NEX Please

Sony NEX-5 with 16mm f/2.8 (24mm - equiv).

Sony announced the rumoured NEX-5 and NEX-3 this week, but I for one can't help but feel that, like many of Sony's cameras*, they miss the mark somehow. Perhaps not by much, but enough for them to be bypassed by those who have taken to the Olympus Pens and Panasonic GF1.

Sony NEX-3 with 18-55mm(28-90mm) f/3.5-5.6

Both NEX models are 'mirrorless' and feature a 14.2-megapixel back-illuminated Exmor R, APS-C size CMOS sensor, which Sony somewhat confusingly dub 'APS-HD' format. The NEX-5 boasts a metal shell while the more affordable NEX-3 model uses a plastic outer.

Although few have picked up on it, Sony's NEX cameras have been launched with a 16mm f/2.8 (24mm equivalent), see above. That's a smart move. It's not enough mind, but it's smart. Let's hope there's more to come. Olympus, Panasonic, Samsung and Ricoh (with their GXR) each have one prime, but we would like more choice please.

Sony NEX-5 with thumping great 28-300mm equivalent zoom.

It's not rocket science, but to my mind, to appeal to photographers looking for a camera to use discretely (who'll almost certainly have a DSLR at their disposal), there must be a range of lenses in the 24/28, 35/50 and 90/100mm focal lengths, with an f/2 maximum aperture, ideally. You only need look at the Leica M range, or perhaps the discontinued Contax G system.

Contax G1 with Carl Zeiss 45mm f/2 Planar

Just how difficult can it be for Sony, or the others, to add an electronic viewfinder that apes the coupled rangefinder, at least in body design?** Lets move away from the scaled down DSLR-style bodies and viewfinder-less compacts, that's not what's needed (nor ridiculous size 28-300mm zooms). What we're crying out for is the digital equivalent of the Contax G1 (or G2) and a few choice primes, isn't it? I know I am.

For more information including the press release, please see here.

*Not all, the Alpha A900 is is right up there, IMHO. Unfortunately, Sony have no plans to do anything worthwhile with it. According to one source within the company, there are no TS-E / PC-E type lenses planned, for instance, and they insist the lower-end of the market, the so-called "Soccer Mums" is where their priorities lie. Shame.

**Seems Sony do listen, please read our editorial here.

Canon UK announces student discount on EOS 7D and 5D Mk II

New Canon Cashback:

Canon announces a new student cashback on the award winning EOS 7D and EOS 5D Mark II


Products:
Purchase the EOS 7D before 31st August 2010 and claim £75 / €85 cashback
Purchase the EOS 5D Mk II before 31st August 2010 and claim £150 / €180 cashback

Availability:
This cashback is available on the EOS 7D and EOS 5D Mark II when purchased by photographic students, lecturers or technicians from a retailer within the EOS Professional Network.

All participants must be either a student studying a recognised university photographic course, have been accepted onto a recognised university photographic course or be a lecturer/technician working on a recognised university photographic course in the UK or Republic of Ireland.
For further details on where to buy & full terms and conditions please visit www.canon.co.uk/futurephotographer or www.canon.ie/futurephotographer
For further details about the EOS Professional Network, and how to locate your nearest Centre or Stockist please visit www.canon.co.uk/eospro-network or www.canon.ie/eospro-network

Timing:
Start: 1st May 2010
End: 31st August 2010, claims must be received by 1st October 2010

Readers enquiries:
For further details on where to buy & full terms and conditions please visit www.canon.co.uk/futurephotographer or www.canon.ie/futurephotographer

For further details about the EOS Professional Network, and how to locate your nearest Centre or Stockist please visit www.canon.co.uk/eospro-network or www.canon.ie/eospro-network

Amazon UK links:

Canon Digital SLR Camera EOS 5D Mark II

Canon EOS 7D Digital SLR Camera (Body Only)

Arca-Swiss to add adjustable L-bracket

Arca-Swiss, the high-end camera maker and manufacturer of ball heads, is to release an adjustable L-bracket fitting a range of cameras. Currently, makers produce L-brackets for specific camera models, making it an expensive proposition for photographers wishing to frequently swap between cameras.

The price is expected to be in the region of €190 / £160 / $240, with tax.

Source.

Lo-fi Friday: Aperture 3, Olympus E-PL1

Olympus E-PL1 using Diorama Art-Filter, with cross-processing in Aperture 3

Olympus E-PL1 using Diorama (Tilt-Shift) Art-Filter, original (no additional processing)

I thought I would start a new category for the weekend, Lo-fi Friday, celebrating the ease with which digital imaging allows some interesting techniques.

The first picture (top) is an out-camera Jpeg with some cross-processing applied in Aperture 3. The second below is the original Jpeg before processing in Aperture. It was shot with the delightful mFT Olympus E-PL1 and Olympus 17mm (34mm-effective) f/2.8 pancake lens, using the camera's built-in Diorama Art-Filter.

As you can just about make out the filter applies blurring with quite a sharp cut-off (based on the AF point, as far as I can tell). Saturation is bumped up quite too, but it's all automatic. You don't have to do a thing, except compose and push the button.

Nikon UK adds D90 cashback, lowers price on D5000

After the earlier announcement about the D700, Nikon UK also announced a £60/€70 cashback on the popular D90 bought between the same period (1st May 2010 to 30th June inclusive), and a price reduction on the D5000 body and 18-55mm VR kit option. The new RRP of the D5000 body is now £569.99 /€675.00, and with the kit combination is £639.99/ €758.00, although quite how that changes the street price, remains to be seen.

