Tokina AT-X 16-28mm f/2.8 Pro FX review

Quality. Build quality of the Tokina ATX-Pro 16-28mm f/2.8 FX is good, with a mix of robust metal and plastic outer components and excellent ridged rubber grips.

You might think Nikon and Canon users have a good choice of ultra-wide zooms available to them but Tokina believes there's room for another.


Tokina has been making high-quality photographic lenses for various camera makers for over sixty years, with only the last three decades using the Tokina brand name. It's claimed the company was founded by a group of ex-Nikon engineers, and perhaps that might explain why many of their models take their design cues from Nikkor lenses to this day.

Certainly this lens, with its bulbous front element, built-in hood and trombone-shaped body could easily be mistaken for the AF-S 14-28mm f/2.8 Nikkor. Aside from the distinctive silhouette, the finish, focus grip and markings not to mention the lack of an aperture ring make it look uncannily similar up close too; only the widely ribbed zoom control covering gives it away. As a full frame model, the lens is also offered with a Canon mount, but the design looks somewhat incongruous on EOS bodies.

With a slightly longer focal length and 107-degree diagonal angle-of-view at its widest the Tokina 16-28mm f/2.8 can't match the extreme 114-degree view offered by the Nikkor but then the price isn't close either.

A quick look at the list (inclusive of VAT) shows there's quite a difference, £1500 for the former as opposed to £1075 for the latter. But, the disparity in street prices is even more favourable. The Tokina can be bought for a shade under under £665 (ex VAT), while the highly regarded Nikkor is commanding around £1100 (exc VAT). Nikon has since introduced a 'more affordable' AF-S 16-35mm f/4 but even though the VR-enabled lens is a capable performer it's aimed at different demographic.

Canon users face a similar dilemma. Their EF 16-35mm f/2.8L is smaller, lighter and has a wider range. But the main drawback is price. It sells for only a £100 (ex VAT) less than the big Nikkor. And while significantly cheaper than the f/2.8 model, Canon's widely respected EF 17-40mm f/4 L targets the same users as the new Nikon VR option yet costs around the same price as the Tokina.

As an ATX-Pro model, the Tokina is well built mechanically, only the built-in petal shaped hood, focus ring and mid-section are made from engineering plastic while the rest of the external components (essentially, the rear half) are metal. It's all rather impressive but a cheap plastic push-on cap is supplied, and a concession to the price no doubt. It marks the built-in hood, but at least it's not easily dislodged when placed in a bag. A clip-on cap was offered as a replacement for Japan market and, hopefully, that might now be made available for the UK.

To maintain the image quality at the wider end of the range the focal length at the longer end is reduced from 35mm to 28mm. The coverage is still useful but Tokina argue this lens is likely to be supplemented by a 24-70mm f/2.8. Even so anyone expecting the 16-28mm to be small and lightweight will be disappointed. With a length of 133mm and weighing 950g, this is a large and heavy lens.


The long body allows plenty of room for well-spaced and sizeable zoom and focus controls. Despite the otherwise excellent ergonomics though the action of the zoom ring was heavy compared to rivals. No claims are made of its resistance to the environment in any UK PR material but with translation the maker's Japan site makes reference to 'dustproof and waterproof rubber sealing the outer periphery'. It has a seal around the mount, but it's discrete enough to overlook without closer inspection.

Viewed against today's electronic real-time manual override options of rivals Tokina's One Touch Focus Clutch push-pull design of the focus-ring appears somewhat outdated. However, it's ergonomically superior to the switches of rivals and manual focus is well-weighted allowing ultra-fine adjustment.

Tokina says it has a newly developed silent DC motor, but that's a stretch as there was a noticeable rasping-sound in use from the sample tested. The lens is also the first model to feature a new GMR magnetic sensor in place of the more usual rotational type. These sensors relay focus movement of the lens to the body, but the accuracy of rotational sensors is subject to mechanical wear, typically, backlash from the reduction of gears.

This new design should help maintain accuracy with use, while a contact for the company told me it's more precise any way, and faster in operation due to the GMR sensor being located immediately above the focusing cam. Real-world use showed the Tokina to be in the same class in accuracy and AF speed to my AF-S Nikkor 17-35mm f/2.8, a lens still in production but one that bizarrely sells with a 25-30-percent premium over the 14-24mm f/2.8.

In terms of optical quality, the Tokina is unlikely to disappoint. As you might expect, wide-open at 16mm the edges fall behind but throughout the zoom and aperture ranges the resolution in the centre of the frame is very high.

Three SD (low dispersion) glass elements are used, with properties and performance close to fluorite say Tokina. But, this doesn't prevent chromatism completely, after all this is a complex zoom with 15-elements arranged in 13 groups. All the same, levels are low and easily correctable.

So to is light fall off wide-open at 16mm; a substantial 2.4 stops to the corners according to my testing with Imatest software, but it's not as noticeable as the figures suggest. Modern Nikon bodies remove this with out-of-camera JPEGs, though it's an important point to bear in mind when using a RAW workflow.

Care must be taken when shooting towards the sun as the large convex front is highly prone to flare. Like other modern designs the front group extends from the petal shaped hood during zooming and is more exposed at the wider-end.

With the Sun in the frame there will be the inevitable patches and even with oblique rays, you can expect dramatically lowered contrast. The propensity to flare is perhaps its weakest point as geometric distortion is low especially at mid distances and beyond. After a while it becomes obvious that this lens hasn't just been developed for a particular niche. The drawing style has an appealing aesthetic quality and out of focus elements are rendered smoothly with little of the harshness associated with zooms. Considering the broad range of potential uses the efficacy is impressive.

Lens design is all about compromise, though. The 1.75x zoom range is more modest than rivals, however, the addition of three aspherical elements; one a large (56mm) PMO and the high number of SD elements combine to make a very highly corrected lens. The large size and weight count against it to a point and some users might find it difficult to work with instinctively when switching between makes, but few can argue the Tokina 16-28mm f/2.8 isn't an attractive option.

Distortion. This indoor handheld high ISO shot won't easily convey the excellent micro-contrast this lens is capable of but it does show the excellent geometric correction as well as the propensity for flare (at the window, upper left) and ghosting (seen at the base of the column, lower right). Taken with a full-frame Canon EOS 1Ds Mk III.

Contact


More information, including a list of UK stockists, can be found at www.kenro.co.uk.

Tokina is distributed in the US by THK Photo, www.thkphoto.com.

Sales


Shop for the Tokina ATX-Pro 16-28mm f/2.8 FX at the following retailers:

Adorama US - $899 Nikon, Canon.

Amazon (all countries) Nikon, Canon

Warehouseexpress.com UK - £794.99 (inc VAT) Nikon, Canon

For lens hire in the US try here, and the in UK, try here (please mention us).

Related Posts

Manufacturer rebate available on Tokina 16-28mm f/2.8

Tokina roll out AT-X 17-35mm f/4 Pro FX for home market

Leica rolls out new Leica Elmarit-S 30mm f/2.8 ASPH wide-angle lens

Leica has announced the Elmarit-S 30mm f/2.8 ASPH for the S2 medium format camera. With an wide angle of view equivalent to 24mm in 35mm format, the new lens is the widest lens announced to date for the system. Although it's expected to be available in the UK during December, Leica UK hasn't as yet announced the price. Leica Camera AG, however, are quoting immediate availability and a price of 5500 euros / £4,820 (presumably ex VAT), or $7,715 USD. The new lens, showcased at the PhotoPlus Expo in New York today, has 13 elements in 9 groups and features two aspherical lens surfaces in its construction.

