Canon announce new 70-200mm f/2.8 IS

As expected, pre-CES 2010, Canon has updated its professional workhorse, the 70-200mm f/2.8 IS. The new zoom now boasts a tougher construction, new improved optical formula with UD and fluorite elements (the older version had four UD elements but no fluorite glass) and an enhanced IS system. Read the press release below for the full details.

Press release:

The new EF 70-200mm f/2.8L IS II USM – Canon’s essential, high-quality, telephoto zoom lens for professionals

United Kingdom, Republic of Ireland 5th January 2010 – Canon today adds to its acclaimed L-series with the launch of the new EF 70-200mm f/2.8L IS II USM telephoto zoom lens. This new lens launches as the successor to the immensely popular EF 70-200mm f/2.8L IS USM, offering improved performance in every area.

True to the L-series’ heritage, the EF 70-200mm f/2.8L IS II USM delivers optical excellence in the most challenging situations. As well as a revamp of the internal optical system, the lens has also been structurally re-developed as a direct result of user feedback, making it as robust and reliable as it is optically advanced.

“Reuters photographers have used the EF 70-200mm f/2.8L IS USM for a number of years and it allows photographers a great level of flexibility,” said Reuters Production Editor Kevin Coombs. “The focal length, fast aperture and Image Stabilizer all contribute to it being a workhorse lens and you’ll find it in many professional photographers’ camera bags. I’m very much looking forward to seeing the improvements offered by the EF 70-200mm f/2.8L IS II USM.”

Premium quality, premium performance
The EF 70-200mm f/2.8L IS II USM features a re-designed optical system, consisting of 23 elements in 19 groups to deliver truly impressive results. A high-performance fluorite element is used at the heart of the lens path, coupled with no fewer than five ultra-low dispersion (UD) elements, drastically reducing chromatic aberration throughout the zoom range to produce high contrast images with edge-to-edge definition.

A high-speed Auto Focus (AF) system perfectly matches the abilities of the recently-launched EOS-1D Mark IV and EOS 7D Digital SLR (DSLR) cameras. The new model also features a ring-type USM AF motor, which combines with a new high-speed CPU and an optimised AF algorithm to make auto focusing both faster and quieter.

A reduced minimum focusing distance of 1.2 metres (3.9 ft) and improved 0.21x magnification will allow photographers to get closer to subjects without needing to swap lenses – greatly benefitting time-pressured news and events photographers who require flexibility. An updated Image Stabilizer mechanism also offers a shutter speed advantage equivalent to four-stops, reducing the effect of image blur resulting from camera shake in busy shooting environments.

Enhanced design, exceptional ease of use
As well as an update to the internal construction, the EF 70-200mm f/2.8L IS II USM features an enhanced external appearance to improve lens operation. The thickness of protruding exterior parts and switches has been significantly reduced, guarding against accidental switching and creating an improved overall look. The rubber focusing grip has also been redesigned and widened; with finely-patterned grooves making it easier to manually focus.

Being an L-series lens, the EF 70-200mm f/2.8L IS II USM is fully weatherproof, making it ideal for use in all weather conditions. The mount, focus mode switch and focusing ring all feature a completely dust and drip-proof structure, preventing dust or water from getting inside the camera and lens when used with accompanying weatherproof EOS bodies. The lens has been designed to stand up to the daily wear and tear of professional usage, making it a highly durable, reliable lens for use day-to-day by professional photographers.

High quality L-series accessories
The EF 70-200mm f/2.8L IS II USM is supplied with several accessories, including the new ET-87 Lens Hood and the Ring-Type Tripod Collar B (W). A brand new Lens Case LZ1326 is also included as standard, offering quick and easy access when users need to switch lenses in time-pressured situations.

Compatibility with a range of optional Canon accessories also allows users to pair the EF 70-200mm f/2.8L IS II USM with the Lens Extender EF 1.4x II, Lens Extender EF 2x II, Extension Tube EF 12 II, Extension Tube EF 25 II, and 77mm filters.

Pricing and Availability
The EF 70-200mm f/2.8L IS II USM is available from the end of February 2010 priced at £2,799.99 / €3,199.99 RRP inc. VAT

Samsung officially unwrap NX

Ahead of CES, Samsung has announced the final specification of the DSLR-like NX. Following in the footsteps of the Micro FourThirds cameras from Olympus and Panasonic, the NX dispenses with the usual reflex mirror and pentaprism (in favour of an EVF), allowing for a much smaller and lighter body.

Unlike rivals though the Samsung NX is the first of its type to feature a APS-C size sensor - much larger than Pens' and little Lumix cameras, so we can expect perhaps to see improved high-ISO performance over those models.

The only real downside to this is that the NX lenses will have to have a larger image circle to cover the larger sensor, so they won't be as compact as the mFT optics. All the same the NX is is a welcome addition to the range cameras available.

More information, including the US press release, can be found at maccreate.com.

Billingham 307 review part II

This is part II of the review of the Billingham 307. Part I can be found here.

