Lowepro unwrap new Toploaders

Press release:

Date: 29th May 2009

Lowepro’s new Toploader Pro AW Series.

Lowepro’s latest Toploader Pro AW Series is a great carrying solution for the pro who requires fast access, agility and flexibility from a camera bag.

With its asymmetrical shape, the Toploader Pro AW Series follows the line of a pro DSLR camera for a snug and protective fit. It also includes Lowepro’s unique 360° All Weather AW Cover™ that allows you to work out of the bag while protecting your gear.

This series is packed with useful features such as an inventive side opening that offers easy-grip access to capture a shot in a flash; U-shaped zipper pulls that are easy to grasp; plus extra pockets for accessories and small personal items. Lowepro’s exclusive SlipLock™ loops have been added to allow attachment of items and Lowepro’s quick-release buckle allowing the photographer to close the bag without zipping it, enables fast access plus security whilst on the move.

The Toploader Pro Series can be worn three ways to accommodate different working scenarios: holster-style over the shoulder with the 3-point shoulder harness; attached to Lowepro’s Street & Field™ belt system, or with our Topload Chest Harness (both sold separately).

There are three sizes to choose from in the series, 65 AW, 70 AW and 75 AW which are only available in black and can be purchased from all good stockists priced around £70.

For more information please visit www.lowepro.co.uk or contact the Lowepro helpline on 0870 420 4211.

Sony add two Cyber-shots: W180 and W190

Sony press release:


Great pictures to fit everyone’s pocket : Slim, stylish Cyber-shot cameras by Sony offer superb picture quality and outstanding value

• 10.1/12.1 effective megapixels (W180/W190)
• Easy to use with convenient shooting functions
• Smile Shutter automatically captures smiling portraits
• SteadyShot and High Sensitivity ISO 3200 for crisp, clear shots
• Seven Scene Selection modes
• 3x optical zoom and 17x/18x Smart Zoom (W180/W190)
• Choice of three colours (silver, black, red)

Two slim, stylish Cyber-shot digital cameras from Sony offer outstanding quality and value to suit every pocket.

The Cyber-shot W180 and W190 are the perfect no-fuss choice for anyone who needs to capture family moments, holidays and nights out.

Both models look great with slim, clean lines and a choice of silver, black or red colour finish options. Ideal for first-time photographers, they’re beautifully easy to use, with a simple slide switch to select photo/movie/playback modes.

For maximum creative freedom, a choice of seven Scene Selection modes adjusts camera settings automatically to suit virtually any subject. While they offer superb value, the Cyber-shot W180 and W190 don’t compromise on class-leading picture quality and easy-to-use features.

A high resolution of 10.1/12.1 effective megapixels (W180/W190) ensures crisp, detail-packed enlargements to A3 size and beyond. Pristine picture quality is further enhanced by the high-quality 3x optical zoom lens.

Smart zoom boosts maximum magnification to a frame-filling 18x for W190 and 17x for W180 for even more dramatic close-ups. There’s also a generously-sized 2.7” Clear Photo LCD screen for a bright, clear view of images and quick confirmation of camera settings.

Improved Face Detection recognises up to 8 faces in a scene, fine-tuning focus and exposure for better-looking portraits. For even happier people pictures, Smile Shutter automatically takes a picture when your subject smiles.

SteadyShot image stabilisation reduces the effects of camera shake when you’re shooting handheld. A special shooting mode boosts sensitivity to ISO 3200, letting you freeze moving subjects with faster shutter speeds or capture atmospheric interiors without flash.

Also supplied, the latest version (4.2.01) of Picture Motion Browser software (for PC) makes it easy to manage and share your collection of digital photos and video clips and for uploading these to YouTube, Picasa or other image and video sharing web-sites.

The Cyber-shot W180 and W190 compact digital cameras are available from July 2009.

Olympus E-450 Hi ISO examples

We've had an Olympus E-450 for a few days, and I thought I would publish some in camera JPEGs grabbed at dusk yesterday at ISO1600. Noise reduction and Filter settings left at the default, that's to say the latter set to Standard, and the former left to Auto. The last frame is a 100-percent crop (SAT set to Normal). For the time being, Raw files can't be developed by LR, Aperture or C1 Pro.

Canon Enables Manual Exposure in Video on EOS 5D Mark II

Canon has today announced the long rumored firmware upgrade for the EOS 5D Mk II, allowing manual control of shutter speeds, aperture settings and ISOs when using the camera in its HD video mode.

Canon press release:

LONDON, UK, 27th May 2009: Canon announced today it will release a firmware update for the EOS 5D Mark II allowing users to manually control exposure when shooting video. The new firmware will be available for download from 2 June 2009 on Canon Europe’s support web site.

Following the launch of the EOS 5D Mark II in September 2008, Canon’s Research and Development team has listened closely to customer feedback to develop additions to the camera’s movie recording functionality.

Allowing EOS 5D Mark II owners to achieve even more stunning video results with the camera, the firmware update will include the following manual controls when shooting video:

Full aperture selection
ISO speed: Auto, 100 – 6400 and H1
Shutter speed: 1/30th – 1/4000th second
The EOS 5D Mark II integrates full HD movie capability into a high-end 21.1 Megapixel camera; opening a multitude of new possibilities for photo-journalists and news photographers. Since its launch the camera has proved its appeal to professionals working in diverse fields, from studio and wedding to nature and travel. Now, following customer feedback, Canon has improved functionality for professional video users, further unleashing the potential of the EOS 5D Mark II for cinematographers and photographers alike.

Accessories for macro photography

Tripods aren’t the only means of support for the macro photographer, especially if working close to or at ground-level. I've rounded up a few accessories that'll make life that little bit easier.


Gorillapod SLR Zoom $54.95 (£35).

This little table-top tripod uses a series of ball-joints to make up each of its three-legs, enabling not only ground-level access but allowing the legs to be wrapped around fence posts, branches and the like. The SLR-Zoom easily supports small to mid-size DSLRs with a 50 or 100mm macro lens, and weighs just 241g.

