Lowepro unwrap new Toploaders

Press release:

Date: 29th May 2009

Lowepro’s new Toploader Pro AW Series.

Lowepro’s latest Toploader Pro AW Series is a great carrying solution for the pro who requires fast access, agility and flexibility from a camera bag.

With its asymmetrical shape, the Toploader Pro AW Series follows the line of a pro DSLR camera for a snug and protective fit. It also includes Lowepro’s unique 360° All Weather AW Cover™ that allows you to work out of the bag while protecting your gear.

This series is packed with useful features such as an inventive side opening that offers easy-grip access to capture a shot in a flash; U-shaped zipper pulls that are easy to grasp; plus extra pockets for accessories and small personal items. Lowepro’s exclusive SlipLock™ loops have been added to allow attachment of items and Lowepro’s quick-release buckle allowing the photographer to close the bag without zipping it, enables fast access plus security whilst on the move.

The Toploader Pro Series can be worn three ways to accommodate different working scenarios: holster-style over the shoulder with the 3-point shoulder harness; attached to Lowepro’s Street & Field™ belt system, or with our Topload Chest Harness (both sold separately).

There are three sizes to choose from in the series, 65 AW, 70 AW and 75 AW which are only available in black and can be purchased from all good stockists priced around £70.

For more information please visit www.lowepro.co.uk or contact the Lowepro helpline on 0870 420 4211.

Sony add two Cyber-shots: W180 and W190

Sony press release:


Great pictures to fit everyone’s pocket : Slim, stylish Cyber-shot cameras by Sony offer superb picture quality and outstanding value

• 10.1/12.1 effective megapixels (W180/W190)
• Easy to use with convenient shooting functions
• Smile Shutter automatically captures smiling portraits
• SteadyShot and High Sensitivity ISO 3200 for crisp, clear shots
• Seven Scene Selection modes
• 3x optical zoom and 17x/18x Smart Zoom (W180/W190)
• Choice of three colours (silver, black, red)

Two slim, stylish Cyber-shot digital cameras from Sony offer outstanding quality and value to suit every pocket.

The Cyber-shot W180 and W190 are the perfect no-fuss choice for anyone who needs to capture family moments, holidays and nights out.

Both models look great with slim, clean lines and a choice of silver, black or red colour finish options. Ideal for first-time photographers, they’re beautifully easy to use, with a simple slide switch to select photo/movie/playback modes.

For maximum creative freedom, a choice of seven Scene Selection modes adjusts camera settings automatically to suit virtually any subject. While they offer superb value, the Cyber-shot W180 and W190 don’t compromise on class-leading picture quality and easy-to-use features.

A high resolution of 10.1/12.1 effective megapixels (W180/W190) ensures crisp, detail-packed enlargements to A3 size and beyond. Pristine picture quality is further enhanced by the high-quality 3x optical zoom lens.

Smart zoom boosts maximum magnification to a frame-filling 18x for W190 and 17x for W180 for even more dramatic close-ups. There’s also a generously-sized 2.7” Clear Photo LCD screen for a bright, clear view of images and quick confirmation of camera settings.

Improved Face Detection recognises up to 8 faces in a scene, fine-tuning focus and exposure for better-looking portraits. For even happier people pictures, Smile Shutter automatically takes a picture when your subject smiles.

SteadyShot image stabilisation reduces the effects of camera shake when you’re shooting handheld. A special shooting mode boosts sensitivity to ISO 3200, letting you freeze moving subjects with faster shutter speeds or capture atmospheric interiors without flash.

Also supplied, the latest version (4.2.01) of Picture Motion Browser software (for PC) makes it easy to manage and share your collection of digital photos and video clips and for uploading these to YouTube, Picasa or other image and video sharing web-sites.

The Cyber-shot W180 and W190 compact digital cameras are available from July 2009.

Olympus E-450 Hi ISO examples

We've had an Olympus E-450 for a few days, and I thought I would publish some in camera JPEGs grabbed at dusk yesterday at ISO1600. Noise reduction and Filter settings left at the default, that's to say the latter set to Standard, and the former left to Auto. The last frame is a 100-percent crop (SAT set to Normal). For the time being, Raw files can't be developed by LR, Aperture or C1 Pro.