UPDATE: October 30. Adorama in NYC are taking pre-orders at $7,495.

 

Press release:

Leica expands the S-System with new Leica Elmarit-S 30mm f/2.8 ASPH. wide-angle lens
 
27 October 2011: Leica Camera AG has expanded its range of lenses for the Leica S-System with the new Leica Elmarit-S 30 mm f/2.8 ASPH., a wide-angle lens scheduled to be available from December 2011. With the addition of this lens, the portfolio of lenses for the professional S-System now comprises five focal lengths.
 
The Elmarit-S 30 mm f/2.8 ASPH., with its wide angle of view equivalent to 24mm in 35mm format, opens up a multitude of new opportunities for creative composition, particularly in the fields of interior, architectural and landscape photography. At the same time, a fast maximum aperture of f/2.8 lets S-System photographers work with shallow depth of field and selective focus, despite the lens' wide angle of view, and shoot in available light.
 
With outstanding imaging performance from the closest focus to infinity at all apertures, and brilliant colour rendition, the Leica Elmarit-S 30 mm f/2.8 ASPH. guarantees perfect results in a wide range of photographic situations.
 
Dedication to the highest imaging quality is a key factor in the design and construction of all Leica S lenses, fulfilling the stringent demands that professional photographers place on a camera system in their everyday work. Even wide open, the Leica Elmarit-S 30 mm f/2.8 ASPH. fulfils these demands and offers maximum contrast, highest resolution and extremely low distortion throughout its entire focusing range. Software-driven image optimisation is unnecessary, allowing photographers to concentrate purely on the creative side of their work. A further highlight of this lens is its excellent control of flare, ensuring high-contrast images, even when shooting a backlit subject.
 
The Leica Elmarit-S 30 mm f/2.8 ASPH. features an extremely robust bayonet mount and is fully sealed against dust and spray, for absolute reliability even under the harshest shooting conditions. Furthermore, the lens is supplied with a rectangular hood designed for optimum suppression of extraneous light.

For further product information, please visit the Leica web site at www.leica-camera.co.uk and www.S-League.net.

The Leica Elmarit-S 30 mm f/2.8 ASPH. is scheduled to be available in the UK in December 2011 from authorised Leica dealers including the Leica Store Mayfair.

Hasselblad announces H4x

Hasselblad has today announced the H4X, a trade-in product for the H2 and H2 series cameras. The new H4X has the same compatibility as the earlier H1/H2 film-based bodies and cannot be used with the maker's current range of H-series digital backs. However, any back that worked on the earlier cameras, such as a Phase One digital back, will work on the H4X.

A spokesperson for Hasselblad confirmed to the DJP 'the H4x is a refurbishment for all H1 and H2 camera bodies. Owners of H1 and H2 bodies can trade them in for a new H4x, which will not only give them the same functionality as before (compatibility with third-party and film backs), but extra functionality such as True Focus and compatibility with all the H-Series lenses.'

The spokesperson also believes 'H4D backs will still only work with their calibrated H4D bodies as an integrated camera. Note that the H4x is only available as a trade-in for H1/H2 owners - it is not available brand new as a non-trade-in product.'

Press Release

Copenhagen, October 27th 2011

Hasselblad announces new H4X trade-up deal

After almost a decade of service in the front line many H1 and H2/H2F bodies are growing tired and are now in need of replacement. Customers still using the aging platform can now trade-up to the new H4X.

Said Chris Russell-Fish, Global Sales and Marketing Director: “The H1/H2 series has had a long and distinguished career but the time has come to announce its evolution. We know there are still a substantial number of photographers out there using H1/H2 bodies – and we are offering them an exclusive opportunity now to trade-in and upgrade to a very worthy successor – the H4X.”

The new model is available only to H1/H2/H2F users and will cost from just 3,995 Euro (plus tax). The H4X is a great camera body upgrade, which supports all H System lenses, most third party backs and even film. And of course it comes with our world-acclaimed True Focus technology and all the built-in ‘DNA pedigree’ our customers have come to expect from Hasselblad.

Former US President J. Carter once said ‘We must adjust to changing times and still hold to unchanging principles’. We agree. Our new H4X completely underpins this sound logic.

For further information and for H1/H2/H2F owners who wish to trade-up to the new H4X, please go to:

www.hasselblad.com/H4X and contact your Hasselblad dealer.

Related posts

Hasselblad H4D-60 review
Hasselblad Europe offer half-price lens deal

Carl Zeiss unwraps new Distagon T* 25mm f/2

Carl Zeiss has announced a new Distagon T* 2/25 ZE and ZF.2 moderate wide-angle lens. It will be available at the end of 2011 (that's 2012 isn't it?) at a recommended retail price of 1217 euros / £1066 (excluding VAT).

Press release:

OBERKOCHEN, GERMANY – 27 October 2011

Carl Zeiss presents the Distagon T* 2/25 ZE and ZF.2 moderate wide-angle lenses. The large image angle allows photographers to capture exciting perspectives. With its excellent imaging quality at all aperture settings, the lens flexes its muscles particularly for photo documentaries in interior rooms where space is at a premium, as well as for pictures of objects, architecture and landscapes. In many situations, a flash is an unwelcome feature — at family gatherings, in a museum or in a church for example. To capture the mood in such places, photographers gladly do without aggressive lighting and instead work with particularly high-speed lenses that enable short exposure times even under difficult lighting conditions.

The optical experts have now virtually eliminated the chromatic aberrations on these lenses through a special design and selection of materials. Selected types of glass and two aspheric surfaces prevent color fringes from appearing on high-contrast edges. "The Distagon T* 2/25 elegantly combines a compact design with a large initial aperture," explains Christian Bannert, Senior Director of Product Development in the Camera Lens Division at Carl Zeiss AG.

Lens elements meticulously crafted to minimize stray light and reflections in the lens, and the Carl Zeiss T* anti-reflective coating to increase light transmission enable high-contrast image rendition and color saturation.

The previously available Distagon T* 2,8/25 ZF.2 will continue to be on stock and supplements the new Distagon T* 2/25.Therefore, this new lens is also the first 25-mm lens of Carl Zeiss for the EF-bayonet.

The Distagon T* 2/25 will be available end of 2011 at a recommended retail price of 1217 euros (excluding VAT)*.

Technical data
Focal length                 25 mm
Aperture range                 f/2- f/22
Number of lens elements/groups     11/10
Focusing range:              0.25 m – infinity
Angular field** (diag./horiz./vert.)      81°/ 71°/ 51°
Coverage at close range**          219 x 144 mm (close-up)
Image ratio at close range         1 : 5.9 (close-up)
Filter thread                 M67 x 0.75
Length with caps             95 mm (ZF.2)
                     98 mm (ZE)
Diameter                 71 mm (ZF.2)
                     73 mm (ZE)
Weight                     570 g (ZF.2)
                     600 g (ZE)
Mounts                     ZF.2 (F bayonet)
                     ZE (EF bayonet)

Adobe special, Lightroom 3 half off today only

Adobe Europe are offering their RAW conversion utility Lightroom 3.0 at half price, that's just £118.75 inc VAT, instead of the usual price of £237.60. The offer is only available today. Offer is limited to one discount per customer, and the discount will be taken off subtotalled amounts prior to calculation of tax and shipping fees.