Inside, not much has changed over my earlier 445. The layout is the same, as are the Velcro adjustable dividers, although the foam used feels denser and is closed cell now (so it doesn't behave like a sponge). I always liked the layout though the two lens dividers in the 307, each divided again with two lens compartments, are smaller than that of my earlier (and larger) 445.
This means there are really only two compartments capable of taking larger 35 mm DSLR lenses, with filter threads up to 72 mm. Larger pro AF lenses using 77 mm threads and larger, wont fit. The smaller compartments would be fine for some of the smaller Leica M lenses, or indeed the Micro FourThirds lenses. That said, they're still a tight fit for the Olympus Pen 14-42mm zoom. I found they fitted a Ricoh GRD III I was testing perfectly and there was room for the 21 mm conversion lens, stored separately above too.

Between the lens dividers a separate closed-cell articulated flap can be positioned using a strip of Velcro. I used this to lay a Canon EOS 7D body flat (facing down so the dust falls away from the sensor) on the floor with the flap over the top allowing for a second body (in this instance a Pen EP-1) with 17 mm pancake a viewfinder to sit on top. It could easily of been another 7D body, or you could drop a 1D body in upright instead.


Negatives
Stacking equipment does have disadvantages; most notably you lose the quick unrestricted access to the gear beneath. And it’s always the gear beneath that you want, isn’t it? All the same, it’s barely an issue thanks to that clever zipped opening.



Front pockets are roomy for spare memory cards and batteries, even a field–recorder, but you’ll be surprised to learn these aren’t padded at all. To the rear is a document pocket up to A4 but better suited to US letter. Put anything else in it though, such as a pocket camera and it will be uncomfortable. Still for what it was designed for it’s handy. My only other slight concern is the arrangement of the grab handles. Like the original series, including my old 445, it has more than it really needs. The 307 has four; one pair made from webbing attached to the rain flap, and another set underneath. This second set, made from leather, is used when the rain flap is folded back.


It’s a different arrangement to the original bags, where the main grab-handle with leather pad was attached to the front and would be used with either the single webbing strap under the flap if it was open, or with an identical webbing strap on top of the flap if was it closed. If you’re used to the original layout of handles it can be a trifle confusing if not, it’s something you’ll likely never notice. Just make sure you pick up the bag by the shoulder strap, if you’ve not fastened the rain-flap securely, as the bag will tip forward abruptly.



Conclusion
With really only the rain-flap’s grab handles as a minor shortcoming, there’s still a lot to like about the Billingham 307. At around $435 / £239 inc VAT, it’s a pricey option, especially when compared with those sourced from the Far-East. Be that as it may, I really don’t know of any other make of bag that’s likely to out-last it. With that in mind, if the 307 lasts only half as long as my old 445, I would say that would be money well spent.

For US and Canadian visitors, buy Billingham product through our approved supplier, B&H Photo.

Update 09/10/10: B&H Photo now list the Billingham 307 in khaki and black.

Amazon US list the 307 in khaki and black.

Billingham product can be be bought via Adorama.

UK readers can buy Billingham products through the following:

Jessops (not a stockist of the 307 but they do have the superb Hadley Pro and Hadley Small Pro) I still have a pre-production one of these from the mid 80s, in bottle green and tan, with no label or padding.

Warehouseexpress (WEX Photo and Video)

Billingham 307 black
Billingham 307 Kahki (as reviewed)
Billingham 307 Sage/Chocolate

More information can be found at the manufacturer's site, www.billingham.co.uk

DxO Labs publish IQ assessment for new Canon, Sony, Pentax and Nikon DSLRs

DxO Labs, the software company behind DxOMark, the free online resource providing IQ assessment of popular DSLRs and compacts, has today added data for the Canon G7 and S90 compacts as well as EOS 7D, Nikon D300s and D3000, Sony A500, A550 and Pentax K7.

Press release:

DxO Labs also adds detailed RAW image quality measurements on dxomark.com for Canon PowerShot G11, S90 and EOS 7D; Sony A500 and A550; Pentax K7;
and Nikon D300s and D3000

December 11, 2009 – DxO Labs announces today the publication of detailed RAW-based image quality data and DxOMark Sensor rankings on its popular http://www.dxomark.com www.dxomark.com website for a range of Canon, Nikon, Pentax and Sony digital cameras, including some of the latest models in the advanced compact and DSLR categories.

“A new compact camera category, sometimes referred to as Advanced Compacts, has emerged, bringing to photographers many advanced features, in particular being able to shoot in RAW,” said Nicolas Touchard, Vice President of Marketing, DxO Labs Image Quality Evaluation. “Since these compact-style models, such as the Canon G11 and S90 or the Olympus EP1, are targeting demanding amateurs, we found interesting to analyze their sensor performances in comparison with entry-level DSLRs such as the Nikon D3000, Sony A230, or Canon 1000D. Such comparison is particularly relevant given that the two categories have overlapping price ranges.”

dxomark.com results indicated that the best Advanced Compacts demonstrate remarkable image quality performance, especially considering their very compact form factor: overall, the difference between the top models from the Advanced Compact category and the entry-level DSLRs is only about 1 to 2 stops. And as these new compact cameras can shoot in RAW, demanding photographers can match the JPEG image quality of entry-level DSLRs by using the most advanced PC or Mac RAW conversion software solutions, which can recover the one to two stops of dynamic range that these compacts are missing.