For more details including terms and conditions, see here.

Nikon announces promo on D700

Hot on the heels of Canon's recent rebate scheme comes the announcement of a free MB-D10 grip when you buy a Nikon D700, from participating UK dealers, between the 1st May 2010 and 30th June 2010.

For more details on the D700 grip, please see here.

Nikon announce new AF-S 200-400mm f/4 VRII

Nikon has announced the upgrade to the AF-S 200-400mm f/4 ED VR, originally launched alongside the Nikon D2H in 2003. The enhancements include four-stop VR II, Nano Crystal Coat to reduce ghosting and a new A/M mode to improve handling during AF operation.

I reviewed this lens for Digital Photographer magazine in the UK and it's outstanding, indeed it's so popular Canon is introducing a similar version to stop people switching systems to buy it. Please follow the links to buy from Adoroma ($6,999.00) in the US, or Jessops (£4,987.95 inv VAT) in the UK.


Read the full press release:

ULTIMATE VERSATILITY WITH NIKON’S NEW AF-S NIKKOR 200-400mm f/4G ED VR II LENS

RRP: £6249.99 / €7400.00 /$6,999
Sales start date: 28th May 2010

April 27th 2010: Nikon UK today announces a new super telephoto zoom lens – the AF-S NIKKOR 200-400mm f/4G ED VR II. This lens replaces the highly acclaimed AF-S Zoom NIKKOR 200-400mm f/4G IF-ED VR and features the new generation of Vibration Reduction technology (VR II), Nano Crystal Coat and a new A/M mode, making it an ideal, versatile choice for sports and wildlife photographers.

This type of super telephoto zoom lens remains unique on the market and reflects Nikon’s continued dedication to innovation and quality in the industry. The evolution of this lens underlines Nikon’s commitment to developing a range of products tailored to photographers’ needs, and strengthens the line-up of high-performance NIKKOR lenses.

Zurab Kiknadze, Product Manager Lenses, Accessories & Software, Nikon Europe says: "Rapid advancements in optical technology and Nikon’s continued dedication to provide class-leading products have resulted in recent updates of pro grade lenses. Through its additional features and improved specifications, the AF-S NIKKOR 200-400mm f/4G ED VR II delivers the ultimate results and enables even the most demanding of pro photographers to shoot without compromise.”

Sharper images with improved handling
The AF-S NIKKOR 200-400mm f/4G ED VR II features second generation built in Vibration Reduction (VRII), providing the ability to shoot at shutter speeds up to four stops slower so sharper images can be achieved.



In addition, the new A/M mode added to existing M/A and M modes enables autofocus priority even if the focus ring is being handled during shooting.

Reduced ghosting and flare
The AF-S NIKKOR 200-400mm f/4G ED VR II now incorporates Nikon’s exclusive anti-reflection Nano Crystal coat, which drastically reduces ghosting and flare, along with four ED glass elements to minimise internal reflections and aberrations. This delivers rich, high contrast images even under testing lighting conditions.

The new lens features an autofocus with a built-in silent wave motor to ensure fast and quiet focusing. The AF-S NIKKOR 200-400mm f/4G ED VR II has a tough magnesium body, incorporating weather and dust sealing and lens protective glass, to withstand the effects of dust and moisture in the toughest of shooting conditions.

Weighing in at only 3,360g, while providing great flexibility in telephoto shooting, this new lens is a practical alternative to carrying several large telephoto lenses. The lens is supplied with a high quality Ballistic, backpack style carry case, allowing for easy and safe transportation.

Leica intro new V-Lux 20

Leica has introduced a new digital compact camera. The 12.1 megapixel V-Lux 20 boasts a 12x optical zoom, the equivalent of a 25-300mm f/3.3-4.9, 3-inch 460k dot LCD and built-in GPS geo-tagging. The suggested retail price in the UK is £495 and it's expected to be available from next month (May).

More information can be found here.

As a side-note, it's always interesting to see the EXIF data from press shots. Most leave it in unintentionally. We've seen Olympus use the (Nikon) D3x recently with their E-PL1, Nikon using a Phase One P20, and now Leica using their sadly discontinued R8 with DMR digital back. At least they're using their own products...*

Canon's agency carefully strip their EXIF data, so we've no-idea what they use (Phase One, most likely), still if there's a manufacturer who'd like to know how to remove this revealing info before publication, please contact me.

* I had a spokesperson from Leica contact me today about this, and they intend to use the new S2 for future press material. However, although you can't really tell the quality from a web image like this, I can say the original files were superb quality. Times move on, but I guess, in a round-about way, I was applauding the use of the DMR.

Leica announce firmware update for S2

Leica has announced a firmware update for their ultra-high end S2 and S2P. The headline news here really is the addition of exposure correction in the viewfinder, which was an oversight, but all the other tweaks will be welcomed too.

Press release from Leica UK:

Firmware update for LEICA S2

22 April 2010: Leica Camera AG has announced a firmware update (v.1.0.0.16) for the LEICA S2 and S2-P, which will be downloadable from today under the Leica Owners’ Area on the Leica web site at:
https://owners.leica-camera.com/en/login

Below is the full list of improvements provided by this firmware update:

Extended camera functionality

· Additional HMI white balance preset added (Hydrargyrum Medium-arc Iodide lamps)
· Additional viewfinder information: exposure correction
· Custom setting for depth of field preview button
· Selectable OLED screen standby time
· Control element lock (shutter speed and aperture dials can now be locked to prevent inadvertent shifts)
· Extended user-defined button programming (the stop-down button can now also be programmed)

Improvements in existing functionality and handling

· Consistent, continuous image numbering
· Accelerated data transfer speed for computer-tethered shooting
· Increased compatibility with memory cards not formatted in the camera
· Improved handling for selection of exposure modes
· Compatibility with new Leica Summarit-S 35mm and 120mm lenses
· Improvement in JPEG image quality
· Automatic detection of interchangeable focusing screens
· Improved image viewing on the camera display
· Simplified image review selection

All new LEICA S2 and S2-P cameras will be supplied with the updated firmware.

