Sony announces 500mm f/4 super telephoto

Sony has officially announced the long awaited 500mm f/4 at Japan's CP+ show, which was shown as a prototype at CES last year, alongside mock ups of the SLT-A77 and SLT-A33. There's no mention of the price in the press release (see below), though some sites are quoting $13,000 / 13,000 Euros.

For those that just can't wait (or afford) the Sony lens, Sigma's 500mm f/4.5 EX DG (not HSM unfortunately) could be a serious alternative at a fraction of the price, just £3,779.95 (Jessops online price).

Press release:

Closer encounters with new 500mm super-telephoto 08 February 2012
Rugged, pro-focused SAL500F40G lens from Sony for A-mount SLT and DSLR cameras

Longest-ever focal length G Lens from Sony
Bright F4.0 aperture for superior light gathering
Nano AR Coating on optical surfaces for flawless still images and HD video
Compatible with SteadyShot INSIDE featured in all α cameras
New SSM drive circuit for quick, accurate autofocus
Rugged dust- and moisture-resistant design: ideal partner for SLT-A77
Enhanced handling and operability

Serious photographers can pull distant subjects closer with a powerful new 500mm (equivalent to 750mm with APS-C camera) super-telephoto lens from Sony.

The SAL500F40G is ideal for sports, wildlife and demanding imaging applications that require extreme magnification with uncompromised optical performance.

The SAL500F40G is the longest fixed focal length G Lens from Sony to date. Whether you’re shooting detail-packed stills or Full HD video, you’ll enjoy frame-filling close-ups with flawless resolution. With a bright F4.0 maximum aperture, its excellent light gathering power allows the use of faster shutter speeds to broaden shooting opportunities.

The ruggedly-engineered SAL500F40G copes effortlessly with tough photo assignments. Focusing ring and front/rear joints are protected by interlocking seals that shrug off dust and moisture, even when you’re shooting outdoors in driving rain or arid desert conditions. This weather-resistant design makes the SAL500F40G a perfect partner for the SLT-A77 (α77) Translucent Mirror camera that offers serious photographers similarly ruggedized performance.

Like all other A-mount lenses, the SAL500F40G is compatible with the SteadyShot INSIDE image stabilisation system that’s featured in every α Translucent Mirror and DSLR camera from Sony. Depending on shooting conditions, camera model and settings, you’ll enjoy camera-shake blur compensation that’s equivalent to approximately 4.5 stops (max.) in shutter speed.

Inside, the advanced optical design of the SAL500F40G includes 11 elements in 10 groups, including three ED (Extra-low Dispersion) glass elements. It’s also the first G Lens from Sony to feature advanced new coating process that ensures crisper, clearer images. Exclusive to Sony, the ground-breaking Nano AR Coating process cuts internal reflections by up to 80% compared with previous models. Resulting images are brilliantly crisp and clear, with dramatically reduced lens flare and ghosting. Flare is reduced still further by the carbon fibre lens hood that’s lined with black velvet fibres to absorb incident light.

Razor-sharp autofocus performance makes the SAL500F40G ideal for capturing an athlete’s explosive movements or the unpredictable flutter of wild birds. The high-torque SSM (Super Sonic wave Motor) features a new drive circuit, ensures rapid, responsive AF with up to 4x faster object tracking than conventional Sony lenses.

Serious enthusiasts will also welcome a strong emphasis on enhanced handling and ergonomics. Four focus hold buttons are spaced around the lens barrel for easy operation in any position. They’re complemented by a two-way DMF (Direct Manual Focus) mode button and focus range switch for positive, fumble-free operation when you’re shooting under pressure.

Built to order, the SAL500F40G super-telephoto lens from Sony is available in Europe from late March2012.

Jessops reduce price on Pentax 645D

Jessops' online store has lowered the price of the 40-megapixel medium format Pentax 645D kit (with FA 55mm f/2.8) by a cool £1,000, from £9,999.95 to £8,999.95. It makes a compelling alternative to the Nikon D3X and Canon EOS 1DX models, though the new D800 / D800E may come close with the right lens choice. Please follow the link here to buy.

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Read our review of the Pentax 645D here.

Gitzo officially announces new Systematic tripod range

As we reported here a week ago, Gitzo has launched a new range of Systematic tripods, substantially updating the top casting and providing greater security of the removable top-plate. Please check back later for availability and prices, as we'll be updating this post throughout the day.

From the Gitzo Newsletter:

Systematic is Gitzo’s top of the range tripod family, the choice of exacting professional photographers who use long lenses and heavy cameras. Not only are Systematic Gitzo’s strongest and most stable tripods, they’re also modular, with a top casting element that opens and closes to allow each tripod to be configured with a flat disk, geared or sliding centre column, video half-ball adaptor, leveling unit or other specialized centre component.

Now, Systematic has been refined, with significant improvements across strength, stability and rigidity; safety and security; set-up speed, ease of use and ergonomics. New construction and bonding techniques have almost doubled maximum payloads by distributing weight more efficiently to the 6X carbon fibre legs, which also feature the G-Lock system for greater power and ease of leg section locking.

For further information please go to the Gitzo Systematic Collection page.

Press release:

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OConnor announces O-Focus DM follow focus unit

 

Press release:

OConnor O-Focus DM Photo and Cine Sets; One Solution for Two Applications

Burbank, USA: February 9, 2012 – OConnor, part of Vitec Videocom, a Vitec Group company, announces the O-Focus Dual Mini, a compact, double-sided direct drive follow focus unit optimized for both still and cine-style camera lenses, to meet the exacting needs of professional camera operators and assistants.

The precision gear drive of the main bridge is designed with a gear ratio of 1:0.75 so that 360 degrees of input results in 270 degrees of output (i.e. rotation on the drive gear).

There are two versions of the O-Focus DM, the Photo Set and the Cine Set, each with its own unique transmission ratio. The difference is accomplished by the use of two different types of handwheels that interface with the main bridge to generate optimized transmission output. Changing the transmission ratio is as easy as changing a lens. Without requiring tools, the handwheel(s) can be easily swapped out and the user is ready to shoot!

The Photo Set utilizes a new Hard Stop Handwheel, which has a transmission ratio of 1:1 (input: output). When coupled with the O-Focus Bridge, it yields a follow focus industry first; a 1:0.75 transmission ratio. This translates to longer, more exacting focus pulls when using limited barrel rotation still lenses for digital cinematography, and allows more precise lens control than has previously been available for these camera configurations. In addition, the hard stops enable the operator to set minimum and maximum focus points for lenses with unlimited rotation and to carry out hard focus stop pulls. To allow the focus-puller to react to unexpected movements, the unique single-hand-operated hard stop on/off switch, allows for instantaneous disengagement of the end stops for critical adjustments even during the shot.

