button. It also provides the same dustproof, weather and cold-resistant function as the camera body.

Pricing:
Body only £1,199.99
With kit lens (18-55mm) £1,229.99
With double kit lens 18-55mm + 50-200mm £1329.99

Availability:
June/July

Up close & personal - macro tripod review part IV

Gitzo Explorer GT2540 EX $649.95 (£490) + GH2750 off-centre ball £137

SPEC PANEL (exc ball-head)

Max Height (column down): 135cm
Max Height (column up): 164cm
Min Height: 3cm
Leg Sections: 4cm
Closed Length: 57cm
Weight: 1.8kg
Load capacity: 12kg

Quality 5/5
Features & Design 5/5
Value for Money 3/5
Overall 4/5

The Gitzo Explorer range all feature the must-have tilting centre-column and the GT2540 EX is the top-of-the-range model with 4-section carbon-fibre legs and column and magnesium alloy castings for low weight. There are just two knobs to operate; one for the column, and another for tilt and pan, making it one of the easiest and quickest to adjust.

Unlike other models from Gitzo, and some of those on test, the Explorer dispenses with the usual three-position catch for adjusting the leg spread. Instead it has a large clamp providing variable adjustment for each leg. While this means the legs can be adjusted a full 90 degrees from vertical to horizontal, permitting incredible flexibility for precise positioning, I found it difficult to set the legs evenly to level off. Be that as it may, it’s not a show-stopper for macro work.

To prevent splaying, the leg clamps are quite stiff for one-handed operation but the overall rigidity means the GT2540 can carry a load far greater than some of the heavier and bulkier tripods on test. The small size and low weight make it ideal for traveling plus the huge range of adjustments available make it a real winner for macro work but it all comes at a price.

Check back tomorrow for part V of the round-up.

To return to the beginning of the article, please use this link.

UPDATE 26/05/09 - Please note this tripod has since been upgraded slightly and is now known as the Explorer GT2541 EX.

First look at Voigtlander 20mm f/3.5 Color Skopar (part II)

Thought I would post a 100 per cent crop (actual pixels) of the corner of the frame from the previous post. Raw file from full-frame (FX) Nikon D700 at f/8 (well actually f/9) developed using Aperture, mono conversion using Nik Silver Efex Pro, and no output sharpening. Looks very encouraging to me.

Remember the APS-C format Nikon DX and Pentax DSLRs will be pulling from the central 'sweet-spot' of the CV 20mm f/3.5, and FOV will become the equivalent to a 35mm f/3.5.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

Update 01/22/10: Please note a full test of this lens will be published in the near future.

First look at Voigtlander 20mm f/3.5 Color Skopar

Before I get a flood of emails, I know this is displayed really small, but I wanted to post one of the first shots with the Voigtlander 20mm f/3.5 Color Skopar, supplied by the UK retailer, Robert White.

It's too early to draw any conclusions from this, other than to say it looks really good on my Apple Cinema display. I'll make a print from the Epson SP 3800 we have in the studio too and comment on that as well. All the same, I have a lot more testing to do and it will be sometime before I can publish the results* of the test, so please be patient.

* See here, for a 'quick and dirty' corner crop of the above.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

onOne to release iPhone remote camera control app

onOne Software are about to release a new product, the DSLR IRCC - iPhone Remote Camera Control. Check out their blog here.

Lenswork magazine compiling community tribute for Bill Jay

US magazine Lenswork is compiling a tribute to former contributor Bill Jay who sadly passed away last week. British born Bill was former Editor of Album magazine and Creative Photography in the 1970's before leaving for the States to continue to write and teach photography. Head over to Lenswork for more information and to add a few words to the tribute.

Up close & personal - macro tripod review part III

Giottos MTL 3361B £110 + MH1301 ball £79

SPEC PANEL (exc ball-head)

Max Height (column down): 144cm
Max Height (column up): 165cm
Min Height: 25cm
Leg Sections: 3
Closed Length: 68cm
Weight: 2.5kg
Load capacity: 8kg

Quality 3/5
Features & Design 4/5
Value for Money 3/5
Overall 3.5/5

Giottos’ MTL 3361B is a black-painted aluminium tripod with a pivoting centre-column and 3-leg sections. Although one of the heaviest on test it has a good range of features including foam wraps on all three legs, a built-in spirit-level, reversible 1/4-in and 3/8-in head attachment, and an optional, unadjustable short-column for very heavy cameras or large lenses.

In order for the column to tilt though it has to be removed first then re-inserted back into the hinged clamp. This isn’t quite as slick as the Gitzo Explorer, and there are three locks to adjust making it slightly more fiddly in use. I also found the size of locking knobs on the small side as the centre-column needed a lot of tightening to secure.

Although an optional extra, our sample was sent with a Giottos MH1301 ball head. Boasting a separate friction control in addition to the usual locking knob the MH1301 is an extremely well made and very efficient head. Overall the MTL 3361B is a bit of a mixed bag. The aluminium castings and 3-section legs doesn’t make it quite so compact when compared to the rest and it’s one of the heaviest in the group, but it is a pretty sturdy platform capable of supporting a decent load.

Check back tomorrow for part IV and the review of the Gitzo Explorer GT2540 EX + GH2750 off-centre ball head.

To return to the beginning of the article, please use this link.