Shop here.

Lexar announce Photography Lessons and Insights at PhotoPlus Expo in New York City

Today, Lexar announced that acclaimed professional photographers Jay Dickman, David Honl and Vincent Laforet will be giving presentations for attendees at PhotoPlus Expo in the Lexar booth (#450). Each presentation will offer valuable tips, tricks and techniques and provide insight into each pro's photographic style.

 

Press release:

Lexar Elite Photographers to Present Photography Lessons and Insights at PhotoPlus Expo in New York City
Renowned Photographers Jay Dickman, David Honl, and Vincent Laforet Will Share Tips and Techniques for Capturing Great Images and Videos at the Lexar Booth

Multimedia Elements:
    •    Lexar Digital Photography Website
    •    Jay Dickman's Portfolio (Images)
    •    David Honl's Portfolio (Images)
    •    Vincent Laforet's Portfolio (Images)
 
FREMONT, Calif., Oct. 26, 2011 (GLOBE NEWSWIRE) -- Lexar, a leading global brand of flash memory products, today announced that Lexar Elite Photographers Jay Dickman, David Honl, and Vincent Laforet will share their extensive digital imaging expertise and portfolios, as well as their capture tips and techniques, with visitors at the Lexar booth (#450) at PhotoPlus Expo 2011, taking place October 27-29 at the Jacob Javits Center in New York City.
 
In addition, Lexar will also be demonstrating how photographers can spend more time capturing images and less time editing in the studio by using a suite of Lexar memory cards and readers, as well as Crucial® memory and SSD solutions.
 
"PhotoPlus Expo is one of the most highly anticipated events for the professional and photography enthusiast community each year," said Manisha Sharma, director of product marketing for cards, Lexar. "The three Lexar Elite Photographers will offer attendees valuable tips and techniques to help improve their capture and image management skills, enabling them to spend more time creating and less time waiting."
 
Each of these top shooters depends on Lexar Professional Secure Digital High Capacity (SDHC™) and CompactFlash® (CF) memory cards and card readers to continuously and confidently capture images and improve workflow efficiency.
 
    •    Jay Dickman's celebrated style of photography encompasses historical events and cities around the world, and he is recognized worldwide for his nature photo work. Dickman will be discussing how to tell your photographic story and keep your audiences engaged.
 
    •    David Honl is tireless in his photographic efforts, with a body of work that spans the globe and includes groundbreaking images from Iraq, Afghanistan, Kazakhstan, and Turkey. Honl will be speaking on how to pack light when photographing in the world's most dangerous places.
 
    •    Vincent Laforet is a director and Pulitzer Prize–winning photographer who is known for his forward-thinking approach to image-making and storytelling. Laforet's presentations will encompass his experiences as an award-winning photojournalist and his work in aerial photography.
 
The Lexar Elite Photographers will share their portfolios and tips for various levels of photographers at the Lexar booth between 10:30 am and 4 pm each day. The full schedule of presentations is as follows:
 
    •    Thursday, October 27
    •    10:30-11:00am: Vincent Laforet
    •    1:30-2:00pm: David Honl
    •    3:30-4:00pm: Jay Dickman
    •    Friday, October 28
    •    11:00-11:30am: Jay Dickman
    •    1:30-2:00pm: David Honl
    •    3:00-3:30pm: Vincent Laforet
    •    Saturday, October 29
    •    10:30-11:00am: Vincent Laforet
    •    1:00-1:30pm: Jay Dickman
    •    2:00-2:30pm: David Honl
 
Designed for professionals in the photographic and imaging industries, PhotoPlus Expo showcases the latest advances in photography. Held annually at the Javits Center, attendees have the opportunity to explore an inspiring array of photography and imaging products and services – everything from image capture and color management to retouching and storage – all from the industry's leading manufacturers.

For more information about Lexar products, visit www.lexar.com.

ColorMunki Photo promotion starts

Color Confidence announce ColorMunki shipping with free mini ColorChecker and ColorChecker Passport software
 
Birmingham, UK, 26th October 2011 – Color Confidence, Europe’s leading value added distributor into the digital imaging markets, and the exclusive UK distributor for the X-Rite ColorMunki Photo, has today announced that all ColorMunki Photo will come with a free Mini ColorChecker and a link to download the ColorChecker Passport camera profiling software. The ColorMunki Photo is the multi-award winning monitor, printer and projector calibration tool and with the addition of the mini ColorChecker and Passport software, now offers photographers complete control over all aspects of their workflow. ColorMunki Photo is available from all major photographic retailers and direct from www.ColorConfidence.com
 
Resellers interested in stocking ColorMunki should contact Color Confidence on 0800 977 4168 or email reseller@colorconfidence.com
 
“The combination of ColorMunki Photo and the ColorChecker Passport software is a powerful, all in one, colour accuracy solution” comments Geoffrey Clements, Managing Director, Color Confidence “This offer gives photographers the ability to achieve the best colour results in their capture, on-screen editing, and final result, be it projected or in print. As Ink and paper costs continue to rise, making sure your image is correct first time, every time, is invaluable and this new bundle gives photographers the best chance to achieve this.”
 
Since its introduction, ColorMunki Photo has allowed photographers of all levels to control colour from screen through to print with a highly accurate reading device and simple software designed to make getting accurate colour a simple process.
 
ColorChecker Passport has become a must have solution for many photographers, delivering accurate capture control across multiple lighting conditions and with easy batch processing to deliver outstanding results on a consistent basis.
 
Trade in promotion continues
Due to its exceptional popularity, X-Rite and Color Confidence continue to offer a trade in promotion on the new i1Display Pro and ColorMunki Display monitor calibration products.
 
Users who own any old calibration device can get an £18 rebate against a ColorMunki display or £35 rebate against an i1Display Pro.

For more information visit www.colorconfidence.com/tradein

Shop for ColorMunki Photo at

Warehouseexpress.com
Amazon UK

Making Schneider-Kreuznach LS lenses for Phase One 645DF

Although this was uploaded a month ago I've only just come across it, and it's interesting not only for some behind the scenes look at the Schneider factory but also for a rather clear explanation of why chromatic aberration is not visible in film and yet is a problem for digital cameras. The result is that lens makers are having to work to much tighter tolerances when designing new lenses, and is equally applicable to Nikon and Canon DSLRs as it is MF.

Phase One announces Media Pro 1.1

Phase One has announced the first update to Media Pro after taking on the browser software from Microsoft (when it was called Expression Media).

Downloads can be found here.

 

Press release

Phase One Releases Media Pro 1.1
Improves performance of leading professional photographer’s digital visual assets manager

COPENHAGEN, October 25, 2011 — Phase One, the photographic image-quality leader today released Media Pro 1.1. Media Pro is a professional digital visual assets manager that supports rapid browsing, cataloging, searching, annotating, retrieval and sharing no matter where digital files are stored (such as shared folders, CDs, hard drives, DVDs or on other media). This new release features German and French localization and significant performance improvements.

Media Pro supports photo and video files from more than 100 different cameras and is well suited to managing large photo libraries. Images within Media Pro catalogs (more than 128,000 files may be saved per catalog) may be non-destructively edited with Capture One and with other image editing applications. Assets may also be converted into other file formats as required, and all catalogs may be archived, backed up, published via slide shows, web galleries, and distributed via email, contact sheets, prints, and other custom options.