The Cine Set utilizes the existing CFF-1 Studio Handwheel; and has a transmission ratio of 1:1.8 (input:output). When coupled with the O-Focus Bridge it yields a 1:1.4 output transmission ratio well suited for cine lenses with an expanded focus scale. The Studio Handwheel is offset; meaning it has 360 degree rotation for optimum placement and view of lens witness marks, and allows the camera to be set on the ground without the rig weight resting on the handwheel.

Both versions of the O-Focus DM feature extremely low profiles, which allow use with large diameter lenses. The sliding dovetail design provides adjustment for various lens sizes, even those with very large lens barrel diameters. Additionally, tapered flank couplings (pioneered with the OConnor CFF-1) eliminate play between the handwheel and bridge connection.

The O-Focus DM integrates seamlessly with existing follow focus accessories including whips, cranks and gears. It also shares many of the OConnor CFF-1 accessories, such as the Studio Handwheel and Marking Discs, Handwheel Extension and Studio 15/19mm Bridge. The new Toothless Friction Driver, for the use of still lenses, eliminates much of the need for additional toothed gear rings.

The O-Focus DM Cine Set and O-Focus DM Photo Set are both available now and join OConnor’s fast growing array of lens and camera accessories, which features the CFF-1 Follow Focus and award-winning O-Box WM Mattebox and O-Grip Handgrip combination.

For more information, please go to www.ocon.com

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Canon partners British Fashion Council

Press release:

Canon announced as Official Imaging Partner of British Fashion Council

United Kingdom, Republic of Ireland, 9th February 2012 – Canon Europe, world leader in imaging solutions, is entering an exciting era as a supporter of the UK fashion industry, becoming the Official Imaging Partner for the British Fashion Council.  As part of this new agreement, Canon is also continuing its sponsorship of London Fashion Week for all seasons from 2012 to 2014, and for the first time will also support Vodafone London Fashion Weekend and the British Fashion Awards.

James Leipnik, Chief of Communication, Canon Europe, Middle East and Africa, said: “Our sponsorship of the British Fashion Council extends our relationship with the fashion industry and support for professional photographers working in fashion. Canon’s passion for the power of the image has a natural affinity with the British Fashion Council’s aim to strengthen the UK's reputation for developing design excellence.”

Supporting new designers is a key element of Canon’s sponsorship of the fashion industry. The British Fashion Council and Canon are working together to create the Canon Studio, an initiative designed to support emerging designers to develop visual materials and create look books.

At London Fashion Week and the British Fashion Awards, Canon will provide a photographers centre, offering a range of support services for all accredited photographers and videographers.  On-site services include minor camera repairs, a camera and lens loan facility and a team of technicians on hand to handle any questions and help with difficulties.

Canon will also be the Digital Showcasing Partner at London Fashion Week, and will be screening content for guests in the Canon Cinema located in the Courtyard Show Space and the Canon Screening Room, located in the Embankment Galleries, situated within Somerset House.

    •    London Fashion Week Spring 2012: 17-22 February 2012
    •    Vodafone London Fashion Weekend: 23-26 February 2012

For more infomation, please visit www.canon.co.uk

Retailers accepting pre-orders on new Canon EF24-70mm f/2.8L II

B&H Photo are accepting pre-orders of the new 24-70mm f/2.8L II at here $2,299.00, with expected delivery April 17, 2012.

Amazon (all countries) are taking pre-orders.

Links to Adorama on the following new lenses:

EF24mm f/2.8 IS ($849.99)

EF28mm f/2.8 IS ($799)

EF24-70mm f/2.8L II ($2,299)

UPDATE: Wex Photographic UK (formerly Warehouse Express) has the recently announced trio of lenses from Canon available to pre-order. Wex are sweetening the deal by offering a free Kenko Pro1 Digital UV filter with each purchase. Please follow the links below to buy.

Canon EF 28mm f2.8 IS USM at £729.00

Canon EF 24mm f2.8 IS USM at £749.00

Canon EF 24-70mm f2.8L II USM at £2,299.00

Thank you for buying from this site's links.

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Pre-order Olympus OM-D E-M5

The OM-D E-M5 is available to pre-order from Adorama as a kit with the M.ZUIKO DIGITAL ED 12-50mm 1:3.5-6.3 for $1299. Body only price $999.

Please follow the link to pre-order the E-M5 at Adorama.

Please use the following links for other retailers:

Amazon (all countries). Try this link for Amazon UK (if the first link doesn't redirect).
B&H Photo & Video (US) are also taking pre-orders.
Jessops (UK) has the E-M5 with the ED 12-50mm for £1,149.95. (UPDATE, 28Feb, 2012; now with free HDL-6 battery grip, worth £250)
Warehouse Express (UK) have various combinations available to pre-order.

Thank you for buying through this site's links.

Contact

For more information, please visit www.olympusomd.com

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Sachtler tripods chosen for Science Outsiders documentary

Copyright 2012, Sachtler, Daniel Schmidt

Daniel Schmidt while filming on rough terrain: Even on bedrock, the Sachtler SOOM TriPod stands solidly and reliably

Press release:

PRESS RELEASE
EXCITING DOCUMENTARY WITH SACHTLER
Science Outsiders with the FSB 6

Eching, February 2012 – Daniel Schmidt and ColorBurn Productions have again chosen Sachtler, part of Vitec Videocom, a Vitec Group company, to support their new documentary series, Science Outsiders, about NASA's search for the origins of life. Schmidt shot in various locations from Italy to Canada and across the United States. I

Impressive Shooting Locations
“We are shooting in some really cool locations – from NASA's Jet Propulsion Lab in Pasadena, to vast cave complexes in Italy, glaciers high in the Canadian Rockies and at Yellowstone's famous hot springs,” explains Schmidt. “We will be moving around a lot and need to travel with as little equipment as possible, and know that what we carried would perform as needed. I chose Sachtler’s SOOM with the FSB 6 head because I knew I would get great support for various DSLR camera set-ups – long lenses, dolly sliders, rail systems with matte box and follow focus, and external monitors. The Sachtler FSB 6 head combined with the SOOM gives me a rock solid unit that handles a variety of set-ups and literally becomes three tripods in one.” The whole system packed in the specially designed Petrol Bags carrier is the perfect traveling solution for this production.”

Flexible Equipment
For this shoot, Schmidt knew he would take advantage of all of the SOOM’s functions. He could use the TriSpread as a mini-spreader to stabilize the tripod or as a set of baby-legs; SOOM TriPod to get the camera up to 55.9”; SOOM Tube as a Monopod with maximum height of 61.8” for watching over things or in tight places; or SOOM XL System combining TriPod and TriSpread for a maximum height of 98.4”.