Kirk Low Pod $150 (£120)

This specialised piece of kit, essentially a stable mounting plate for a Ball head, allows easy low-level work for the macro-enthusiast. Made from cast aluminium, it comes with a large carrying handle and four-rubber feet for stability on a number of different surfaces.

Wildlife Watching Supplies – Double Bean Bag $ 51 (£21.72)

Featuring two-bags sewn back-to-back to provide additional support and greater stability in the field, the Double Bean Bag is a pretty low-tech but hugely reliable solution to the problem of working at ground-level. At the price quoted the bean bag is supplied unfilled and without liners. Use bird seed, rice, corn and the like to attract animals, or fill with polystyrene for low-weight.

Wimberley Plamp PP-100 Adorama  ($36.95), Wex UK (£29.99)



Using a similar concept of ball-joints to the Joby Gorlliapod, the Plamp is a semi-rigid arm that clamps to your tripod, or nearest stable object, and is used to steady your subject. Measuring 48cm in length you could always use a second to position a tiny reflector or hold back some stray grass.

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News of Sony A500 and A550 leaked?

Forum members over at Dyxum, the Sonolta (Sony/Minolta) forum, are discussing the accidental leaking of new Alpha 500/550 models on the Sony Canada support site. Follow the link to the Dyxum forum.

Source Photoclub Alpha.

Macro photography: 10 top tips on using a tripod

10 TOP TIPS ON USING A TRIPOD FOR MACRO PHOTOGRAPHY

1: Make sure the centre of gravity is compensated by the leg placement – ideally over one leg, if possible.

2: Don’t over-extend the centre-column, as you will increase the likelihood of vibration and may adversely affect the centre-of gravity.

3: Make sure all the knobs/clamps are tightened off to increase rigidity and reduce vibration (will also save on accidental crashes).

4: Use spikes outdoors (push into soft ground), and non-slip feet indoors to prevent splaying and increase rigidity.

5: Use the self-timer or buy a remote release to reduce camera vibration.

6: Ideally use mirror lock-up or Live View (contrast-detection mode) to further reduce camera vibration.

7: Don’t scrimp on the head. Although macro tripods require quite a lot of adjustment during set-up, you’ll still find you spend more time adjusting the head.

8: For precise adjustment and ease of use, large ball-heads are preferable to 3-way tilt-and-shift type heads.

9: To compensate for different loads, choose a ball head with friction-control. Learn how to use it properly to prevent accidental crashes.

10: To further reduce the effects of vibration, ideally choose a head with removable Arca Swiss style metal plates. Buy the plate made for you camera/lens.

To read the final page of the article, rounding up a few useful accessories, please use this link.

To return to the beginning of the article, please use this link.

Olympus mFT: interview with Haruo Ogawa

The following is an interview with Mr Ogawa (head of DSLR development in Toyko) at Photokina 2008, discussing Olympus‘ take on mFT. It’s reproduced here in its entirety and is pretty candid. I really don’t know if it has been posted or published elsewhere (I'm sure it will have, as I've sat on it for months) but I’m grateful to Olympus UK for sending this to me.



Was mFT part of the original Olympus 4/3 strategy and if not, when and why did it become important?

No hard and fast answer to that but the overall concept of size certainly been a key component of 4/3 development so this in many ways is a logical step. Let’s say that these things are often on paper but timing depends on technology.

How does mFT fit in with the overall product strategy of the existing 4/3 system?

It is an addition – a branch if you like, a whole new potential market – complimentary but also separate. Surveys have suggested that up to 25% of the 100 plus million people who bought compacts in the last year worldwide would consider an SLR if it was smaller and easier to use. That is one commercial angle. Others include additional cameras for SLR owners of all brands who want a serious “pocketable” camera. Naturally, we also expect many users to prefer a conventional system – think how conservative most designs are at the moment and the uproar when things like EVF’s are proposed. So a twin strategy makes a lot of sense.

Some people have voiced a little concern with the almost lacklustre Photokina launch with only a mock up of the Olympus mFT camera, while the Panasonic G1 will be hitting the shelves this month – what are your comments on this?

We are taking our time to ensure we can deliver what we believe the system is really capable of. Can’t really comment of the direction of the other product but let’s just say Olympus is committed to delivering something really exciting. Look on the bright side – you all get to have a voice in what you would like to see over time. The mock up shows what can be done in size terms, everything else is open to suggestion in theory.

Does Olympus foresee some mFT cameras having non-traditional body shapes - for instance like the E-300/330?

Some might, some might not. We would prefer people to imagine what could be rather than judge purely on the past. In this electronic age there are some who might be surprised that a mirror is used at all and yet DSLR’s still have them. Think 5 years from now, put aside any prejudices and imagine what you would like to see that would let you take superb images whenever and wherever you like.

Do you plan to build bodies for the advanced amateur/pro market in addition to the beginner/bridge market for the mFT?

No firm news but as above – just imagine. It does not all have to happen on day one.

How long have you been working on mFT with Panasonic for and is the partnership of technology sharing likely to continue and why?

No information released on this but as you may imagine many technology partners in Japan work long term on many projects depending on their expertise.

It has been suggested that Panasonic see two lines of mFT cameras, a) point/shoot and b)video recording type. Does Olympus have a similar distinction planned in their roadmap for mFT body systems?

Again – we can’t say one way or the other right now but as you can probably guess: if it is possible and there is a demand then why wouldn’t we consider it?

On the lighter side, does Olympus intend on out doing Panasonic in the fashion colour department? (More colours....colour coordinated lenses....)

See above!

Does mFT impact in any way on the future development and support for the original 4/3 system? Either at lens or body level?

In a negative way? We do not believe so – in fact we believe the opposite. After a long Photokina with this kind of question we had a variety if ways of looking at this and my analogy of the week is cars. A one range company has limitations in potential business and therefore in long term investment.

