As We Predicted, Olympus Launch New Special All-Black E-P2 + Kit

We didn't think that secret would keep, well here you have it, Olympus have officially announced the new all-black E-P2 micro four thirds camera today, along with 40-150mm and 75-300mm lenses.

The new E-P2 EVF Edition kit comes with a 17mm 1:2.8 pancake lens (also in black), and the VF-2 electronic viewfinder, in black too. Also included is a new lens cap with "F" logo, which you can see in the photo above. Available in the shops from October, for 1,079 Euros, with US pricing not yet listed for this version. The E-P2 Special Black EVF Edition contents include:

E-P2 camera in black
M.ZUIKO DIGITAL 17mm 1:2.8 Pancake lens exclusively in black
VF-2 electronic viewfinder in black
Historic lens cap with F logo

Otherwise, the E-P2 Special Black Flash Edition comes with the above pancake lens and lens cap, swapping the viewfinder for the FL-14 external flash—hence the "flash edition" name. Supposedly this version will retail for $1,000 / 1,049 Euros come October. E-P2 camera in black boxed contents include:

E-P2 camera in black
M.ZUIKO DIGITAL 17mm 1:2.8 Pancake lens exclusively in black
FL-14 external flash exclusively in black
Historic lens cap with F logo cap with F logo

On to the lenses, and the 75-300mm f/4.8-6.7 will cost $900 / 899 Euros from December, and the 40-150mm 1:4.0-5.6 will come in at a more affordable $300 / 329 Euros from November for the US, October for Euro

 

The classic cap

The Olympus Pen F was the world's first and only half-frame system single-lens reflex camera, released in 1963. The Olympus Pen F was a revolutionary camera packed with innovative features. With the new digital PEN cameras Olympus started a new era of mirror less cameras with outstanding design. The lens cap with the special F logo has a diameter of 37mm and can be used with the M.ZUIKO DIGITAL 17mm 1:2.8 Pancake lens.

No true PEN enthusiast would be without this stylish and historic accessory. Its silver F logo is a striking visual reference to the front of the original Olympus Pen F and blends superbly with the black metal body of the E-P2. The cap can also be purchased separately for ¤49.90. Part number: LC-37 F Logo MFT Lens Cap.

Canon Announce Largest Ever CMOS Sensor

We're sure you've read the announcement from Canon's team last week announcing a massive 120 megapixel sensor, well this week the technicians at team Canon have announced the biggest ever CMOS sensor, measuring 202x205 mm - that's round 8 inches square; making this sensor roughly around 40 times larger than the sensor currently found in the 5D Mark II.

The New CMOS sensor - that's the one on the left

Canon says it'll be good for filming stars and nocturnal animals, we couldn't agree more.

Here's the full press release, if you want to have a read...

Canon Inc. announced today that it has successfully developed the world’s largest*1 CMOS image sensor, with a chip size measuring 202 x 205 mm. Because its expanded size enables greater light-gathering capability, the sensor is capable of capturing images in one one-hundredth the amount of light required by a professional-model digital SLR camera.

At 202 x 205 mm, the newly developed CMOS sensor is among the largest chips that can be produced from a 12-inch (300 mm) wafer, and is approximately 40 times the size of Canon’s largest commercial CMOS sensor.*2

In the past, enlarging the size of the sensor resulted in an increase in the amount of time required between the receiving and transmission of data signals, which posed a challenge to achieving high-speed readout. Canon, however, solved this problem through an innovative circuit design, making possible the realization of a massive video-compatible CMOS sensor. Additionally, by ensuring the cleanest of cleanroom environments during the production process, the sensor minimizes image imperfections and dust.

Because the increased size of the new CMOS sensor allows more light to be gathered, it enables shooting in low-light environments. The sensor makes possible the image capture in one one-hundredth the amount of light required by a 35 mm full-frame CMOS sensor, facilitating the shooting of 60 frame-per-second video with a mere 0.3 lux of illumination.

Potential applications for the new high-sensitivity CMOS sensor include the video recording of stars in the night sky and nocturnal animal behavior.

Through the further development of distinctive CMOS image sensors, Canon will break new ground in the world of new image expression, in the area of still images as well as video.

New Voigtländer 25mm f/0.95 for MicroFourThirds Confirmed

Voitgländer has announced the production of new lenses for the MicroFourThirds system. The first lens to be unveiled is the new Nokton 25mm (50mm equivalent) f/0.95 lens. That's a stop faster than f/1.2 and 1 1/3 stop faster than f/1.4. This particular lens has been designed for MFT cameras, such as the Lumix GF-1 and Pen E-P2 (the latter is particularly useful with the built-in IS system) and as a result you don’t need to use any adapter. There is no auto-focus of course, this is a manual focus lens. The price is expected to be in the region of $1000 with availability by October/November.

Comparable lenses include old C-mount lenses like the Schneider 25mm f/0.95 and also two more including 25mm f/0.95 lenses from Navitar and Angenieux. They are not designed for MFT so you will need an MFT adapter.

UK readers can buy directly from the UK distributor, Robert White, here. The price is £695 plus VAT at the time of posting. US and readers those from Canada can buy from Adorama here.

Specification

New Olympus E-P2 And E-5 DSLR Rumored

No secret is safe anymore including the latest cameras coming from Olympus, that's if 42rumors.com are to be believed and it certainly looks pretty believable.

The new E-P2 kit + 2 new MicroFourThirds lenses will be announced tomorrow August 31

1) The new E-P2 kit with black 17mm lens and black external flash.

There will be also two new MFT lenses:

2) The new M.Zuiko ED 75-300mm f/4.8-6.7 (equivalent of 150-600mm in 35mm)
It is the world smallest 600mm zoom lens. It weights 430 grams and has a diameter of 7cm and 11.6cm length.
It allows nearly silent HD movie recording.
The new lenses are made with ED (extra-low dispersion)
It will be available in December 2010 for $899.99

3) The new M.Zuiko ED 40-150mm f/4.0-5.6 equivalent of 80-300mm in 35mm)
It weights 190 grams.
It will be available in November 2010 for $299.99

The E-5 will be announced on September 14!

It has 12 Megapixel, two more than the “older” E-3. It has the new TruePic 5 engine for better detail, 720p hd video at 30p, 11 pt af, 920k dot res lcd, 3 inches, art filters and a mic jack.

The image above is of the new 75mm-300mm lens.

Canon announces EOS MOVIE plug-in update for Final Cut Pro

EOS MOVIE plug-in update for Final Cut Pro

United Kingdom, Republic of Ireland 26th August 2010 – Canon today announces a new plug-in further enhancing quicker and easier editing of EOS MOVIE footage in Apple’s software suite, Final Cut Pro. The update will be available to download for free from mid-September.

EOS Movie Plug-in-E1 for Final Cut Pro version 1.1 will add to the recently released Plug-in-E1 by providing support for the Canon EOS 60D, the latest addition to the EOS range. The plug-in will allow users to view metadata and EXIF data for movie files. It will also provide support for multi-core processing, allowing even faster conversations with the latest generation of Macs.

The original plug-in was designed to convert EOS MOVIE footage from Canon’s EOS 5D Mark II, EOS 7D and EOS-1D Mark IV Digital SLR cameras to Apple’s high-quality ProRes 422 codec at approximately twice the speed of Apple’s standard conversion. Users will still have the benefits of being able to add timecode and reel names to footage quickly and easily.