Sony launch new Alpha DSLRs

UK Press Release:

Three new easy-to-use DSLR cameras: - α230 (10.2 megapixels* and 2.7-inch LCD) - α330 (10.2 megapixels* and 2.7-inch tilt LCD) - α380 (14.2 megapixels* and 2.7-inch tilt LCD) • Compact, stylish body for light, comfortable handling • Quick AF Live View with tilt LCD for freestyle shooting with fast, accurate autofocus and live preview** • On-screen Help Guide and Graphic Display simplifies operation • SteadyShot™ INSIDE image stabilisation for crisper handheld shots with any α lens • HDMI output and BRAVIA Sync for easy connection with BRAVIA™ TV * effective megapixels ** excludes model α230
Incredible images are now within everyone’s reach – even if you’ve never picked up a digital SLR before. Sony expands the Alpha family with the α230, α330 and α380: three easy-to-use DSLR cameras that make serious picture quality and shooting options brilliantly accessible.

All three cameras have been styled for comfortable handling. The α230 is the world’s lightest DSLR featuring an APS-C sized image sensor and in-body image stabilisation. Its compact size makes it great for trips away when you want to grab superb pictures without taking up extra space in your luggage.

Control layout on all cameras has been revised with fewer buttons, so even first-time DSLR users needn’t feel intimidated by the creative options on offer.

Confused by photo jargon? Help is at hand with a friendly new interface on the camera’s clear, bright 2.7-inch LCD screen. Choose from any of six Scene Selection modes that adjust settings to suit any subject. The on-screen Help Guide explains your selection, complete with a sample image to demonstrate the results you’ll achieve.

It can also be tricky understanding the relationship between shutter speed and aperture. The unique new graphical display shows clearly how your chosen exposure settings will affect the final picture.

Despite their friendly styling and compact size, the latest additions to the Alpha line-up don’t compromise on the picture quality, responsive shooting and advanced creative options prized by DSLR enthusiasts.

The α330 and α380 feature Quick AF Live View for responsive ‘freestyle’ shooting that keeps pace with what’s happening around you. This unique Sony system combines the benefits of live image preview with speedy and accurate autofocus, even with moving subjects. Now even brighter for a clear view when you’re framing shots in daylight, the 2.7-inch LCD screen tilts up or down (not α230) over an extended angle range, increasing options for comfortable shooting in any position.

Imaging quality is superb, thanks to the APS-C sized CCD sensor working in harmony with the BIONZ image processing engine found on other α cameras. You’ll enjoy flawless, detail-packed pictures with low noise, even when you’re shooting handheld. The powerful BIONZ processor is also key to the new cameras’ speedy responses, allowing continuous shooting at up to 2.5 fps (2 fps in Live View mode – α330 and α380 only). A new self-timer drive mode grabs a quick burst of 3 or 5 frames, cutting the chances of spoiled portraits and groups shots when someone blinks at the wrong moment.

Like every other Alpha camera, all new models feature SteadyShot™ INSIDE for clearer pictures when you’re shooting handheld. Sony’s in-body image stabilisation corrects for camera shake whenever you don’t have a tripod handy. Best of all, it works with with the complete family of α interchangeable lenses – so there’s no need to invest in bulky, image-stabilised optics.

For even better looking pictures, a newly-enhanced D-Range Optimiser intelligently adjusts exposure values in scenes containing very bright image areas and deep contrasting shadows. You’ll see the difference with beautifully-exposed results, even in tricky against-the-light shooting situations.

All models connect to any HD Ready TV for a detail-packed big-screen view of your photos. PhotoTV HD support ensures even better-looking still image reproduction on compatible BRAVIA™ models. In an Alpha first, BRAVIA™ Sync compatibility now allows control of slideshow and other camera playback functions in comfort using your TV remote. Alternatively, slip out the camera’s optional Memory Stick™ to share and enjoy your images with a growing range of other HD viewing possibilities – from VAIO® and PLAYSTATION®3 to digital photo frames and photo printers by Sony. For maximum convenience, all new models accept Memory Stick PRO Duo and Memory Stick PRO-HG Duo media as well as SD / SDHC format memory cards. (NB: miniSD, miniSDHC, microSD, microSDHC media require optional adaptor).

There’s a growing range of beautifully designed α system accessories to help you get more from your DSLR camera. These include a choice of affordable, compact new lenses, including two telephoto zooms plus macro and portrait models. They’re joined by the HVL-F20AM, a slim and light external flash that supplements your Alpha camera’s built-in pop-up flash.

Up close & personal - macro tripod review part II

Benbo - Trekker Mk 3 $124.99 (£120) ball head extra



SPEC PANEL (exc ball-head)

Max Height (column down): 107cm
Max Height (column up): 150cm
Min Height: 0cm
Leg Sections: 2
Closed Length: 84cm
Weight: 2kg
Load capacity: n/a

Quality 3/5
Features & Design 3/5
Value for Money 4/5
Overall 3.5/5

The Benbo was the first tripod to adopt a tilting column that rotates with the legs around a single (bent) bolt, hence the name. All four tubes are locked off with the one clamp, and while quick to set-up, after some practice, I found you must always support the centre-column to avoid potential pitfalls. Once mastered though the Benbo soon pays dividends in the field.