More details are available at: http://www.s.leica-camera.com/

Lauren,

Leica S2 with Summarit 70mm f/2.5 at f/11,

processed in Aperture 3

Adobe release Lightroom 2.7

Adobe has released the final versions of Lightroom 2.7 , Photoshop Camera Raw 5.7, and DNG converter 5.7. Adding raw support for nine new cameras including the Canon EOS 550D / Rebel T2i / Kiss x4 Digital, Sony A450, Panasonic G2 and G10, and the Olympus E-PL1, the updates are available for immediate download here. The updates are free to Lightroom 2 customers.

More information on Lightroom can be found here.

Canon add further models to rebate scheme

After the news earlier in the day about the rebates on the popular PowerShot G11 and S90, Canon UK has announced the cash-back scheme will be applicable to more models in the range. Starting from today through to 22 June 2010, purchasing the PowerShot SX210IS, SX120 IS, SX20 IS and the SX1 IS (shown above) will attract rebates of £30/€35, £20/€25, £40/€45 and £50/€55 respectively.

See here (UK) or here (Ireland) for more details.

Canon offers rebates on S90 and G11

Starting from the 21 April, through to 22 June 2010, Canon UK has announced £30 / €35 rebates on their popular PowerShot G11 and S90 models .

Claims must be received by 26th July 2010.

For further details please visit here (UK), or here (Ireland).

Carl Zeiss announce primes for Canon video DSLRs

Not your usual common-or-garden SLR lenses, the newly announced Compact Primes from Carl Zeiss offer full-frame (35mm) coverage on video-DSLRs, notably Canon EF mount with Nikon F to follow. See here, for more details (look for Compact Primes).

Pentax 645 available for pre-order

Specialising in Japanese products for export, Japan Trend Shop, has announced the availability of the new Pentax 645D (in Japan only, at this time). It's expected to be in stock from Thursday 20th May, and is available for pre-order now at $10,450, body only. Shipping is just $25 extra.

If you want the newly announced, weather-resistant, DFA 55mm f/2.8 lens to go with it , be sure to select the box below (on their site). It will add another $1,254, but seems like good value to me when compared with the Leica S2.

Link to Japan Trend Shop.

Tiffen sponsor new Filter Forum

Press release:

TIFFEN SUBSIDIARY THE LONDON FILTER COMPANY SPONSOR ONLINE FILTER FORUM

Given the important role that filters play in photography, it is perhaps surprising that the average snapper doesn't appear to know their grads from their fogs. As an example, many DSLR users who may have 'switched codes' from film, are happy to continue employing skylight or UV filters as lens protectors. These filters have an adverse affect on a DSLR's auto white balancing systems and the only way to ensure an accurate reading is to go through the process of employing a gray scale card, which may be time consuming and inconvenient.

This is just one of the filter confusions from photographers and enthusiasts that Tiffen dedicated filter subsidiary The London Filter Company find themselves dealing with on a daily basis.

The answer to the lens protection issue, is to employ an optically pure filter from a leading brand, such as the Tiffen's ranges of Digital Ultra Clear filters, which will provide valuable protection but not require auto white balance compensation.
To provide a one stop filter knowledge base for photographers of all levels, The London Filter Company has announced that it is sponsoring the recently launched independent filter forum.

Sigma 50-500mm f/5-6.3 arrives

Sigma's new 50-500mm f5-6.3 DG OS HSM has now arrived in the UK, with a suggested retail price of £1399.99. The tele-zoom is available in Sigma, Canon and Nikon fittings. Pentax and Sony will follow shortly.

Information on stockists can be found here.

LensCoat for Canon 70-200mm f/2.8L IS review

I've been intrigued by the LensCoat neoprene covers for lenses for a while now, especially as I've been very impressed with the neoprene Gimps (made by Crumpler) web bought for our old 12-inch PowerBooks and 15-inch MacBookPros. If you're a wildlife shooter then the camouflage LensCoats are a no-brainer, especially if you're using one of Canon's white lenses, but they're equally attractive as a protective covering.

If you thought the closed-cell (non-water absorbing) neoprene coat was solely for wildlife photographers, think again; LensCoat make covers with a raft of patterns as well as in two solid colors; white and black. I guess the white covers could be used in snowy conditions but also if you're looking to preserve the temperature reducing effect (from thermal gain) of the original off-white color of Canon's telephoto lenses in hotter climes.



I was sent the Forest Green (woodland) pattern cover fitting the Canon EF 70-200mm f/2.8L IS (see above) by the UK distributor and e-tailer, WarehouseExpress. The kit consists of five rather small pieces of neoprene, all neatly cut to fit the painted areas of the lens while keeping the zoom and manual focus rings free.

The fit is very snug; it's certainly worth making sure the lens body is free of any grit or dirt lest the paint is scratched during the fitting. I should point out the lens' controls for image stabilization and focus operation are covered by a fairly supple plastic window (as is the focus distance scale), however as the cover isn't waterproof as such (water can work its way in between the cover and lens barrel), the idea behind this is to provide some protection from scuffing. The window makes it more difficult to operate the sliders, but it's a fair trade-off in my opinion. Still, I rarely switch between the settings.