Canon unwrap new EF 1.4x III and EF 2x III teleconverters

Canon has unwrapped replacements for their existing 1.4x and 2x Extenders (teleconverters), boasting an easier to use lens release mechanism, improved optical train, and fluorine coatings to reduce marking and improve AF performance. Both units will be available in December with a price of £549.99 / 659.99 Euros inc Tax.

Extend the reach of your telephoto lens with Canon’s Extender EF 1.4x III and Extender EF 2x III

United Kingdom, Republic of Ireland 26th August 2010 – Canon today unveils two lens extenders designed for its L-series range of new super-telephoto lenses. Designed for photojournalists, nature and sports photographers who need to get close to distant and challenging subjects, the Extender EF 1.4x III and Extender EF 2x III increase the focal length of a lens by a factor of 1.4x and 2x respectively while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, they also combine enhanced environmental protection, redesigned optics and improved data communication between lens and camera.

Canon professional image quality
Allowing professional photographers to shoot distant subjects without having to carry a number of heavy lenses with them, these new extenders ensure there is no compromise on image quality. The Extender EF 1.4x III features seven lens elements in three groups, and the Extender EF 2x III features nine lens elements in five groups, ensuring improved optical performance. All optical elements use Canon’s Super Spectra coating, reducing ghosting and flare to minimise post-processing requirements. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings.

To facilitate the accurate transfer of imaging data between the lens and camera body, both models feature an integrated processor which ensures all focusing, metering and ID information is available – allowing the photographer to capture crisp, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable higher AF accuracy compared to previous generations, ensuring professionals achieve perfectly sharp shots, even when capturing moving subjects.

Redesigned for high performance
The Extender EF 1.4x III and Extender EF 2x III have been designed to complement the latest range of L-series lenses, matching their appearance and offering a visible differentiation from previous models. A carefully positioned lens release mechanism also makes it easy to mount the extenders quickly, reducing the time that the camera and lens are exposed to the environment. The extenders offer the exceptional build-quality expected from Canon’s professional products, and are resistant to both dust and water, allowing photographers to use them in extreme shooting conditions.

For convenient transport, the 225g Extender EF 1.4x III and 325g Extender EF 2x III are supplied with a soft case (LP811) and Extender Cap EII.

Pricing and Availability
The Extender EF 1.4x III is available from December priced £549.99 / ¤659.99 RRP inc VAT
The Extender EF 2x III is available from December priced £549.99 / ¤659.99 RRP inc VAT

Canon to show new 500mm and 600mm lenses at Photokina

Canon are set to reveal updates to their 500mm and 600mm f/4 super-telephoto lenses next month at the Photokina trade show in Cologne. No word has been communicated on a release date or price, but it's expected the duo will be on sale in early 2011.

Press release

Canon announces development of advanced super-telephoto professional lenses

United Kingdom, Republic of Ireland; 26 August 2010 – Canon today announces the development of two new super-telephoto lenses for its leading range of EOS Digital SLR cameras – the EF 500mm F/4L IS II USM and the EF 600mm F/4L IS II USM. The new lenses will be displayed for the first time in Europe during Photokina 2010 in Cologne, Germany.

Developed as part of Canon’s acclaimed L-series of professional lenses, the new lenses will achieve new and advanced levels of image quality. Each will include the highest quality components, featuring high specification Image Stabilizer technology alongside the use of optical materials such as Fluorite, to correct aberrations ensuring high resolution images rich in detail and contrast.

Succeeding the widely-respected EF 500mm F/4L IS USM and EF 600mm F/4L IS USM, the EF 500mm F/4L IS II USM and EF 600mm F/4L IS II USM are being developed for photographers who require high performance, fast aperture and a longer focal length. Redesigned, lightweight bodies will provide added mobility alongside enhanced protection against dust and water, making them ideal for the toughest shooting conditions.

Both new lenses have been designed to reflect Canon’s renowned high standards for the elite L-series, combining exceptional-quality optics with easy-to-reach controls and signature designs. The models will be released as part of Canon’s continued development of its EF lens line-up, offering enhanced performance and improved functions that cater for the needs of photographers from beginners through to professionals.

The EF 500mm F/4L IS II USM can be pre-ordered at Adorama here, and is currently $10,499, while the EF 600mm F/4L IS II USM, can be pre-ordered here at just $12,999.

Canon updates 300mm f/2.8L and 400mm f/2.8L super telephotos

Canon has updated two of their super-telephotos with new barrel designs, with some components made from titanium no less, and improved optical, AF and IS systems. The 400mm f/2.8, once the real heavyweight compared with Nikon's rival offering, is now the lightest available (the current model weighs 5.37 kg (11.8lb), the Nikkor 4.62Kg (10.18lb) and the new Canon 3.85Kg (8.5lb)). Both the new Canon lenses will be available during December priced at £7500 and a staggering £11,499 inc. Tax, respectively.

Press release:

EF 300mm f/2.8L IS II USM

EF 400mm f/2.8L IS II USM

Outstanding design, exceptional performance – Canon sets new standards with the EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM

United Kingdom, Republic of Ireland; August 2010 – Canon today enhances its premium L-series with the launch of the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM – two high quality super-telephoto lenses designed to meet the demands of professional photographers. Offering optical excellence and consistently high performance, the new lenses combine super-telephoto focal lengths, fast aperture and outstanding image quality, providing photographers with reliability and exceptional results.

Succeeding the well-respected EF 300mm f/2.8L IS USM and the EF 400mm f/2.8L IS USM, both new models will appeal to nature, wildlife and sports photographers. Each features a completely redesigned optical system and the latest iteration of Canon’s original Image Stabilizer (IS) technology, while an all-new magnesium alloy construction and titanium components ensure the designs are both robust and lightweight. The EF 400mm f/2.8L IS II USM is the lightest lens in its class ( as of August 2010) offering unrivaled mobility due to an incredible 28% reduction in weight (1.5KG) compared to its predecessor, while the EF 300mm f/2.8L IS II USM offers photographers an 8% weight reduction.

Ultra high performance optics
Manufactured using the very best optical components, the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM mark a significant step forward for Canon’s L-series, which is already renowned for its outstanding quality. Both lenses feature 16 elements in 12 different groups, using high performance fluorite lens elements that correct chromatic aberration to deliver high resolution and high contrast shots of the best possible quality – allowing photographers to capture images rich with edge-to-edge detail.

The optical elements also feature Canon’s latest Super Spectra Coatings, optimised for both the position and type of each lens element. A SubWavelength Structure Coating (SWC), which uses microscopic cone-shaped structures smaller than a wavelength of visible light, reduces ghosting caused by light bouncing back from the imaging sensor. Fluorine coating is also used on the front and rear elements of the lenses, repelling dust and dirt for clearer shots. The coating is also water repellent, keeping the front element free of water marks and smearing by ensuring water runs off the lens quickly.

New, improved IS and rapid AF
Both models feature Canon’s new Image Stabilizer system, providing outstanding results when the photographer is moving around and when capturing moving subjects. A 4-stop advantage offers greater image quality during handheld shooting, allowing users to shoot at speeds up for four times slower than normally required with minimal additional blur. Operation of IS mode 2 has been improved when shooting panning motion and a new third IS mode has been added, assisting users when quickly switching between subjects by activating the IS unit only during exposure.