The long centre column and infinitely adjustable legs make short work of the most demanding macro subjects. But while the Trekker 3 is one of the lighter models in the range, and pretty portable as a result, heavier cameras have to be used with some care. I found this was especially true on smooth flooring, as the Trekker lacks additional leg bracing and is supplied with spiked feet. Clip-on non-slip feet would have been very handy.

Load capacity isn’t stated but it was perfectly fine with our, albeit low weight, Pentax K-2000 (aka K-m, in Europe) and 35mm macro lens. Our Trekker was supplied with the optional Compact ball head. It’s a pretty basic affair, but well matched for the tripod in size and can support the Pentax and similar DSLRs with a small macro lens. Optional table-top legs make the Trekker a highly versatile tripod for all-round use.

Check back tomorrow for part III, where we'll be reviewing the Giottos MTL 3361B & MH1301 652 ball-head.

To return to the beginning of the article, please use this link.

Up close and personal: macro tripod review part I

Over the next eight days I'm serializing a feature of mine, Up Close and Personal, that originally featured in the UK photo magazine, DSLR User, earlier this year. Here's the introduction (part I):

One of the essentials for successful macro-photography is a solid tripod, we've taken a look at a cross-section of models to suit all budgets.

One of the essentials for successful macro-photography is a solid tripod, but some are much more suitable for the task than others. So what should you look for in a tripod suited for close-ups? If you’re using a macro lens such as a 50mm or a 100mm to focus within a few centimeters, a tripod with a tilting column will give you the greatest flexibility. But while this enables you to position your camera away from the centre of your tripod, there are other factors to consider.

I don’t know of any tripods that don’t have adjustable leg joints but those with infinitely adjustable legs are easier to set in position. Bear in mind you’re likely to want to carry the tripod, maybe even travel with it. I would advise 4-section legs over 3-section for compactness, but it does add to the price.


Tripods don’t have to be heavy to be stable, they just have to be rigid. You can always add a counterbalance or ballast (such as your camera bag). Tripods made from new materials like Carbon Fibre are both light and rigid, but they are much pricier than the more usual aluminium models. Over the following pages, you’ll find a range of models intended to suit both the needs and budget of the macro-photographer.

Be sure to check back tomorrow for part II and the first of the reviews; the Benbo Trekker Mk 3.

Think Tank Photo publish Roller white paper

Pro photography equipment bag maker, Think Tank Photo, have published a white paper detailing the top six points to bear in mind when choosing a roller.

See here for the link (email address is required).

To visit the DJP's affiliate store, follow this link.

DxO Labs announces 25% discount on Optics Pro and adds over 80 new lens modules

DxO Labs has taken the wraps off over 80 new lens modules for DxO Optics Pro, and is celebrating their 5th Birthday with a 25% discount during May. See below for the press release and full details:

Paris, France – 15th May 2009 – DxO Labs announces the immediate availability of 83 new DxO optical correction modules, adding to the 100 modules recently published. These additions now extend DxO Optic Pro’s range to include over 1,200 modules covering all types of lenses on the market: fisheyes, wide-angles, zooms, and super telephotos, and most major brands (Canon, Konica-Minolta, Nikkor, Pentax, Samsung, Sigma, Sony, Tamron, Tokina, Carl Zeiss). Over the last 5 years, DxO Labs has been analyzing camera/lens combinations so as to provide corrections that are specific to each lens. For example, DxO Optics Pro corrects the geometric distortion and compensates for the vignetting of wide-angle lenses; it increases the sharpness and corrects the chromatic aberration for telephoto shots. To achieve such results, DxO Labs’ engineers and expert photographers have interpreted hundreds of thousands of images representing all possible configurations of the cameras in use (focal length, aperture, sensitivity, etc.).
DxO Optics Pro software is the unique solution that simply and automatically enhances each photo with respect to the camera, the lens and the shooting conditions.
DxO Optics Pro is also a powerful RAW converter that delivers amazing results in terms of noise-reduction, contrast correction, and color fidelity at all ISO settings (right up to 25 600 ISO) for a wide range of digital cameras.

To celebrate DxO Optics Pro’s 5th birthday, DxO Labs offers a 25% discount for the entire month of May.

This 25% discount also applies to the DxO FilmPack software which allows digital photographers to rediscover the styles, colors, and grains of the most famous silver-halide films. Prices and availability during May

· DxO Optics Pro v5.3.3 Standard: £74.25 incl. taxes £99 incl. taxes

· DxO Optics Pro v5.3.3 Elite: £149.25 incl. taxes £199 incl. taxes

· DxO FilmPack v2: £44.25 incl. taxes £59 incl. taxes

All customers who bought DxO Optics Pro since 1st August 2007 are entitled to a free upgrade to version 5.3.3.
For other users:

· Upgrade to DxO Optics Pro v5.3.3 Standard: £59 incl. taxes

· Upgrade to DxO Optics Pro v5.3.3 Elite: £75 incl. taxes

Each DxO Optics Pro license includes a stand-alone application, an Adobe Photoshop plug-in and an Adobe Lightroom plug-in, and allows installation on two computers.

For more information, visit DxO Labs website at www.dxo.com

Canon issues yet another service advisory on troubled EOS 1D/1Ds Mk III

Canon has today issued another advisory service notice on the pro-level EOS 1D/1Ds Mk III models. It concerns excess lubricant on the mirror mechanism, causing ring-shaped shadows to appear in images after settling on the surface of the filter-pack.