Canon Enables Manual Exposure in Video on EOS 5D Mark II

Canon has today announced the long rumored firmware upgrade for the EOS 5D Mk II, allowing manual control of shutter speeds, aperture settings and ISOs when using the camera in its HD video mode.

Canon press release:

LONDON, UK, 27th May 2009: Canon announced today it will release a firmware update for the EOS 5D Mark II allowing users to manually control exposure when shooting video. The new firmware will be available for download from 2 June 2009 on Canon Europe’s support web site.

Following the launch of the EOS 5D Mark II in September 2008, Canon’s Research and Development team has listened closely to customer feedback to develop additions to the camera’s movie recording functionality.

Allowing EOS 5D Mark II owners to achieve even more stunning video results with the camera, the firmware update will include the following manual controls when shooting video:

Full aperture selection
ISO speed: Auto, 100 – 6400 and H1
Shutter speed: 1/30th – 1/4000th second
The EOS 5D Mark II integrates full HD movie capability into a high-end 21.1 Megapixel camera; opening a multitude of new possibilities for photo-journalists and news photographers. Since its launch the camera has proved its appeal to professionals working in diverse fields, from studio and wedding to nature and travel. Now, following customer feedback, Canon has improved functionality for professional video users, further unleashing the potential of the EOS 5D Mark II for cinematographers and photographers alike.

Accessories for macro photography

Tripods aren’t the only means of support for the macro photographer, especially if working close to or at ground-level. I've rounded up a few accessories that'll make life that little bit easier.


Gorillapod SLR Zoom $54.95 (£35).

This little table-top tripod uses a series of ball-joints to make up each of its three-legs, enabling not only ground-level access but allowing the legs to be wrapped around fence posts, branches and the like. The SLR-Zoom easily supports small to mid-size DSLRs with a 50 or 100mm macro lens, and weighs just 241g.

Kirk Low Pod $150 (£120)

This specialised piece of kit, essentially a stable mounting plate for a Ball head, allows easy low-level work for the macro-enthusiast. Made from cast aluminium, it comes with a large carrying handle and four-rubber feet for stability on a number of different surfaces.

Wildlife Watching Supplies – Double Bean Bag $ 51 (£21.72)

Featuring two-bags sewn back-to-back to provide additional support and greater stability in the field, the Double Bean Bag is a pretty low-tech but hugely reliable solution to the problem of working at ground-level. At the price quoted the bean bag is supplied unfilled and without liners. Use bird seed, rice, corn and the like to attract animals, or fill with polystyrene for low-weight.

Wimberley Plamp PP-100 Adorama  ($36.95), Wex UK (£29.99)



Using a similar concept of ball-joints to the Joby Gorlliapod, the Plamp is a semi-rigid arm that clamps to your tripod, or nearest stable object, and is used to steady your subject. Measuring 48cm in length you could always use a second to position a tiny reflector or hold back some stray grass.

To return to the beginning of the article, please use this link.

News of Sony A500 and A550 leaked?

Forum members over at Dyxum, the Sonolta (Sony/Minolta) forum, are discussing the accidental leaking of new Alpha 500/550 models on the Sony Canada support site. Follow the link to the Dyxum forum.

Source Photoclub Alpha.

Macro photography: 10 top tips on using a tripod

10 TOP TIPS ON USING A TRIPOD FOR MACRO PHOTOGRAPHY

1: Make sure the centre of gravity is compensated by the leg placement – ideally over one leg, if possible.

2: Don’t over-extend the centre-column, as you will increase the likelihood of vibration and may adversely affect the centre-of gravity.

3: Make sure all the knobs/clamps are tightened off to increase rigidity and reduce vibration (will also save on accidental crashes).

4: Use spikes outdoors (push into soft ground), and non-slip feet indoors to prevent splaying and increase rigidity.

5: Use the self-timer or buy a remote release to reduce camera vibration.

6: Ideally use mirror lock-up or Live View (contrast-detection mode) to further reduce camera vibration.

7: Don’t scrimp on the head. Although macro tripods require quite a lot of adjustment during set-up, you’ll still find you spend more time adjusting the head.

8: For precise adjustment and ease of use, large ball-heads are preferable to 3-way tilt-and-shift type heads.

9: To compensate for different loads, choose a ball head with friction-control. Learn how to use it properly to prevent accidental crashes.

10: To further reduce the effects of vibration, ideally choose a head with removable Arca Swiss style metal plates. Buy the plate made for you camera/lens.