Both lenses offer a constant f/2.8 aperture, allowing photographers to shoot at faster shutter speeds and capture clear shots of fast-moving subjects. The wide aperture also allows users to creatively isolate their subjects from the background, with a nine-blade circular iris creating dramatic and striking background blur that instantly adds beauty to an image.

Fast, quiet Auto Focusing (AF) is provided by a ring-type USM, new dedicated AF algorithms and a new high-speed CPU, which offer quick and accurate focusing during shooting. Photographers can also utilise full-time manual focusing functionality, which enables the adjustment and fine-tuning of focus even when the AF system is activated, providing even greater control over image capture. A new Power Focus mode aids focusing during video shooting, allowing the photographer to smoothly adjust focus during filming by twisting the focus recall ring.

All-new premium L-series design
Developed in line with Canon’s philosophy for the elite L-series, both the EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM boast a refined design that reflects their status as market-leading, benchmark lenses. Both feature a new design layout, with carefully-positioned controls that improve operation in everyday use. The AF stop buttons are now location-adjustable, improving ergonomics by allowing users to custom-select the position of the lens grip, where the AF stop buttons are located.

A choice of dedicated tripod mounts provides added flexibility, allowing photographers to use a long or short foot suitable for monopods or tripods. A new rotational mechanism for the tripod collar also provides a smoother movement when turning the lens from portrait to landscape orientation. In addition, both models feature a new high quality exterior texture, while a new shade of white casing indicates the new advanced design and higher precision that each lens offers. A new Kensington-type wire security lock has also been added, allowing photographers to keep their lenses secure during location-based shoots.

A robust weatherproof design makes both lenses suitable for use in extreme conditions when paired with a weatherproof EOS body.

Complementary, high quality lens extenders
Both new models are compatible with the new set of Canon lens extenders designed for L-series super-telephoto lenses – the Extender EF 1.4x III and Extender EF2x III. Manufactured to complement the new optical systems featured in both lenses, the Extender EF 1.4x III and Extender EF2x III will allow professionals to instantly extend the focal length of either lens by 1.4x or 2x respectively – enabling the capture of high quality, detailed images of subjects that may typically be beyond reach.

Pricing and Availability
The EF 300mm f/2.8L IS II USM is available from December priced £7499.99 / ¤8929.99 RRP inc VAT
The EF 400mm f/2.8L IS II USM is available from December priced £11499.99 / ¤13689.99 RRP inc VAT9.99 R

Canon announces world's first EF 8-15mm f/4L USM fisheye zoom

Canon today has addressed the rumors circulating of an ultra-wide zoom from them to rival the Nikkor 14-24mm. It's not that exactly, but it's equally as impressive, offering both circular and full frame images. The EF 8-15mm f/4L Fisheye USM is available from January 2011 priced £1499.99 / 1789.99 Euros inc Tax.

See everything through different eyes – Canon launches the EF 8-15mm f/4L Fisheye USM zoom lens

United Kingdom, Republic of Ireland, 26 August 2010 – Canon today unveils the world’s first fisheye zoom lens offering both circular and full frame images, thanks to an extreme wide-angle focal range of 8-15mm. Replacing the EF 15mm f/2.8 fisheye, the new EF 8-15mm f/4L Fisheye USM is the latest addition to Canon’s L-series range of professional lenses, providing outstanding image quality, constant aperture throughout the zoom range and a robust design for reliable shooting in challenging weather conditions.

When paired with Canon’s full-frame DSLR bodies, such as the EOS 5D Mark II or the EOS-1Ds Mark III, professional photographers can choose to capture circular or full-frame fisheye images, allowing them to view a scene in a completely new and unique way. This new level of choice provides enhanced creative flexibility when shooting scenes such as the night sky, where the full 180º horizontal and vertical fields of view (FOV) allow every detail to be captured with incredible clarity in one single image.

When used with EOS bodies featuring APS-C or APS-H sensors, the EF 8-15mm f/4L Fisheye USM produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge. ‘C’ and ‘H’ markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor, allowing photographers to achieve optimum results with any EOS body.

Advanced optics for professional imaging
The EF 8-15mm f/4L Fisheye USM showcases over 70 years of Canon’s optical engineering heritage, boasting 14 lens elements in 11 different groups, including one aspherical and one Ultra-low Dispersion (UD) element to correct chromatic aberration and produce high-quality, high-contrast shots with excellent colour reproduction.

Ghosting and flare caused by strong light sources can be a particular challenge when shooting at such a wide angle, and, in order to counteract these artefacts, all lens elements have been covered with Canon’s Super Spectra Coating. The inner surface of the front element also features Canon’s SubWavelength Structure Coating (SWC), which uses tiny cone-like structures, shorter than the wavelength of visible light on the surface of the lens element, to gradually slow light down until it is at the same speed as it travels through glass, removing the risk of flare occurring before the light reaches the sensor.

To maintain optimum image quality, the front and rear lens elements also feature a Fluorine Coating which actively repels water, dust and dirt, making it easier to clean the lens and leaving it unobstructed by particles.

Fast, accurate focusing and low light performance
The ultra-wide angle zoom of the EF 8-15mm f/4L Fisheye USM offers a fresh take on sporting action or architecture shots, while the constant f/4.0 aperture allows faster shutter speeds to be employed for natural-looking images in low light.

A ring-type ultrasonic motor (USM), provides quick and accurate focusing when shooting and enables a full-time manual focus functionality allowing photographers to adjust the focus of any shot, even when the AF system is activated, for even greater control over image capture and improved creative flexibility.

Built for professional performance
The EF 8-15mm f/4L Fisheye USM features a high-grade physical design that reflects its elite performance. High resistance to both dust and water enables it to be used in a range of challenging situations, and, when used with a professional EOS body, it allows continued shooting in the harshest weather conditions. The external design also features the new exterior texture, for a high quality look and feel indicative of all new L-series models.

High quality accessories
The EF 8-15mm f/4L Fisheye USM is supplied with a dedicated lens cap, lens pouch and a felt-lined lens hood EW-77 for use when using the zoom at the 15mm setting, preventing lens flare.

Pricing and Availability
The EF 8-15mm f/4L Fisheye USM is available from January 2011 priced £1499.99 / ¤1789.99 RRP inc VAT

Canon launches EF 70-300mm f/4-5.6L IS USM

Canon has announced a new, "affordable" L-series EF 70-300mm f/4-5.6L IS USM (note the zoom ring to the front of the barrel, instead of being behind the focus ring as the pro lenses are arranged). It will be available from October priced £1599.99 / 1909.99 Euros inc Tax.

Lightweight, compact and versatile - Canon unveils the EF 70-300mm f/4-5.6L IS USM

United Kingdom, Republic of Ireland; 26th August 2010 – Canon today announces the latest addition to its renowned L-series of professional lenses, the EF 70-300mm f/4-5.6L IS USM, designed to answer growing demand for a high performance zoom lens which offers outstanding mobility and versatility.