Canon UK link to service notice.

Canon US link to service notice.

HONL PHOTO unwrap new filter kits

David Honl, the photojournalist behind the HONL PHOTO range of light modifiers for portable strobes, has announced the availability of two new filter kits via his UK distributor. For more information including stockists please see the press list and links below:

HONL PHOTO introduce new filter kits! Flaghead Photographic, the exclusive UK & Ireland distributor of HONL PHOTO products announce the availability of two new Honl filter kits.

Honl Photo Colour Correction Filter (Gel) Kit HP-FILTER2

Honl Colour Correction filters to colour-correct your strobes for tungsten, fluorescent or cool daylight lighting environments. The CTO filters are used to match your flash output to tungsten lights, or simply to give a pleasing warm tone to your portraits. Full + Green filters are used to match your flash output to fluorescent lights. These superior quality polyester lighting filters from Lee are pre-cut with Velcro strips attached so they can be quickly fastened to a Honl Speed Strap (sold separately). Honl Filters can be used in conjunction with all Honl Snoots, Gobos and Grids. The usable filter area is 2.5” x 4” (approx. 64mm x 102mm) and the filters can be trimmed to fit individual strobes.
The Kit contains TWO of each of the following: 1/2CTB, Full CTO, 1/2CTO, 1/4CTO, Full+Green

Honl Photo Colour Effects Filter (Gel) Kit HONL-FILTER3

Honl Colour Effects Filters can be used to add artistic and theatrical colour to your images, whether lighting your subject or a background. These superior quality polyester lighting filters from Lee are pre-cut with Velcro strips attached so they can be quickly fastened to a Honl Speed Strap (sold separately). Honl Filters can be used in conjunction with Honl Snoots, Gobos and Grids. The usable filter area is 2.5” x 4” (approx. 64mm x 102mm) and the filters can be trimmed to fit individual strobes.
The Kit contains TWO of each of the following: Yellow, Bright Red, Just Blue, Moss Green, Heavy Frost

About the Honl Photo Professional Speed System:

The Honl Photo Speed System is a collection of lightweight, durable and affordable light modifiers for shoe-mount flash units. Designed to universally fit all shoe-mount flash, the versatile light modifiers from Honl Photo provide photographers with an assortment of practical tools to shape light without resorting to cumbersome, heavy and expensive lighting equipment. Devised by photojournalist David Honl, the Honl Speed System consists of an assortment of Grids, Snoots, Gobos, and Gels that attach quickly and easily to any shoe-mount flash via the Speed Strap, a simple, non-slip velcro strap that wraps around the flash head without the use of annoying adhesives. The Honl Photo Speed System allows you to bring studio-style lighting control with you into the field.
Developed by David Honl, a professional photographer from the USA www.DavidHonlPhoto.com

HONL PHOTO Pricelist:

Code Description Price
Ex Vat Price/Inc Vat
HP-DHS-SS Speed Strap £7.30/£ 8.40
HP-GRD4 _ Speed Grid £22.00 /£25.30
HP-GRD8 1/8 Speed Grid £22.00/£ 25.30
HP-DHS-SG Speed Gobo/ Barndoor £11.00 /£12.65
HP-DHS-SN 8” Snoot £22.00/£ 25.30
HP-DHS-SN-S 5” Snoot £22.00/£ 25.30
HP-FILTER2 Colour Correction Kit £22.00 /£25.30
HP-FILTER3 Colour Effects Kit £22.00/£ 25.30
HP-SK MKII Starter Kit MKII, one of each accessory PLUS one extra Speed Strap, Kit price represents a 10% saving! £136.00 /£156.40
The HONL PHOTO range is available from good photo retailers. For more details go to
www.flaghead.co.uk/pages/honl/honl-intro.html or contact:

Flaghead Photographic
Tel 01202 733 123 info@flaghead.co.uk
www.flaghead.co.uk

Sigma announces availability of DP2

Sigma has announced the availability in the UK of the new DP2 high end compact.

Sigma Imaging UK press release:

Sigma Imaging (UK) Ltd is pleased to announce that the DP2 compact digital camera is now available from retailers in the UK with an SRP of £599.99.

The DP2 will be selling alongside the Sigma DP1 and offers new features such as a 41mm (35mm equivalent) f/2.8 lens and a faster, TRUE II, processing engine.

Since the DP2’s announcement at Photokina 2008, several new features have been added to the camera including 3200 ISO and a Quick Set button allowing users to quickly access the eight most commonly used options in the camera. A new, improved version of Sigma PhotoPro software is bundled with the camera which will also open Foveon’s RAW images from previous Sigma digital cameras.

Two new dedicated accessories for the DP2 are also available. These are the VF-21 Viewfinder what carries a suggested retail price of £114.99, and the HA-21 Hood adapter with a SRP of £19.99.

The DP1 and DP2 are still the only compact digital cameras to feature an APS-C sized Foveon image sensor allowing SLR quality images from a pocket size camera.

Full details on the DP2 can be found at www.sigma-dp.com/DP2

Cokin adds X-Pro filter holder for Nikkor AFS 14-24mm f/2.8

Cokin has added a filter holder kit (complete with circular polarizer and lens adaptor) to the range that fits the superb Nikkor AFS 14-24mm f/2.8. While this sounds promising for landscape photographers, don't get too excited. For one the price is $625, and two, the maker warns of vignetting below 18mm (on a FX body). Still, if you simply must have one, check out Adorama at this link.