In addition to the advanced compact model data, DxO Labs has also published the performance results on dxomark.com for some of the latest DSLR models featuring APS-C size sensors from various manufacturers: Sony (the A500 and A550); Nikon’s new D300s model (clearly showing improvement over the D300); the results of the long-awaited EOS 7D from Canon; and lastly, the ranking for the Pentax K7.

Leaf adds Capture Remote App for iPhone

High-end camera back maker, Leaf, has added a free app for their users allowing Leaf RAW images to be viewed remotely on their Apple iPhone or iPod Touch in real time. For more information please see the press release below.

Leaf releases Leaf Capture Remote App

Workflow tool for previewing Leaf RAW images on iPhone/iPod Touch

TEL AVIV, December 8, 2009 – Leaf Imaging announced today the immediate availability of Leaf Capture Remote – an application that extends Leaf Capture 11 workflow software, enabling remote image viewing on an Apple iPhone(TM), or iPod(R) Touch. The Leaf Capture Remote application allows photographers and digital operators using Leaf digital backs and camera systems to view, zoom and pan high resolution Leaf RAW images on an Apple iPhone and iPod Touch. It is the first application to permit real-time, on-set remote viewing of medium format images, enabling instant feedback on any shot.

Now, while a photographer is shooting tethered using Leaf Capture software, a client or creative director can view the images over a standard Wi-Fi network on an Apple mobile device.

“Leaf Capture Remote lets me quickly check my files when I can't see my laptop on location,” says Dutch-based professional photographer Frank Doorhof of Studio FD, “or I can just give my visitors an iPhone to browse and check it themselves without interrupting our workflow. Simply put -- it rocks.”

Leaf Capture Remote application version 1.0 is free and available now for download from Apple’s iPhone App Store. It supports all Leaf products that connect to Leaf Capture. (To find it, search for “Leaf Capture” in the Apple iTunes App Store.)

Additional information on installation and setup is available here.

DawnTech add new di-GPS Mini 3L

di-GPS Mini 3L

Dawn Technology has added a new GPS unit to the range, called the Mini 3L. Salient features include a built-in 8MB data logger for storing in excess of 260k data points, password protection, last fixed repeat and instant last fixed repeat modes. Compatibilty is restricted to Nikon (and Fuji) cameras at this time, indeed there are three varients to cover pro, semi pro and entry-level models:

Compatible Cameras:

di-GPS Mini 3L: D3, D3S, D3X, D700, D300, D300S, D2XS, D2X, D2HS, D200 and Fujifilm S5Pro

di-GPS Mini 3L-S90: D90

di-GPS Mini 3L-S5000: D5000

More information can be found here.

Billingham 307 Review - Part I

Billingham 307, in Khaki Chocolate

Billingham camera bags need little introduction, they've been the choice of professional photographers since the mid 70's. There have been one or two imitators, most notably the well-regarded Classic range from the sadly defunct CCS (Camera Care Systems) and the hand-made range of bags from FOGG, probably the closest in terms of quality and materials, if not in design (FOGG were always pretty radical). But few have stayed the course, the way Billingham have.

Most know Billingham for the huge pro 550, but the smaller bags, such as the 445 and 335 have been popular with professionals and keen amateurs alike. So, while keeping those in the line-up, it comes as something of a surprise to see a new, similar-looking, 07 range appear alongside. Constructed of Billingham's FibreNyte material, a fabric with an uncanny appearance, not to mention feel, of traditional cotton canvas, there are three models in total; the 107, 207, and a 307 (think S,M,L), the latter and larger of three being the subject of this review.


Positives
On first inspection, the 307 has all the hallmarks of a traditional canvas bag from Billingham; supple canvas outer, fine grained leather tabs and beading, brass-buckles as well as tough canvas webbing for the straps. However, this Billingham (as well as others in the 07 range) is constructed from a very 21st century fabric, called FibreNyte. While it looks and feels like traditional canvas, it's synthetic and offers greater abrasion resistance and durability, it's claimed, yet remains supple, soft and warm to the touch.

Thanks to a butyl rubber membrane, the fabric is waterproof, according to Billingham. In turn this is bonded to a polyester lining; a three-layer fabric in effect. I've no reason to doubt the waterproofness, but bear in mind, like waterproof clothing, rain (especially wind-driven) can work its way past zips and stitching.

Despite that, the 307 has several advantages over makes of camera bags. For a start, the 307 has a substantial top-flap, which is lined again in a rather fetching, green coloured high-quality polyester fabric, which adds to the water-resistance. It's also extremely effective in keeping dust and detritus from entering the main compartment below. I know this from owning a Billingham 445 for over 20-years and it's true of the 307.

Above, left to right, Ricoh wide-angle converter, Canon EOS 7D c/w EF-S 15-85mm f/3.5-5.6 IS, Olympus M.Zuiko 14-42mm f/3.5-5.6, Olympus EP-1 c/w 17mm f/2.8, and Canon 100mm f/2.8 L Macro IS. 

Beneath the top-flap is another barrier in the form of a very handy articulated closure, complete with heavy-duty zip. The design is very similar to a Doctor's case and it allows unrestricted access to the main compartment and your gear. Carbon fibre stiffeners, or wands, are used to maintain the opening and shape. And it works very well, even working from the bag with it over your shoulder.