The EF 70-300mm f/4-5.6L IS USM offers a 4.3x telephoto zoom range of 70-300mm, with a variable aperture of f/4-5.6. The compact (143mm) design also features the build quality that photographers have come to expect from Canon’s acclaimed L-series lenses. With its impressive focal range and travel-friendly size, the EF 70-300mm f/4-5.6L IS USM is ideally suited to professionals and advanced amateur photographers wishing to capture portraits, nature and action shots in superb detail.

Canon signature image quality
Thanks to two ultra-low dispersion (UD) elements and a floating lens group, the EF 70-300mm f/4-5.6L IS USM captures stunning high-contrast, high-resolution images with low levels of chromatic aberration throughout the zoom range. The lens makes use of Canon’s Super Spectra coatings, reducing ghosting and flare to ensure the highest possible image quality and minimising the requirement for extensive post processing.

Canon’s advanced optical Image Stabilizer (IS) provides photographers with a four-stop IS advantage, enabling the capture of sharp images even when shooting at maximum zoom or in low light conditions, by allowing the use of slower shutter speeds than would usually be possible with handheld shooting.

An eight-blade circular aperture also offers excellent bokeh ideal for portraiture, producing a more pleasant background and creatively isolating the subject.

Autofocus (AF) is fast and quiet thanks to a ring-type USM AF motor, combined with the independent lens CPU and advanced AF algorithms to enable accurate, reliable focusing in all conditions. As with all Canon L series lenses, full time manual focus override is possible, allowing photographers to manually focus, even when the AF motor is engaged. With a minimum focusing distance of 1.2m (3.9ft) throughout the zoom range, photographers can achieve sharp results, even when close to the action.

L-series – robust performance in all conditions
Honouring the L-series heritage, the EF 70-300mm f/4-5.6L IS USM offers exceptional build quality, ideal for daily use by professionals and advanced amateurs. The lens includes environmental protection, allowing photographers to shoot in harsh conditions - even in the extremes of the desert or rainforest. Canon’s new Fluorine Coating also makes cleaning the lens easier, preventing smears or streaking.

Professional accessories
As part of the L-series range, the EF 70-300mm f/4-5.6L IS USM is supplied with a lens hood ET-73B and lens case LP1424 as standard. In addition, an optional, dedicated tripod mount C (WII) can be directly attached to the lens. This allows it to be stabilised easily and the camera switched quickly from vertical to horizontal and back, without having to reposition the camera body on the tripod, perfect for fast-paced action with a variety of subjects.

Pricing and Availability
The EF 70-300mm f/4-5.6L IS USM is available from October priced £1599.99 / ¤1909.99 RRP inc VAT

Canon rolls out 18-megapixel EOS 60D

Previously leaked on several sites around the internet, Canon has today officially announced the 18-megapixel APS-C format EOS 60D. Body only price is £1100 / 1300 Euros inc Tax, and it will be available from October.

Press release:

Control, power, creativity – Canon empowers photographers to take the next step with the new EOS 60D

United Kingdom, Republic of Ireland; 26th August 2010 - Canon today announces the latest addition to its world-famous EOS series of Digital SLR (DSLR) cameras – the new EOS 60D. Replacing the EOS 50D, the EOS 60D is designed for photographers who want to take their skills to the next level, offering high performance, a series of creative features, a Vari-angle LCD screen and enhanced ergonomics – empowering photography enthusiasts to capture outstanding stills and Full High Definition (HD) video for unique, creative results.

High speed, high resolution
With an 18 Megapixel APS-C sensor, the EOS 60D offers high levels of detail and a magnification of 1.6x the focal length of the lens to capture poster-size images in a variety of aspect ratios (1:1, 16:9, 4:3 in addition to the standard 3:2 dimension). Canon’s powerful DIGIC 4 technology rapidly processes image information captured from the CMOS sensor’s four-channel output, providing outstanding colour reproduction, as well as high-speed shooting at 5.3fps in bursts of 58 full-resolution JPEGs.

A standard ISO range of 100-6400 is extendable to 12800, providing smooth images with minimal noise in low light conditions. A 9-point, all cross-type autofocus (AF) system also provides swift and accurate focusing, with an extra-sensitive centre point for lenses faster than f/2.8, allowing photographers to artistically employ a shallow depth of field during portraiture or for more atmospheric shooting.

The EOS 60D features Canon’s iFCL metering system, first introduced with the acclaimed EOS 7D, with a 63-zone Dual-Layer sensor. Information on subject location is gathered from the Auto Focus system, and is combined with colour and luminance readings for consistent accurate exposures whatever the situation. The Integrated Speedlite transmitter also provides in-camera control of multiple EX flash units for more creative lighting.

Shoot from all angles
A new 7.7cm (3.0”) Vari-angle wide LCD monitor features a 3:2 aspect ratio and a 1,040k dot resolution, providing added flexibility and allowing photographers to view their images in incredible detail. The Vari-angle wide LCD helps frame shots from difficult angles, and can be positioned with Live View enabled to achieve the desired composition if shooting isn’t possible using the viewfinder. The ability to capture wildlife portraits, overhead shots or ground-level photography is instantly enhanced, and the surface of the screen features an anti-reflective, water-repellent coating to protect the screen allows easy viewing in bright light and from a variety of angles.

Empowering creativity
A new Basic + function makes it easy for photographers to add their own creative touch to images without worrying about changing settings. Photographers can add ambiance to a scene by shooting according to lighting and scene type, with Portrait, Landscape, Close-Up, Sport, Night Snapshot or Creative AUTO modes all available. Different effects can be achieved by shooting with Basic + enhancements such as Daylight, Cloudy or Sunset or pre-set Picture Styles including Vivid, Soft, Warm or Monochrome.

Designed to provide power for those who wish to extend their creative vision, the EOS 60D features a host of new functions that help capture better images and in-camera effects to add an extra dimension. The powerful DIGIC 4 processor supports in-camera RAW image processing, allowing photographers to edit settings such as brightness, contrast, white balance or correct distortion or chromatic aberration. The edited image can then be resaved as a JPEG, ready to be printed or uploaded to a PC or the web.

For photographers who want to add post-production effects to their images without the need for expensive software, the EOS 60D also features a range of new creative filters that can be applied in-camera. Filters including Grainy B/W, Soft Focus, Toy Camera Effect and Miniature Effect provide images with a different feel, allowing photographers to create a themed collection - using Grainy B/W to give images a reportage style, for example – or easily smooth skin tone in portraits with Soft Focus.

EOS Movies: Full HD video with complete control
Offering photographers the freedom to go beyond stills, the EOS 60D captures 1920x1080p HD video with a variety of user-selectable frame rates, including 30, 25 and 24fps, as well as 720p video at 60 and 50fps. Movie Crop mode is also available, recording with the central 640x480 pixel area of the sensor to create an effective magnification of approximately seven times the focal length of the lens.

Full manual control in Movie mode allows photographers to employ their own exposure and focus settings and take advantage of the effects achieved from Canon’s wide range of EF lenses. An external stereo microphone terminal and the ability to adjust sound recording level ensures the audio track recorded matches the visual quality of the video, capturing broadcast-quality sound.

For those who want to share images with friends and family, an integrated HDMI port is compatible with Consumer Electronics Control (HDMI-CEC), allowing video and images to be viewed on any compatible HD-ready TV and controlled via the TV remote.