What’s new in Media Pro 1.1

-- Faster importing and media rendering

Now Media Pro customers can choose between Capture One rendering and Apple/WIC rendering according to image quality requirements, rendering of Capture One adjustments and speed. For new customers, the factory default is set to Apple/WIC rendering. For best image quality and rendering of Capture One adjustments, the Capture One renderer is recommended.

-- Improved Capture One Integration with Media Pro

Used together, Phase One’s Capture One Pro for image editing and Media Pro for photo management, these programs comprise an optimal photography software toolset for photographers who need to manage very large, high quality image files and collections in a fast and efficient workflow.

Now Media Pro keeps Capture One adjustments when renaming and transferring files to other folders in Media Pro; and users can drop files onto the Media Pro application icon to have those rebuilt, selected and revealed in the front catalog;

-- Added support for the following camera RAW formats when using the Capture One renderer:

Olympus E-P3 and E-PL3
Sony NEX-7, NEX-5N, SLT-A77, SLT-A65 (all preliminary)
Sony DSLR-A580, NEX-C3
Panasonic DMC-G3,DMC‐GF3

For more information, please visit Phase One at http://www.phaseone.com

GoPro rolls out HD Hero2

GoPro has today launched the HD Hero2 Camera. Key features include:
 
-       This camera is twice as powerful as the original HD Hero Camera
-       It has a new high performance 11 megapixel sensor that delivers more than twice the image detail
-       It boasts a totally redesigned wide-angle lens
-       Wi-Fi BacPac and Wi-Fi Remote products are slated for release this winter, meaning the HD Hero2 will enable video remote control
-       RRP is £299.99, and it’s available from gopro.com, specialist retailers and Best Buy

Press release

 

GoPro® Launches HD HERO2® Camera
Announces Wi-Fi Remote Control and Video Streaming
2x More Powerful in Every Way, The HD HERO2 Democratises Professional Image Capture and Broadcast with Support for Remote Control and Live Video Streaming from Virtually Anywhere to the Web
 
HALF MOON BAY, CA (October 24, 2011) – GoPro today announced the release of its new HD HERO2® camera. Twice as powerful as GoPro's original HD HERO camera, the HD HERO2 enables consumers and professionals to capture and broadcast their lives’ most exciting moments in professional quality 1080p HD video and 11 megapixel photos. The new HD HERO2 is now available at GoPro.com, specialist retailers around the world, and at Best Buy for RRP £299.99.
 
Arguably the most versatile camera in the world thanks to its innovative mounting system, renowned durability and small form factor, the HD HERO2 surpasses its predecessor with several technology upgrades. The HD HERO2's new processor delivers twice the processing power, taking full advantage of a new high performance 11 megapixel sensor that delivers more than twice the image detail along with professional low light performance. A totally redesigned wide-angle lens was required to take full advantage of the HD HERO2's increased image-processing, resulting in a lens that’s twice as sharp as the previous model. And with the arrival of GoPro's new Wi-Fi BacPac™ and Wi-Fi Remote products slated for release this winter, the HD HERO2 will enable video remote control via the Wi-Fi Remote, smartphones and devices, tablets and computers, as well as enabling live GoPro video broadcast from anywhere there is Wi-Fi or a mobile hotspot.

Famous for its globally best-selling HD HERO line of wearable and gear mountable cameras, GoPro spared no expense developing the HD HERO2.

“GoPro created a new category of camera with the HD HERO back in 2009, and it’s gone on to become one of the best-selling video cameras in the world,” says Nicholas Woodman, GoPro’s founder and CEO. “With these big shoes to fill, we invested massively in engineering the HD HERO2 to be one of the greatest, most versatile cameras of all time. We think we’ve achieved our goal and we’re very excited to see the content our customers around the world capture and share with their powerful new GoPros.”

2x as Powerful in Every Way:
The HD HERO2 benefits from a complete redesign that results in dramatically enhanced image quality and ease-of-use:

List of HD HERO2 Feature Enhancements:
 
•       Professional 11MP Sensor
•       2x Faster Image Processor
•       2x Sharper Glass Lens
•       Professional Low Light Performance
•       Full 170º, Medium 127º, Narrow 90º FOV in 1080p and 720p Video
•       120 fps WVGA, 60 fps 720p, 48 fps 960p, 30 fps 1080p Video
•       Full 170º and Medium 127º FOV Photos
•       10 11MP Photos Per Second Burst
•       1 11MP Photo Every 0.5 Sec Timelapse Mode
•       3.5mm External Stereo Microphone Input
•       Simple Language-based User Interface
•       Compatible with Wi-Fi BacPac™ and Wi-Fi Remote™
-       Long Range Remote Control of up to 50 GoPro Cameras per Wi-Fi Remote       
-       Wi-Fi Video/Photo Preview, Playback and Control via GoPro App
-       Live Streaming Video and Photos to the Web
 
Visit http://gopro.com/hd-hero2-cameras/ for more information on the HD HERO2, Wi-Fi BacPac and Wi-Fi Remote products.

Upgraded Professional Photo Quality and Features
The HD HERO2’s photo capture performance has also been significantly upgraded. In addition to much improved low light performance, the HD HERO2 can capture up to ten 11 megapixel photos in a one second burst mode as well as automatic time-lapse photos with quick .5 second timing between photos. This dramatically increases the success-rate when attempting to capture magazine cover quality photos during fast action sports and activities.

Simplified User Interface
GoPro also placed a priority on redesigning the HD HERO2’s user interface for dead simple ease-of-use. The HD HERO2 features a totally new, straightforward language-based user interface that eliminates the need for instructions.
“The HD HERO2 is much, much easier to use than the original HD HERO. If you know how to use a traditional camera, you can use the HD HERO2 straight out of the box without instructions. This makes the HD HERO2 very powerful as an everyday, easy to use consumer camera while retaining all of the features, modes and performance that has made GoPro the best selling small form factor HD camera to Hollywood,” said GoPro’s Director of Product Definition, Rudy Samuels.

Specialized Right Down to the Packaging
The HD HERO2 sells in three bundled-accessory configurations, each containing the necessary mounts for particular genres of use or activity. The HD HERO2 is backwards compatible with all existing GoPro mounts and accessories.

Click each product name for a complete list of included mounts and accessories:
•          HD HERO2: Outdoor Edition - £299.99
•          HD HERO2: Motorsports Edition - £299.99
•          HD HERO2: Surf Edition - £299.99
 
The original 1080p HD HERO camera is now available for RRP £199.99 - £239.99 (USD) (previously £259.99 - £299.99) through GoPro.com and GoPro’s worldwide authorised dealer network. The Wi-Fi BacPac and Wi-Fi Remote are also compatible with the original HD HERO camera, but functionality is limited to remote control only. Video and photo streaming is not supported.

Canon outs PIXMA PRO-1 A3+ printer

Canon has announced today a new A3+ inkjet printer aimed at imaging pros. It features 12-separate inks for a wide gamut and adopts LUCIA pigment inks for improved print permanence. Ink cartridges are said to be 2.5x larger than the 'nearest model', but it's unclear which model this is referring to. The new printer will be available from November, priced at £799/899 Euro RRP Inc VAT.