Extravagant Shoots
“We recently did a shoot at Georgia Tech in Atlanta, in one of their high tech chemistry labs,” Schmidt recalls. “We had four people on opposite sides of a bench. In addition to the standard coverage, we wanted to run a high-angle time lapse shot over the bench to create a more dynamic feel for the lab. In another instance, we were able to put a slider on top of the FSB 6 head extended nearly 8 feet off the ground with the SOOM Tube to get incredible birds-eye dolly shots. The SOOM allows us to get the kind of shot we would never have been able to get with any other equipment.”

Sachtler Camera Support – Approved In Many Cases
Schmidt is no stranger to Sachtler or the SOOM. SOOM provided invaluable support for his documentary Feeding the Problem, about the heroic effort to save the Jackson Hole elk herd. The film has recently been released and can be seen online and at film festivals.

For more information, please visit: www.sachtler.com

 

Sales

Buy the Sachtler SOOM c/w FSB-6 Head from Adorama ($2,870)

Sigma CEO defends SD1 Merrill price reduction

UPDATE, 18th Feb, 2012: Online retailer Wex Photographic in UK has started taking pre-orders on the controversial Sigma SD1 Merrill DSLR at £1839.00 including VAT (at 20-percent), or £1,565.11 ex VAT / $2,477.00. Please follow the link here to pre-order.

UPDATE, 14th Feb, 2012: A spokesperson for Sigma UK confirmed to the DJP that the price of the SD1 Merrill will be below £2,000 (inc VAT).

Press release:

Today, we announced our new digital single lens reflex camera, the Sigma SD1 Merrill. This product has the same features, performance, and specifications as the SIGMA SD1, however, the price is substantially revised. We are gearing up for its release in March 2012, and the market price is expected to be approximately “JPY200,000.- ”.

At the time of its introduction, the SIGMA SD1 was a revolutionary product incorporating a 46MP* direct image sensor which provided the highest resolution in a digital SLR camera. As the world’s only full color sensor capturing all three primary color components (R, G, and B) within each pixel location, the Foveon X3 Direct Image Sensor made it possible for the image quality of SD1 not only to demonstrate improved resolution, but also to obtain richer expressions of gradation, as well as to enhance the three-dimensional impression which is specific to Foveon sensors. *Resolution equivalent to 30MP on a color filter array sensor.

However, even with this revolutionary image sensor, we could not solve issues related to some of the manufacturing methods before the start of mass production, and the production cost ended up substantially exceeding our originally expected price. As a result, we had no choice but to set the price of the SIGMA SD1 high. This caused great discouragement to all of you who looked forward to its release, and wished to experience the very unique image quality of the SIGMA SD1 in person; this has become our biggest disappointment and pain.

Since then, overcoming this situation has become the first priority for us and Foveon, and we have together made improvements to reduce production cost substantially. Even though this effort took nearly a year, at last, we achieved a reduction target close to the price we originally planned. Therefore, we decided to release SIGMA SD1 as a new product, and were able to make our recent announcement.

The SIGMA SD1 Merrill keeps the best image quality of the SIGMA SD1, which has a unique identity, but comes with a substantially revised price. Although some of the manufacturing methods have been enhanced, the performance and characteristics of the sensor itself have not changed. There is nothing more pleasurable for us than enabling our valued customers to experience the SIGMA SD1 Merrill in person, as a digital SLR camera of a new era which inspires photographers’ inner artistic sensitivity, providing “high image quality” and changing current perceptions of what is possible.

On the other hand, we fully understand that it is not acceptable for current SIGMA SD1 users, that a new product with exactly the same specifications as their camera will be released with a substantially revised price a year later. After all, those customers committed to purchasing the SIGMA SD1 with great expectations.

During this period, we have seriously considered how we can express our appreciation for our Sigma SD1 customers. Currently, we have a plan to offer a support program for current SIGMA SD1 owners. This support program will provide points that can be exchanged for our products worth up to “JPY400,000.-”. This program is expected to be valid after the release of SIGMA SD1 Merrill and last until the end of this year, 2012. It will be applicable for all SIGMA products including both current and new products to be released this year. More details will be available soon; we appreciate your kind understanding as we finalize this program.

We would like to once again express our appreciation to current SIGMA SD1 owners, and other customers who are looking forward to our next DSLR camera, for your loyal patronage to SIGMA. We will continue doing our best with the aim to design and manufacture ideal photographic equipment that inspires the artistic hearts of photographers everywhere. We sincerely value your continued support.

Kazuto Yamaki
Chief Executive Officer
SIGMA CORPORATION

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Please help support the DJP by visiting our affiliates; Jessops, Warehouse Express, Adorama Camera and Amazon. Note; sales through these links may benefit this site.

Sigma launches 46MP DP1, DP2 Merrill compacts

Press release

The Sigma Corporation is pleased to announce the new SIGMA DP1 Merrill and SIGMA DP2 Merrill. These high image quality compact digital cameras feature a 46 megapixel (4800×3200×3 layers) FOVEON X3 direct image sensor.

The SIGMA DP1 Merrill and SIGMA DP2 Merrill are the next generation of high image quality digital cameras which incorporate a newly developed 46 megapixel large image sensor in a compact body. The full-colour FOVEON X3 direct image sensor ensures outstanding resolution and natural rendering with rich gradation as well as a three-dimensional feel. The manual focus ring and custom QS (Quick Set) mode improve the user interface.

About the generation-name “Merrill”
The Foveon X3 Direct Image Sensor uses technology originally developed by the late Dick Merrill (1949-2008), a brilliant engineer and talented photographer. This revolutionary image capture system reflects both the artistic and technological sides of Merrill’s personality. As an expression of Sigma’s passion for photography and in honour of Dick Merrill’s genius, we have named the latest generation of the Foveon X3 Direct Image Sensor the Foveon Merrill.

SIGMA DP Merrill Special Site ： www.SIGMA-DP.com/DP-Merrill

46 megapixel. 23.5×15.7mm Full-colour X3 Merrill sensor
The 23.5×15.7mm full-colour FOVEON X3 direct image sensor featured in the SIGMA DP Merrill series, incorporates 46 effective megapixels (4,800×3,200×3 layers) and 44 recording megapixels (4,704×3,136×3 layers). The FOVEON X3 direct image sensor captures all primary RGB colours at each and every pixel location with 3 layers, ensuring the capture of full and complete colour. Since colour moiré is not generated, the use of a low-pass filter is not required, meaning both light and colour is captured with a three-dimensional feel.

Dual TRUE II image processing engine
The SIGMA DP Merrill series incorporate a dual “TRUE (Three-layer Responsive Ultimate Engine) II” image processing engine dedicated to FOVEON X3 direct image sensor. This improves the processing speed and overall quality of the final image. By incorporating two TRUE II processors, Sigma’s unique image-processing algorithm provides high resolution power and reproduces high definition images with richly graduated tones.