There's no doubt if you use a super-telephoto lens regularly, before long it will start to pick-up the inevitable scrapes and scratches, and that's true to a slightly lesser extent of smaller lenses as well. While covers for the shorter focal lengths are bordering on pricey, with only a small premium for the super-telephotos, LensCoats are absolutely excellent value and an essential purchase in my view; the price will be easily recovered when the time comes to sell-on or upgrade your lens.

Visit

Lenscoat

Warehouse Express (UK retailer)

Adorama

Adobe announce Lightroom Beta 3 update

Press release:

Adobe Delivers Lightroom 3 Public Beta Update


Adobe today released an update to its Photoshop Lightroom 3 beta software, available immediately through Adobe Labs. Building on the success of the first Lightroom 3 beta, which was downloaded by more than 350,000 photographers, Lightroom 3 beta 2 incorporates feedback from the first iteration of the beta while offering users several new features and greatly improved performance throughout the application.

New features in this release include tethered shooting support for select Nikon and Canon cameras, the ability to import and manage video files from DSLR cameras for a streamlined workflow and additional behind-the-scenes architecture enhancements for faster importing and loading of images. The addition of luminance noise reduction to the color noise reduction options already available in the beta helps photographers achieve overall exceptional image quality from high ISO images. The import experience and watermarking functionality have also been modified to reflect feedback received from the Lightroom community during the first beta period.

The input from the photography community has been extremely valuable and Adobe would like to thank everyone who has participated in the beta program. Adobe encourages photographers to test this new selection of features and provide the product team with feedback so they can produce the highest quality final product.

Adobe Photoshop Lightroom
Adobe Lightroom is the essential digital photography workflow solution, helping serious amateur and professional photographers quickly import, manage, perfect and showcase all their images in one intuitive application.

Pricing and Availability
Adobe Photoshop Lightroom 3 beta 2 is available as a free download to anyone on a Macintosh or Windows platform and is available in 12 languages. Visit http://labs.adobe.com/technologies/lightroom3/ to learn more and download the second beta. Feedback can be submitted on the Lightroom forums: http://forums.adobe.com/community/labs/lightroom3/.

Reach out to us on the Lightroom Facebook Page at www.facebook.com/lightroom or on Twitter www.twitter.com/lightroom.

Lastolite get handle on Ezybox

Lastolite has introduced a new hand-holdable extending pole for the Ezybox, a lightweight and highly portable softbox. For more information please see the press release below:






Press release:

The new handle extends from 73cm to 221cm (2ft 5” to 7ft 3”) and weighs only 700g. Featuring two sponge grips for an extra firm hold, the extending handle offers an even greater reach for an extra firm hold, the extending handle offers an even greater reach for the photographer when positioning their off camera light source. The top of the handle includes a standard spigot connector making it easy to fit the Ezybox hotshoe, the tilthead hotshoe, the tilthead spigot or the TriFlash brackets.

More information can be found at the UK distributors site, here.

US readers can buy Lastolite products including the Exybox HS long handle, from our affiliate retailer B&H Photo, here.

Olympus Pen E-P2 Unboxing

The Third & The Seventh

If you like architecture (as I do) and enjoy the photographic art of creating moving pictures as much as stills, then your in for a treat. Kick-back, watch it in HD, full-screen and make sure you listen to the score, either with some good speakers or a decent set of headphones /earphones. I would also ignore the comments, it'll only spoil it.

Photojournalist David Honl outs New Products to Honl Photo Line

Press release:

Michigan City, IN (PRWEB) January 9, 2010 -- Photojournalist David Honl has added 3 exciting new products to his well-respected line of Honl Photo professional lighting accessories for small flash users.


The David Honl: Light DVD
The David Honl: Light DVD is an entertaining introduction to Honl's small, quick, and nimble lighting setups. Joining him is his partner, actress Claudia Christian, along with actor Bill Mumy (Lost in Space), actress Pat Tallman (Night of the Living Dead), and a 40th Anniversary portrait for the Planet of the Apes. With a total of 10 dynamic lighting setups, David takes you through each quick 5-minute session, followed by explanatory lighting diagrams in David's studio. David insists, "When it comes to lighting, I've found most people are quite intimidated by it. To spread the word that there should be no fear in studio-quality lighting, and show that it can actually be quite fun, Claudia and I filmed several of my shoots this past year . We shot everything from a gourmet food shot, a cat headshot, and a glamour shot with a Frederick's model"
David Honl: Light DVD retails for $39.95

Honl adds 2 new filter kits to his lighting system line.

The Honl Photo Autumn Filter Kit includes 5 new colors including Rust, Medium Blue-Green, Egg Yolk Yellow, Dark Salmon, and Chocolate. The Honl Photo Hollywood Filter Kit includes Steel Green, Rose Purple, Follies Pink, Pale Lavender, and Smokey Pink. Both kits attach to the Honl Photo Speed Strap and can be used in conjunction with Honl Photo Speed Grids, Speed Snoots, and Speed Gobos. "Adding a splash of color to a portrait is a great way to create drama a depth to a portrait, and I'm thrilled to offer these new filter colors to my lineup- I hand picked them from some of my favorite shoots this past year" says Honl.

Each kit contains 2 of each filter and retails for $19.95 each

Honl Photo is a family business founded by photojournalist David Honl, and is run by his brother Ryan, and father Charles. Honl Photo products are available through the company's website at www.HonlPhoto.com and through camera dealers worldwide.