Press release:

Canon launches the flagship PIXMA PRO-1 ultimate quality A3+ printer for photographers

 

United Kingdom, Republic of Ireland, 24th October 2011 – Canon today announced the launch of its new flagship PIXMA Pro series model, the PIXMA PRO-1, which is the world’s first A3+ printer to feature 12 separate inks. Featuring an EOS-inspired design, the stylish model produces the highest possible print quality in colour and monochrome, and is ideal for professional and serious amateur photographers.  Exceptional levels of productivity make it suitable for studio use and commercial exhibitions.

Groundbreaking 12-ink system for superb results
The unique 12-ink system significantly expands colour gamut in most areas and features new Chroma Optimizer for increased black density and uniform glossiness. Five monochrome inks produce professional quality black and white prints with excellent detail in shadow and highlight areas, as well as smooth tonal gradation and suppressed graininess. Next generation LUCIA pigment inks are used for outstanding image permanence, allowing prints to be sold or exhibited with confidence.

Exceptional quality colour and monochrome prints
The PIXMA PRO-1 supports 1200ppi input resolution (double compared to previous generations of PIXMA Pros) to reflect the increasing number of pixels available on professional cameras and produce smoother prints with high resolutions of up to 4800x2400dpi. The new Optimum Image Generating (OIG) system analyses the photo colour and precisely calculates the optimum ink combination and volume of ink droplets, which are then accurately placed on the paper by Canon’s FINE print head with 12,288 nozzles.

The OIG system enhances colour reproduction, natural tonal gradations and uniform glossiness in each print mode and media type, to produce print quality so realistic it almost jumps off the page. Smooth tonal gradations in colour and monochrome prints are achieved through 16-bits per channel printing capability. The new PIXMA PRO-1 also features three colour modes, including the new Photo Colour print mode which reproduces fresh blues and greens to match people’s memory of colours. Linear Tone mode reproduces colours with linear tone curve, while the ICC Profiles mode means users can utilise paper-specific colour profiles or create their own.

Productivity on a commercial scale
The PIXMA PRO-1 can produce a gallery-quality print n approximately 2 minutes 55 seconds¹ , down from 7 minutes 55 seconds² for the PIXMA Pro9500 Mk II. A 2.5x larger ink tank capacity compared with the nearest model ensures longer running periods can be maintained between ink changes. Front-opening panels enable easy access to the tanks either side of the main printer body, and for efficiency the rear tray takes up to 20 sheets of photo paper, while the manual feed slot accepts photo paper up to 356mm (14”) wide and heavier fine art papers.

For saleable prints, real-time droplet volume control stabilises colour and ink density ensuring consistency of colour output from print to print. Reliability in a commercial environment is assured through the use of features commonly found on wide format professional printers, including a mist fan with an air circulation system and a tubular ink supply system separate to the print head. An Ethernet connection ensures the PIXMA PRO-1 can be shared easily over a network.

Simplified workflow and professional colour control
The PIXMA PRO-1 comes with Easy-PhotoPrint Pro plug-in software which simplifies printer settings and allows batch printing. Support has now also been expanded to the full Adobe Photoshop® family as well as to the Canon Digital Photo Professional software package. The printer can also automatically select the correct ICC profile for each Canon paper, and an expanded range of ICC profiles is available for Fine Art papers from well known manufacturers.

The Colour Management Tool Pro software, which can be downloaded from [http://software.canon-europe.com] supports x-rite colour management tools, including Colour Munki Photo and Colour Munki Design, and enables users to create custom ICC profiles to ensure the optimum output quality. The PIXMA PRO-1 also includes the Ambient Light Correction feature so that users can select the type of lighting under which a print will be displayed. The print colours are then automatically adjusted to ensure the very best colour reproduction under different viewing conditions.

PIXMA PRO-1 – key features:
    •    The benchmark A3+ printer for photo professionals
    •    Groundbreaking 12-ink system with exceptional colour gamut
    •    Chroma Optimizer for uniform glossiness and crisp, sharp blacks
    •    Optimum Image Generating system enhances colour reproduction
    •    Stunning black and white prints with 5 monochrome inks
    •    New LUCIA pigment inks ensure outstanding photo permanence
    •    Create a gallery-quality A3+ photo in approx. 2 minutes 55 sec
    •    High capacity ink tanks ensure long periods between replacements
    •    Wide range of media support including 356mm (14”) wide and thick media
    •    Easy-PhotoPrint Pro plug-in for efficient printing workflow

Pricing and Availability

The PIXMA PRO-1 will be available from November 2011, priced at £799/899euros RRP Inc VAT.

Hasselblad appeals to studio photographers

With Canon's release Tuesday of the underwhelming EOS-1DX, the proposed replacement for both the EOS1D and EOS-1Ds, Hasselblad has decided to 'reach out' and remind studio shooters that there are more suitable cameras available. Priced at £8,995 (exVAT), the H4D-31 features a 31-million pixel sensor capable of outputting a 8-bit 93MB file without interpolation, but also boasts interchangeable 'heads', the unique and clever True Focus AF technology and a top-drawer 80mm f/2.8 lens (with built-in leaf shutter).



Press release:

Hasselblad reaches out to high-end DSLR users with groundbreaking H4D-31 camera

Hasselblad’s landmark launch of an entry-level medium format camera system
that competes directly on price with high-end 35mm DSLRs is paying off.

Launched earlier this year at £8,995 (ex VAT) the new H4D-31, complete with body, 31 megapixel back and an 80mm lens, ships with all the functionality of the Hasselblad H4 range.

Chris Russell-Fish, UK MD and global sales and marketing director said: “We are delighted with the first few months of trading with this new model. The H4D-31 has been made available at an extremely aggressive price point.
We are looking to attract those 35 mm DSLR users who aspire to highest quality medium format imagery with all the advantages and benefits of Hasselblad, but possibly couldn’t afford it. Until now.
We believe professionals and semi-pros alike will see a highly compelling argument for making the switch. The new medium format, entry-level H4D-31 features and price tag will afford people a very different perception about Hasselblad products in today’s world.”

He added: “This new model comes with all the H4 range functionality, including our pioneering True Focus technology and world-beating Phocus software. This is the camera that opens up our market space. Additionally Hasselblad V system camera users have an option to move completely to an integrated camera, enabling the use of their ‘V’ lenses. – rather than investing in a digital back.”

Hasselblad says the H4D-31 offers ‘an unsurpassed level of image quality’ with advanced controls, integrated sensor cooling, intuitive user interface and a new 3” display.

Technical features of the new H4D-31 include:
31 million pixel sensor (4872 x6496 pixels)
Image size: RAW 3FR capture 40 MB on average. TIFF 8 bit: 93MB
Lenses: Hasselblad HC/HCD lens line with integral central lens shutter:
Shutter speed range: 32 seconds to 1/800 second
ISO speed range: ISO 100, 200, 400, 800 and 1600
Capture rate: 1.2 seconds per capture.
Software: Phocus for Mac and Windows
Viewfinder options: HVD 90x: 90º eye-level viewfinder w. Diopter adjustment (-5 to +3.5D) image magnification 3.1 times.
Colour definition: 16 bit

For more information and a test drive visit www.handsonahasselblad.com

Related posts


Hasselblad H4D-60 review
Hasselblad Europe offer half-price lens deal
Hasselblad announces H4x

GuraGear unwraps Kiboko 22L+

GuraGura has announced the Kiboko 22L+, a smaller version of their hugely popular Kiboko (30L). It can carry a 500mm f/4 (or 200-400mm f/4, as shown below), as well as a couple of DSLR bodies, four other lenses (up to what looks like 24-70mm or equivalents) as well as a 15-inch laptop. The new pack is available now at $379 with free shipping in Continental US (international shipping is also offered).