Exclusively designed high performance lenses
The exclusively designed lenses for the SIGMA DP Merill series are developed to maximise the sensor performance. For the SIGMA DP1 Merrill, a 19mm F2.8 lens, equivalent to 28mm on a 35mm SLR camera, and for SIGMA DP2 Merrill, a 30mm F2.8 lens, equivalent to 45mm on a 35mm SLR camera. FLD (“F” Low Dispersion), which has a performance equal to fluorite glass, and molded glass aspherical lenses correct aberrations. The superior telecentric optical design improves image quality throughout the frame by passing on information about subjects to the sensor. The Super Multi Layer Coating reduces flare and ghosting, which makes it usable even under severe conditions such as taking photos against or towards the sun.

 

RAW+JPEG format recording
The SIGMA DP Merrill series obtain a RAW data recording mode for retaining full image capture detail of the utmost quality captured through the direct image sensor, plus a JPEG recording format for convenience. The RAW data format of the DP Merrill series keep brightness and colour data in a 1:1 ratio without relying on interpolation. When the image is processes in SIGMA Photo Pro, it will preserve the balance of the natural data for the best photos with the best image quality. It is also possible to record RAW data and JPEG data simultaneously to provide more convenience.

SIGMA Photo Pro
The supplied image processing software, “SIGMA Photo Pro”, converts RAW data quickly and easily. While looking at photographed images, it is possible to render desired photographic expression by moving the slider from side to side. It incorporates functions such as a loupe, exposure picker, print, JPEG conversion, and batch white balance settings.

Manual Focus
Manual Focus is available for use when autofocus or focus lock is not desired. It is possible to use the focus ring for focusing just like an SLR camera. It is also possible to magnify the display to ensure precise focusing.

Advanced User Interface
The custom quick set menu and the metallic command dial are incorporated to improve usability. The diaphragm, shutter speed and menu can be changed quickly using the command dial. The Quick Set (QS) menu which consists of the most commonly used functions can be easily displayed by pressing the QS button. It allows photographers to change the menu content and the order depending on their preferences.

SD card
The DP Merrill series adopt the SD Card (SDHC compatible) which is compact and easy to carry.

Large, highly visible 3.0” TFT colour LCD Monitor
The DP Merrill series feature a 3.0 inch TFT colour monitor with approximately 920,000 pixel resolution. The monitor benefits from a wide viewing angle, making it easy to capture details and to check focusing and composition.

Hot Shoe
The DP Merrill series cameras are equipped with a hot shoe, allowing use of Sigma’s optional dedicated external flashgun, the EF-140 DG as well as SIGMA electronic flashguns for SD series such as EF-610 DG Super (optional) and EF-610 DG ST (optional).

Dedicated lens hood
The optional dedicated bayonet lens hood can be attached to block out extraneous light.

Movie Mode
Movies can be recorded with VGA (640×480) size. The number of shooting frames per second is 30 frames.

Additional Images

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Sigma announces SD1 Merrill DSLR, lowers price

Sigma announces SD1 Merrill DSLR, lowers price

UPDATE: A spokesperson for Sigma UK, told the DJP that the SD1 M will be priced below £2,000 (inc VAT).

According to Sigma Corporation of America, the SD1 Merrill will have a substantially lower price of just $2,299, as a result of decreased manufacturing costs associated with the Foveon sensor. "We have a plan to offer a support program for current Sigma SD1 owners. This support program will provide points that can be exchanged for our products. This program is expected to be valid after the release of Sigma SD1 Merrill and it will last until the end of this year, 2012. It will be applicable for all Sigma products including both current and new products to be released this year. More details will be available soon; we appreciate your kind understanding as we finalize this program", the US subsidiary adds.

Press Release:

 

SD1 Merrill digital SLR camera Flagship digital SLR with 46 megapixel Foveon X3 sensor

The Sigma Corporation is pleased to announce the new SIGMA SD1 Merrill, the latest high resolution and high image quality digital SLR camera featuring a 46 megapixel (4800×3200×3 layers) FOVEON X3® direct image sensor.

The SIGMA SD1 Merrill is the flagship model which incorporates a full-colour FOVEON X3® direct image sensor. It adopts a lightweight yet solid magnesium alloy body along with buttons and connected parts sealed with O-rings, enhancing the durability as well as preventing dust and water from getting inside the camera. The Dual TRUE II processing engine and DDR III buffer ensure high speed processing of images without lowering the quality. The 46 megapixel (4800×3200×3 layers) sensor ensures outstanding resolution and natural rendering with rich gradation as well as a three-dimensional feel.

About the generation-name “Merrill”
The Foveon X3 Direct Image Sensor uses technology originally developed by the late Dick Merrill (1949-2008), a brilliant engineer and talented photographer. This revolutionary image capture system reflects both the artistic and technological sides of Merrill’s personality. As an expression of Sigma’s passion for photography and in honour of Dick Merrill’s genius, we have named the latest generation of the Foveon X3 Direct Image Sensor the Foveon Merrill.

46 megapixel 23.5×15.7mm full-colour X3 Merrill sensor
The 23.5×15.7mm full-colour FOVEON X3® direct image sensor featured in the SIGMA SD1 Merrill, incorporates 46 effective megapixels (4,800×3,200×3 layers) and 44 recording megapixels (4,704×3,136×3 layers). The FOVEON X3® direct image sensor captures all primary RGB colours at each and every pixel location with 3 layers, ensuring the capture of full and complete colour.

Dual TRUE II image processing engine
The SIGMA SD1 Merrill incorporates a dual “TRUE (Three-layer Responsive Ultimate Engine) II” image processing engine dedicated to the FOVEON X3® direct image sensor. This improves the processing speed and overall quality of the final image. By incorporating two TRUE II processors, Sigma’s unique image-processing algorithm provides high resolution power and reproduces high definition images with richly graduated tones as well as a three-dimensional feel.

Advanced DDR III buffer
To handle large volumes of colour data at high speed, the SD1 Merrill uses DDR III buffer memory technology which delivers class-leading performance. The SD1 Merrill features a continuous shooting speed of 5 frames per second and can capture up to 7 RAW images per sequence in continuous shooting mode.

Intuitive user interface
The improved user interface provides intuitive operation. Aperture and shutter speed can be changed by their own dials. The functions such as exposure compensation button and exposure mode button are on top of the body for quick access. A Quick Set (QS) menu lets you easily change commonly used functions

CF card
The SD1 adopts the TYPE I CF Card and is compatible with UDMA enabling fast processing of large amounts of data.