David Honl is a photojournalist with over 2 decades experience, his photography published by Newsweek, Time, National Geographic, and countless others. His work has brought him to Iraq, Turkey, Kazakhstan, and Jordan and he continues to develop new products while on assignment. His photography can be seen at www.DavidHonlPhoto.com

UK readers can find out more, including prices and availability, here.

Sony add A450 DSLR to range

This was a very soft release, timed to coincide with the CES 2010, in Las Vegas.

UK Press Release


London - 5th January 2010


Simply better pictures with the α450
Sony’s new DSLR camera is a versatile easy to use choice for step-up photographers
14.2 effective megapixels Exmor™ CMOS sensor
Up to 7 fps continuous shooting
Manual Focus Check Live View
Auto HDR
1,050 shot battery stamina (CIPA measurement)
SteadyShot INSIDE

The newest addition to the Sony α family of DSLR cameras teams flawless imaging with generous creative options and is ideal for consumers new to DSLR photography who want the best possible image quality.

Powerful yet easy to use, the DSLR-A450 is a perfect all-rounder when you’re ready to take your passion for great pictures to the next level. Ideal for active shooters, it’s at home in any shooting situation, from relaxed portraits to fast-moving sports action.

Inside the α450 is a high-resolution 14.2 (approx.) effective megapixel Exmor™ CMOS sensor. It’s teamed with the powerful BIONZ processor to deliver highly detailed, ultra-low noise images. Sensitivity extends right up to ISO 12800, allowing you to capture beautifully natural handheld images in low light without flash.

With a generous 95% field of view, the bright optical viewfinder makes framing and composition a pleasure. As an extra refinement, Manual Focus Check Live View previews clear, bright full-resolution images on the 6.7cm (2.7”) Clear Photo LCD screen. With selectable 7x/14x on-screen image enlargement it’s ideal for confirming pin-sharp focus with portraits, still life, macro and architectural scenes.

The powerful BIONZ image processor enables high-speed continuous shooting at up to 5 fps (maximum – approx. figure). In Speed Priority mode (with AF and AE set at start of burst) this increases to an amazing 7 fps (maximum – actual speed depends on shooting conditions and media card). More than enough to catch sports and fast-moving action with ease.

Creative options are enhanced with Auto HDR mode that accommodates bright highlights and dark shadow details in a single frame. Two successive frames shot handheld at different exposure values are merged automatically by the camera. The result is a detail-packed High Dynamic Range image – with no need for a PC image editor and specialist skills. In addition to fully automatic operation, the exposure difference between frames can be manually set up to 3EV, in 0.5EV increments.

Featured right across the DSLR line-up by Sony, SteadyShot INSIDE™ offers up to 4 steps of anti-shake correction with the full range of 30 α lenses and two teleconvertors, as well as compatible A-mount optics by Konica-Minolta.

The α450 also offers the most impressive shooting stamina of any DSLR camera by Sony to date. The high-capacity battery allows up to 1,050 shots between charges* - plenty for a busy weekend’s sightseeing.

Slots for Memory Stick PRO-HG Duo and SD/SDHC memory cards (sold separately) are offered to suit users’ personal shooting preferences.

Connect the α450 to any HD Ready TV for a breathtaking big-screen view of your photos. PhotoTV HD optimises still image reproduction on compatible BRAVIA™ models, while BRAVIA™ Sync allows control of slideshow and other camera playback functions using your TV remote.

Supplied software includes Image Data Converter SR; Image Data Lightbox SR; and PMB (Picture Motion Browser) for easy image management. The α450 is also compatible with the wide range of high-quality DSLR accessories by Sony, including flashes, carry cases, batteries and chargers, GPS and more.

The DSLR-A450 digital SLR camera by Sony is available from the beginning of February 2010.

* when using optical viewfinder (CIPA measurement)

Canon announce new 70-200mm f/2.8 IS

As expected, pre-CES 2010, Canon has updated its professional workhorse, the 70-200mm f/2.8 IS. The new zoom now boasts a tougher construction, new improved optical formula with UD and fluorite elements (the older version had four UD elements but no fluorite glass) and an enhanced IS system. Read the press release below for the full details.

Press release:

The new EF 70-200mm f/2.8L IS II USM – Canon’s essential, high-quality, telephoto zoom lens for professionals

United Kingdom, Republic of Ireland 5th January 2010 – Canon today adds to its acclaimed L-series with the launch of the new EF 70-200mm f/2.8L IS II USM telephoto zoom lens. This new lens launches as the successor to the immensely popular EF 70-200mm f/2.8L IS USM, offering improved performance in every area.

True to the L-series’ heritage, the EF 70-200mm f/2.8L IS II USM delivers optical excellence in the most challenging situations. As well as a revamp of the internal optical system, the lens has also been structurally re-developed as a direct result of user feedback, making it as robust and reliable as it is optically advanced.

“Reuters photographers have used the EF 70-200mm f/2.8L IS USM for a number of years and it allows photographers a great level of flexibility,” said Reuters Production Editor Kevin Coombs. “The focal length, fast aperture and Image Stabilizer all contribute to it being a workhorse lens and you’ll find it in many professional photographers’ camera bags. I’m very much looking forward to seeing the improvements offered by the EF 70-200mm f/2.8L IS II USM.”

Premium quality, premium performance
The EF 70-200mm f/2.8L IS II USM features a re-designed optical system, consisting of 23 elements in 19 groups to deliver truly impressive results. A high-performance fluorite element is used at the heart of the lens path, coupled with no fewer than five ultra-low dispersion (UD) elements, drastically reducing chromatic aberration throughout the zoom range to produce high contrast images with edge-to-edge definition.