Think certain luxury car makers in recent years. Those that have done best have several ranges aimed at different sectors. They can develop in stages and invest more. Some aspects are shared, new technology used in all. This is true to an extent with the differing ranges of conventional SLR’s and compacts but if you can expand your market reach further, so much the better.

And before anyone points out what happened to some of the car companies we would ask you to consider USP’s. Optics are the hardest (longest lead time) part of cameras to develop. Not many companies have the resources and expertise to do this part with appropriate quality – Olympus do. Remember that E System is the only designed for digital range started from scratch so we are already ahead. Have a look at the very recent review of the 50mm macro on a certain large review site if you need some confirmation. Have a look at feedback on our low cost kit lenses – they are superb.

We are often asked about the impact of camera phones on digital cameras and our European Marketing Director said (I paraphrase) – “look camera phones are for instant sharing. Photography comes from the heart, getting the best results you can whether for your pleasure or because you want to capture an image, a memory, to keep. Photography companies have the edge here and optics are the key. We excel in that area, it is our heartland and the stronger we get the more we can do with it” Is that positive enough?

When can we expect to see the first mFT Olympus camera on the shelves?

Nothing more precise just yet.

Any other pieces of ‘red hot’ information you would like to share with us?

Next year [2009] will be exciting.

Size comparison between FT (left) and mFT bodies, courtesy of Olympus UK. Without the quick-return mirror, the dimensions of mFT bodies can be greatly reduced.

And a couple more...

Nikon users will notice the inclusion of ADR and CPU contacts, essentially what Nikon termed Ai-P spec. The Ai (Auto indexing) ridge ensures the Voigtlander 20mm f/3.5 Color Skopar has backwards metering compatibility with manual focus SLRs dating back to the Nikon F2A and F2AS (DP11/DP12 Photomic heads), while the CPU data-bus provides compatibility with modern film cameras such as the F100, F5 and F6, as well as latest digital SLRs. Please note, this a manual focus lens.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

Unboxing Voigtlander Color Skopar 20mm f/3.5

Okay so I don't normally do this kind of thing, but hey it's my blog and I can do what I like. It's not a video either just a couple of stills but it will give you a taste of what to expect when you plunk down your cash. Should of done this before I posted the first look, but well there you go. I didn't, so I'm doing it now.

Update; click here for a few more images.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

Macro tripod review part VIII: Uni-loc Major System 1600

Uni-loc Major System 1600 $275 (£175) + Uni-loc 30 ball head $65 (£40) (not shown).

SPEC PANEL (exc ball-head)

Max Height (column down): 136cm
Max Height (column up): 180cm
Min Height: 0cm
Leg Sections: 2
Closed Length: 83cm
Weight: 3.8kg
Load capacity: 20Kg

Quality 5/5
Features & Design 4/5
Value for Money 5/5
Overall 4.5/5

Without doubt this particular model is the heaviest and largest of the group, and it’s ideal for supporting heavier gear, however, there are smaller and lighter models available from the maker.

Like the Benbo on which it’s modeled the Uni-loc also exhibits an enormous range of movements making it ideally suited to difficult to reach subjects. The Major 1600 has the edge on build-quality though and this particular model features an independently lockable centre-column. As a result I found I was much less likely to have an accidental spill and it greatly improves on the original design where one clamp locked all three-legs and column.

I also liked the folding column with the option of two head platform allowing me to get low and orientate the head (and camera) with ease. While the huge column clamp increases rigidity you have to resist the temptation to overextend the column. You can shorten it quickly (it comes in two sections) with the provided hex-key, though, and is easy enough to do in the field.

You can also strip out one of the legs to make a fully functional monopod, but like the tripod (with 2-section leg tubes) it’s not particularly compact. Bear in mind you’ll need to budget for a head, but apart from the weight and bulk there are few if any other shortcomings.

Tomorrow: 10 top tips for using your macro tripod.

To return to the beginning of the article, please use this link.

Up close & personal - macro tripod review part VII

Velbon Ultra Luxi M complete with head $150 (£69)



SPEC PANEL (inc ball-head)

Max Height (column down): 119cm
Max Height (column up): 139cm
Min Height: 19cm
Leg Sections: 5
Closed Length: 34.5cm
Weight: 1.26kg
Load capacity: 2.5kg

Quality 4/5
Features & Design 4/5
Value for Money 4/5
Overall 4/5


At first sight the diminutive Ultra Luxi M seems out of place in this company, but shorter leg tubes and 3-position leg joints it can be used quite successfully for low-level work. And, thanks to the 5-section legs the Velbon is capable of extending to the height of the others on test, but it lacks a tilting column to get in close.

I’m not normally a fan of Pan and Tilt heads, but I have to admit I was really impressed by the bundled Velbon PHD-41Q head. Not only were the locking handles really smooth, allowing high precision when locking the head off but it was steady as a rock too. If I have a concern, it was as a result of some slight play in the rubber-covered quick-release plate. I had to all but over-tighten to prevent vibration.

A sliding mechanism for the 3-position leg joints is a neat design and that as well as a two-piece column allows the Ultra Luxi M to get low, but it’s still difficult to get in level for small subjects with a 50 or 100mm macro. Even so, if pack weight and size is critical, the Velbon is well worth a closer look.

Don't forget to check back tomorrow for part VIII.

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Olympus Micro 4/3 build-up begins

It's coming...

An undisclosed source (I don't want to get anyone in trouble) said to me they've seen it and it looks great. Of course what they've seen is another thing altogether...But, I think it will likely resemble the mock-ups shown at PMA and elsewhere. All will be revealed in the fullness of time. Here's the link.

UPDATE 24/5/09: I thought I would add the images of the MFT concept model Olympus sent a while back. Save you looking elsewhere...

I'm hoping Olympus follow through with this, there's a market for a rangefinder-esque model with detachable lenses, evidenced by all those mFT lens adaptors that have appeared. And Olympus lenses are so so good, have you seen the results from the 4/3's 12-60mm and 14-54mm Mk II? They're really something.