Magnesium body
The Sigma SD1 Merrill adopts a lightweight yet solid magnesium alloy body designed to withstand rough use and shocks in harsh conditions. Buttons and connected parts are sealed with O-rings to prevent dust and water from getting inside the camera body.

Two-motor system
Using a two-motor system with dedicated motors for mirror-drive and shutter charge reduces the vibration of mirror movement, thereby preventing camera shake. A mirror lock-up mechanism prevents further vibration when the shutter is released. Preventing camera shake is especially important for macro photography and when using ultra-telephoto lenses.

Pentarism viewfinder
The SD1 Merrill features a pentaprism viewfinder with 98% (vertical and horizontal) coverage, 0.95x magnification and an 18mm eye point. Dioptre adjustment is provided over a range of -3 to +1.5.

11 point twin cross sensor
The autofocus system features an 11 point twin cross sensor. The shifted twin cross type sensor improves AF accuracy. The AF point can be selected automatically or manually.

Four metering modes
The SD1 features 77-segment Evaluative Metering, Centre Weighted Average Metering, Centre Area Metering and Spot Metering. When difficult lighting conditions make appropriate exposure unclear, auto bracketing lets you take a sequence of shots of the same subject at three or five different exposure levels. Bracketing can be set in 1/3EV increments up to ±3EV(3levels) or ±1.7EV(5 levels). The 77-segment AE sensor is coordinated with the 11 AF points to achieves accurate exposure even in difficult lightning conditions.

Dust Protector
Most digital SLR cameras are vulnerable to dust entering the body. If dust and dirt adhere to the image sensor, it may appear in the photos. The lens mount of the SD1 Merrill is equipped with a dust protector and the area around is sealed to prevent dust from entering the body. Even in the unlikely event of dust adhering to the image sensor, the dust protector can be removed easily for sensor cleaning.

Focal Plane shutter
The durable focal plane shutter mechanism has a life cycle of over 100,000 exposures and dramatically reduces generation of dust. The photographer can enjoy taking pictures with confidence that the image sensor is clean and protected from dust or dirt originating inside or outside the camera.

Large, highly visible 3.0” TFT colour LCD Monitor
The SD1 Merrill camera features a 3.0 inch TFT colour monitor which ensures a great visibility even outside in the daytime. This approximately 460,000 pixel resolution LCD monitor benefits from a wide viewing angle, making it easy to capture detail and to check focusing and composition.

Built-in flash with 17mm angle of coverage
The Sigma SD1 Merrill camera’s built-in flash has a guide number of 11 to cover a 17mm lens angle (equivalent to 25.5mm on a 35mm camera). The built-in flash can be synchronized to a shutter speed of up to 1/180 sec. The S-TTL automatic exposure system enables control of advanced flash photography.

SIGMA Photo Pro
The supplied image processing software, “SIGMA Photo Pro”, converts RAW data quickly and easily. While looking at photographed images, it is possible to render desired photographic expression by moving the slider from side to side. It incorporates functions such as a loupe, exposure picker, print, JPEG conversion, and batch white balance settings.

The SD1 Merrill will be available in the UK in mid March, price TBA.

 

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Olympus announces OM-D (E-M5)

UPDATE, 11th Feb, 2012: the OMD E-M5 is available to pre-order, please see the links below.

Olympus has announced a new flagship model, the E-M5, the first in the OM-D series sitting at the top of its micro-four-thirds (MFT) system. The new camera features a 16-MP L-MOS sensor and adopts the same lens range as the PEN series, however the OM-D (E-M5) as it's being called, has a built-in 1.44 million dot electronic viewfinder (EVF), new five axis image stabilization system, 'world-beating' FAST AF system all wrapped in a weather sealed magnesium alloy body. Olympus say the new AF system is the fastest currently available of 'any interchangeable lens camera' (ILC) including pro-level DSLRs (and quite a claim though the company is clear that's as of November 2011).

As well as incorporating a 120fps L-MOS sensor, and FAST AF system that featured on the E-P3, lens control communication has improved, resulting in an AF speed increase with MSC compatible lenses. The OM-D is capable of of sequential shooting at up to 9fps (dropping to 4.2fps with AF invoked). Live View black-out times (return times) have been noticeably reduced due to separate processor cores found in the TruePic V1 processor, though timings have yet to be announced.

The EVF features a 100-percent field of view with a 1.15x max magnification and 18mm eye-point, while a new EVF Creative Control feature is said to permit monitoring of highlight and shadow brightness in the viewfinder using a tone control overlay. White balance, magnification and aspect ratio can similarly be adjusted without the eye moving away from the viewfinder.

The OM-D is the first to feature a five axis image stabilization system, correcting not only for yaw and pitch but also , horizontal and vertical shift and rotary motion (rolling). Olympus says the system is particularly effective at compensating for high magnification stills (such as macro shooting), but it's not clear if the same system is used in the MSC IS system, adopted for movie capture. The new camera adopts the MOV format (MPEG-4 AVC/H.264), for movie clips up to 29-minutes as well as the less compact AVi (Motion JPEG) option with linear PCM audio used for both modes.

The OM-D also has a tilting 3.0 OLED touch sensitive panel with 610K dot resolution that's capable of displaying video at the equivalent of VGA resolution (though it's not clear at this time if that's accounting for the different screen ratio). A new Live Bulb feature updates the LiveView image on the rear-panel monitor at preset intervals and also allows the user to assess the final image during the exposure and to adjust the exposure time accordingly.

OM-D main features:

· Speed - the world’s fastest* FAST AF auto-focusing system plus 3D tracking for improved moving object tracking performance
· 16.1-megapixel new Live MOS sensor, for high resolution and excellent low-light performance
· 1.44 million dot high-definition electronic viewfinder, with unique optical design to reduce vignetting, 100% field of view and very short display time lag
· Powerful TruePic VI image engine, for faster recovery time and excellent image quality (still image shooting sensitivity as high as ISO25600)
· Ultra-effective in-body image stabilization using the world’s first*1 5-axis IS, for blur-free movies and stills with any lens
· Compact, lightweight body in the tradition of the famous OM series, in magnesium alloy and enhanced with proven dust-/splash-proof capability
· Fully compliant with the Micro Four Thirds System standard
· Additional lens options under development - the M.ZUIKO DIGITAL ED 75mm 1:1.8 and the M.ZUIKO DIGITAL ED 60mm 1:2.8 macro

Additional features:

· Tilt LCD (3.0-inch swivel-type OLED monitor, capacitive touchscreen panel with fast response)
· Full HD (1920 x 1080), now in MPEG4 (AVC/H.264)
· New Echo effect for movies (one-shot echo and multi-echo)
· Live Bulb feature, updating the Live View image on the rear-panel monitor at pre-set intervals during bulb shooting
· New “Key Line” Art Filter, making the picture look more like an illustration by enhancing the edge lines; and new variations “Cross Process II” and “Dramatic Tone II”

The OM-D is available from April 2012 as a kit with the M.ZUIKO DIGITAL ED 12-50mm 1:3.5-6.3 for $1299 / £1149.99. Body only price $999 / £999 inc VAT.