 

Introducing the Kiboko 22L+
The versatile new camera backpack that you helped design.

The Kiboko 22L+ was designed from the blueprints that customers like you provided over the last couple of years after using the Kiboko 30. Much like its more mature sibling, the Kiboko 22L+ is lightweight and durable, but this bag has a thing or two to teach big brother; like how to carry up to a 15" laptop computer. Sized to fit the most stringent of international carry on requirements without sacrificing carrying capacity; this gem can carry up to a 500mm f4.0 lens in style. The Kiboko 22L+ was made to travel, with a beefed up harness system that features memory-foam shoulder straps, a vented and padded back panel, a removable waistbelt, and shoulder straps that can tuck away when not needed. 

While remaining true to the Kiboko DNA, the 22L+ features a unique butterfly flap access system which allows you to easily get to multiple bodies, lenses, and all your photo accessories without exposing all your prized gear. Kiboko backpacks are made of high-tech materials designed to balance weight and durability.

We use our products every day. We just finished traveling through Rwanda and Kenya working exclusively from the Kiboko 22L+ and are proud to finally be able to share this bag with you.

For more information please see www.guragear.com/

Please help support the DJP by visiting our affiliates; Jessops, Warehouse Express, Adorama Camera and Amazon. Note; sales through these links may benefit this site.

Leica rolls out D-Lux 5 Titanium

Leica announces Leica D-Lux 5 Titanium ‘Special Edition’
 
Versatile digital compact camera in titanium styling with luxury leather case
 
18 October 2011: Leica Camera AG has today announced a special edition of its successful D-Lux 5 digital camera: the Leica D-Lux 5 Titanium. This elegantly-designed compact camera, with its sophisticated, anodised silver-grey finish, comes presented in a special set with a premium grey leather case with shoulder strap, and is sure to be on every discerning photographer’s list of ‘objects of desire’ this Christmas.
 
Equipped with the same high-performance technical specifications as the standard Leica D-Lux 5 model, the Leica D-Lux 5 Titanium includes a fast 5.1 - 19.2mm f/2 - 3.3 ASPH. zoom lens with a focal length range from 24 to 90 mm (35 mm equivalent), suitable for a wide variety of situations including wide-angle landscape and macro photography.
 
The camera’s 1/1.63” CCD image sensor, with a resolution of 10.1 megapixels, is unusually large for a compact model, and is perfectly attuned to the Leica lens together with the electronics and software, producing images with outstandingly natural colour rendition, superb sharpness and high contrast.  The exceptionally fast maximum aperture makes it an ideal camera for ‘available light’ photography.
 
With clearly laid-out menus and straightforward operation of its comprehensive range of features and manual settings, the versatile Leica D-Lux 5 Titanium offers intuitive handling in all photographic situations, from creative image design to spontaneous reportage-style shots, as well as when using the camera’s 1,280 x 720 pixel HD movie recording feature.
 
The camera delivers images in 4:3, 3:2, 16:9 formats as well as 1:1, a particularly interesting format for creative composition. Furthermore, the 3” LCD screen, with its wide viewing angle and 460,000 pixel resolution, enables accurate framing and composition, as well as high quality, detailed image review.
The Leica D-Lux 5 Titanium comes with (as a download) Adobe® Photoshop® Lightroom® 3, professional processing software that allows photographers to develop RAW image files and maintain complete control over the development process applied to their images. The high quality, complementary grey calf leather case is included in the set.

Pricing and availability
 
The Leica D-Lux 5 Titanium special edition set is scheduled to be available in the UK at the end of October 2011 at an SRP of £855 including VAT from authorised Leica dealers including the Leica Store Mayfair: www.leica-storemayfair.co.uk, tel: 020 7629 1351. A full list of authorised UK Leica dealers is available at www.leica-camera.co.uk.
 
Further optional accessories are available, priced as follows (SRP including VAT):
 
Leica D-Lux 5 handgrip (black) - £63
Leica D-Lux 5 EVF1 electronic viewfinder (black) - £275
Leica CF 22 flash unit (black) - £230
 
Leica warranty and added value services
 
The Leica D-Lux 5 Titanium comes with a two-year warranty and a one-year Leica UK ‘Passport’ (complimentary accidental damage cover). UK customers are also welcome to visit the Leica Store and Akademie in Mayfair, London, for a complimentary demonstration or training session on the features of the camera. Technical support by telephone is available via Leica’s London-based Client Care department.

Canon announces 50 million EOS, 70 million EF lens production milestones

Canon has announced sales of 50 million EOS cameras and 70 million EF lenses, with close to half that figure of 30 million lenses in just the past two years. Canon announced sales of 40 million lenses, over a 25 year period, back in April, 2009

Press release:

Canon celebrates 50 million EOS-series SLR camera and 70 million EF lens production milestones

United Kingdom, Republic of Ireland, 18th October 2011 – Canon today announced the achievement of its latest camera-manufacturing milestone, following the production of the company’s 50-millionth EOS-series SLR camera. Underlining the huge popularity of Canon’s leading EOS System, the announcement coincides with another significant manufacturing milestone, with production of Canon’s EF lenses due to pass 70 million units by the end of October 2011.

“These latest manufacturing milestones showcase the unprecedented popularity of the EOS system,” said Rainer Fuehres, Chief of Consumer Imaging, Canon Europe. “Throughout the development of the EOS System we’ve always been focused on providing leading levels of performance for our customers, and the consistently high demand for EOS cameras and EF lenses offers a powerful testament to the quality our products offer to photographers of all levels.”

EOS cameras – leading quality
The EOS series, which stands for “Electro Optical System” and also carries the name of the Greek goddess of the dawn, began production in 1987 at Canon Inc.’s Fukushima Plant with the launch of the iconic EOS 650, an SLR that featured the world’s first electronic mount system. Over the past 25 years, Canon has invested in the development of the EOS System to guarantee it provides the most advanced technologies and exceptional image quality for photographers of all skill levels – from beginners through to professionals.

Just two years after launching the EOS Series in 1989, Canon launched its most professional EOS SLR, the EOS-1, and on the 10th anniversary of the EOS series in 1997, production reached 10 million units. Production propelled to 20 million units in 2003, largely due to the release of the lightweight and compact EOS 500 in 1993 and EOS D30 in 2000, which spearheaded the rapid growth of digital SLR cameras across the globe.

Over the past 25 years, Canon’s technological advancements has seen the company launch the industry leading high-performance DIGIC digital image processor, as well as proprietary CMOS sensors that deliver unrivaled image quality. Developments such as these saw Canon reach the 30 million-unit landmark during the series’ 20-year anniversary in December 2007, and the 40 million mark shortly after, in May 2010. The current 50 million-unit production milestone was achieved in September 2011, and has been reached after a period of just one year and four months – by some distance the fastest-ever production period in the history of the EOS range.

Today, Canon marks this historic production landmark with the launch of the Canon EOS-1D X – a revolutionary, next-generation professional DSLR offering an unparalleled combination of speed, resolution and image quality ideal for all types of professional photographers.