A high-speed Auto Focus (AF) system perfectly matches the abilities of the recently-launched EOS-1D Mark IV and EOS 7D Digital SLR (DSLR) cameras. The new model also features a ring-type USM AF motor, which combines with a new high-speed CPU and an optimised AF algorithm to make auto focusing both faster and quieter.

A reduced minimum focusing distance of 1.2 metres (3.9 ft) and improved 0.21x magnification will allow photographers to get closer to subjects without needing to swap lenses – greatly benefitting time-pressured news and events photographers who require flexibility. An updated Image Stabilizer mechanism also offers a shutter speed advantage equivalent to four-stops, reducing the effect of image blur resulting from camera shake in busy shooting environments.

Enhanced design, exceptional ease of use
As well as an update to the internal construction, the EF 70-200mm f/2.8L IS II USM features an enhanced external appearance to improve lens operation. The thickness of protruding exterior parts and switches has been significantly reduced, guarding against accidental switching and creating an improved overall look. The rubber focusing grip has also been redesigned and widened; with finely-patterned grooves making it easier to manually focus.

Being an L-series lens, the EF 70-200mm f/2.8L IS II USM is fully weatherproof, making it ideal for use in all weather conditions. The mount, focus mode switch and focusing ring all feature a completely dust and drip-proof structure, preventing dust or water from getting inside the camera and lens when used with accompanying weatherproof EOS bodies. The lens has been designed to stand up to the daily wear and tear of professional usage, making it a highly durable, reliable lens for use day-to-day by professional photographers.

High quality L-series accessories
The EF 70-200mm f/2.8L IS II USM is supplied with several accessories, including the new ET-87 Lens Hood and the Ring-Type Tripod Collar B (W). A brand new Lens Case LZ1326 is also included as standard, offering quick and easy access when users need to switch lenses in time-pressured situations.

Compatibility with a range of optional Canon accessories also allows users to pair the EF 70-200mm f/2.8L IS II USM with the Lens Extender EF 1.4x II, Lens Extender EF 2x II, Extension Tube EF 12 II, Extension Tube EF 25 II, and 77mm filters.

Pricing and Availability
The EF 70-200mm f/2.8L IS II USM is available from the end of February 2010 priced at £2,799.99 / €3,199.99 RRP inc. VAT

Samsung officially unwrap NX

Ahead of CES, Samsung has announced the final specification of the DSLR-like NX. Following in the footsteps of the Micro FourThirds cameras from Olympus and Panasonic, the NX dispenses with the usual reflex mirror and pentaprism (in favour of an EVF), allowing for a much smaller and lighter body.

Unlike rivals though the Samsung NX is the first of its type to feature a APS-C size sensor - much larger than Pens' and little Lumix cameras, so we can expect perhaps to see improved high-ISO performance over those models.

The only real downside to this is that the NX lenses will have to have a larger image circle to cover the larger sensor, so they won't be as compact as the mFT optics. All the same the NX is is a welcome addition to the range cameras available.

More information, including the US press release, can be found at maccreate.com.

Billingham 307 review part II

This is part II of the review of the Billingham 307. Part I can be found here.

Inside, not much has changed over my earlier 445. The layout is the same, as are the Velcro adjustable dividers, although the foam used feels denser and is closed cell now (so it doesn't behave like a sponge). I always liked the layout though the two lens dividers in the 307, each divided again with two lens compartments, are smaller than that of my earlier (and larger) 445.
This means there are really only two compartments capable of taking larger 35 mm DSLR lenses, with filter threads up to 72 mm. Larger pro AF lenses using 77 mm threads and larger, wont fit. The smaller compartments would be fine for some of the smaller Leica M lenses, or indeed the Micro FourThirds lenses. That said, they're still a tight fit for the Olympus Pen 14-42mm zoom. I found they fitted a Ricoh GRD III I was testing perfectly and there was room for the 21 mm conversion lens, stored separately above too.

Between the lens dividers a separate closed-cell articulated flap can be positioned using a strip of Velcro. I used this to lay a Canon EOS 7D body flat (facing down so the dust falls away from the sensor) on the floor with the flap over the top allowing for a second body (in this instance a Pen EP-1) with 17 mm pancake a viewfinder to sit on top. It could easily of been another 7D body, or you could drop a 1D body in upright instead.


Negatives
Stacking equipment does have disadvantages; most notably you lose the quick unrestricted access to the gear beneath. And it’s always the gear beneath that you want, isn’t it? All the same, it’s barely an issue thanks to that clever zipped opening.



Front pockets are roomy for spare memory cards and batteries, even a field–recorder, but you’ll be surprised to learn these aren’t padded at all. To the rear is a document pocket up to A4 but better suited to US letter. Put anything else in it though, such as a pocket camera and it will be uncomfortable. Still for what it was designed for it’s handy. My only other slight concern is the arrangement of the grab handles. Like the original series, including my old 445, it has more than it really needs. The 307 has four; one pair made from webbing attached to the rain flap, and another set underneath. This second set, made from leather, is used when the rain flap is folded back.


It’s a different arrangement to the original bags, where the main grab-handle with leather pad was attached to the front and would be used with either the single webbing strap under the flap if it was open, or with an identical webbing strap on top of the flap if was it closed. If you’re used to the original layout of handles it can be a trifle confusing if not, it’s something you’ll likely never notice. Just make sure you pick up the bag by the shoulder strap, if you’ve not fastened the rain-flap securely, as the bag will tip forward abruptly.