 

Pre-order the OM-D E-M5:

Please follow the link to pre-order the E-M5 at Adorama.

B&H Photo are also taking pre-orders, please follow the link here.

Amazon (all countries), please follow the link here.

UK readers can pre-order the E-M5 with the ED 12-50mm at Jessops for £1,149.95, please follow the link here.

Warehouse Express have various combinations available to pre-order here.

For more information, please visit www.olympusomd.com

Thank you for buying through this site's links.

Press release:

Faster, sharper, smarter: the dust and splash-proof Olympus OM-D, with game-changing IS, electronic viewfinder and stunning new lenses

London, February 8 2012
Olympus is taking the forty-year pedigree of the OM series into the next generation with the launch of the OM-D, featuring the world’s first*1 5-axis image stabilization (IS) system to eliminate blur in stills and movies.

See the blur reduction effect live via the fast electronic viewfinder, while simultaneously benefitting from the fastest*2 auto-focus of any interchangeable lens camera (including all D-SLRs) with a further refinement of the world-beating FAST AF (Frequency Acceleration Sensor Technology) also found on the popular PEN series models.

The camera’s innovative new 16.1 megapixel high-resolution Live MOS Sensor works in tandem with the powerful TruePic VI image processing engine to achieve outstandingly refined image quality and high sensitivity.

The integrated 1.44 million dot high-definition electronic viewfinder lets the photographer to check manual adjustments to brightness and colour tones on-screen and with a new interface for exceptionally easy viewing.

This faster, sharper, smarter camera comes attractively packaged in a durable dust-/splash-proof magnesium-alloy body that ensures lets the OM-D go-anywhere. New accessories such as the optional HDL-6 power battery holder grip, MMF-3 Four Thirds mount adapter and FL-600R electronic flash add to its adaptability, while two new lens options – the M.ZUIKO DIGITAL ED 75mm 1:1.8 and the M.ZUIKO DIGITAL ED 60mm 1:2.8 macro – are under development and will extend creative applications for the user.

The OM-D (E-M5) comes in a silver or black body.

The OM-D is available from April 2012 as a kit with the M.ZUIKO DIGITAL ED 12-50mm 1:3.5-6.3 for £1149.99. Body only price to be confirmed.

Additional Images

 

 

 

 

 

 

 

Contact

For more information please visit www.olympus.co.uk, or www.olympusamerica.com

Olympus announces M.Zuiko 75mm f/1.8, 60mm f/2.8 macro under development

Olympus has announced two new lenses are under development - the M.ZUIKO DIGITAL ED 75mm 1:1.8 and the M.ZUIKO DIGITAL ED 60mm 1:2.8 macro. The 75mm lens adopts a high-quality metal barrel and fast
maximum aperture for portraits and indoor sports shooting, while the dust and splash proof 60mm lens features 1:1 macro and a closest shooting distance of just 0.19m. It's expected the lenses will be available later in the year.

Contact

For more information please visit www.olympus.co.uk, or www.olympusamerica.com

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Olympus announces new OM-D (E-M5)

Pentax launches image transfer software for 645D

Press release:

PENTAX RICOH IMAGING COMPANY, LTD. is pleased to announce the launch of PENTAX IMAGE Transmitter, exclusive software for the transfer and saving of images taken with the PENTAX 645D medium-format digital SLR camera to a personal computer.
 
Overview
I.           Available in CD-ROM format
l  Transfer recorded images to a designated file on a personal computer. It is also possible to record the images simultaneously on an SD memory card installed in the camera.
l  The camera’s shutter can be remotely released using the personal computer.
l  Available in Japanese and English
II.         Operating manual contained in the CD-ROM
 
Notes:
The camera’s firmware must be updated to the latest version in order to use this software. The latest firmware is contained in the CD-ROM.
With the Windows version, Microsoft’s .NET Framework 4 software must be installed on a personal computer in advance.
 

♦Windows is a registered trademark of Microsoft Corporation in the United States and other countries.
♦.NET Framework is a registered trademark of Microsoft Corporation in the United States and other countries.
♦ Macintosh and Mac OS are trademarks of Apple Inc., registered in the U.S. and other countries.
 
 
The PENTAX IMAGE Transmitter will be available at RRPS of £249.99.
 

Pentax announces seven in-development products

Press release:
PENTAX RICOH IMAGING COMPANY, LTD. is pleased to announce the exhibition of seven reference products — interchangeable lenses and camera accessories currently under development — at CP+ 2012, one of the largest and most comprehensive camera and imaging shows in Asia. This annual event will be held from February 9th to 12th at the PACIFIC YOKOHAMA convention center in Japan.
Reference Products
1.   Interchangeable lens for medium-format digital SLR camera
　Model name (tentative): smc PENTAX-D FA645 90mm f/2.8
·         Unifocal medium-telephoto lens for use with the PENTAX 645D
·         Focal length ideal for portraiture and high-quality image reproduction with beautiful bokeh (out-of-focus) effect
·         Market launch scheduled for 2012
 
2.   Interchangeable K-mount lenses for digital SLR cameras
Model name (tentative): smc PENTAX-DA 560mm f/5.6
·         Unifocal super-telephoto lens for use with PENTAX K-mount digital SLR cameras
·         Sharp, well-defined images — particularly with distant subjects — thanks to the adoption of optics used in astronomical telescopes
·         Market launch scheduled for 2012
 
3　Model name (tentative): smc PENTAX-DA 50mm f/1.8
·         Unifocal standard lens for use with PENTAX K-mount digital SLR cameras
·         Maximum aperture of F1.8 for high-quality images with a superb rendition of depth and natural bokeh (out-of-focus) effect
·         Market launch scheduled for 2012
 
4.   Interchangeable Q-mount lenses for digital SLR cameras
　Model name (tentative): TELEPHOTO ZOOM
·         Telephoto zoom lens (high-performance-lens series) for use with PENTAX Q-mount digital SLR cameras
·         Exceptional image rendition for sharp, high-contrast images, even at the edges of the image field, thanks to the state-of-the-art optical design
·         Market launch scheduled for 2012
 
5　Model name (tentative): MOUNT CAP LENS
·         Unifocal standard lens (unique-lens series) for use with PENTAX Q-mount digital SLR cameras
·         Eye-catching “body cap” design, along with a toy-camera-like visual effect
·         Market launch scheduled for 2012
 
6.   Interchangeable K-mount lens for the PENTAX K-01
　Model name: TBA
·         Super-thin interchangeable lens especially designed for the PENTAX K-01 digital camera
·         Market launch: TBA
 
7.   Lens adapter
　Model name: Adapter Q for K-mount Lenses
·         Lens adapter for mounting a K-mount lens onto a Q-mount digital SLR camera body
·         Built-in shutter unit; manual-focus operation only
·         Market launch scheduled for Spring 2012

Pre-order Nikon D800 models

B&H Photo in the US are taking pre-orders for the newly announced 36-megapixel Nikon D800 ($2,999.95) and D800E (without AA filter, $3,299.95). Please follow the link here.