To read the final page of the article, rounding up a few useful accessories, please use this link.

To return to the beginning of the article, please use this link.

Olympus mFT: interview with Haruo Ogawa

The following is an interview with Mr Ogawa (head of DSLR development in Toyko) at Photokina 2008, discussing Olympus‘ take on mFT. It’s reproduced here in its entirety and is pretty candid. I really don’t know if it has been posted or published elsewhere (I'm sure it will have, as I've sat on it for months) but I’m grateful to Olympus UK for sending this to me.



Was mFT part of the original Olympus 4/3 strategy and if not, when and why did it become important?

No hard and fast answer to that but the overall concept of size certainly been a key component of 4/3 development so this in many ways is a logical step. Let’s say that these things are often on paper but timing depends on technology.

How does mFT fit in with the overall product strategy of the existing 4/3 system?

It is an addition – a branch if you like, a whole new potential market – complimentary but also separate. Surveys have suggested that up to 25% of the 100 plus million people who bought compacts in the last year worldwide would consider an SLR if it was smaller and easier to use. That is one commercial angle. Others include additional cameras for SLR owners of all brands who want a serious “pocketable” camera. Naturally, we also expect many users to prefer a conventional system – think how conservative most designs are at the moment and the uproar when things like EVF’s are proposed. So a twin strategy makes a lot of sense.

Some people have voiced a little concern with the almost lacklustre Photokina launch with only a mock up of the Olympus mFT camera, while the Panasonic G1 will be hitting the shelves this month – what are your comments on this?

We are taking our time to ensure we can deliver what we believe the system is really capable of. Can’t really comment of the direction of the other product but let’s just say Olympus is committed to delivering something really exciting. Look on the bright side – you all get to have a voice in what you would like to see over time. The mock up shows what can be done in size terms, everything else is open to suggestion in theory.

Does Olympus foresee some mFT cameras having non-traditional body shapes - for instance like the E-300/330?

Some might, some might not. We would prefer people to imagine what could be rather than judge purely on the past. In this electronic age there are some who might be surprised that a mirror is used at all and yet DSLR’s still have them. Think 5 years from now, put aside any prejudices and imagine what you would like to see that would let you take superb images whenever and wherever you like.

Do you plan to build bodies for the advanced amateur/pro market in addition to the beginner/bridge market for the mFT?

No firm news but as above – just imagine. It does not all have to happen on day one.

How long have you been working on mFT with Panasonic for and is the partnership of technology sharing likely to continue and why?

No information released on this but as you may imagine many technology partners in Japan work long term on many projects depending on their expertise.

It has been suggested that Panasonic see two lines of mFT cameras, a) point/shoot and b)video recording type. Does Olympus have a similar distinction planned in their roadmap for mFT body systems?

Again – we can’t say one way or the other right now but as you can probably guess: if it is possible and there is a demand then why wouldn’t we consider it?

On the lighter side, does Olympus intend on out doing Panasonic in the fashion colour department? (More colours....colour coordinated lenses....)

See above!

Does mFT impact in any way on the future development and support for the original 4/3 system? Either at lens or body level?

In a negative way? We do not believe so – in fact we believe the opposite. After a long Photokina with this kind of question we had a variety if ways of looking at this and my analogy of the week is cars. A one range company has limitations in potential business and therefore in long term investment.

Think certain luxury car makers in recent years. Those that have done best have several ranges aimed at different sectors. They can develop in stages and invest more. Some aspects are shared, new technology used in all. This is true to an extent with the differing ranges of conventional SLR’s and compacts but if you can expand your market reach further, so much the better.

And before anyone points out what happened to some of the car companies we would ask you to consider USP’s. Optics are the hardest (longest lead time) part of cameras to develop. Not many companies have the resources and expertise to do this part with appropriate quality – Olympus do. Remember that E System is the only designed for digital range started from scratch so we are already ahead. Have a look at the very recent review of the 50mm macro on a certain large review site if you need some confirmation. Have a look at feedback on our low cost kit lenses – they are superb.

We are often asked about the impact of camera phones on digital cameras and our European Marketing Director said (I paraphrase) – “look camera phones are for instant sharing. Photography comes from the heart, getting the best results you can whether for your pleasure or because you want to capture an image, a memory, to keep. Photography companies have the edge here and optics are the key. We excel in that area, it is our heartland and the stronger we get the more we can do with it” Is that positive enough?