Like all canvas bags, the 307 moulds to your body providing greater stability on the move, so the stiffeners are particularly welcome. I have to admit ease of access was an issue with my earlier 445, even though it had press-studs on the inside wall to keep the zipped flaps apart. I really liked the improved access, and for me it’s a major step forward. Next >

Part II, including the conclusion, can be found here.

For US and Canadian visitors, buy Billingham product through our approved supplier, B&H Photo.

Update 09/10/10: B&H Photo now list the Billingham 307 in khaki and black.

Amazon US list the 307 in khaki and black.


Billingham product can be be bought via Adorama.


UK readers can buy Billingham products through the following:

Jessops (not a stockist of the 307 but they do have the superb Hadley Pro and Hadley Small Pro) I still have a pre-production one of these from the mid 80s, in bottle green and tan, with no label or padding.

Warehouseexpress (WEX Photo and Video)


Billingham 307 black
Billingham 307 Kahki (as reviewed)
Billingham 307 Sage/Chocolate

More information can be found at the manufacturer's site www.billingham.co.uk

Merlin adds magic to Canon EOS 7D and 5D Mk II

Tiffen Europe has announced a new steadicam system called the Merlin for cameras weighing up to 5 lbs (2.25 kg), such as V-DSLRs like the Canon EOS 5D MkII. For more information, please see below.

Press release


MOVIE ENTHUSIASTS DISCOVER NEW APPLICATION FOR THE STEADICAM MERLIN WITH CANON 5D & 7D DIGITAL SLRS!

Enterprising movie enthusiasts have discovered that Steadicam's entry-level image stabilizing system the Merlin, is the ideal partner for the latest Canon 5D or 7D DSLRs, with their full frame 21 megapixel full frame sensors and 1080 pixel true HD (high definition) movie recording facility.
Although big rig Steadicams are best known in the world of Hollywood feature films or on the touchline at live sporting events, the Merlin can in fact achieve virtually everything it’s stablemate brothers can, albeit with more compact, lightweight cameras weighing up to 5 lbs (2.25 kgs) - such as the Canon 5D or 7D.
With the Merlin/Canon 5D or 7D set-up, you can replicate those smooth continuous shots so beloved by Hollywood directors in your own productions - such as following action on the move (even up and down stairs or on uneven terrain) - in the knowledge that the Merlin’s technologically advanced gimbal will isolate the operator's angular movements.

The Steadicam Merlin has an SRP of just £630.00 ex. VAT and comes with everything to get you going including an interactive DVD, a workbook and an online backup facility.

Further information on the Steadicam Merlin and details of your local specialist reseller can be obtained by contacting UK Distributors Intro 2020 telephone: 01628 799901.


Buy the Steadicam Merlin via Amazon US ($799.00) or UK readers can buy at Jessops for £629.99 (in VAT), by following the link here.

Thank you for buying though this site's links.

Ilford announce Galerie Duo

Inkjet paper maker, Ilford, has announced a new Smooth Lustre Duo 280gsm double-sided resin coated paper. Read the press release for the full details.

Press release:

New ILFORD GALERIE Smooth Lustre Duo available now

The latest media in the GALERIE range offers double-sided printing for dual possibilities!


Marly, Switzerland, October 26, 2009 – ILFORD is pleased to announce the latest media in the GALERIE range, Smooth Lustre Duo 280gsm, which has just been launched. Innovative and exciting, the double-sided premium RC media is the ideal choice for tailor made wedding albums, portfolios and premium quality invitations and flyers while a cutting-edge optical coating gives a traditional photo quality look to printed images.

The already dynamic GALERIE range is designed to provide the most demanding professional photographers with the high-end media they require to showcase their most important work. The ILFORD research and development team designs state-of-the-art inkjet media resulting in stunning images, making ILFORD GALERIE the media range of choice for professional photographers around the world.

ILFORD GALERIE Smooth Lustre Duo, the latest media in the GALERIE range, is created to provide professional photographers with a premium quality choice for double-sided printing. ILFORD has combined their strong history in professional inkjet photo products with the latest imaging technology to create this new, specialised media.

From deep blacks to crisp whites, real reds and clear blues, the ground-breaking coating created by the ILFORD research and development team ensures GALERIE Smooth Lustre Duo offers an impressive array of colours. Vibrant shades ‘pop’ while skin tones remain natural with the high-quality prints possible on this media.

Thanks to the rich colour gamut and the double-sided feature, the new GALERIE Smooth Lustre Duo will inspire professional photographers. Ideal for wedding albums, photographers will be able to design and display their preferred prints on both sides of the media, making a beautifully bound album easier to achieve.

Photographic portfolios will take on a fresh dimension with GALERIE Smooth Lustre Duo, as the double-sided printing will ensure the finished album is as impressive as the images on each page. Event invitations and high quality flyers will attract attention with bright and brilliant images on both sides.

Printing on the new GALERIE Smooth Lustre Duo is simple and straightforward. Detailed printing instructions are included in the package and on the ILFORD website. Thanks to the resin coated properties, the media remains robust throughout the entire double-sided printing process.

GALERIE Smooth Lustre Duo is compatible with both dye and pigment printers and designed to fully exploit the benefits of the latest machines on the market. To ensure professionals are able to achieve top print results, ILFORD offers free ICC profiles for all the latest inkjet printers at www.ilford.com.