Amazon has added the D800 for $2,999, please follow the link here. Amazon US have stopped taking pre-orders for a while. Amazon UK link has now been added at £2,399, please click here.

Pre-orders can be placed at Adorama for the D800 here at $2,999.95 or the D800E here for $3,299.95.

UK readers can pre-order the D800 from Warehouse Express at £2,399 (inc VAT), and Jessops are listing both models for pre-order at £2399.95 and £2689.95, please follow the link here.

Thank you for ordering through this site's links.

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Nikon announces world's first 36MP D800, D800E DSLRs

Nikon D4 available to pre-order

Nikon announces new flagship D4

Nikon launches world's first 36MP D800 and D800E DSLRs

Press release:

Nikon D800 – Get the Big Picture
 
RRPs
D800: £2399.99 / Eur 2829
Sales start date: 22nd March 2012 (TBC)
D800E: £2689.99 / Eur 171 (selected retailers only)
Sales start date: 12th April 2012 (TBC)
MB-D12: £379.99 / Eur 448
 
London, UK, 7th February 2012 Nikon today announces a groundbreaking new 36.3 megapixel FX-format professional D-SLR, the Nikon D800.
 
Designed to answer the needs of tomorrow’s photography and video today, the masterful Nikon D800 is packed with new technology that delivers unprecedented levels of depth and detail in photography, and offers all the flexibility necessary to shoot broadcast quality video.
 
Firmly establishing a league of its own, the Nikon D800 offers imaging potential to rival medium format cameras, but with all of the agility of the D-SLR format — giving professionals who demand attention to detail the freedom to create monumental images.
 
In an industry first, this exciting launch includes a special edition of the D800 – the Nikon D800E. With a modified optical filter, the D800E offers a unique alternative for those seeking the ultimate in definition.
 
Kentaro Kusakari, Product Planning Manager, Nikon UK says: “The D800 sets a new benchmark for photographers shooting both still images and video. The combination of the powerful 36.3 megapixel resolution that records detail like never before, and the comprehensive video options will captivate photographers and moviemakers of all disciplines. He adds: “We’re excited about the D800 and know it will help to shape the future of the way we capture images and movies.”
 
The big picture
The groundbreaking 36.3 megapixel FX-format (full-frame) CMOS sensor incorporates key technologies that enables unprecedented levels of detail and tonal range.
 
12-channel readout with 14-bit A/D conversion and high signal-to-noise ratio: delivers images of remarkable quality with low noise and wide dynamic range.
 
Broad ISO: offering an ISO range of 100–6400, extendable up to 25600 (equivalent) and down to 50 (equivalent), the D800 will set a new benchmark for D-SLRs with this level of resolution. The camera’s intelligent noise reduction systems manage noise without sacrificing fine details, allowing superb flexibility under all lighting conditions: images are crisp and clean, even at higher ISO settings.
 
Peak performance 
Equipped with Nikon’s next-generation EXPEED 3 image-processing engine, the D800 makes light work of data-rich tasks without sacrificing the speed and quality that professionals are accustomed to.
 
16-bit image processing: offering richer colours and tones than ever before, this cutting-edge image processor delivers smooth gradations with abundant detail and tone all the way up the scale to pure white, even when shooting in JPEG.

 

 
Broadcast quality video
For professionals whose workflow demands video, the D800 offers all the flexibility required for a wide variety of movie applications.  It’s large format movie shooting at its best, with a comprehensive variety of frame rates.
 
Frame rates: Full HD (1080p) movies can be recorded in 30p, 25p and 24p, with 60p, 50p and 25p options at 720p. Movie clips can be up to 29:59 minutes long.
 
Multi-Format Full HD D-Movie: as introduced with the D4, Full HD recording is possible in both FX and DX based formats, enabling exceptional freedom of expression.
 
High-fidelity audio control: responding to feedback from the industry, the D800 sets a new standard for D-SLR audio recording, enabling your movies to sound as good as they look. Aside from the external stereo microphone input, an audio out for external headphones lets you fine tune audio in isolation, both before and during movie recording. A line input setting for PCM linear recorders is also provided.   
 
Uncompressed HDMI output: for those who need the purest video output for professional quality editing, the D800 offers the possibility to output the uncompressed live view to external recorders and monitors.  As with the Nikon D4, this data is output at the designated image size and frame rate, and is clean of the information overlay that can be simultaneously displayed on the camera’s TFT monitor. 
 
Convenient custom controls: have been implemented for live view operation. Instead of rotating the command dial, power aperture enables smoother aperture control using assigned buttons on the front of the camera. Index marking helps you tag important frames in the timeline by attaching markers during movie recording, which makes for easy location during editing.
 
Advanced scene recognition with 91K-pixel RGB sensor
Nikon’s revolutionary Advanced Scene Recognition System now incorporates a newly designed 91,000-pixel RGB sensor that meticulously analyses each scene for outstanding accuracy. It can detect human faces with startling exactness even with exclusive use of the optical viewfinder, and recognises a scene’s colours and brightness with unprecedented precision.
 
This level of detailed scene analysis is also utilised to support more accurate autofocus; auto exposure and i-TTL flash exposure results in a diverse range of compositional and lighting situations. For example, 3D-subject tracking is particularly improved when shooting smaller subjects.
 
Implementing Nikon’s highly-acclaimed Multi-CAM 3500FX AF system — with individually selectable or configurable 9-, 21- and 51-point coverage settings — the autofocus sensor module and algorithms have been re-engineered to significantly improve low light acquisition sensitivity capabilities down to  -2 EV (ISO 100, 20°C/68°F). The overall performance is similar to the latest flagship of Nikon, the D4: AF operation is even possible under a combined aperture value of f8 (e.g. a 600mm f/4 AF-S lens combined with 2x-teleconverter TC-20EIII) with 11 AF sensor involved, and with 15 AF sensors between f/5.6 and f/8.
 
Simplified AF and AF-area mode selection is now possible without taking your eye away from the viewfinder.
 
Responsive and intuitive 
The Nikon D800 responds as quickly as you do, with secure, conveniently placed, buttons and controls that quickly become an extension of your hand. 
 