As a side note, Cokin won't allow the photo-press (and presumably members of the public) to view around the factory, as it's owned by the French government. All the more reason to take a look I say. How about you?

Review of Voigtlander Color Skopar 20mm f/3.5

The UK distributor has kindly agreed to send a Voigtlander Color Skopar 20mm f/3.5 announced here to review in the DJP, please check back here in the next couple of weeks for the results of this extremely interesting (and hugely popular) new addition.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

New Richard Martin Workshops announced

UPDATE: New Workshops

Richard will be collaborating with Charlene Kenna for his next location workshops.
The dates are June 26-30, 2009 and will take place in Niagara on the Lake, Ontario—a quaint 19th century village nestled in the heart of the Niagara wine region.

This two-part workshop beginning on Friday evening with a traditional Vision and Discovery weekend workshop followed by The Digital Darkroom, two days in the classroom utilizing a intuitive right-brain approach to digital workflow.

Participants may register for a single workshop or combine the two as a package.
For details download PDF Brochures or visit website links from Richard’s home page or workshop page link. http://www.richardmartinphoto.com

Vision & Discovery PDF Brochure link:
http://www.richardmartinphoto.com/tours_workshops/documents/NOTL_workshop_June09.pdf

The Digital Darkroom PDF Brochure link:
http://www.richardmartinphoto.com/tours_workshops/documents/NOTL_Digital_Workshop_June09.pdf

Link to workshop page
http://www.richardmartinphoto.com/tours_workshops/index.html

Bogen Imaging UK announce special on monopods during May and June

Bogen Imaging UK has a special offer running through May and June 2009, that allows purchasers buying any one of the following Manfrotto Photo monopods; 334B, 679B, 680B, 681B, 682B, 685B to get a Manfrotto 234 head worth £16.95 free of charge.

In addition, consumers that purchase either the Manfrotto 694CX or 695CX Photo monopod can claim a Manfrotto 234RC head worth £26.95 free of charge.

The offer does not include the video monopods or the 776YB and 790B Monopod and is available at participating dealers only. Please visit www.bogenimaging.co.uk for participating dealers.

Magix unwrap Xtreme PhotoStory

Magix press release:

MAGIX AG, one of the leading international providers of software, online services, and digital content, announces the launch of Xtreme PhotoStory on CD & DVD 8. Get started in the world of living images! In just three steps, you can liven up your pictures: Import images and video, add effects, text, and music, and present it all in cinema-quality! With the help of practical wizards, numerous templates, and 1-clickautomations, you can create multimedia slideshows quickly and easily. Slideshows can be burned not only as DVDs with decorative menus, but also uploaded directly from within the program to YouTube to share with everyone.

1. Select photos & videos
Import your photos and videos from camera phones, digital cameras, memory cards, the Internet,
and other sources – simply at the touch of a button.
2. Add effects & music
Edit your projects yourself or let the software do it automatically for you – you have the choice!
Practical wizards turn your photos and videos into cinema-quality shows almost without any work,
including interactive, custom DVD menus!
3. The result: A moving photo experience!
Enjoy the show with your whole family, friends, and acquaintances: You can experience your
memories once again using a DVD player or present it to the world by uploading it directly from the program to YouTube. ™

MAGIX PhotoStory on CD & DVD Deluxe is available at £29.99 inc from all major UK retailers and online partners including Amazon and PC World.

Links:

Amazon UK :Magix Xtreme PhotoStory on CD & DVD 8 (PC DVD)
Amazon US :Xtreme Photostory On CD & DVD V8

Military M-series Leica on eBay

Olive drab Leica M models were made specifically for the military, and not always for the German army (Bundeswehr). I saw an auction on eBay recently for one, an M4.2 made for the Italian army - Tank division. This one, with matching olive finish lens, currently on eBay is said to have been made for the Israeli army, but is without factory documentation.

Of course, spending $6,000 or more on a camera only to put it on display, in a private collection, isn't what it's all about, to my mind. If I had one, I would want to use it. And that goes for the latest iterations, now limited editions; the olive M8.2 Safari and the forthcoming white version. While the new pimped models might not have the same appeal, if you're fortunate enough to have the money to buy one, go take some pictures with it.

Sony site leaks new Alpha DSLRs; A230, A330 and A380

Source Photoclub Alpha

The Sony Style site in Russia has leaked some details of the new A230, A330 and A380. For a brief look including translation, please visit the site here.

Transcend buck the trend

Transcend, the Taiwan based manufacturer of flash drives and memory cards, continues to thrive under the economic downturn. As well as being one of the leading brands in terms of sales in Asia, they've recently picked up prestigious Red Dot and Good Design awards for their Rugged StoreJet 25M portable hard drive.

Fore more information, including stockists please visit the maker's site here.

David Noton unveils evening roadshows

Copyright David Noton Photography 2009

British landscape photographer, David Noton, has announced the first in a series of evening roadshows. Themed Chasing the Light, the first event is to be held in Bristol, England during September.

For more info and to book tickets please visit Noton's website.

Panasonic UK announce price of Lumix GH1

Panasonic has today confirmed the price of the Lumix GH1 in the UK at £1299.99. There's no word as yet on the price of the optionally availble directional mic.