When can we expect to see the first mFT Olympus camera on the shelves?

Nothing more precise just yet.

Any other pieces of ‘red hot’ information you would like to share with us?

Next year [2009] will be exciting.

Size comparison between FT (left) and mFT bodies, courtesy of Olympus UK. Without the quick-return mirror, the dimensions of mFT bodies can be greatly reduced.

And a couple more...

Nikon users will notice the inclusion of ADR and CPU contacts, essentially what Nikon termed Ai-P spec. The Ai (Auto indexing) ridge ensures the Voigtlander 20mm f/3.5 Color Skopar has backwards metering compatibility with manual focus SLRs dating back to the Nikon F2A and F2AS (DP11/DP12 Photomic heads), while the CPU data-bus provides compatibility with modern film cameras such as the F100, F5 and F6, as well as latest digital SLRs. Please note, this a manual focus lens.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

Unboxing Voigtlander Color Skopar 20mm f/3.5

Okay so I don't normally do this kind of thing, but hey it's my blog and I can do what I like. It's not a video either just a couple of stills but it will give you a taste of what to expect when you plunk down your cash. Should of done this before I posted the first look, but well there you go. I didn't, so I'm doing it now.

Update; click here for a few more images.

UK link: Robert White

USA link: B&H Nikon fit, Pentax fit.

Macro tripod review part VIII: Uni-loc Major System 1600

Uni-loc Major System 1600 $275 (£175) + Uni-loc 30 ball head $65 (£40) (not shown).

SPEC PANEL (exc ball-head)

Max Height (column down): 136cm
Max Height (column up): 180cm
Min Height: 0cm
Leg Sections: 2
Closed Length: 83cm
Weight: 3.8kg
Load capacity: 20Kg

Quality 5/5
Features & Design 4/5
Value for Money 5/5
Overall 4.5/5

Without doubt this particular model is the heaviest and largest of the group, and it’s ideal for supporting heavier gear, however, there are smaller and lighter models available from the maker.

Like the Benbo on which it’s modeled the Uni-loc also exhibits an enormous range of movements making it ideally suited to difficult to reach subjects. The Major 1600 has the edge on build-quality though and this particular model features an independently lockable centre-column. As a result I found I was much less likely to have an accidental spill and it greatly improves on the original design where one clamp locked all three-legs and column.

I also liked the folding column with the option of two head platform allowing me to get low and orientate the head (and camera) with ease. While the huge column clamp increases rigidity you have to resist the temptation to overextend the column. You can shorten it quickly (it comes in two sections) with the provided hex-key, though, and is easy enough to do in the field.

You can also strip out one of the legs to make a fully functional monopod, but like the tripod (with 2-section leg tubes) it’s not particularly compact. Bear in mind you’ll need to budget for a head, but apart from the weight and bulk there are few if any other shortcomings.

Tomorrow: 10 top tips for using your macro tripod.

To return to the beginning of the article, please use this link.

Up close & personal - macro tripod review part VII

Velbon Ultra Luxi M complete with head $150 (£69)



SPEC PANEL (inc ball-head)

Max Height (column down): 119cm
Max Height (column up): 139cm
Min Height: 19cm
Leg Sections: 5
Closed Length: 34.5cm
Weight: 1.26kg
Load capacity: 2.5kg

Quality 4/5
Features & Design 4/5
Value for Money 4/5
Overall 4/5


At first sight the diminutive Ultra Luxi M seems out of place in this company, but shorter leg tubes and 3-position leg joints it can be used quite successfully for low-level work. And, thanks to the 5-section legs the Velbon is capable of extending to the height of the others on test, but it lacks a tilting column to get in close.

I’m not normally a fan of Pan and Tilt heads, but I have to admit I was really impressed by the bundled Velbon PHD-41Q head. Not only were the locking handles really smooth, allowing high precision when locking the head off but it was steady as a rock too. If I have a concern, it was as a result of some slight play in the rubber-covered quick-release plate. I had to all but over-tighten to prevent vibration.

A sliding mechanism for the 3-position leg joints is a neat design and that as well as a two-piece column allows the Ultra Luxi M to get low, but it’s still difficult to get in level for small subjects with a 50 or 100mm macro. Even so, if pack weight and size is critical, the Velbon is well worth a closer look.