Fast response: start-up is approx. 0.12 seconds[1], release time lag is minimized to approx. 0.042 seconds[2] (equivalent to that of the D4), with continuous approx. 4 fps capability in FX-format and crop modes, pushed to approx. 6 fps capability in DX-format Crop mode with the optional Multi-Power Battery Pack MB-D12.
 
Precision 8-cm (3.2-in.), approx. 921k-dot, wide-viewing-angle LCD monitor with automatic monitor brightness control: delivers bright, crisp image playback with a much wider color reproduction capacity. LCD brightness is automatically adjusted according to the viewing environment and images can be magnified up to 46x during playback, which can be a big help for spot focus confirmation.
 
Glass prism optical viewfinder with approximately 100% frame coverage and 0.7x magnification (50mm f/1.4 lens at infinity, -1.0m-1). 
 
Dual-axis electronic virtual horizon offers accurate confirmation of level shooting by letting you check the LCD monitor, or the viewfinder, for both the camera’s position in relation to the horizontal plane and its pitch (forward or rear rotation).
 
Enhanced ergonomics: buttons and dials have been strategically laid out for fluid operation. Improvements around the shutter-release button mean your index finger can rest comfortably for longer periods of time, while the designated movie record button means you’re ready to trigger movie shooting in an instant.
 
Release mode dial: mode visibility and operability has been improved via a four-button layout and release mode dial on the camera’s top panel, along with dedicated buttons for ISO, White Balance and Image Quality. A new bracketing button has been strategically placed to aid such features as HDR.
 
Direct access to Picture Controls via a new, dedicated button, rather than via the menu. Picture Controls let you customise the look of your stills and videos by fine-tuning parameters such as sharpness, saturation, and hue.
 
Durability
Despite its light weight and compact size, the D800 is as tough as Nikon’s professional single digit cameras, with extensive weather and dust sealing throughout to ensure you can keep working when the going gets tough.
 
High-precision, high-durability shutter: the shutter unit has been tested to well over 200,000 cycles of release to prove durability and precision. Boasts a speed range of 1/8000 to 30s; features an intelligent self-diagnostic shutter monitor and, for the first time, a drive unit designed to reduce the demand on power when the shutter is raised for extended periods during movie shooting.   
 
Efficient power management: a re-working of the D800’s circuits now enables approx. 850 shots[3] of still image shooting or approx. 60 min. of movie live view[4]. All on one charge of a Rechargeable Li-ion Battery EN-EL15.
 
Build quality: as reliable on the road as it is in the studio, the D800 boasts a weather- and dust-sealed magnesium alloy body that weighs in at approx. 10% lighter than the D700.
 
Storage media:  high-speed CF (UDMA 7) and SD (SDXC and UHS-1) dual card slots.
 
High-speed data transfer with USB 3.0. 

 

 
Nikon D800E - The ultimate alternative
The Nikon D800E is a special edition of the D800, specifically designed for those seeking absolute definition.

Incorporating an optical filter with anti-aliasing properties removed in order to facilitate the sharpest images possible, this is an ideal tool for photographers who can control light, distance and their subject to the degree where they can mitigate the increased risk of moiré[5] and false colour.  Aside from the optical filter, all functions and features are the same as on the D800. 
 
Creative expansion tools
The D800 incorporates a variety of creative and practical tools for those too busy to spend time in excessive post-production.
 
Time-lapse movies: the D800 extends the popular time-lapse photography function by saving images as a movie file in the camera. With playback rates from 24 to 36,000 times faster than normal.
 
HDR (High Dynamic Range) shoots one overexposed and one underexposed frame in a single shutter release. The range can be widened by up to 3 EV for different looks, full of saturation and tonal gradation, while the smoothness of the edge where the two exposures meet can be adjusted for a more natural appearance.
 
Refined colour temperature control enables minute control over white balance. The monitor hue of live view and the resulting image’s white balance can be adjusted so that the two are aligned. Colour temperature can be manually set in 10-Kelvin increments, or in mired units.
 
Auto shutter speed control for auto ISO sensitivity control: a new auto option for minimum shutter speed, which automatically controls the balance between shutter speed and ISO sensitivity based on the focal length of the lens being used.
 
Four image area options: for the first time in a camera of this class, you can choose from a variety of image crop modes, all visually masked in the viewfinder. 5:4 (30.0 x 24.0 mm), 1.2x (30.0 x 19.9 mm), and DX-format (23.4 x 15.6 mm).
 
In-camera editing: captured images and movies can be altered and edited in camera and on the fly if required. Retouch menus include an array of useful features such as NEF (RAW) processing, resize, distortion control, fisheye, miniature effect, red-eye correction, filter effects and image overlay — as well as the ability to designate the start and end point of movie clips all at once, in order to save them more efficiently.
 
Accessories
Multi-Power Battery Pack MB-D12 (optional) accommodates a variety of batteries (see specifications) and utilises the same integral magnesium alloy construction and weather sealing as the D800 body itself. You also get approx. 6 fps continuous shooting speed[6] in DX-format. The MB-D12 has its own dedicated shutter-release button and command dials for vertical composition shooting.
 
Nikon SB-910 (optional) — unparalleled lighting performance: Nikon’s SB-910 offers versatile i-TTL for on-camera or wireless flash control, refined operability and a powerful guide number of 34/112 (ISO 100, m/ft, STD, FX format, zoom 35mm). Menus and controls have been improved for more operational ease. Hard-type incandescent and fluorescent colour filters are included, which can adjust your D800‘s white balance instantly.
 
Capture NX 2 (optional) — Fast, powerful and creative image processing: to accommodate the imaging power of the D800’s 36.3 effective megapixels, the latest Capture NX 2 is faster than before and 64-bit compatible[7].
 
Camera Control Pro 2 (optional) — Versatile remote camera controls: aside from controlling exposure mode, shutter speed, and aperture, the software now offers numerous improvements to make the D800’s live view operation exceptionally smooth. New creative controls include remote start and stop for movie shooting and switching between live view for stills and movies.
 
ViewNX 2 (supplied) — Browse, edit, share and more: this bundled, all-in-one software implements an easy-to-use interface and an array of editing functions, including basic editing of RAW files and D-Movies. Seamlessly integrates with my Picturetown, Nikon’s photo sharing and storage service.

Pre-orders

B&H Photo in the US are taking pre-orders for the newly announced D800 ($2,999.95) and D800E ($3,299.95). Please follow the link here.

Amazon has added the D800 for $2,999, please follow the link here.

UK readers can pre-order the D800 from Warehouse Express at £2,399 (inc VAT), and Jessops are listing both models for pre-order at £2399.95 and £2689.95, please follow the link here.