“Enhancing our GALERIE line with the launch of Smooth Lustre Duo has been an important step for us,” begins Jane Dixon, Head of Global Marketing, ILFORD Imaging Switzerland GmbH. “Recognising the need for double-sided media and answering this need with the latest inkjet technology ensures we continue to provide professional photographers with the tools they need to exceed their customer needs in this very highly competitive industry,” finishes Jane.

Product availability:
GALERIE Smooth Lustre Duo is available in A4 and A3+ as well as in 12x12, true album page size.

SMOOTH Lustre Duo features and benefits:
- Double-sided - Ideal for invitations, flyers and books
- RC media - Reduced processing time, curl resistant
- Latest ILFORD coating technology - Impressive, traditional looking prints
- Free ICC profiles - Ensure best print results

Pricing:
Ilford Galerie Smooth Lustre Duo Sheets 21cm x 29.7cm (A4)
x25 – 2000358 £19.99
Ilford Galerie Smooth Lustre Duo Sheets 21cm x 29.7cm (A4)
x100 - 2000359 £54.99
Ilford Galerie Smooth Lustre Duo Sheets 30.5cm x 30.5cm (12" x 12")
x25 - 2000410 £31.99
Ilford Galerie Smooth Lustre Duo Sheets 32.9cm x 48.3cm (A3+)
x25 - 2000367 £42.99

JP Distribution:

JP Distribution is a successful division of Johnsons Photopia Ltd., an independent, privately owned company that can trace its roots back to 1743. JP Distribution is committed to providing an exclusive complimentary portfolio of leading brands for the professional and enthusiast photographer via a dedicated network of retail partners.
Mamiya, Sekonic, Lastolite, Gepe, Geimuplast, Billingham, PocketWizard, Peli, Trek-Tech, CamGrip, Spudz, Magix and Schneider are all part of the JP Distribution brand portfolio.
JP Distribution is located in the heart of England at the company headquarters in Newcastle under Lyme, Staffordshire, where the company employs a wealth of experienced personnel with an unrivalled level of imaging knowledge, expertise and experience.
For more information on JP Distribution, please visit www.johnsons-photopia.co.uk

About ILFORD:
Founded in 1879, ILFORD is a leading player in the development and manufacture of photo quality media for both inkjet printing and colour photographic processes. The ILFORD worldwide Digital Imaging and Colour Photo businesses, including the R&D and manufacturing operations in Switzerland, are owned by Oji Paper, Japan.
The ILFORD name is well established in the history of Imaging and today it continues to be associated with cutting edge technology thanks to its strong links to the photo imaging marketplace, R&D, technical know-how and manufacturing capabilities.
For more information on ILFORD, please visit www.ilford.com

Canon PowerShot G9 ISO samples

ISO80

ISO100

ISO200

ISO400

ISO800

ISO1600

Here are the ISO samples from the Canon PowerShot G9, taken under the same lighting conditions, to compare with the shots I posted yesterday from the G11. Although the image size is larger (the G9 is 12MP whereas the G11 is 10MP), I've tried to crop to include the same elements in the photos; the images were then saved for the web (at 600pixels wide) and sharpened in CS4.

John Freeman announces new tours

Namibia wildlife, copyright John Freeman

Press release:

Professional photographer, John Freeman, has announced the launch of John Freeman Photours, a comprehensive range of educational photographic tours and workshops that offer the chance to benefit from the knowledge and success he has gained during his 40 year career. John Freeman is one of the UK’s most highly acclaimed photographers and an award winning author with over two million copies of his books sold worldwide. Today he shoots for global brands including The Royal Collection, Konami, the Pearson Group, Médecins Sans Frontières, and Harper-Collins.

Starting in January 2010, John Freeman Photours will offer photographers of all levels unique, educational photographic tours in the UK and abroad. A diverse range of London-based studio workshops will also be available from January 2010 for those wanting to discover more about the professional approach to studio working methods.

Jaisalmer, copyright John Freeman

Canon PowerShot G11 noise examples

ISO80

ISO100

ISO200

ISO400

ISO800

ISO1600

ISO3200

Each of the above out-of-camera Large/Fine JPEGs were taken with a production quality G11 and are displayed at 100-percent actual pixels, saved and sharpened for the web using Photoshop CS4. I may have to supply smaller crops, judging by the slight differences above.

Update: I've added samples from the PowerShot G9 here, for comparison.

Please help support our site and buy from our approved retailers:

B&H Photo (NYC)

Amazon US:

Canon PowerShot G11 10MP Digital Camera with 5x Wide Angle Optical Stabilized Zoom and 2.8-inch articulating LCD


Amazon UK:

Not yet available

Canon PowerShot G11 vs G9

Canon PowerShot G9 v the new G11

You'll also notice a difference in the textured finish of the top-plate; it's plastic on the G11

Canon PowerShot G9 (left) v G11 (right). The G11 is taller and considerably deeper, thanks to the vari-angle screen.

Notice the smaller size of the rear command dial on the G11 (left); it's more fiddly in use.