Designed for flexibility
The EOS 60D features a completely redesigned body, combining an ergonomically enhanced, curved shape with a new button layout to make it quick and comfortable for photographers to change settings. Frequently used camera controls are grouped together for easy access, while the Quick Control Dial, Multi-controller and SET button have all been merged into one Multi Control Dial, enabling photographers to operate menus and enter settings quickly using their thumb. The mode dial also features a lock button, preventing unintentional changes to settings mid-shoot.

A dedicated Quick Control access button allows photographers to instantly reach the most common shooting settings and playback controls. Customising the functions of a number of buttons is also possible, allowing photographers to tailor the camera to suit their individual needs. To help achieve landscapes with perfectly level horizons, a horizontal Electronic Level can be displayed in the viewfinder or in Live View to assist composition and remove any potential need for post-production correction.

The EOS 60D is one of the latest Canon models to support high-capacity SDXC memory cards, providing up to 2TB of available space, allowing photographers to keep shooting HD video and full resolution RAW and JPEG stills without changing cards. For better management of larger image libraries on the camera, EOS 60D photographers can add a rating of 1 to 5 to their favourite images, allowing them to be easily located and viewed on-screen. Once transferred from the camera to a PC, the tags can also be viewed using a number of image editing and management programs, including Canon’s DPP software.

Share the moment
For photographers who want to transfer content wirelessly, the EOS 60D includes Eye-Fi connected functions. The EOS 60D features a dedicated Eye-Fi section in the User Interface allowing WiFi functionality to be turned off when not required to save battery life

EOS 60D features at a glance:
18 MP APS-C CMOS sensor
Advanced creative features with Basic +
Vari-angle 7.7cm (3.0”) 3:2 ratio LCD
Full HD movies with manual control
DIGIC 4
ISO 100-6400, H:12800
5.3fps shooting for up to 58 JPEGs
9-point cross type AF System
iFCL metering with 63-zone Dual-layer Sensor
Integrated Speedlite transmitter
In-camera RAW processing

 

Pricing and Availability
The EOS 60D body only is available from October priced £1099.99 / ¤1309.99 RRP inc VAT
The EOS 60D EF-S 18-55mm f/3.5-5.6 IS is available from October priced £1199.99 / ¤1429.99 RRP inc VAT
The EOS 60D EF-S 18-135mm f/3.5-5.6 IS is available from October priced £1399.99 / ¤1669.99 RRP inc VAT
The EOS 60D EF-S 17-55mm f/2.8 IS USM is available from October priced £1999.99 / ¤2379.99 RRP inc VAT
The EOS 60D EF-S 17-85mm f/4-5.6 IS USM is available from October priced £1449.99 / ¤1789.99 RRP inc VAT

Carl Zeiss to announce new lenses at Photokina

Press release

OBERKOCHEN/Germany, 24.08.2010.
This year’s visitors to the Carl Zeiss booth at photokina will be able to touch, test and even walk through high-quality lenses. The optical experts want to make an encounter with the world of Carl Zeiss something to remember.

“We will present new lenses and, for the first time, accessories at photokina. You'll have to be a bit more patient to find out exactly what we have in store," announces Martin Klottig, Marketing Manager of the Camera Lens Division at Carl Zeiss AG. Twice as large as its predecessor in 2008, the "application island" at the booth in Hall 2.1 will allow visitors to test the entire line of Carl Zeiss lenses. Using a number of real subjects, photographers and anyone else interested will have the opportunity to try our various focal lengths and settings. In addition to the entirely new ZEISS lenses, guests will also be able to use Sony lenses featuring Carl Zeiss technology and the coveted Compact Prime CP.2 lenses on HDSLR cameras for video recording.

The walk-through lens introduced in 2008, invites this year’s visitors to experience the 120-year history of lenses at Carl Zeiss. It shows how Carl Zeiss has accompanied photography from one era to the next and how developments of the past have laid the foundation for the future. The high-performance Tessar lenses, for example, have been around since 1902. These pioneering, compact designs are used in a miniaturized form in high-end Nokia mobile phones.

Our partner Nokia will also present its latest smart phones at our booth, and demonstrate how compact, creative and high-quality mobile photography with Carl Zeiss works.

Sony announce first DSLRs with EVFs

Sony has announced the first DSLRs to feature electronic viewfinders (EVF) and a so-called 'translucent' mirror. The mirror is likely to be a semi-silvered type, but it's sure to be extremely vulnerable to damage (while cleaning, for instance). Time will tell, but if you've ever seen a cracked pellicle mirror it's a truly sobering experience. All the same, now that Sony has combined the pellicle with the EVF this could be the beginning of the end of the optical viewfinder in DSLRs. The Alpha 55 is the one to go for between the two, and if Sony update the Carl Zeiss DT16-80 f/3.5-4.5 (shown on the Alpha 33) with a SSM internal AF motor, I will have to fight hard to resist. Times are a changin'.

Sony rolls out four new DSLRs

With the introduction of four new models today (see separate post for the SLT A33 and SLT A55), Sony's year-old A550 and A500 models have been replaced by the A580 and A560 (see below for the press release).

Press Release

 

London, 24TH August 2010

 

Sony introduces high performance DSLR cameras with Full HD video

Fully-featured α580 with newly developed 16.2M Exmor APS HD CMOS censor, up to 7fps shooting, and Auto HDR

•    DSLR-A580 (16.2 megapixels) and DSLR-A560 (14.2 megapixels)
•    Fast, responsive shooting up to 7fps
•    New 15-point phase-detection autofocus system for rapid, accurate AF tracking
•    Full HD Movie shooting
•    Advanced imaging functions including 3D Sweep Panorama, Auto HDR and Multi Frame Noise Reduction

Appealing to photographers ready to explore sophisticated new creative possibilities, the DSLR-A580 and DSLR-A560 from Sony offer unparalleled levels of imaging refinement.

At the heart of both cameras is a new-generation Exmor™ APS HD CMOS Sensor processor. Together with the latest iteration of Sony’s powerful BIONZ imaging processor, it supports high-speed continuous shooting plus a sophisticated range of digital image compositing and processing functions. This gives even greater artistic possibilities to beginners and photo enthusiasts alike.

The A580 and A560 can freeze fleeting photo opportunities at up to 7fps in Speed Priority Continuous Advance mode *. What’s more, Sony’s popular Quick AF Live View system is now more effective than ever. The benefits of live image preview are maximised by a newly developed 15-point phase-detection autofocus system that keeps even moving subjects in pin-sharp focus.

The A580 and A560 are compatible with the full α range of over 30 A-mount interchangeable lenses of Sony and Carl Zeiss already available and offer SteadyShot INSIDE. This in-body sensor shift image stabilisation system provides up to 4 exposure steps of anti-shake correction when shooting handheld.

Full HD movie shooting
Both the A580 and A560 offer Full HD video shooting. Just touch the dedicated Movie button and record detail-packed HD videos and crisp stereo sound in a choice of AVCHD 1080i or web-friendly MP4 formats. Thanks to the large, high-resolution Exmor™ APS HD CMOS Sensor, it’s possible to capture stunning HD movie clips with beautiful background defocus (‘bokeh’) effects.

Effortless composition and image viewing
The A580 and A560 enable exciting new possibilities for framing and viewing the highest-quality still images and video.