Magenta announce Flash Forward 2009 winners

The Magenta Foundation has announced the winners of the Flash Forward 2009, Emerging Photographers project here. As well as an initial exhibition Magenta will also publish a book of the project at Lennox Contemporary in Toronto, in October 2009.

L-Camera TV tours Leica factory

Leica User Forum's L-Camera TV has a behind-the-scenes look at the maker's facility in Solms and reveals some of the (labour intensive) production methods behind the 35mm M7 and MP rangefinders. Perhaps part II will show the M8.2 or the S2? I'm hoping, anyway.

L-Camera TV #1 - Does Leica still make MP and M7? from Andreas Jürgensen on Vimeo.

Multimedia training with MediaStorm, Brooklyn, New York

What with the tough economic climate and the critical need for multimedia training, MediaStorm will be holding a one-time, tuition-free Advanced Multimedia Reporting Workshop, in Brooklyn, NY from June 20-26, 2009.

Fore more details visit MediaStorm here.

Capturing stunning shots in the Lake District with Tom Mackie

Tom Mackie Images has announced an intensive four-day event designed to give just five photographers the energy and information required to take their love of landscape photography to new heights.

Taking place in the Lake District from 18th October - 22nd October 2009 attendees will have the opportunity to explore some of the most picturesque parts of the Lakes from towering mountains, glass-like lakes and gushing waterfalls to classic stone-built cottages.

For more information, including how to book, visit www.tommackie.com

Ricoh launches website for the CX1

I like the CX1, not only is it well made and responsive, the picture quality is up there with the best of them. So it comes as little surprise to see Ricoh have announced the launch of the CX1 website. Go take a look here.

Help support this site and buy from:

Amazon.com are not displaying the CX1 at this time.

Hahnemühle announce sponsorship of Redman-Holmes Exhibition.

Hahnemühle UK are sponsoring the forthcoming Redman-Holmes Exhibition in Mayfair, read the press release (in full):

Redman-Holmes Exhibition.

A fascinating exhibition is about to open in a top gallery in London’s fashionable Pall Mall, which will feature the collaborative work of photographer Paul Redman and artist David Holmes.

When they devised the concept several years ago, Paul and David had already decided that one of the main aims was to intrigue and, hopefully, to enchant the beholder with immaculately executed, but often enigmatic, images of the world around us.

This combination of talents allows a broad spectrum of work to be tackled, almost without limit other than to the extent of the imagination. That which you would think you could paint but can’t, and that which you would think you could photograph but can’t, has now been combined into an effect only achievable by combining the two skills.

Subjects range from flowers and insects through affectionate twists to familiar landscapes, together with occasional amiable inclusions of the kind of additions which might have been made by other favourite painters such as Cecil Collings and Alfred Wallis, this purely as an act of respect and homage to their talents

Redman and Holmes have coined the neologism ‘Photo-Peinture’ to describe this technique.

The work is based around very carefully discussed, selected and photographed subjects. These are inkjet printed using an Epson Photo R1900 printer onto Hanemuehle FineArt paper. The extra dimension being added through the use of acrylic, oil and water- colour paints applied directly to the surface of the print.

The result is then re-scanned to a large file size by master digital printer Ted Chau and printed onto Hahnemuehle museum quality paper or canvas.

All of this instantly moves the original idea on to a new level in terms of technique and clarity.

The exhibition opens on 7th May 2009 and closes on 17th May and is at La Galleria, 30 Royal Opera Arcade, Pall Mall, London SW1Y 4UY.

The weekend of 15-17 May coincides with the experimental all night opening of most of the State galleries for that weekend only, entitled ‘Museums du Nuit’


PAUL REDMAN

The middle one of five sons, Paul Redman was born in Lancashire, England.

After leaving Grammar School Paul decided to pursue a career as a photographer having recently won a category in ‘The Weekend Telegraph’ photographic competition. Formal training in photography in those days was limited to studying for a City and Guilds certificate, the syllabus at that time being so out of date as to be completely irrelevant to the newly emergent demands of the publishing and advertising industries.

Paul then assisted the very best photographers he could find in London to learn his craft, which is still the best way of doing it.

Early editorial commissions were quickly followed by a long career in advertising during which he has been commissioned by Waitrose, The French and English Tourist Boards, Amex, Intercontinental Hotels, Ideal Standard, Sony, Getty Images, Nissan, Bae Systems, Dulux and Graham’s Port.

He has won numerous national and international awards and has most recently photographed a Pan-European retail advertising campaign for Sony.


DAVID HOLMES

After leaving art college, David Holmes straightaway joined the advertising agency Colman Prentis and Varley.
Eventually becoming founder and creative director of another advertising agency, Holmes Knight Richie.

David has always worked as a painter, illustrator, designer and art director and has won numerous poster and design awards in the UK and worldwide. He currently works out of his studio, reached through a Japanese walled garden in Primrose Hill.

David’s paintings and illustrations are in collections in the UK and abroad. His work is in the V&A’s collection of contemporary illustrations and he has been commissioned by Penguin Books, Marks & Spencer,

Singapore Airlines, The Royal Mail, Duchy Originals, Graham’s Port and the RHS Chelsea Flower Show.

He has just designed a new postage stamp for the Royal Mail.