I thought I would upload a quick series of shots showing the size comparison of the Canon PowerShot G11 against our own G9 (which we used for the unboxing video, in the previous post).

My first impressions are favorable, even though the vari-angle screen makes the G11 slightly larger than the G9 (and likely the G10, though I don't have one to hand).

One point I would like to share immediately is that I was a little shocked to see the rear of the G11 appears to be made of plastic, like the Nikon P5000/6000 series. That's a real shame, as both the G9 and G10 were the most rugged feeling compacts on the market.

Please use these links to check prices or help support our site and buy from approved retailers:

B&H Photo (NYC)

Amazon US:

Canon PowerShot G11 10MP Digital Camera with 5x Wide Angle Optical Stabilized Zoom and 2.8-inch articulating LCD


Amazon UK:

Not yet available

Canon PowerShot G11 Unboxing

Stay tuned for some ISO comparisons from a production quality G11. They should be posted later in the day.


Update; my thanks to the guys at 1001 Noisy Cameras for help spreading the love.




Please help support our site and buy from our approved retailers:

B&H Photo (NYC)

Amazon US:

Canon PowerShot G11 10MP Digital Camera with 5x Wide Angle Optical Stabilized Zoom and 2.8-inch articulating LCD


Amazon UK:

Not yet available

Leica launches micro-site for impending S2 DSLR

Leica has launched a new micro-site for the up-coming S2, a 37.5-megapixel behemoth, in anticipation of its official release sometime this month. Follow the link here for more information and to register for a timely newsletter.

Vision: The Essential Event for Photographers

Press release from The British Journal of Photography magazine;

6th October, 2009
The British Journal of Photography's essential annual event, Vision, celebrates its 11th successful year when it returns on 27th November 2009. Vision is Europe’s only event dedicated to aspiring professionals and early career pro photographers. This year Vision is delighted to have renowned photographer Martin Parr as its key speaker.

This unique and exciting one-day event features a packed programme of talks, demos, seminars and all-important portfolio reviews. Conveniently located at the Business Design Centre in the heart of London, Vision provides inspiration, information and essential ideas to help aspiring professionals and early career photographers get their careers moving.

Many of the industry’s leading manufacturers will be there to showcase the latest products and services, providing a unique opportunity to meet key innovators all together under one roof.

With an emphasis on creative cutting edge, and focusing on effective tools and solutions to further photographers' businesses, Vision is this year’s don’t miss photography event.

For more information or to register to attend, visit www.bjp-online.com/vision or email vision@bjphoto.co.uk

Sigma announces DP1s

Sigma has announced an update to the APS-C format DP1, in the form of the DP1s. As expected, it adopts some of the changes to the control set, such as the Quick Set function, found on the recently introduced DP2, and improved metering with back-lit subjects.

Sigma press release

The Sigma Corporation is pleased to announce the new Sigma DP1s compact digital camera featuring a 14 megapixel (2,652 x 1,768x 3 layers) FOVEON X3 direct image sensor.

The new Sigma DP1s is an improved version of the DP1 which was introduced to market in March 2008. It is now possible to allocate the QS (Quick Set) function, which has been adopted by the DP2 and SD14 DSLR, to the digital zoom buttons of the DP1s. This provides faster and more convenient operation of the camera.

The DP1s is enhanced further by improved performance when shooting backlit subjects, aiding the cameras characteristics of superb resolution and richly graduated tones with a natural, three-dimensional feel.

There are many dedicated accessories available for the DP1s such as the VIEW FINDER VF-11, HOOD ADAPTER HA-11 and ELECTRONIC FLASH EF-140 DG.

Sony Develops High Frame Rate Single Lens 3D Camera Technology

High Frame Rate Single lens 3D (prototype) camera captures natural and smooth, high quality 3D images at 240fps

Sony press release:


Sony Corporation today announced the development of a single lens 3D camera technology capable of recording natural and smooth 3D images of even fast-moving subject matter such as sports, at 240fps (frames per second). This technology combines a newly developed optical system for single lens 3D camera which captures the left and right images simultaneously, together with existing high frame rate (HFR) recording technology to realize 240fps 3D filming. Sony will demonstrate a prototype model incorporating this technology at “CEATEC JAPAN 2009”, to be held at Makuhari Messe convention center in Chiba city, Japan, from October 6th.

Sony Corporation today announced the development of a single lens 3D camera technology capable of recording natural and smooth 3D images of even fast-moving subject matter such as sports, at 240fps (frames per second). This technology combines a newly developed optical system for single lens 3D camera which captures the left and right images simultaneously, together with existing high frame rate (HFR) recording technology to realize 240fps 3D filming. Sony will demonstrate a prototype model incorporating this technology at “CEATEC JAPAN 2009”, to be held at Makuhari Messe convention center in Chiba city, Japan, from October 6th.

Optical system for single lens 3D camera

240fps 3D Filming

Optical tests have shown that a frame rate 240fps represents the limit of human visual perception, and beyond that it becomes difficult to detect differences in terms of blur and “jerkiness” of moving images (where images that were continuous are now seen as a series of distinct snapshots). By developing a 240fps frame rate CMOS image sensor with properties close to the human eye, which is capable of capture natural images of even fast moving subject matter, Sony has succeeded in further enhancing the quality of 3D video images.