* Autofocus and Auto Exposure locked at first frame for entire burst
Articulating up or down for comfortable framing in any shooting position, the bright 7.5 cm (3.0") Xtra Fine LCD offers a bright, high contrast view with superb detail and colours.

As an additional refinement, new Focus Check Live View mode simplifies critical assessment of the finest image details. A real-time ‘feed’ from the main sensor can be viewed on the LCD monitor, with switchable magnification allowing close-up confirmation of delicate manual focus adjustments. Contrast AF method is selectable in focus check Live View mode.

DSLR enthusiasts will also welcome the bright, high contrast optical viewfinder with 95% frame coverage that provides a supremely detailed view while composing still images. Depth of field preview is now available at the touch of a button.

Both cameras feature 3D Sweep Panorama, allowing photographers to capture detail-packed extra-wide panoramas with a huge field of view. 3D panoramas can be enjoyed on any compatible 3D HD television.

Auto HDR is now refined further compared with previous-generation α models. Data from a burst of three frames at bracketed exposure values is automatically combined, creating a single image with extended highlight and shadow detail. Multi-frame Noise Reduction ‘stacks’ a high-speed burst of six frames, creating a single low-noise exposure that boosts effective sensitivity as high as ISO 25600.

The new cameras accept both Memory Stick PRO Duo™ (including Memory Stick PRO-HG Duo™) and SD (including both SDHC and SDXC formats) media (all sold separately). Memory Stick PRO-HG Duo HX 30MB per second transfer rate offers the best performance during cameras' continuous shooting mode or when transferring the data to another media.

The new DSLR-A580 and DSLR-A560 digital SLR cameras from Sony will be available from October 2010.

 

Sony's current range of DSLRs (and NEX 3 and 5 models) includes, from left to right: A900, A850, A580, A560, A55, A33, A390 and finally the A290.

PictoColor rolls out iCorrect Portrait 2.0

PictoColor Releases Windows Version of iCorrect Portrait 2.0 Color Correction Plug-in for Photoshop CS5 Including Full 64-Bit Compatibility

New plug-in featuring award-winning skin tone color correction now includes PictoColor’s noise reduction and sharpening technology for optimum image quality

Burnsville, MN (PRWEB) August 20, 2010
PictoColor Software, a leading developer of innovative, timesaving solutions for professional and advanced amateur photographers, has released iCorrect Portrait 2.0 Plug-in for Adobe Photoshop CS5. The newest version of the highly acclaimed point-and-click color correction software now offers full compatibility with the Adobe Photoshop CS5 in both 32 and 64-bit Windows environments. iCorrect Portrait 2.0 seamlessly integrates noise removal and sharpening technology with PictoColor’s Skin Tone Technology for optimum color workflow. Applying noise removal, color correction, and sharpening in the proper order is critical to achieving optimum image quality. iCorrect Portrait 2.0 automatically applies these corrections in a single step thus avoiding mistakes and saving time.
Based on PictoColor’s point-and-click color correction technology, iCorrect Portrait 2.0 offers professional portrait, wedding, school, sport, and event photographers a fast and easy way to color correct their digital photos.
iCorrect Portrait features PictoColor’s award-winning skin tone correction technology that adds vibrancy to every image with just a click of the mouse. It’s simple single-panel interface provides all the tools for setting tonal range, improving color balance, adjusting brightness and contrast, and correcting skin tones and other user-defined colors like backgrounds, or team colors, etc.
Additional controls allow users to modify settings and optimize their workflow for maximum productivity. All color correction settings can be saved and applied to multiple images with similar characteristics. For extra large jobs, iCorrect Portrait can be recorded into a Photoshop action for batch processing.
iCorrect Portrait 2.0 includes both 32 and 64 bit versions of the plug-in and may be installed on two computers.
Compatibility
Microsoft Windows XP, Vista, Windows 7
Photoshop CS2, CS3, CS4, and CS5 (32 bit and 64 bit)
*Photoshop Elements 4.0 – 8.0 for Windows
iCorrect Portrait 2.0 may be purchased at PictoColor’s secure on-line store at www.pictocolor.com for $124.95 as a software download. A free downloadable demo version is available at www.pictocolor.com.

No APS-C format sensor for Canon G12?

Is this the new Canon G12? Well, Photo Rumors believes so. And, if true there's no APS-C size sensor for the G12, which we all kind of thought (or hoped, perhaps) may happen. Seems like if Canon are going to enter the market with a so-called mirrorless camera, it's still a way off.

Ricoh out CX4

Ricoh has announced the 10-megapixel CX4, with back-illuminated CMOS sensor and 10.7x optical zoom. There's no word on price, as yet.

Press release:

August 19, 2010—TOKYO, Japan—Ricoh Co., Ltd. (helmed by president and CEO Shiro Kondo) today announced the release of the new CX4 compact digital camera. This new design offers high-power (10.7×), wide-angle 28–300 mm optical zoom and improved image-sensor-shift image stabilization in a workmanlike yet stylish package.

The new CX4’s evolved image-sensor-shift image stabilization reduces blur on average by the equivalent of about 3.7 EV—3.7 shutter-speed stops—for improved performance under dim indoor lighting and at high zoom ratios.

The camera also offers a new “subject-tracking AF” autofocus system that automatically tracks your subject, ensuring that photographs are in focus and correctly exposed whenever you choose to release the shutter. You’ll find this feature indispensable for moving subjects and close-ups.

In addition, Ricoh has further developed features designed to enhance the photographic experience, including a “night landscape multi-shot mode” that combines four exposures into a single photograph for reduced image noise, and a “creative shooting mode” that brings out the artist in everyone with soft focus, cross process, and toy camera effects. With portability enhanced by a newly-designed body featuring molded curves that make it easier to slip the camera into your pocket, the CX4 compact digital camera represents another advance in Ricoh’s philosophy of designing “A tool you will want to use every day.”

<Principal Features of the New CX4 Compact Digital Camera>

1. High sensitivity, low noise photography using improved blur reduction and high-performance noise reduction for clear, high-quality results at high zoom ratios and under low light
•    The CX4 offers completely reworked image-sensor-shift image stabilization, which reduces blur caused by camera movement—a phenomenon that is particularly likely to occur in close ups, at high zoom ratios, and in other similar situations. The effect is equivalent to increasing shutter speed by an average of about 3.7 stops.
•    The camera’s noise reduction algorithm processes the image signal as it is output from the CMOS image sensor, reducing noise without affecting resolution, tone, or color. Setting noise reduction to “MAX” enables variance-estimation noise reduction that analyzes the distribution of noise in the data captured by the image sensor and optimizes processing for individual areas of the image.
•    The back-illuminated, 10-megapixel CMOS image sensor offers improved low-light performance.

2. A portable, easy-to-use design featuring 10.7× optical zoom (28–300 mm)
•    Ricoh’s unique retracting lens system allows a wide-angle, high-power (10.7×) zoom lens to be incorporated into a compact camera body only 29.4 mm thick.
•    With picture angles that range from 28 mm (wide angle) to 300 mm (telephoto), this high-power zoom lens is adapted to almost any situation. Choose wide angles for landscapes or cramped interiors that limit the distance between camera and subject, or zoom in for compelling telephoto shots.