Latest exhibitions:
Home House Gallery, London……2002
The Mall Gallery, London…………2005
Brick Lane Gallery, London……….2006
The Dover Street Arts Club……. 2008


PHOTO – PEINTURE IN MORE DETAIL.

Having discussed an idea between themselves Paul Redman, the photographer, and David Holmes, the artist, agree on a subject and an approach.

Paul finds or creates the subject matter and photographs it, making allowances within the composition for the areas which are to be painted, and digitally prints onto an A3 inkjet paper which must also have the ability to react perfectly with acrylic or watercolour paints.

After considerable research it was found that by far the most suitable paper was 308gsm Hahnemuehle Photo Rag Fine Art paper, with the best printer being an Epson Photo R1900 with its dedicated multiple inks system.

David paints directly onto the print.

The print is then re-scanned to a very large file size and printed in limited editions of 8 using an Epson Digital Ink Pigment process and printer onto either Hahnemuehle Museum Quality Canvas, which is then stretched, or onto Museum quality Fine Art paper and displayed under glass. The colour management and printing is done by Ted Chau at Chau Digital.

These large limited edition prints, signed and numbered, are part of a collaboration between the photographer and the artist, for which they have coined the descriptive term ‘photo-peinture’ and are for sale at the exhibition.

Phase One releases Capture One 4.8

As well as formally introducing the P 40+ digital back tomorrow, Phase One will also be announcing the availability of Capture One 4.8 (note the update will not be available until tomorrow 10 am EST):

COPENHAGEN, April 30, 2009 – The latest update to Phase One Capture One 4 is localized for Chinese (simplified), Czech, French, German, Italian, Japanese, Korean, Spanish and Swedish languages. This version supports the new Phase One P 40+ announced today (including tethered support) and also the Olympus E-620.

Image quality improvements include: enhancements for the Phase One P 65+, the Leica D-LUX 4; color enhancements for Olympus E-30 and generally improved colors for editing JPEG and TIFF files.

Availability
Capture One 4.8 is available now and comes in three versions: 4.8, 4.8 PRO and 4.8 DB. Capture One 4.8 is a free service release to existing Capture One 4.x owners.
Existing customers with a Capture One 3.x license can upgrade to a similar version of Capture One 4.8 at no extra cost. For more information please go to http://www.phaseone.com/4.

Phase One Launches P 40+ with Sensor+

Although the official launch is tomorrow and the Phase One web site will be live at 10 am EST with the details, the DJP has been given an advanced preview of the new P40+ specs:

Medium format camera quality plus hand-held flexibility in one system

COPENHAGEN, April 30, 2009 -- Phase One, the leader in open-platform based medium format camera systems and solutions, today announced immediate availability of the Phase One P 40+ -- the company’s second Sensor+ enabled digital camera back/camera system.

Like the P 65+ introduced last year, this new system offers two separate image-capture modes. In normal mode, the P 40+ delivers full 40 megapixel captures for high-quality image details. And when shooting conditions demand, a photographer can push a button and instantly switch from 40 megapixels to 10 megapixels, gaining a four-fold increase in light sensitivity (ISO to 3200), and a capture rate of up to 1.8 frames per second --an ideal performance for hand-held and/or low-light conditions.

“Our second Sensor+ enabled system has been designed to deliver the fastest capture rate of any high-end medium format camera system on the market today,” said Jan H. Christiansen, marketing director for Phase One. “Our relentless innovation is inspired by the needs of quality- conscious professional photographers who seek flexible and reliable camera systems that can work as hard as they do.”

The versatility of the P 40+ system is important for those who seek quality medium-format 16-bit capture under a variety of working conditions. Both modes feature a 12.5 f-stop dynamic range. From high-end wedding, fashion and fine-art photographers to photojournalists, the choice of capture modes in a single camera system frees photographers to focus on the job at hand rather than worry over equipment.

Best results of Sensor+ technology are available by processing images using Phase One Capture One software version 4.8 or higher.

Technical specifications:
P 40+ full resolution capture mode:
Resolution: 40 megapixels
Pixel size: 6 x 6 micron
RAW file compression: (IIQ large: 40 MB) (IIQ small: 26 MB)
ISO: 50, 100, 200, 400, 800
Capture rate: Up to 1.2 frames per second

P 40+ Sensor+ capture mode:
Resolution: 10 megapixels
Pixel size: 12 x 12 micron
RAW file compression: (IIQ large: 10 MB) (IIQ small: 7 MB)
ISO: 200, 400, 800, 1600, 3200
Capture rate: up to 1.8 frames per second

Phase One P+ camera back mounts:
Phase One 645 AF, Mamiya 645AFDII/ AFDIII, Mamiya RZ67 PRO IID via adaptor, Hasselblad H1 and H2, Hasselblad 555ELD, 553ELX, 503CW and 501CM, Contax 645.

Wide angle & technical cameras: 4 x 5" via FlexAdaptor: Arca Swiss, Cambo, Linhof, Toyo, Sinar, Plaubel, Horseman.

Pricing & Availability
The P 40+ digital back starts at €14,990; the P 40+ camera system starts at €16,990. All products are available now.

More information

For full technical specs, please read more here.

For pricing and more information please contact a local Phase One dealer.

Canon EOS 5D MkII back in stock at B&H

Anyone having trouble finding the Canon EOS 5D Mk II in stock could do worse than run New York dealer B&H by for a price. They're quoting $2,699.95 plus free shipping (in the US). Follow this (shameless) link to order yours and support this site at the same time.