The combination of Sony’s new single lens 3D system and its 240fps high frame rate technology has realized a single lens 3D camera system, based on universal properties of the human eye, which enables natural and smooth 3D images with no accommodation-vergence*1 conflict to be recorded.

Technological Features
1. New single lens optical system
- Captures left and right images simultaneously to deliver natural and smooth 3D images with no accommodation-vergence conflict.
- Eliminates the need for lens synchronization, ensuring easily accurate control of 3D zoom and focus functions.
- When polarized glasses are not used, viewers with still be able to see natural 2D images, as the disparity of the images for left and right eyes are within the range that human eyes can recognize as a blur.

2. 240fps image capture to realize high quality motion images
- Realizes high quality capture of 3D content including fast-moving subject matter such as sports.
Prototype to be demonstrated at “CEATEC JAPAN 2009”

Within the growing 3D cinema industry, Sony has supported and driven the expansion of 3D by providing a wide variety of professional equipment for the shooting, production and screening of movies in 3D. The number of digital 3D screens is increasing rapidly, and is expected to reach 7,000 worldwide by the end of 2009*2 In addition to 3D movies, Sony’s range of professional 3D products and technology is also driving the growth of 3D production and distribution across a range of entertainment industries, from theatre and music performances to sport and beyond. Furthermore, Sony is also aiming to continue to lead the way in delivering new 3D viewing experiences by bringing 3D to the home in 2010.

Canon announces DSLR cashback promotion for UK Photographic Students

From now until 31st October 2009, Canon is running a cashback promotion on two models within their award winning EOS range.

EOS 450D - £50 (Offer valid across all configurations)
EOS 500D - £65 (Offer valid across all configurations)

Canon UK are offering photographic students at UK institutions the chance to receive cashback on the purchase of a new Canon DSLR. Lecturers and technicians working on photographic courses are also eligible to take part.
These two Canon EOS cameras are ideal for the demands faced on almost any photographic course. The EOS 450D shooting at 3.5 fps and with a 12.2 MP CMOS sensor is compact and lightweight, great for anyone starting out. Whilst the EOS 500D is available for those wanting something a little more advanced. It has a 15.1 MP CMOS sensor, ISO up to 12800 for low light conditions and full HD movie capabilities.

Cameras can be purchased from any authorised Canon retailer. Once purchased, send the claim form (downloadable from the Canon web site), proof of purchase and UK academic accreditation (photocopy of NUS card, academic security pass or course acceptance letter) to the to the freepost address as it appears on the form.

Claim forms can be downloaded pre or post purchase. Customers will receive their cheque within 28 days of the forms reaching Canon.
For full terms and conditions and to download a claim form please visit: www.canon.co.uk/futurephotocashback

Pentax unwrap unexpected K-x

Pentax K-x - 12.4 megapixel APS-S size CMOS

For those who can't stretch to the $1300 / £1050 asked for the Pentax K7 (such as photojournalists, press photographers and indeed pretty much anyone working as a photographer these days), the company has introduced a new upper entry level model based on the K2000 (K-m). In a first for Pentax the new K-x has a 12.4 megapixel CMOS sensor and has many similar features to the K7, such as the much needed 11-point AF system, shooting at a brisk 4.7fps, and sensitivity from ISo200-64,000. There's the ubiquitous Live View and HD video capture too. We think this is a mighty fine camera already, and we haven't even seen it yet.

Read the full specification in the press release after the jump.

No surprises here, it's the same layout as K2000 (K-m)

Virtual K-x, from the comparator on the Japan website

Want to see what your K-x looks in various colors (there's a choice of four in the US and Europe), but for the home market, check out the comparator (Japan only).


PENTAX K-x

An Entry-Class Digital SLR Camera with Sophisticated Features

PENTAX UK is pleased to announce the launch of the PENTAX K-x lens-interchangeable digital SLR camera. The K-x combines a variety of advanced features and user-friendly functions to ensure an outstanding level of photographic performance within a compact, lightweight body.

The K-x design is based on the award winning PENTAX K-m, an entry-class digital SLR camera launched in October 2008 that gained popularity for its compact, lightweight body and simple, user-friendly operation. The K-x features a newly designed high performance CMOS image sensor and an upgraded filter function. It also features a whole host of advanced features such as live view shooting and movie recording, approximately 12.4 megapixels and high-speed continuous shooting. The K-x is the perfect camera for first-time digital SLR camera users, as well as an ideal backup camera for more experienced photographers.

The K-x is launched in conjunction with the smc PENTAX-DA L 55-300mm F4-5.8 ED super-telephoto zoom lens. This zoom lens is designed to be lightweight without compromising the exceptional optical performance common to all PENTAX lenses, making super-telephoto photography easier and smoother for K-x users. The smc PENTAX-DA L 55-300mm comes as part of a K-x twin lens Kit package.

Main Features of the PENTAX K-x:

1. High-quality image reproduction
(1) Approximately 12.4 effective megapixels for true-to-life image reproduction
The K-x incorporates a newly developed CMOS image sensor to assure high-speed image data read-out at varying ISO sensitivity levels. With approximately 12.4 effective megapixels, this image sensor can reproduce true-to-life images with fine detail and rich depth of colours. The K-x also offers a wide sensitivity range between ISO 200 and ISO 6400 and allows the user to expand the sensitivity range between ISO 100 and ISO 12800 via a custom function, giving greater creative freedom.