Don't forget to check back tomorrow for part VIII.

To return to the beginning of the article, please use this link.

Olympus Micro 4/3 build-up begins

It's coming...

An undisclosed source (I don't want to get anyone in trouble) said to me they've seen it and it looks great. Of course what they've seen is another thing altogether...But, I think it will likely resemble the mock-ups shown at PMA and elsewhere. All will be revealed in the fullness of time. Here's the link.

UPDATE 24/5/09: I thought I would add the images of the MFT concept model Olympus sent a while back. Save you looking elsewhere...

I'm hoping Olympus follow through with this, there's a market for a rangefinder-esque model with detachable lenses, evidenced by all those mFT lens adaptors that have appeared. And Olympus lenses are so so good, have you seen the results from the 4/3's 12-60mm and 14-54mm Mk II? They're really something.

Pentax K-7 more images

I think Pentax are doing the right thing with the K-7, it's small, highly specified and well-made. That and the maker's range of high-quality Limited glass is really going to appeal to a lot of people.

You simply don't get this with Canon or Nikon, their semi-pro models are hulking great things and rarely handle well with their mid-range primes. I'm thinking 35mm f/2, 28/24mm f/2.8, maybe 85mm f/1.8 too. Most of those lenses date back to the late 1980's and 90's and were designed for smaller 35mm models.

This isn't new territory for Pentax, think back to those excellent MX, ME and ME Super models from the 70's and early 80's. And don't forget the pro-level LX, there's quite a bit of that models DNA in the K-7. Of course it's a market that Olympus currently occupy with their excellent Evolt models, the E-30, E-620 and E-450 are the best we've seen from the company.

What's more it looks like Sony could be making more of a play for that segment. You may be too young to remember the word's first multi-mode SLR was the miniscule Minolta XD-11 (XD-7 in Europe), and I'm betting we'll see the A-700 replacement downsized this year too.

Rubber seals around the body and that of the battery pack provide weather proofing, but it looks like there's little protection around the occular (viewfinder). Maybe it's just the picture, we'll see.

Check these links for prices or to buy from approved retailers

B&H Photo: Pentax K7 (body only)

Pentax K-7 magnesium body exposed

Found this image of the Pentax K-7 in the press area. In case you didn't realize (and no I'm not trying to sound clever), the K-7 is the company's first DSLR to made using a magnesium alloy body, previous offerings used a engineering plastic outer over a stainless steel chassis. And like the K10/20D and K200D , the K-7 body is weather-sealed, though you will need to choose similarly specified lenses.

Up close & personal - macro tripod review part VI

Slik Sprint PRO II 3-Way $95 (£80) (inc head)




SPEC PANEL (inc head)

Max Height (column down): 132cm
Max Height (column up): 162cm
Min Height: 18cm
Leg Sections: 4
Closed Length: 68cm
Weight: 1.1kg
Load capacity: 2kg

Quality 3/5
Features & Design 3/5
Value for Money 3/5
Overall 3/5

Slik subscribes to the same point of view as rival Velbon, namely shorter legs should get you closer to your subject. That works to a point, if your subject is close to the ground, but you’ll have to rely on another (sturdy) platform if your macro subject is at waist level or so. That’s not because the Pro II isn’t capable of extending to the height of the others on test, but it too lacks a tilting column to get in close with the legs extended.

Despite that the Slik works reasonably well at low-level. With the centre-column removed, the leg joints allow the tripod to lie almost flat to the ground. Unfortunately the pan and tilt head has a limited range from the centre of the leg joints. And, like the Velbon, if the subject is small and at ground level the Slik simply can’t get low enough.

Still it’s a small price to pay for such portability, the Slik and Velbon really stand-out for their compact dimensions and low weight. All aluminium construction ensures durability and the Slik is much more rigid than you would expect. But loose fitting leg wraps and an average pan and tilt head seem at odds with the generally high build quality.

Don't forget to check back again for part VII tomorrow.

To return to the beginning of the article, please use this link.