EF lenses – precision technology, creative flexibility
Production of Canon’s prestigious interchangeable EF lens series for EOS SLR cameras commenced in 1987 at the company’s Utsunomiya Plant, alongside the development of the first EOS Series SLR camera.  Designed to provide EOS SLR photographers with unrivaled flexibility in all shooting scenarios, the diverse EF lens range now includes over 60 different lenses, which are produced in a total of four production facilities to meet the huge demand.

Since production began in 1987, the EF lens range has expanded to include a number of innovative technologies, including the development of the world’s first Ultrasonic Motor-powered lens (USM) (among interchangeable lenses for SLR cameras) and Image Stabilizer (IS) technology. Innovations such as these provided new and advanced levels of performance, and prompted the rapid growth of EF lenses that saw production pass 10 million units in 1995, and subsequently reach 20 million in 2001.

Production then reached 30 million units in 2006 – quickly followed just two years later by the 40-million-unit mark in April 2008. Owing to the surging popularity of the EOS series, production was increased and the 50 million-unit landmark was achieved in December 2009, before Canon reached the 60 million-unit mark in January of this year.  By October 2011 Canon will pass its next 10 million-unit cycle in just nine months to achieve the 70 million-unit milestone, spurred by cutting edge products such as the new EF 8-15mm f/4L Fisheye USM – the world’s first fisheye zoom lens (among interchangeable lenses for SLR cameras) that captures circular and rectangular images with a 180° view.

In line with its position at the forefront of the imaging industry, Canon will continue to refine its various imaging technologies in the years to come. By using optical technologies as a core, Canon strives to produce exceptional cameras and lenses that cater for the needs of photographers, from first-time users to advanced amateurs and professionals, enabling users of all levels to experience and enjoy the power of image.

Related posts

Canon Europe announces Lens Cashback promotion
Canon UK announces Winter Cashback scheme
Canon unwraps EOS-1DX
Canon rolls out new cinema EF lens range
Canon hits milestone with production of 10 million consumer D-SLRs

Canon unwraps EOS 1Dx

UPDATE 11/1/11.

Although billed as the replacement for the EOS-1D Mk IV and EOS-1Ds Mk III, this is obviously the replacement for the former rather than the latter. Think of it as the EOS-1D Mk V. I'll admit I'm surprised after I wrote this piece, but it seems Canon has ended the EOS1Ds line in favour of the EOS 5D Mk II and its successors or, perhaps, we'll see an new camera altogether. Nothing is carved in stone, manufacturers constantly evaluate product ranges based on sales, rather than technical specifications or capabilities.

This is clearly following Nikon and their D3s camera in particular - and is something of u-turn for Canon. I'm really not sure why Canon is following Nikon here, the APS-H format was well liked, but ask any professional sports shooter and they'll say it's all really down to pixel density. Although the pixel count is up on this camera, the pixel density is lower than the current EOS 1D MkIV.

Canon EOS-1D X – key features

    •    18.1 MP full frame CMOS sensor
    •    Up to 12fps and 14fps shooting
    •    100-51200 ISO, up to H:204800
    •    61 point AF system
    •    100,000 pixel RGB AE metering with DIGIC 4
    •    Full HD 1080p EOS movie
    •    Dual “DIGIC 5+” processors
    •    Clear View II 8.11 cm (3.2”) 1040K-dot LCD
    •    Ethernet port

Jessops in the UK are accepting pre-orders at £5,299.95 inc VAT, but the camera isn't expected to be available till the end of March.

Canon Press release:

EMBARGO: 18th October 2011, 06:00 (BST)

Performance redefined – Canon unlocks new possibilities for professional photographers with the EOS-1D X

United Kingdom, Republic of Ireland, 18th October 2011 – Canon today announces the arrival of the EOS-1D X – its next generation professional Digital SLR (DSLR). Offering an unparalleled combination of speed, resolution and image quality, the EOS-1D X is the ultimate camera for capturing stunning images and Full HD movies. Whether shooting in the studio, the sports field, or anywhere in between, this model is ideal for virtually any professional photographer. The new model launches as the flagship in Canon’s DSLR line up – marking the 10th generation of Canon’s professional system with the most advanced EOS model ever produced.

The culmination of 40 years’ experience in developing professional cameras, the EOS-1D X represents a new era for the EOS system and supersedes both the
EOS-1D Mark IV and the EOS-1Ds Mark III. Combining a new 18.1MP full-frame sensor, a redesigned autofocus (AF) system and powerful new metering technology with new dual “DIGIC 5+” processors, this camera has been designed to offer unparalleled usability and image quality – ensuring any scene is captured with greater accuracy and speed than ever before.

“The EOS-1D X is the ultimate camera for all types of photographer” said Kieran Magee, Professional Marketing Director, Canon Europe. “Professionals often shoot in fast-paced, high pressure situations, and the EOS-1D X provides the features and performance they need. We’ve carefully listened to the needs of professionals and created a versatile, powerful camera that will meet the requirements of more photographers than ever before.”

Setting new standards
The EOS-1D X offers a comprehensively-upgraded specification that’s packed with new technologies. A newly-developed full-frame 18.1 Megapixel CMOS sensor offers exceptional flexibility, allowing photographers to shoot a wider range of scenes and subjects in high resolution. Redesigned architecture offers an incredible ISO range of 100-51200, expandable up to 204800, while dual “DIGIC 5+” processors offer a 2-stop improvement in noise performance – making it easier to capture outstanding quality, low noise images, even in extreme low-light conditions.

The new 61-point wide-area autofocus system offers even greater sensitivity, delivering increased precision and speed. With 41 cross-type points, including five dual cross-type points, the camera’s AF system offers unsurpassed accuracy across the frame, while new AF pre-sets are specifically designed for shooting common challenging subjects – providing exceptional reliability in notoriously difficult shooting situations.

The EOS-1D X also features a newly-designed RGB metering system, providing incredible levels of accuracy. A 100,000 pixel RGB metering sensor is linked to the AF system and powered by its own dedicated DIGIC 4 processor, detecting faces and colour to ensure correct exposure levels and improved AF tracking, even when shooting the most challenging of scenes.

 

Extreme power
Powered by next-generation processing technology, the EOS-1D X is the first-ever camera to feature dual “DIGIC 5+” processors. Offering performance up to three times faster than standard DIGIC 5, each processor is designed to manage huge levels of image data while simultaneously reducing image noise. In combination with the sensor’s 16-channel read-out, the dual processors enable full-resolution continuous shooting up to 12fps with 14-bit A/D conversion and full camera operation – the fastest of any DSLR currently available (according to Canon research, correct as of September 2011).  A super high-speed mode extends the shooting speed to 14fps (JPEG format only), while a new shutter and mirror mechanism reduces shutter lag and mirror bounce, delivering consistently high performance when shooting at high speed.

The film-maker’s DSLR
The EOS-1D X is ideal for all professionals who want to exploit the EOS system’s extensive selection of lenses and accessories – whether shooting stills or HD movies. Users can record Full HD (1920x1080p) movies from the full-frame sensor with a full range of manual settings to control exposure, focus and frame rate (1920 x 1080: 30 (29.97), 25, 24 (23.976) frames per second, 1280 x 720: 60 (59.94), 50 fps, 640 x 480: 30 (29.97), 25 fps), while sound levels can also be displayed and adjusted on the LCD screen, ensuring complete control over every aspect of a shoot.