Conclusion
With really only the rain-flap’s grab handles as a minor shortcoming, there’s still a lot to like about the Billingham 307. At around $435 / £239 inc VAT, it’s a pricey option, especially when compared with those sourced from the Far-East. Be that as it may, I really don’t know of any other make of bag that’s likely to out-last it. With that in mind, if the 307 lasts only half as long as my old 445, I would say that would be money well spent.

For US and Canadian visitors, buy Billingham product through our approved supplier, B&H Photo.

Update 09/10/10: B&H Photo now list the Billingham 307 in khaki and black.

Amazon US list the 307 in khaki and black.

Billingham product can be be bought via Adorama.

UK readers can buy Billingham products through the following:

Jessops (not a stockist of the 307 but they do have the superb Hadley Pro and Hadley Small Pro) I still have a pre-production one of these from the mid 80s, in bottle green and tan, with no label or padding.

Warehouseexpress (WEX Photo and Video)

Billingham 307 black
Billingham 307 Kahki (as reviewed)
Billingham 307 Sage/Chocolate

More information can be found at the manufacturer's site, www.billingham.co.uk

DxO Labs publish IQ assessment for new Canon, Sony, Pentax and Nikon DSLRs

DxO Labs, the software company behind DxOMark, the free online resource providing IQ assessment of popular DSLRs and compacts, has today added data for the Canon G7 and S90 compacts as well as EOS 7D, Nikon D300s and D3000, Sony A500, A550 and Pentax K7.

Press release:

DxO Labs also adds detailed RAW image quality measurements on dxomark.com for Canon PowerShot G11, S90 and EOS 7D; Sony A500 and A550; Pentax K7;
and Nikon D300s and D3000

December 11, 2009 – DxO Labs announces today the publication of detailed RAW-based image quality data and DxOMark Sensor rankings on its popular http://www.dxomark.com www.dxomark.com website for a range of Canon, Nikon, Pentax and Sony digital cameras, including some of the latest models in the advanced compact and DSLR categories.

“A new compact camera category, sometimes referred to as Advanced Compacts, has emerged, bringing to photographers many advanced features, in particular being able to shoot in RAW,” said Nicolas Touchard, Vice President of Marketing, DxO Labs Image Quality Evaluation. “Since these compact-style models, such as the Canon G11 and S90 or the Olympus EP1, are targeting demanding amateurs, we found interesting to analyze their sensor performances in comparison with entry-level DSLRs such as the Nikon D3000, Sony A230, or Canon 1000D. Such comparison is particularly relevant given that the two categories have overlapping price ranges.”

dxomark.com results indicated that the best Advanced Compacts demonstrate remarkable image quality performance, especially considering their very compact form factor: overall, the difference between the top models from the Advanced Compact category and the entry-level DSLRs is only about 1 to 2 stops. And as these new compact cameras can shoot in RAW, demanding photographers can match the JPEG image quality of entry-level DSLRs by using the most advanced PC or Mac RAW conversion software solutions, which can recover the one to two stops of dynamic range that these compacts are missing.

In addition to the advanced compact model data, DxO Labs has also published the performance results on dxomark.com for some of the latest DSLR models featuring APS-C size sensors from various manufacturers: Sony (the A500 and A550); Nikon’s new D300s model (clearly showing improvement over the D300); the results of the long-awaited EOS 7D from Canon; and lastly, the ranking for the Pentax K7.

Leaf adds Capture Remote App for iPhone

High-end camera back maker, Leaf, has added a free app for their users allowing Leaf RAW images to be viewed remotely on their Apple iPhone or iPod Touch in real time. For more information please see the press release below.

Leaf releases Leaf Capture Remote App

Workflow tool for previewing Leaf RAW images on iPhone/iPod Touch

TEL AVIV, December 8, 2009 – Leaf Imaging announced today the immediate availability of Leaf Capture Remote – an application that extends Leaf Capture 11 workflow software, enabling remote image viewing on an Apple iPhone(TM), or iPod(R) Touch. The Leaf Capture Remote application allows photographers and digital operators using Leaf digital backs and camera systems to view, zoom and pan high resolution Leaf RAW images on an Apple iPhone and iPod Touch. It is the first application to permit real-time, on-set remote viewing of medium format images, enabling instant feedback on any shot.

Now, while a photographer is shooting tethered using Leaf Capture software, a client or creative director can view the images over a standard Wi-Fi network on an Apple mobile device.

“Leaf Capture Remote lets me quickly check my files when I can't see my laptop on location,” says Dutch-based professional photographer Frank Doorhof of Studio FD, “or I can just give my visitors an iPhone to browse and check it themselves without interrupting our workflow. Simply put -- it rocks.”

Leaf Capture Remote application version 1.0 is free and available now for download from Apple’s iPhone App Store. It supports all Leaf products that connect to Leaf Capture. (To find it, search for “Leaf Capture” in the Apple iTunes App Store.)

Additional information on installation and setup is available here.

DawnTech add new di-GPS Mini 3L

di-GPS Mini 3L

Dawn Technology has added a new GPS unit to the range, called the Mini 3L. Salient features include a built-in 8MB data logger for storing in excess of 260k data points, password protection, last fixed repeat and instant last fixed repeat modes. Compatibilty is restricted to Nikon (and Fuji) cameras at this time, indeed there are three varients to cover pro, semi pro and entry-level models:

Compatible Cameras:

di-GPS Mini 3L: D3, D3S, D3X, D700, D300, D300S, D2XS, D2X, D2HS, D200 and Fujifilm S5Pro

di-GPS Mini 3L-S90: D90

di-GPS Mini 3L-S5000: D5000

More information can be found here.