Voigtlander add Nokton 50mm f/1.1

Following in the footsteps of the Leica Noctilux f/0.95 and Nikkor-N 5cm f/1.1, Voigtlander has added a Nokton 50mm f/1.1 to the range. Priced at €999 ($1379) and expected mid June, the new Nokton is designed to be used with Voigtlander Bessa RF cameras, though will also fit Leica M models, including the latest digital M8.2. There's also a following using these and M-series lenses on the Lumix G1 with adaptors (such as those announced in the previous post). Filter diameter is 58mm and the lens uses 7 elements in 6 groups. It weighs in at a substantial 428g. A new vented lens hood (pictured) has also been announced.

More information can be found at the Voigtlander, Japan site here.

Update 12 July '09:

B&H still don't have it listed, and aren't as yet accepting orders.

UK distributor, Robert White, is listing the new Nokton for £950 plus VAT (15%).

Two new Panasonic mount adaptors revealed for Lumix GH1

Panasonic press release, this morning:

Panasonic is pleased to announce two new mount adaptors, the M Mount Adaptor DMW-MA2M and R Mount Adaptor DMW-MA3R, to further enhance the photographic experience with cameras from the Lumix G Micro System.

The M Mount Adaptor and R Mount Adaptor are developed under support of Leica Camera AG, making it possible to attach Leica M lenses (DMW-MA2M) or R lenses (DMW-MA3R) on DMC-G1 and DMC-GH1. Users can enjoy outstanding image rendering offered by the combination of high quality Leica lenses and Lumix G cameras that are full of Panasonic's cutting edge digital technologies. These adaptors also allow users to use the movable MF assist function, which enlarges the selected area when focusing manually.

The compatibility information of Leica M/R lenses are on http://panasonic.jp/support/global/cs/dsc/

After Shake sensor cleaner announced for dust-busting DSLRs

Press release:

Austrian manufacturer GREEN CLEAN has developed a special cleaning set for DSLR cameras with an ultrasonic vibration cleaning system:

The “After Shake“ Sensor Cleaner.

More and more modern DSLR cameras have an Ultra Sonic or Super Sonic vibration system to shake loose dust particles off the low pass filter, which sits in front of the actual CCD or CMOS sensor. These so called “dust reduction systems” work to some degree, but cannot shake off welded-on dust and abrasions or oily substances and this is where the Green Clean After Shake Cleaning System is the safe and easy way to remove these!

“After Shake“ Sensor Cleaner:

• Use after the cameras Ultrasonic dust reduction shake
• Removes stains & “welded-on” dust
• “Wet Sweeper” with precise dosage of dissolving liquid
• “Dry Sweeper” with pre-treated textile




The Wet & Dry Sweepers SC-5070 come in a sealed double sachet. The Wet Sweeper has a pre-soaked foam tip with just the right amount of solution needed to dissolve any stubborn dirt or stains, which is then lifted off with the Dry Sweeper. The projecting edges of the Dry Sweeper’s pre-treated textile are excellent for cleaning right into the corners of the sensor, leaving a pristine sensor surface!

The GREEN CLEAN AFTER SHAKE SENSOR CLEANING KIT contains:

• 5 x Double sachet Wet & Dry Sweeper
• 1 x Clip & Flip Magnifying Glasses
• 1 x LCD Wipe 8 x 8 cm

The kit is now available from retailers at £23.50 + Vat.

For details contact the importers:

Flaghead Photographic Limited
01202 733 123 info@flaghead.co.uk
www.flaghead.co.uk

Leica M8 White Edition

The new LEICA M8 White Edition




Better late than never, so they say, Leica's PR company finally forwarded the details of the limited edition White M8.2. No word on quantities, but it's thought to be in the region of 250-275 units. Start saving.

Update 21/5/09: 275 units in total.

Leica UK press release


Following the success of the recent LEICA C-LUX 3 in white, Leica Camera decided to see what the LEICA M8 would look
like in white. They liked it, and have decided to launch a very limited run.

The camera will be finished in the smoothest white nappa cowhide and white lacquer, and with chrome controls and all the technical specifications of the renowned LEICA M8.2, Leica is expecting the camera to be in high demand when it’s released.

It will come as a complete package including a LEICA ELMARIT-M 28mm f/2.8 ASPH lens with “White Edition” silver anodized finish, and matching metal lens hood, a filter E39 UV/IR in silver, a genuine leather white carrying strap, a Certificate of Leica Authenticity and an individual engraved serial number on each camera.

Priced in the region of £5,990, and available in very limited quantities from premium Leica dealers soon. See www.leica-camera.co.uk