(2) High-performance, high-speed PRIME (PENTAX Real Image Engine) II imaging engine
Thanks to new technologies supplied by Fujitsu Microelectronics Limited, this new imaging engine offers greater data processing speed and enhanced capability to produce higher-quality images with richer, more accurate colour rendition, as well as faster transmission speed of movie data.

2. Compact, lightweight body
Despite the incorporation of the large 23.6mm x 15.8mm image sensor, the K-x is one of the most compact, lightweight digital SLR cameras in its class.

3. Live View function, with Face detection of up to 16 faces
The K-x features a live view function, which allows the user to view the image on its LCD monitor during shooting. The K-x also offers a choice of three different focusing modes during live view shooting: Contrast AF, which optimises the focus based on the subject’s contrast; Face Detection AF, which automatically detects up to 16 faces, selects the main subject’s face from multiple faces, then captures it in sharp focus; and Phase Difference AF, which uses the AF sensor positioned in the camera body to optimise focus on the subject.

4. High-quality recording at 1280 x 720 pixels, with HDTV-proportion movie recording at 24 frames per second
The K-x provides a movie recording function* which captures beautiful, true-to-life movie clips in 16:9 high-definition TV proportions (1280 x 720 pixels) at a frame rate of 24 frames per second. This extends the benefits of high-quality SLR photography to the world of movie shooting.

5. PENTAX-original SR mechanism for sharp, blur-free images
The K-x features the PENTAX-developed SR (Shake Reduction) mechanism. This innovative mechanism extends its benefits to almost all PENTAX interchangeable lenses - even those designed for film-format cameras.** Thanks to this mechanism, the K-x produces sharp, blur-free images even under demanding conditions prone to camera shake, such as when using a telephoto lens, shooting in the dark without a flash illumination, and taking pictures of sunset scenes.
** Lenses compatible with this mechanism: PENTAX K-, KA-, KAF-, KAF2- and KAF3-mount lenses; screw-mounted lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be available with certain lenses.

6. High-speed continuous shooting at approximately 4.7 images per second
The K-x’s high-speed continuous shooting mode records as many as 17 images (in JPEG recording format) at a maximum speed of approximately 4.7 images per second - the fastest of all entry-class models. The K-x also features a new, reliable shutter unit, which proved its dependability and ruggedness through a demanding action test of more than 100,000 shutter releases. Its top shutter speed of 1/6000 second allows the photographer to preserve sharp, crisp images of fast-moving subjects.
7. Innovative image processing functions to produce distinctive photographic expressions
(1) Digital filter function
The K-x’s digital filter function allows the user to process recorded images in a variety of creative ways within the camera and produce highly creative visual expressions. With a choice of 16 different filters, the user can even apply different filters one after another to a single image to create more personalised visual effects.
(2) Cross process mode
The K-x features the new cross process mode, in which the camera automatically and randomly shifts photographic parameters for each exposure to create eye-catching images with unique, fanciful colours — just like pictures treated with the cross process*** in film photography.
*** A film development technique that takes advantage of unconventional film developers to create a distinctive finishing touch with intriguing colours.

8. High-precision 11-point AF sensor
The K-x’s high-precision, wide-frame SAFOX VIII autofocus system features 11 sensor points (with nine cross-type sensors positioned in the middle) to automatically capture even off-centered subjects in sharp, crisp focus. The photographer can also select one of the sensors as a focusing point to accommodate specialised applications.

9. Other features
(1) Energy efficient circuit design for longer battery life, capable of capturing
approximately 1,900 images with four AA-size lithium batteries
(2) Custom Image function to create unique finishing touches
(3) DR (Dust Removal) mechanism to eliminate annoying dust spots on
recorded images and visually check for the adhesion of dust to the image sensor
(4) 2.7-inch, high-resolution colour LCD monitor with approximately 230,000 dots
(5) Auto Picture mode for effortless, automatic selection of the most
appropriate shooting mode, even during Live View shooting
(6) HDR (high dynamic range) function to create one composite image with
an extra-wide dynamic range from three images with different exposures
(7) White balance control, featuring a new CTE mode to emphasise
the colour components of sunset scenes
(8) Status screen for easy, at-a-glance confirmation of various settings
on the LCD monitor
(9) Ten scene modes, with selection via simple icons
(10) Automatic compensation of distortion and lateral chromatic
aberration (available only with DA and D FA series lenses)
(11) PENTAX Digital Camera Utility 4 software package, with
RAW-data processing and browser applications
Major Features of the smc PENTAX-DA L 55-300mmF4-5.8ED lens
1. A lightweight super-telephoto zoom lens for focal lengths between 84.5mm and 460mm (in the 35mm format)
2. ED (Extra-low Dispersion) glass optical elements to assure true-to-life image descriptions and faithful colour renditions through effective compensation of chromatic aberrations over the entire zoom range.
Pricing:
K-x with kit lens 18-55mm DAL: $649.99 / £599.99
K-x with double kit lens 18-55mm DAL + 55-300mm DAL: $849.99 / £749.99

Availability:
September 2009