Retailer Red Dot Cameras reveals price on white Leica M8

Specialist UK Leica dealer Red Dot Cameras has announced the price of the limited edition white Leica M8. The special edition model is priced at a cool £5900 (inc VAT) and comes complete with a chrome finish 28mm f/2.8 ELMARIT (equivalent to a focal length of 35mm, in 35mm film terms).

For more details see the retailer's site here.

Nikon D5000 at Jessops, 1st May

While the Nikon D5000 is available in the States and elsewhere, seems like we in the UK will have to wait a little longer to get our hands on the the new Nikon.

Nikon UK press release

The new Nikon D5000 hits the shelves

at Jessops’ new flagship London Store

Be amongst the first to view Nikon’s latest digital SLR, the D5000, at the newly refurbished flagship Jessops store, when the new Nikon model goes on sale for the first time on Friday 1st May 2009.

To celebrate the on sale launch of the hotly anticipated new camera, the Nikon team will be visiting Jessops’ New Oxford Street store on 1st - 2nd May 2009 to demonstrate the capabilities and benefits of the new camera as well as answer any technical questions. A programme of free Nikon led seminars will also be running throughout the two day event, please see schedule below:

Seminar programme
Getting the best out of D-Movie
Friday 1st May: 4.00pm and Saturday 2nd May: 3.00pm

Creative lighting demonstration (D90 & SB-600)
Friday 1st May: 2.30pm and Saturday 2nd May: 1.30pm

Jessops will also be offering an exciting promotion across the two days; for every purchase of the D5000 made at the store, customers will receive a free canvas print (32” x 24”) and a free Sandisk 8GB Ultra II SDHC card, Centon outfit bag and Jessops TP323 tripod.

For directions to Jessops, New Oxford Street, London store, please visit www.jessops.com

For more information about the new D5000 please visit here.

Nikon chip maker Renesas to merge with NEC Electronics

Renesas are rumored to be the makers of the CMOS imager in the Nikon D3 and D700 (pictured above)

Nikon's principal chip supplier for the full-frame 12-megapixel D3 and D700 DSLRs, Renesas Technology Corp, agreed to a merger with NEC Electronics Corp this week, prompting the DJP and likely other industry pundits to consider the implications for the company, which has seen market share improve in the influential pro-sector currently dominated by rival Canon.

Although it has never been confirmed by Nikon, it's thought Renesas fabricate the 35mm format CMOS imager that has been responsible for the turnaround in the camera makers fortunes in the ultra-competitive press and agency markets, in which the Japan based company once prevailed. Nikon UK has so far declined to comment on the news.

Source Bloomberg

NEC Electronics Corp. and Renesas Technology Corp. agreed Monday to merge in a deal that may create Japan's largest chip maker.

The terms including ownership ratio should be agreed by the end of July and the transaction completed by next April, the companies said Monday. The chip unit of NEC Corp. and Renesas, the Tokyo-based venture between Hitachi Ltd. and Mitsubishi Electric Corp., made the announcement in a joint statement with their parents.

"Nothing has been decided but because of NEC Electronics' listed status, it's likely that it will be the surviving company," NEC President Kaoru Yano told reporters in Tokyo. "We don't look at it as one company absorbing another."

NEC Electronics, the chip unit of NEC Corp. and Renesas, a semiconductor venture of Hitachi Ltd. and Mitsubishi Electric Corp., made the announcement in a joint statement with their parents to the Tokyo Stock Exchange. The combined entity would account for more than 30 percent of the $13.6 billion market for microcontrollers used in cars and consumer electronics, almost triple the market share of the nearest rival, Freescale Semiconductor Inc. The tieup may also lead to further reorganization in Japan, where five of the nation's top eight chip makers forecast losses in the last fiscal year.

"There are still a lot of unresolved issues, but the overall impression is positive," said Yukihiko Shimada, an analyst at Mitsubishi UFJ Securities Co. "It remains to be seen how the companies will deal with their overlapping production facilities and workforces," Shimada said.

Microcontrollers are minicomputers dedicated to a specific function, such as operating a liquid-crystal display in a microwave oven, cruise control in a car, or remote control for a DVD player.

Combined sales at Renesas and NEC Electronics in calendar 2008 reached $12.9 billion, exceeding $10.6 billion at Toshiba Corp.'s chip unit, Japan's largest chip maker, according to an April 16 report by Morgan Stanley.
Renesas controlled 20 percent of the market for microcontrollers in 2008, followed by NEC Electronics with 11.4 percent and Freescale with 11.2 percent, the Morgan Stanley report said.

Toshiba, the country's biggest maker of system LSI chips, may form an alliance with Fujitsu Ltd., the country's fourth-biggest manufacturer of the devices, Hideyuki Maekawa, a Tokyo-based analyst at Credit Suisse Group AG, wrote in a report dated April 16.

Panasonic GH1 with directional mic

Panasonic's little Lumix GH1 stills and HD video hybrid promises to whet the appetite of a lot of imaging creatives when it's launched at the end of May. Although we reported the GH1 had a mic socket for an optional directional mic when the new Lumix was announced, Panasonic has kindly forwarded a photo clearly showing the complete setup.

(UPDATE: We'll have more details, including sample shots and video clips after the press event in May).

Further details can be found here.