Pentax K-7 more images

I think Pentax are doing the right thing with the K-7, it's small, highly specified and well-made. That and the maker's range of high-quality Limited glass is really going to appeal to a lot of people.

You simply don't get this with Canon or Nikon, their semi-pro models are hulking great things and rarely handle well with their mid-range primes. I'm thinking 35mm f/2, 28/24mm f/2.8, maybe 85mm f/1.8 too. Most of those lenses date back to the late 1980's and 90's and were designed for smaller 35mm models.

This isn't new territory for Pentax, think back to those excellent MX, ME and ME Super models from the 70's and early 80's. And don't forget the pro-level LX, there's quite a bit of that models DNA in the K-7. Of course it's a market that Olympus currently occupy with their excellent Evolt models, the E-30, E-620 and E-450 are the best we've seen from the company.

What's more it looks like Sony could be making more of a play for that segment. You may be too young to remember the word's first multi-mode SLR was the miniscule Minolta XD-11 (XD-7 in Europe), and I'm betting we'll see the A-700 replacement downsized this year too.

Rubber seals around the body and that of the battery pack provide weather proofing, but it looks like there's little protection around the occular (viewfinder). Maybe it's just the picture, we'll see.

Check these links for prices or to buy from approved retailers

B&H Photo: Pentax K7 (body only)

Pentax K-7 magnesium body exposed

Found this image of the Pentax K-7 in the press area. In case you didn't realize (and no I'm not trying to sound clever), the K-7 is the company's first DSLR to made using a magnesium alloy body, previous offerings used a engineering plastic outer over a stainless steel chassis. And like the K10/20D and K200D , the K-7 body is weather-sealed, though you will need to choose similarly specified lenses.

Up close & personal - macro tripod review part VI

Slik Sprint PRO II 3-Way $95 (£80) (inc head)




SPEC PANEL (inc head)

Max Height (column down): 132cm
Max Height (column up): 162cm
Min Height: 18cm
Leg Sections: 4
Closed Length: 68cm
Weight: 1.1kg
Load capacity: 2kg

Quality 3/5
Features & Design 3/5
Value for Money 3/5
Overall 3/5

Slik subscribes to the same point of view as rival Velbon, namely shorter legs should get you closer to your subject. That works to a point, if your subject is close to the ground, but you’ll have to rely on another (sturdy) platform if your macro subject is at waist level or so. That’s not because the Pro II isn’t capable of extending to the height of the others on test, but it too lacks a tilting column to get in close with the legs extended.

Despite that the Slik works reasonably well at low-level. With the centre-column removed, the leg joints allow the tripod to lie almost flat to the ground. Unfortunately the pan and tilt head has a limited range from the centre of the leg joints. And, like the Velbon, if the subject is small and at ground level the Slik simply can’t get low enough.

Still it’s a small price to pay for such portability, the Slik and Velbon really stand-out for their compact dimensions and low weight. All aluminium construction ensures durability and the Slik is much more rigid than you would expect. But loose fitting leg wraps and an average pan and tilt head seem at odds with the generally high build quality.

Don't forget to check back again for part VII tomorrow.

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Voigtlander add Nokton 50mm f/1.1

Following in the footsteps of the Leica Noctilux f/0.95 and Nikkor-N 5cm f/1.1, Voigtlander has added a Nokton 50mm f/1.1 to the range. Priced at €999 ($1379) and expected mid June, the new Nokton is designed to be used with Voigtlander Bessa RF cameras, though will also fit Leica M models, including the latest digital M8.2. There's also a following using these and M-series lenses on the Lumix G1 with adaptors (such as those announced in the previous post). Filter diameter is 58mm and the lens uses 7 elements in 6 groups. It weighs in at a substantial 428g. A new vented lens hood (pictured) has also been announced.

More information can be found at the Voigtlander, Japan site here.

Update 12 July '09:

B&H still don't have it listed, and aren't as yet accepting orders.

UK distributor, Robert White, is listing the new Nokton for £950 plus VAT (15%).

Two new Panasonic mount adaptors revealed for Lumix GH1

Panasonic press release, this morning:

Panasonic is pleased to announce two new mount adaptors, the M Mount Adaptor DMW-MA2M and R Mount Adaptor DMW-MA3R, to further enhance the photographic experience with cameras from the Lumix G Micro System.

The M Mount Adaptor and R Mount Adaptor are developed under support of Leica Camera AG, making it possible to attach Leica M lenses (DMW-MA2M) or R lenses (DMW-MA3R) on DMC-G1 and DMC-GH1. Users can enjoy outstanding image rendering offered by the combination of high quality Leica lenses and Lumix G cameras that are full of Panasonic's cutting edge digital technologies. These adaptors also allow users to use the movable MF assist function, which enlarges the selected area when focusing manually.

The compatibility information of Leica M/R lenses are on http://panasonic.jp/support/global/cs/dsc/

After Shake sensor cleaner announced for dust-busting DSLRs

Press release:

Austrian manufacturer GREEN CLEAN has developed a special cleaning set for DSLR cameras with an ultrasonic vibration cleaning system:

The “After Shake“ Sensor Cleaner.

More and more modern DSLR cameras have an Ultra Sonic or Super Sonic vibration system to shake loose dust particles off the low pass filter, which sits in front of the actual CCD or CMOS sensor. These so called “dust reduction systems” work to some degree, but cannot shake off welded-on dust and abrasions or oily substances and this is where the Green Clean After Shake Cleaning System is the safe and easy way to remove these!

“After Shake“ Sensor Cleaner:

• Use after the cameras Ultrasonic dust reduction shake
• Removes stains & “welded-on” dust
• “Wet Sweeper” with precise dosage of dissolving liquid
• “Dry Sweeper” with pre-treated textile




The Wet & Dry Sweepers SC-5070 come in a sealed double sachet. The Wet Sweeper has a pre-soaked foam tip with just the right amount of solution needed to dissolve any stubborn dirt or stains, which is then lifted off with the Dry Sweeper. The projecting edges of the Dry Sweeper’s pre-treated textile are excellent for cleaning right into the corners of the sensor, leaving a pristine sensor surface!