Billingham 307 Review - Part I

Billingham 307, in Khaki Chocolate

Billingham camera bags need little introduction, they've been the choice of professional photographers since the mid 70's. There have been one or two imitators, most notably the well-regarded Classic range from the sadly defunct CCS (Camera Care Systems) and the hand-made range of bags from FOGG, probably the closest in terms of quality and materials, if not in design (FOGG were always pretty radical). But few have stayed the course, the way Billingham have.

Most know Billingham for the huge pro 550, but the smaller bags, such as the 445 and 335 have been popular with professionals and keen amateurs alike. So, while keeping those in the line-up, it comes as something of a surprise to see a new, similar-looking, 07 range appear alongside. Constructed of Billingham's FibreNyte material, a fabric with an uncanny appearance, not to mention feel, of traditional cotton canvas, there are three models in total; the 107, 207, and a 307 (think S,M,L), the latter and larger of three being the subject of this review.


Positives
On first inspection, the 307 has all the hallmarks of a traditional canvas bag from Billingham; supple canvas outer, fine grained leather tabs and beading, brass-buckles as well as tough canvas webbing for the straps. However, this Billingham (as well as others in the 07 range) is constructed from a very 21st century fabric, called FibreNyte. While it looks and feels like traditional canvas, it's synthetic and offers greater abrasion resistance and durability, it's claimed, yet remains supple, soft and warm to the touch.

Thanks to a butyl rubber membrane, the fabric is waterproof, according to Billingham. In turn this is bonded to a polyester lining; a three-layer fabric in effect. I've no reason to doubt the waterproofness, but bear in mind, like waterproof clothing, rain (especially wind-driven) can work its way past zips and stitching.

Despite that, the 307 has several advantages over makes of camera bags. For a start, the 307 has a substantial top-flap, which is lined again in a rather fetching, green coloured high-quality polyester fabric, which adds to the water-resistance. It's also extremely effective in keeping dust and detritus from entering the main compartment below. I know this from owning a Billingham 445 for over 20-years and it's true of the 307.

Above, left to right, Ricoh wide-angle converter, Canon EOS 7D c/w EF-S 15-85mm f/3.5-5.6 IS, Olympus M.Zuiko 14-42mm f/3.5-5.6, Olympus EP-1 c/w 17mm f/2.8, and Canon 100mm f/2.8 L Macro IS. 

Beneath the top-flap is another barrier in the form of a very handy articulated closure, complete with heavy-duty zip. The design is very similar to a Doctor's case and it allows unrestricted access to the main compartment and your gear. Carbon fibre stiffeners, or wands, are used to maintain the opening and shape. And it works very well, even working from the bag with it over your shoulder.

Like all canvas bags, the 307 moulds to your body providing greater stability on the move, so the stiffeners are particularly welcome. I have to admit ease of access was an issue with my earlier 445, even though it had press-studs on the inside wall to keep the zipped flaps apart. I really liked the improved access, and for me it’s a major step forward. Next >

Part II, including the conclusion, can be found here.

For US and Canadian visitors, buy Billingham product through our approved supplier, B&H Photo.

Update 09/10/10: B&H Photo now list the Billingham 307 in khaki and black.

Amazon US list the 307 in khaki and black.


Billingham product can be be bought via Adorama.


UK readers can buy Billingham products through the following:

Jessops (not a stockist of the 307 but they do have the superb Hadley Pro and Hadley Small Pro) I still have a pre-production one of these from the mid 80s, in bottle green and tan, with no label or padding.

Warehouseexpress (WEX Photo and Video)


Billingham 307 black
Billingham 307 Kahki (as reviewed)
Billingham 307 Sage/Chocolate

More information can be found at the manufacturer's site www.billingham.co.uk

Merlin adds magic to Canon EOS 7D and 5D Mk II

Tiffen Europe has announced a new steadicam system called the Merlin for cameras weighing up to 5 lbs (2.25 kg), such as V-DSLRs like the Canon EOS 5D MkII. For more information, please see below.

Press release


MOVIE ENTHUSIASTS DISCOVER NEW APPLICATION FOR THE STEADICAM MERLIN WITH CANON 5D & 7D DIGITAL SLRS!

Enterprising movie enthusiasts have discovered that Steadicam's entry-level image stabilizing system the Merlin, is the ideal partner for the latest Canon 5D or 7D DSLRs, with their full frame 21 megapixel full frame sensors and 1080 pixel true HD (high definition) movie recording facility.
Although big rig Steadicams are best known in the world of Hollywood feature films or on the touchline at live sporting events, the Merlin can in fact achieve virtually everything it’s stablemate brothers can, albeit with more compact, lightweight cameras weighing up to 5 lbs (2.25 kgs) - such as the Canon 5D or 7D.
With the Merlin/Canon 5D or 7D set-up, you can replicate those smooth continuous shots so beloved by Hollywood directors in your own productions - such as following action on the move (even up and down stairs or on uneven terrain) - in the knowledge that the Merlin’s technologically advanced gimbal will isolate the operator's angular movements.

The Steadicam Merlin has an SRP of just £630.00 ex. VAT and comes with everything to get you going including an interactive DVD, a workbook and an online backup facility.

Further information on the Steadicam Merlin and details of your local specialist reseller can be obtained by contacting UK Distributors Intro 2020 telephone: 01628 799901.


Buy the Steadicam Merlin via Amazon US ($799.00) or UK readers can buy at Jessops for £629.99 (in VAT), by following the link here.

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