Thanks to the power provided by the dual “DIGIC 5+” processors moiré artefacts are also reduced, while EOS Movie now offers longer recording options, automatically creating a new file once the 4GB file limit has been reached. A new intra frame video codec also maintains the highest possible video quality, limiting compression of image data so users retain increased levels of information for post-production editing.

 

Designed for professionals
The EOS-1D X offers a carefully revised version of the classic EOS-1 series design, with larger, more tactile buttons that make it easier for users to control settings – even in extreme conditions where gloves are required. Two multi-controllers and a touch-sensitive control wheel, for use in movie mode, make it easier to change settings, while a range of customisable function buttons allow users to set-up the camera to suit their individual needs by allowing shortcuts to the features and pre-sets they use most.

A 100% viewfinder makes framing each scene easy, while intelligent viewfinder functionality instantly adds a grid display when required. A large, 8.11cm (3.2”) Clear View II LCD screen offers a 1040K-dot resolution, and the anti-reflective structure prevents light reflections or glare when viewing images in bright conditions. A hardened glass cover also provides resistance to knocks and scratches commonly picked up while shooting on the move.

The menu system also features a comprehensively redesigned user interface, incorporating Help functions to make camera operation faster, clearer and easier. Additionally, a new dedicated AF tab allows photographers to access and customise AF pre-sets for common shooting situations or subjects, allowing users to concentrate on capturing the moment without the need to constantly adjust camera settings.

Built to last
The EOS-1D X offers a highly durable body constructed from high-grade magnesium alloy that provides protection against both the elements and the knocks of everyday use. The latest implementation of Canon’s EOS Integrated Cleaning System also uses technology adopted from Canon lenses, using wave-based vibrations similar to that of Ultrasonic Motors to shake dust and dirt from the sensor even more effectively.

An enhanced shutter mechanism also provides extended durability, providing 400K shutter cycles so photographers can rely on their camera to meet the challenge of repeated, demanding shoots. The EOS-1D X also features Canon’s protective sealing around the controls and cover seams, making the camera dust and water-resistant when combined with Canon’s range of weather-resistant EF lenses – perfect for shooting in a range of weather conditions.

Enhanced connectivity also ensures photographers can send images to picture desks or studios quickly and securely. An integrated gigabit ethernet port provides a fast, reliable way to transfer images from on-location events or in a studio, without the need for an adaptor.

 

The EOS System – unrestricted creativity
As part of the award-winning EOS System, the EOS-1D X is compatible with the world’s largest selection of lenses, Speedlite EX flash units and an extensive range of accessories. The ideal upgrade for existing EOS-1D Mark IV and EOS-1Ds Mark III users, it’s also compatible with numerous EOS accessories, allowing the new body to seamlessly join any existing EOS-1 series kitbag.

In addition, launching alongside the EOS-1D X is the new WFT-E6 – a new, compact WiFi transmitter designed for transferring images when a wired connection isn’t available. Supporting the 802.11n WiFi standard and offering Bluetooth support for connectivity to external GPS devices, the WFT-E6 offers secure transfer of images and video to an FTP server, or the ability to display content on a compatible screen over a DLNA (Digital Living Network Alliance) connection.

The EOS-1D X will also be compatible with a new GPS receiver – the GP-E1. Enabling users to add location information to EXIF data and geographically track the progress of travelling shoot, the GP-E1 is particularly useful for wildlife or location-based photographers who may need to record the location of a scene for future reference.

Canon EOS-1D X – key features
    •    18.1 MP full frame CMOS sensor
    •    Up to 12fps and 14fps shooting
    •    100-51200 ISO, up to H:204800
    •    61 point AF system
    •    100,000 pixel RGB AE metering with DIGIC 4
    •    Full HD 1080p EOS movie
    •    Dual “DIGIC 5+” processors
    •    Clear View II 8.11 cm (3.2”) 1040K-dot LCD
    •    Ethernet port

Sales

Pre-order the Canon EOS 1DX from Jessops here at £5,299.95 (inc VAT)

Contact

www.canon.com, www.canon.co.uk, CPN Europe.

Related Posts

Canon Japan openly discuss EOS-1D X design choices

Nikon announces production of 65 millionth Nikkor lens

Nikon has announced production of Nikkor lenses has reached sixty-five million at the beginning of the month (October). In March 2011, production reached sixty million the company added in a press release today, meaning Nikon has sold more than five million lenses in just six months. Two new lenses for their FX and DX format DSLRSs have been released this year, the FX (full-frame) AF-S 50mm f/1.8 G and the AF-S DX Micro Nikkor 40mm f/2.8G. In September Nikon announced the CX format Nikon 1 using Nikkor branded lenses with a new lens mount, but it's not the first new mount from the camera maker as some mistakenly reported. Based loosely on the Nikon F4, the Nikon QV-1000c from the late 80's was an analog electronic stills camera using Nikkor branded lenses but adopted a smaller three-claw bayonet to the similar F mount.

New pro Canon DSLR to be launched Tuesday?

I don't usually report on rumors but according to the Canonrumours site*, Canon is to release a new pro-level DSLR Tuesday, October 18, and I'm not that comfortable with some of the (obviously) unverified specifications. The rumor is that the EOS APS-H 1D and full-frame (35mm) EOS 1Ds line are to be amalgamated, with the new camera featuring a full frame 18-megapixel full-frame sensor, continuous shooting at 12fps and boast a 61-point AF system.

Full-frame (35mm) cameras are now firmly seen as pro-territory, courtesy of the Nikon D3s (and Canon's own 1Ds and 5D models) and the only real advantage to retaining the APS-H format is the framing rate. Ask any press photographer or photojournalist which they would rather have for a given fps, more megapixels on a full-frame camera or slightly less on APS-H, and, it would be the former every time. It gives them more options. You can simply crop in to achieve the same effect while also allowing the lens' original field of view.

However, Canon is very conservative when it comes to the EOS 1D models, it's not a product segment to take risks with. I don't need to tell anyone that the full-frame EOS 1Ds Mk III is overdue for replacement. And, if there's a camera that should be updated it's this model. In this instance, though, the rumored specification doesn't fit as an appropriate upgrade for either EOS 1D or the 1Ds.

If it is accurate, that means Canon are going to have to persuade current 1Ds Mk III owners to drop from 21-megapixels to 18-megapixels. And, that's just not going to happen. Without doubt certain features will appeal, but the rumored 12fps of the new model is not going to be of interest to the typical 1Ds demographic.

While the 5D Mk II damaged sales of the 1Ds, Canon will effectively be asking 1Ds shooters to switch to that model. It's a great camera, but it's not a 1Ds. Few would argue that it needs upgrading in terms in AF and build and I've not even mentioned video. Canon are going to want to expand that on the 5D MK III rather than make that model appeal to studio users and the features don't complement each other.

So what's going to be announced on Tuesday? Well let's say the amalgamation rumor is true, in which case the new camera will have to appeal to both types of user. As I've already mentioned, the rumored spec would be at odds with users expectations at this level. So could the specification be inaccurate or only part of the full spec?

I think that maybe Canon is about to launch a camera with a full-frame 36-megapixel resolution sensor shooting at 5fps with an option, perhaps, to drop to 18-megapixel resolution and 10/12fps continuous shooting rates. That would be something, but I'm only guessing. And I've not mentioned what Nikon is rumored to be launching later in the month. But it would fit, we'll just have to wait and see.

*Source.

UPDATE 18 October. Canon has announced the EOS-1Dx.