The GREEN CLEAN AFTER SHAKE SENSOR CLEANING KIT contains:

• 5 x Double sachet Wet & Dry Sweeper
• 1 x Clip & Flip Magnifying Glasses
• 1 x LCD Wipe 8 x 8 cm

The kit is now available from retailers at £23.50 + Vat.

For details contact the importers:

Flaghead Photographic Limited
01202 733 123 info@flaghead.co.uk
www.flaghead.co.uk

Leica M8 White Edition

The new LEICA M8 White Edition




Better late than never, so they say, Leica's PR company finally forwarded the details of the limited edition White M8.2. No word on quantities, but it's thought to be in the region of 250-275 units. Start saving.

Update 21/5/09: 275 units in total.

Leica UK press release


Following the success of the recent LEICA C-LUX 3 in white, Leica Camera decided to see what the LEICA M8 would look
like in white. They liked it, and have decided to launch a very limited run.

The camera will be finished in the smoothest white nappa cowhide and white lacquer, and with chrome controls and all the technical specifications of the renowned LEICA M8.2, Leica is expecting the camera to be in high demand when it’s released.

It will come as a complete package including a LEICA ELMARIT-M 28mm f/2.8 ASPH lens with “White Edition” silver anodized finish, and matching metal lens hood, a filter E39 UV/IR in silver, a genuine leather white carrying strap, a Certificate of Leica Authenticity and an individual engraved serial number on each camera.

Priced in the region of £5,990, and available in very limited quantities from premium Leica dealers soon. See www.leica-camera.co.uk

Up close & personal - macro tripod review part V

Manfrotto 190x ProB $159.95 (£90) + MN484RC2 head $59.95 (£39)

SPEC PANEL (exc ball-head)

Max Height (column down): 122cm
Max Height (column up): 146cm
Min Height: 8.5cm
Leg Sections: 3
Closed Length: 57cm
Weight: 1.8kg
Load capacity: 5kg

Quality 4/5
Features & Design 4/5
Value for Money 5/5
Overall 4.5/5


Italian tripod and lighting support manufacturer Manfrotto needs no introduction, they have a huge range of tripods to suit all budgets and they’re widely available. The popular 190 model comes in many guises and our sample the 190x ProB is one of the more high-end versions, albeit with aluminium tubing and 3-section legs to keep the cost down.

As well as boasting a horizontal centre-column option and high-density foam leg wraps other handy features include a bubble-level, weight-hook, and 4 leg-locking presets (instead of the usual 3). If need be, this means the 190x ProB can be laid flat on the ground, like the Gitzo.

I like the fact the centre column uses just one locking knob. And it’s a breeze to switch from vertical to horizontal but you must support the camera when making any adjustments. Still, it’s extremely rigid when locked off.

If there’s a niggle it’s that it can’t tilt. But the with wide range of adjustment available from the leg-joints it remains easy to line up. We were sent the optional 484RC2 head for the 190. Although small, with a long stem it can support up to 4kg and together with the 190x ProB makes for a very capable performer.

Check back for part VI tomorrow.

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Kingston ship SSDNow M Series 80GB and 160GB solid-state drives

Kingston Technology announced today that it is shipping an all-in-one bundle kit with the SSDNow M Series 80GB and 160GB solid-state drives, making the SSD installation seamless. The SSDNow M Series are the Intel® X-25M SATA SSDs. The bundle combines the solid-state drives (SSD) with the software tools necessary to clone the contents of your hard-disk drive to the SSD, as well as installation hardware.

London, UK -- May 20, 2009 -- Kingston Technology Europe Ltd, a subsidiary of Kingston Technology Company Inc., the independent world leader in memory products, announced today it is shipping an all-in-one bundle kit with the SSDNow M Series 80GB and 160GB solid-state drives, making the SSD installation seamless. The SSDNow M Series are the Intel® X-25M SATA SSDs. The bundle combines the solid-state drives (SSD) with the software tools necessary to clone the contents of one’s hard-disk drive to the SSD, as well as installation hardware.

“This all-in-one kit is the perfect solution for enterprise companies, corporate end users and consumers to incorporate SSD technology into existing systems,” said Steve Hall, EMEA Branded Product Manager, Kingston Technology. “The Kingston SSDNow M Series Bundle makes moving the operating system, applications and all other data from a hard-disk drive to a solid-state drive quick and easy whether for a notebook, desktop or workstation.”

The bundle kit includes:
· SSDNow M Series 80GB or 160GB (Intel® X-25M SATA SSDs)
· Acronis® True Image hard drive cloning software and CD installation guide
· USB 2.5" enclosure with accompanying USB cable (for notebook PCs)
· 2.5" to 3.5" drive bay mounting brackets and screws (for desktop PCs)
· SATA data and power cable extenders (for desktop PCs)

The bundle is backed by a three-year warranty, 24/7 tech support and legendary Kingston reliability. For more information visit www.kingston.com/europe

Kingston SSDNow M Series Features and Specifications:

· Fast: 250MB/sec. read, 70MB/sec. write
· Durable: no moving mechanical parts, enabling the SSD to handle rougher conditions
· Guaranteed: backed by a three-year Kingston warranty, 24/7 tech support
· Form factor: 2.5"
· Interface: SATA 1.5Gb/sec. and 3.0Gb/sec.
· Capacity*: 80GB, 160GB
· Storage temperatures: -55° C to 95° C
· Operating temperatures: 0° C to 70° C
· Dimensions: 69.85mm x 100mm x 9.5mm
· Weight: 86 grams (+/- 2 grams)
· Vibration operating: 2.17 G (7–800Hz)
· Vibration non-operating: 3.13 G (10–500Hz)
· Power specs**: Active: 0.15 W TYP; Sleep 0.06 W TYP
· Life expectancy: 1.2 million hours mean time before failure
· Operating shock: 1,000 G/0.5 msec operating and non-operating

Pentax announce weather resistant (WR) 18-55mm & 50-200mm zooms

PENTAX UK is pleased to announce the launch of two compact, lightweight zoom lenses: the smc PENTAX-DA18-55mmF3.5-5.6AL WR, and the smc PENTAX-DA50-200mmF4-5.6ED WR. Featuring a newly designed, simplified weather-resistant construction, these zoom lenses offer excellent reliability in various outdoor conditions — particularly rain, fog and mist.