3. An autofocus system that automatically tracks the subject (subject-tracking AF)
•    Subject-tracking AF automatically tracks the subject selected when the shutter-release button is pressed halfway, ensuring that photographs are in focus and correctly exposed whenever you choose to release the shutter. This feature is ideal for shots of active children and pets, as well as for photographs of flowers and other subjects that demand careful composition.

4. A “creative shooting mode” that offers a choice of six artistic effects
•    Choose “soft focus mode” for an effect similar to that produced by soft-focus lenses. The strength of the effect can be selected from “weak” and “strong.”
•    Select “cross-process mode” for colors that differ markedly from those in normal photographs. Choose a color scheme from “basic,” “magenta,” and “yellow.”
•    “Toy camera mode” replicates the sharp contrast and saturated colours associated with toy cameras, together with their characteristic distortion and vignetting.
•    The CX4 also offers the “dynamic range double shot,” “miniaturize,” and “high-contrast B&W” modes made popular by the CX3.

5. High-quality results over a wide tone range
•    An output pixel interpolation algorithm with dedicated Smooth Imaging Engine IV logic circuits reduces loss of detail in highlights to faithfully recreate beautiful high-contrast scenes exactly as they appear to the naked eye.
•    Multi-pattern auto white balance produces colors close to those seen by the human eye in portraits shot in a mixture of sunlight and shade or with both the flash and natural light. High-contrast scenes like these often prove challenging for other, less advanced white-balance algorithms.

6. Eleven scene modes that make it easy to adjust settings to suit your subject
•    The CX4 features a new “night landscape multi-shot” mode that creates clear, beautiful photos of night scenes by automatically and precisely combining a series of exposures shot at high sensitivities to reduce the blur and noise normally associated with pictures taken under low light, allowing photographers to taste the joys of hand-held, tripod-free night photography.
•    The eleven scene modes that were so well-received by users of the CX3—including “pets mode” for portraits of your favorite pet cat—are also included in the CX4.

7. A 920,000-dot, 3.0-inch high-definition VGA monitor
•    The large, high-resolution LCD monitor boasts high contrast and a wide viewing angle. A fluorine coating keeps the monitor free of stains, while a hard coating and anti-reflection coating prevent scratches and ensure that the display in the monitor is clearly visible even outdoors in bright sunlight.
•    Wide-gamut color reproduction (100% of sRGB) ensures that colors are displayed vividly and with high fidelity.

8. Many other features that reflect Ricoh’s design philosophy: “A tool you will want to use every day”
•    The CX4 offers high burst rates of about 5 frames per second (fps) during continuous shooting.
•    Macro mode can be used to take photos at distances as close as 1 cm when the camera is zoomed out to a focal length equivalent to 31 mm in 35 mm format, or at distances as close as 28 cm when the camera is zoomed all the way in.
•    “Scene auto mode” offers the ultimate in “point-and-shoot” photography: just point the CX4 at your subject and let the camera optimize settings for best results.
•    The camera can record HD movies with a frame size of 1,280 × 720 pixels.

*    All focal lengths in this news release have been converted to 35 mm format.
*    All instances of “MP files” refer to “Extended MP files” in a format that conforms to the CIPA “multi-picture format” standard (extension “.MPO”). The CX4 can extract selected frames from MP files and save them in JPEG format.

<CX4 Principal Specifications>

No. of Effective Pixels (Camera):
Approximately 10.00 million pixels

Image Sensor:
1/2.3-inch CMOS (total pixels: approx. 10.60 million pixels)

Lens:
Focal length: f=4.9–52.5 mm
(Equivalent to 28–300 mm for 35 mm film cameras. With Step Zoom set, focal lengths can be fixed at eight steps: 28 mm, 35 mm, 50 mm, 85 mm, 105 mm, 135 mm, 200 mm, and 300 mm)
F-aperture: F3.5 (Wide)–F5.6 (Telephoto)
Shooting Distance: Normal shooting: Approx. 30 cm–infinity (Wide), approx. 1.5 m–infinity (Telephoto) (from the front of the lens)
Macro: Approx. 1 cm–infinity (Wide), approx. 28 cm–infinity (Telephoto), approx. 1 cm–infinity (Zoom Macro) (from the front of the lens)
Lens Construction: 10 elements in 7 groups (aspheric lens: 4 elements and 5 surfaces)

Zoom Magnification:
Optical: 10.7x zoom (equivalent to 28-300 mm focal length for 35 mm cameras)
Digital: 4.8x up to 51.4x (equivalent to 1440 mm) when used with optical zoom
Auto Resize: 5.7x*1 up to 61.0x*1 (equivalent to 1710 mm) when used with optical zoom

Focus Modes:
Multi AF / Spot AF / Face-priority Multi AF (Contrast AF method with AF Auxiliary Light), Subject-tracking AF / Multi-target AF (Contrast AF method), MF / Snap / ∞(fixed focus)

Motion Blur Reduction:
Image sensor shift method image stabilizer

Shutter Speed: *2
Still image: 8, 4, 2, 1–1/2000 sec. / Movie: 1/30–1/2000 sec.

Continuous Shooting:
Continuous shooting speed: *3 approx. 5 frames/sec. (10M 4:3F shooting time; shooting speed after 12 pictures is approx. 3 frames/sec.)
Continuous shooting capacity: 999 pictures

Exposure Control:
Exposure Metering Mode: Multi Light Metering (256 segments) / Center-weighted Light Metering / Spot Metering
Exposure Mode: Program AE
Exposure Compensation: Manual Exposure Compensation +/−2.0EV (1/3EV Steps), Auto Bracket Function (−0.5EV, ±0, +0.5EV)

ISO Sensitivity (Standard Output Sensitivity):
AUTO, ISO100 / ISO200 / ISO400 / ISO800 / ISO1600 / ISO3200

White Balance Mode:
Auto / Multi-pattern Auto / Outdoors / Cloudy / Incandescent 1 / Incandescent 2 / Fluorescent / Manual, White balance bracket function

Flash:
Flash Mode: Auto flash (fires automatically in low-light conditions and when the subject is backlit) / Anti Red-eye / Flash On / Flash Synchro. / Flash Off
Built-in flash range: Approx. 20 cm–4.0 m (Wide), approx. 28 cm–3.0 m (Telephoto) (auto ISO with a maximum of ISO 1600, measured from the front of the lens)
Flash compensation: +/−2.0EV (1/3EV Steps)

Monitor:
3.0-inch Transparent LCD (approx. 920,000 dots)

Shooting Mode:
Auto shooting mode / Movie mode / Scene auto mode / Scene mode (Portrait / Discreet Mode / Night. Port. / Night Landscape Multi-shot / Sports / Landscape / Zoom Macro / Pets / Skew Correct Mode / High Sens / Text Mode) / My settings mode / Continuous mode / Creative Shooting Mode (Dynamic Range / Miniaturize / High Contrast B&W / Soft Focus / Cross Process / Toy Camera)

Picture Quality Mode: *4
F(Fine) / N(Normal)
No. of Pixels Recorded:
Still image/multi-picture: 3648×2736, 3648×2432, 2736×2736, 3648×2048, 2592×1944, 2048×1536, 1728×1296 (multi-picture only), 1280×960, 640×480
Movie: 1280 x 720, 640 x 480, 320 x 240
Text: 3648 x 2736, 2048 x 1536

Recording Media:
SD memory card, SDHC memory card (up to 32 GB), Internal memory (approx. 86 MB)

Storage Capacity (Pictures/Time): *5 (internal memory approx. 86 MB):
Still image/multi-picture: 3648×2736 (F: 22, N: 37), 3648×2432 (F: 24), 2736×2736 (F: 29),
3648×2048 (F: 29), 2592×1944 (F: 34), 2048×1536 (F: 53), 1728×1296 (N: 127) (M-Cont Plus), 1280×960 (F: 96), 640×480 (F: 394), 640×480 (N: 691)(Speed Cont)
Movie:*6 1280×720 (16 sec.), 640×480 (49 sec.), 320×240 (1 min. 59sec.)