Main features

1. Simplified weather-resistant construction
These new zoom lenses feature a simplified weather-resistant construction designed to minimise the intrusion of water and moisture into the lens barrel. Mount on PENTAX weather-resistant digital SLR camera bodies, assures the user of improved durability and reliability during shooting in rain, fog or mist.

2. SP coating to block dust and dirt
The front surface of these lenses is treated with PENTAX-original SP (Super Protect) coating, which applies a special fluorine compound to the lens surface through a vapour deposition process. This SP coating not only repels dust, water and grease, but it also makes it easy to wipe off fingerprints and cosmetics.

3. Digital-SLR-exclusive optical design
PENTAX has optimised the characteristics of these lenses — including lens coating, curvature and positioning of optical elements — to reproduce the finest possible digital images. As a result, they are practically free of flare and ghost images, and bring out the best in the PENTAX digital SLR camera bodies they are used with. Their image circle is also perfectly proportioned to the size of the image sensor used in PENTAX digital SLR cameras, helping to reduce the camera’s overall size and weight and guarantee outstanding cost performance.

4. Quick-Shift Focus system for instant AF/MF switching
After the subject is captured in focus by the camera’s AF system, the unique Quick-Shift Focus system allows the photographer to instantly switch to manualfocus operation for final pin-point focus adjustment.

5. Other features
1. Durable, dependable metallic lens mount
2. Lens hood with a PL (polarising filter) window included as a standard accessory

Overview of the smc PENTAX-DA18-55mmF3.5-5.6AL WR lens
This standard zoom lens covers focal lengths from 27.5mm wide angle to 84.5mm moderate telephoto (in the 35mm format). Incorporating a high-performance aspherical (AL) optical element and a super-low-dispersion glass optical element in its optics, it ensures outstanding image resolution and remarkable brightness, even at the edges, while effectively compensating various aberrations.

Overview of the smc PENTAX-DA50-200mm F4-5.6ED WR lens
This telephoto zoom lens covers focal lengths from 76.5mm moderate telephoto to 307mm super telephoto (in the 35mm format). Incorporating an extra-low dispersion (ED) glass optical element in its optics, it assures excellent description of the subject in various telephoto applications, including portraiture, sports/action and landscape, while effectively compensating chromatic aberration over the entire zoom range.

Pentax finally unwrap K-7 DSLR

After a teaser campaign on their site in Japan, Pentax has finally taken the wraps off the new K-7. What's especially noticeable, with an Olympus E-30 in front of me, is just how similar the two bodies look. The big news though, is the addition of 720p30 video but anyone expecting a full-frame (35mm) sensor will be disappointed, the K-7 uses a APS-C CMOS imager. Oh, and I forgot to add, the K-7 is substantially smaller than the K10D/20D models yet with a mag-alloy body (amongst other things) comfortably exceeds their specification.

UK press release:

PENTAX UK is pleased to announce the launch of the PENTAX K-7 lens-interchangeable digital SLR camera. The K-7 combines a variety of advanced functions and user-friendly features to ensure outstanding reliability and capability within a compact, lightweight body.

The K-7 joins the current PENTAX K digital SLR camera series as a high-end model in the range. True to its series concept, it has been designed to deliver outstanding image quality combined with ease of use, to benefit photo enthusiasts of all levels, including advanced amateurs. The K-7 also includes revised and upgraded features including viewfinder, shutter unit, continuous-shooting capacity, and exposure and autofocus systems.
Protected by a durable, high-quality metallic body, the K-7 is extremely compact and functional — as with all other K-series models — delivering enhanced portability and manoeuverability. The model includes several new user-friendly features, including video recording, high dynamic range (HDR), and automatic horizon correction. All of these features serve to deliver a highly effective photographic tool, perfect for all discerning digital SLR photographers.
Main Features

1. Durable and functional body, smaller than any other in its class
The K-7 is exceptionally solid and durable in design, with a stainless-steel alloy frame and lightweight magnesium-steel alloy body. With 77 special seals applied to the body, it also features a dustproof, weather and cold-resistant construction, ensuring reliable operation even under harsh conditions and at temperatures as low as -10°C. It also features a newly designed shutter unit providing a top shutter speed of 1/8000 second and the outstanding capability to withstand 100,000 shutter releases.

2. Optical viewfinder featuring approx. 100% field of view
The K-7’s glass prism finder offers approximately 100% field of view along with approximately 92% magnification to facilitate focusing and framing operations. It also features a new Natural-Bright-Matte III focusing screen to improve focusing accuracy during manual-focus operation.

3. High-speed continuous shooting at approx. 5.2 images per second
The K-7’s high-speed continuous shooting mode captures as many as 40 images (in JPEG recording format) at a maximum speed of approximately 5.2 images per second, allowing the photographer to follow the movement of an active subject or preserve a sequence of the subject’s expressions.

4. New DR II mechanism to minimise dust spots
The K-7 comes equipped with the newly developed DR (Dust Removal) II mechanism, designed to effectively minimise annoying dust spots on recorded images, even after changing lenses in dust-prone outdoor settings. The K-7’s unique dust-alert system also lets the user check for dust on the filter prior to actual shooting.

5. High-quality image reproduction
(1) Approximately 14.6 effective megapixels for true-to-life image reproduction
The K-7 incorporates a newly developed CMOS image sensor measuring 23.4mm by 15.6mm featuring a high-speed, four-channel image data read-out. With approximately 14.6 effective megapixels, this image sensor can faithfully and accurately reproduce fine-detailed, gradation-rich images. With the adverse effects of digital noise greatly reduced, the sensitivity can be increased from ISO 100 up to the highest level of ISO 6400 (via a custom function).
(2) High-performance, high-speed PRIME II imaging engine
The K-7 features the newly developed PRIME (PENTAX Real Image Engine) II as its imaging engine, an upgrade of the original PRIME,. This new imaging engine offers greater data-processing speed and produces improved quality images with richer gradation and more accurate colour rendition. It also offers high-speed movie data transmission.

6. New 77-segment multi-pattern metering
Newly developed for the K-7, a sophisticated 77-segment multi-pattern metering system greatly improves light-metering accuracy. By accurately analysing various types of data (such as the image’s composition and format between upright and horizontal, and the subject’s distance and magnification) transmitted from the sensors in the camera body, this system greatly improves the accuracy of exposure control.

7. New-generation SR mechanism for improved shake-reduction effect
The K-7 features the PENTAX-developed SR (Shake Reduction) feature, which effectively minimises the adverse effect of camera shake by approximately 2.5 to 4 shutter steps, assuring sharp, blur-free images even under demanding shooting conditions. This innovative feature is compatible with all PENTAX interchangeable lenses — including a selection of the lenses designed for film-format cameras.*
* Lenses compatible with this mechanism are the PENTAX K-, KA-, KAF-, KAF2- and KAF3-mount lenses; screw-mounted lenses (with an adapter); and 645-and 67system lenses (with an adapter). Some functions may not be available with certain lenses.

8. Live View real-time, on-display image confirmation with Face Recognition AF and high-speed continuous shooting modes
The K-7 features the Live View function, which allows the user to view the image on the LCD monitor during shooting. You can take advantage of this convenient function not only in the Contrast AF mode, which optimizes the focus based on the subject’s contrast, but also in the Face Recognition AF mode, which automatically and accurately focuses on the subject’s face.

9. High-quality still image recording at 1280 x 720 pixels; 30-frames-per-second movie recording at HD-television proportions
The K-7 adds a new movie recording function, extending the benefits of SLR photography to the world of movie shooting. Beautiful movie clips can be recorded at various sizes — 640 x 416 pixels, 1536 x 1024 pixels, or 1280 x 720 pixels (16:9 high-definition TV proportions) — at a frame rate of 30 frames per second. The K-7 is also equipped with an HVMI terminal and an external microphone input terminal.

10. New 11-point wide-frame AF sensor
The K-7’s new SAFOX VIII+ wide-frame autofocus system features 11 sensor points (with 9 cross-type sensors positioned in the middle). This AF system ensures reliable, responsive autofocus operation superior in speed and accuracy to the previous system. The K-7 also incorporates an AF-assisted spotbeam projector in its built-in flash unit to improve autofocusing accuracy in the dark.

11. Custom Image function to easily create desired visual effects
The K-7’s Custom Image function allows the user to provide a finishing touch to an image by highlighting the ambience of the scene. The user can select one of seven modes, including the new “Muted” mode designed to recreate an image with delicate, subdued colours. In addition to saturation, tone, contrast and sharpness — the functions previously available — it is now possible to adjust “key” and “contrast highlight/shadow” to the desired levels. The effects of these factors can be effortlessly confirmed on a preview image using the Digital Preview or Live View function before finalising the settings.

12. Versatile exposure system for faithful reproduction of creative intentions
(1) Hyper Programme function
The K-7’s Hyper Programme function allows the user to instantly switch from the Programmed AE mode, to the Shutter or Aperture-Priority AE mode with a simple turn of the electronic dials on the grip.
(2) Hyper Manual function
When shooting in Manual mode, a single push of the green button allows the user to instantly set the proper exposure for the subject.
(3) Sensitivity-Priority mode
The K-7 features a unique Sensitivity-Priority (Sv) mode, designed to automatically select the optimum combination of aperture and shutter speed for a user-selected sensitivity. The sensitivity can be shifted instantly in 1/2 or 1/3 steps by turning the electronic dial on the back panel.
(4) Shutter/Aperture-Priority mode
The Shutter/Aperture-Priority (TAv) mode automatically selects the most appropriate sensitivity for a user-selected shutter-speed/aperture combination. It allows the user to experiment with a greater range of photographic expressions simply and effectively.



13. Large, easy-to-see 3.0-inch wide-view LCD monitor with approximately 920,000 dots
The K-7 features a large 3.0-inch colour LCD monitor with approximately 920,000 dots on its back panel. Its wide-view design allows the photographer to check the monitor image from approximately 170 degrees both vertically and horizontally, facilitating low- and high-angle shooting using the Live View function.

14. Powerful rechargeable battery
The K-7 is powered by a large-capacity, rechargeable lithium-ion battery, which can capture approximately 980 images** when fully charged.
** Under testing conditions prescribed by PENTAX, when using a rechargeable D-LI90 lithium-ion battery with no flash.

15. Other features
1) HDR (high dynamic range) function to create one composite image with
an extra-wide gradation range from three images with different exposures
2) Dynamic-range expansion function to compensate for both
white-washed (overexposed) and blacked-out (underexposed) areas
3) Digital level function for easy checking of the image’s levels
4) Automatic compensation of distortion and lateral chromatic
aberration (available only with DA- and DFA-series lenses)
5) White balance control, featuring a new CTE mode to emphasise
the colour components of sunset scenes and a new
incandescent-tinted fluorescent light mode
6) Multi-exposure function, with a super-imposition of already-recorded
images on the LCD monitor for at-a-glance comparison
7) Attachment of copyright credits on recorded images
8) RAW button for single-action switching of image file format
9) 16 digital filters to add a range of visual effects; a new function to
record an overwritten history also available
10) Colour-specific control buttons/dials for easy recognition and
quick access, based on the universal colour design
11) PENTAX Digital Camera Utility 4 software package, including
a RAW-data processing application (based on the popular
SILKYPIX RAW-data processing engine developed
by Ichikawa Soft Laboratory) and a browser application

Optional accessory
Battery Grip D-BG4
Exclusively designed for the PENTAX K-7 camera body, the Battery Grip D-BG4 is powered by either a rechargeable lithium-ion battery or six AA-size batteries. Since it supplements the camera’s battery as an additional power source, the number of recordable images is greatly increased. To facilitate vertical-position shooting, this grip features an extra shutter-release button, preview lever, electronic dials, AE-lock button, Green button and AF button. It also provides the same dustproof, weather and cold-resistant function as the camera body.