Recording File Format:
Still Image: JPEG (Exif ver. 2.21) *7
Multi-picture: CIPA DC-007-2009 Multi-Picture Format
Movie: AVI (Open DML Motion JPEG Format compliant)
Compression method: JPEG Baseline method compliant

Other Major Shooting Functions:
Continuous, Self-Timer (operation time: approx. 10 sec. / approx. 2 sec. / custom self-timer), Interval Timer (Shooting interval: 5 sec.–1 hour, 5 sec. steps), Color Bracket function, Focus Bracket function, AE/AF Target Shift, Histogram, Grid Guide, Electronic Level

Other Major Playback Functions:
Grid View, Enlarged Display (maximum 16×), Resize, Level Compensation, White Balance Compensation, Trim, Flag, Slideshow, DPOF Setting

Interface:
USB 2.0 (High-Speed USB) Mini-B, Mass storage compatible*8 / AV Out 1.0Vp-p (75Ω)

Video Signal Format:
NTSC, PAL switchable

Power Supply:
Rechargeable Battery: DB-100×1

Battery Consumption: *9
Based on CIPA Standard: Using the DB-100, approx. 330 pictures (when LCD Dim is on) *10

External Dimensions (W × H × D):
101.5 mm × 58.6 mm × 29.4 (24.4 mm at thinnest part) (according to CIPA guidelines)

Weight:
Approx. 205 g (including the supplied battery and SD memory card)
Approx. 184 g (body only)

Operating Temperature Range:
0ºC–40ºC

*1. VGA image size
*2. Shutter speed upper and lower limits vary depending on Shooting Mode and Flash Mode.
*3. Values measured under Ricoh measurement conditions using a Panasonic PRO HIGH SPEED 8GB SDHC memory card. The continuous shooting speed and number of pictures will vary depending on the shooting conditions, the type of recording media used, the condition of the recording media, etc.
*4. The picture quality modes which can be set vary depending on the image size.
*5. All figures are approximate.
*6. Individual movies can be up to 4 GB in size. Approximate maximum length is 12 minutes for movies with a frame size of 1280×720 and 29 minutes for movies with a frame size of 640×480 or 320×240.
*7. Compatible with DCF and DPOF. DCF is the abbreviation of the JEITA standard “Design rule for Camera File system.” (Full compatibility with other devices is not guaranteed.)
*8. Mass storage driver is compatible with Windows XP, Windows Vista, Windows 7, and Mac OSX 10.1.2–10.6.3
*9. Shooting capacity was measured using CIPA-standard parameters. This is only an estimate, and performance may vary according to usage conditions.
*10. When LCD Auto Dim is off: approx. 310 pictures

 

Windows is a trademark or registered trademark of Microsoft Corporation in the U.S.A. and other countries. Mac OS is a registered trademark of Apple Inc. in the U.S.A. and other countries.

 

 

Nikon unveils new D3100 entry-level DSLR

Replacing the D3000, the new D3100 boasts the same 14.2-megapixel CMOS sensor seen in recent rival offerings from Sony (Nikon's sensor supplier). Supplied with 18-55mm VR starter lens the D3100 will be available from the end of September at a retail price of $700 / £579 / 687 Euros.

Amsterdam, the Netherlands, 19 August 2010 – Nikon introduces the D3100, the most easy-to-use D-SLR, with full High Definition (HD) video, to date. Jordi Brinkman, Product Manager for Nikon Europe, says: “The D3100 is the successor to Europe’s best selling D-SLR , the D3000, offering 14.2 megapixels, full HD movie, Live View with new AF modes and improved ergonomics. It also has the popular Guide Mode as seen on the D3000, which now shows you sample images of what you can achieve with certain settings, for example if you change the shutter speed or aperture. This is the ideal camera for families who want to capture all the important moments in perfect quality, without worrying about settings.”

Pure and simple D-SLR for the family

The D3100 is designed for newcomers to D-SLR photography, especially young families who want to take beautiful pictures without worrying about complicated functionality. A range of automatic settings means the camera is doing all the hard work much like on a compact camera: Live View with Scene Auto Selector selects the mode that matches your shooting situation; Scene Recognition delivers sharply defined images by analyzing the scene and optimizing the camera settings immediately before the shutter is released; and Guide Mode will take you step-by-step through the process of how to get the picture you want.
The 11-point autofocus system will make sure everything is in focus and ensures tack-sharp images to capture even the most fleeting of expressions or movements. Additionally, the bright viewfinder means you can see and focus precisely on the image you want to capture, quickly and easily. Live View with Scene Auto Selector is an intuitive and familiar way of taking pictures, useful for those who have only used a compact camera, and makes it easy to compose images using the LCD monitor. Scene Auto Selector will select the best mode for the scene and subject you want to capture, and Fulltime servo AF (AF-F) mode keeps subjects in focus without the need to press the shutter release button. Live View will also recognise as many as 35 faces at a time and even if people in the frame move, the camera will continue tracking and focusing on them.

Stunning pictures in every situation

The 14.2 megapixel CMOS image sensor, new powerful EXPEED 2 processing engine and a wide range of NIKKOR lenses deliver excellent pictures with amazing detail wherever you are and whatever you are doing. It has ISO 100-3200 sensitivity, with the versatility of effectively boosting ISO up to 12800. This significantly reduces the risk of blurred images when taking pictures of the most energetic children or an evening barbeque with all the family.

Full HD movies for all the family

Using the easy-access movie record button you can instantly switch to video mode on the D3100, and the D-Movie function allows you to record stunning HD movie clips with sound. The camera’s large image sensor and high ISO sensitivity offers exceptional image quality, and the wide variety of NIKKOR lenses can be used to create cinematic effects. You can also make simple edits of your clips in-camera by deleting scenes or save specific frames as still images – nothing will be missed for the family photo album. The D3100 is also HDMI compatible so you can connect your camera to an HD television to view your movies in full HD from your sofa.

The Guide to great photos

For the newcomer to D-SLRs, the intelligent, improved Guide Mode, as seen on the D3000, gives you step-by-step instructions of how to change the camera settings. This means you not only get the picture you want but it helps you to understand how it was achieved so you can develop your photography skills. You can even view sample images of what you can expect from each setting, for example if you change the aperture or shutter speed settings.

Don’t miss a moment

The D3100 is the essential item for every family event or day out. The camera’s comprehensive technologies and tough exterior will keep up with any outing, whatever you’re doing. Its compact size and lightweight body make the D3100 easy to pack and carry around for all those unmissable moments.i