Pricing:
Body only £1,199.99
With kit lens (18-55mm) £1,229.99
With double kit lens 18-55mm + 50-200mm £1329.99

Availability:
June/July

Up close & personal - macro tripod review part IV

Gitzo Explorer GT2540 EX $649.95 (£490) + GH2750 off-centre ball £137

SPEC PANEL (exc ball-head)

Max Height (column down): 135cm
Max Height (column up): 164cm
Min Height: 3cm
Leg Sections: 4cm
Closed Length: 57cm
Weight: 1.8kg
Load capacity: 12kg

Quality 5/5
Features & Design 5/5
Value for Money 3/5
Overall 4/5

The Gitzo Explorer range all feature the must-have tilting centre-column and the GT2540 EX is the top-of-the-range model with 4-section carbon-fibre legs and column and magnesium alloy castings for low weight. There are just two knobs to operate; one for the column, and another for tilt and pan, making it one of the easiest and quickest to adjust.

Unlike other models from Gitzo, and some of those on test, the Explorer dispenses with the usual three-position catch for adjusting the leg spread. Instead it has a large clamp providing variable adjustment for each leg. While this means the legs can be adjusted a full 90 degrees from vertical to horizontal, permitting incredible flexibility for precise positioning, I found it difficult to set the legs evenly to level off. Be that as it may, it’s not a show-stopper for macro work.

To prevent splaying, the leg clamps are quite stiff for one-handed operation but the overall rigidity means the GT2540 can carry a load far greater than some of the heavier and bulkier tripods on test. The small size and low weight make it ideal for traveling plus the huge range of adjustments available make it a real winner for macro work but it all comes at a price.

Check back tomorrow for part V of the round-up.

To return to the beginning of the article, please use this link.

UPDATE 26/05/09 - Please note this tripod has since been upgraded slightly and is now known as the Explorer GT2541 EX.

First look at Voigtlander 20mm f/3.5 Color Skopar (part II)

Thought I would post a 100 per cent crop (actual pixels) of the corner of the frame from the previous post. Raw file from full-frame (FX) Nikon D700 at f/8 (well actually f/9) developed using Aperture, mono conversion using Nik Silver Efex Pro, and no output sharpening. Looks very encouraging to me.

Remember the APS-C format Nikon DX and Pentax DSLRs will be pulling from the central 'sweet-spot' of the CV 20mm f/3.5, and FOV will become the equivalent to a 35mm f/3.5.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

Update 01/22/10: Please note a full test of this lens will be published in the near future.

First look at Voigtlander 20mm f/3.5 Color Skopar

Before I get a flood of emails, I know this is displayed really small, but I wanted to post one of the first shots with the Voigtlander 20mm f/3.5 Color Skopar, supplied by the UK retailer, Robert White.

It's too early to draw any conclusions from this, other than to say it looks really good on my Apple Cinema display. I'll make a print from the Epson SP 3800 we have in the studio too and comment on that as well. All the same, I have a lot more testing to do and it will be sometime before I can publish the results* of the test, so please be patient.

* See here, for a 'quick and dirty' corner crop of the above.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

onOne to release iPhone remote camera control app

onOne Software are about to release a new product, the DSLR IRCC - iPhone Remote Camera Control. Check out their blog here.

Lenswork magazine compiling community tribute for Bill Jay

US magazine Lenswork is compiling a tribute to former contributor Bill Jay who sadly passed away last week. British born Bill was former Editor of Album magazine and Creative Photography in the 1970's before leaving for the States to continue to write and teach photography. Head over to Lenswork for more information and to add a few words to the tribute.

Up close & personal - macro tripod review part III

Giottos MTL 3361B £110 + MH1301 ball £79

SPEC PANEL (exc ball-head)

Max Height (column down): 144cm
Max Height (column up): 165cm
Min Height: 25cm
Leg Sections: 3
Closed Length: 68cm
Weight: 2.5kg
Load capacity: 8kg

Quality 3/5
Features & Design 4/5
Value for Money 3/5
Overall 3.5/5

Giottos’ MTL 3361B is a black-painted aluminium tripod with a pivoting centre-column and 3-leg sections. Although one of the heaviest on test it has a good range of features including foam wraps on all three legs, a built-in spirit-level, reversible 1/4-in and 3/8-in head attachment, and an optional, unadjustable short-column for very heavy cameras or large lenses.

In order for the column to tilt though it has to be removed first then re-inserted back into the hinged clamp. This isn’t quite as slick as the Gitzo Explorer, and there are three locks to adjust making it slightly more fiddly in use. I also found the size of locking knobs on the small side as the centre-column needed a lot of tightening to secure.

Although an optional extra, our sample was sent with a Giottos MH1301 ball head. Boasting a separate friction control in addition to the usual locking knob the MH1301 is an extremely well made and very efficient head. Overall the MTL 3361B is a bit of a mixed bag. The aluminium castings and 3-section legs doesn’t make it quite so compact when compared to the rest and it’s one of the heaviest in the group, but it is a pretty sturdy platform capable of supporting a decent load.

Check back tomorrow for part IV and the review of the Gitzo Explorer GT2540 EX + GH2750 off-centre ball head.

To return to the beginning of the article, please use this link.