Canon announces DSLR cashback promotion for UK Photographic Students

From now until 31st October 2009, Canon is running a cashback promotion on two models within their award winning EOS range.

EOS 450D - £50 (Offer valid across all configurations)
EOS 500D - £65 (Offer valid across all configurations)

Canon UK are offering photographic students at UK institutions the chance to receive cashback on the purchase of a new Canon DSLR. Lecturers and technicians working on photographic courses are also eligible to take part.
These two Canon EOS cameras are ideal for the demands faced on almost any photographic course. The EOS 450D shooting at 3.5 fps and with a 12.2 MP CMOS sensor is compact and lightweight, great for anyone starting out. Whilst the EOS 500D is available for those wanting something a little more advanced. It has a 15.1 MP CMOS sensor, ISO up to 12800 for low light conditions and full HD movie capabilities.

Cameras can be purchased from any authorised Canon retailer. Once purchased, send the claim form (downloadable from the Canon web site), proof of purchase and UK academic accreditation (photocopy of NUS card, academic security pass or course acceptance letter) to the to the freepost address as it appears on the form.

Claim forms can be downloaded pre or post purchase. Customers will receive their cheque within 28 days of the forms reaching Canon.
For full terms and conditions and to download a claim form please visit: www.canon.co.uk/futurephotocashback

Pentax unwrap unexpected K-x

Pentax K-x - 12.4 megapixel APS-S size CMOS

For those who can't stretch to the $1300 / £1050 asked for the Pentax K7 (such as photojournalists, press photographers and indeed pretty much anyone working as a photographer these days), the company has introduced a new upper entry level model based on the K2000 (K-m). In a first for Pentax the new K-x has a 12.4 megapixel CMOS sensor and has many similar features to the K7, such as the much needed 11-point AF system, shooting at a brisk 4.7fps, and sensitivity from ISo200-64,000. There's the ubiquitous Live View and HD video capture too. We think this is a mighty fine camera already, and we haven't even seen it yet.

Read the full specification in the press release after the jump.

No surprises here, it's the same layout as K2000 (K-m)

Virtual K-x, from the comparator on the Japan website

Want to see what your K-x looks in various colors (there's a choice of four in the US and Europe), but for the home market, check out the comparator (Japan only).


PENTAX K-x

An Entry-Class Digital SLR Camera with Sophisticated Features

PENTAX UK is pleased to announce the launch of the PENTAX K-x lens-interchangeable digital SLR camera. The K-x combines a variety of advanced features and user-friendly functions to ensure an outstanding level of photographic performance within a compact, lightweight body.

The K-x design is based on the award winning PENTAX K-m, an entry-class digital SLR camera launched in October 2008 that gained popularity for its compact, lightweight body and simple, user-friendly operation. The K-x features a newly designed high performance CMOS image sensor and an upgraded filter function. It also features a whole host of advanced features such as live view shooting and movie recording, approximately 12.4 megapixels and high-speed continuous shooting. The K-x is the perfect camera for first-time digital SLR camera users, as well as an ideal backup camera for more experienced photographers.

The K-x is launched in conjunction with the smc PENTAX-DA L 55-300mm F4-5.8 ED super-telephoto zoom lens. This zoom lens is designed to be lightweight without compromising the exceptional optical performance common to all PENTAX lenses, making super-telephoto photography easier and smoother for K-x users. The smc PENTAX-DA L 55-300mm comes as part of a K-x twin lens Kit package.

Main Features of the PENTAX K-x:

1. High-quality image reproduction
(1) Approximately 12.4 effective megapixels for true-to-life image reproduction
The K-x incorporates a newly developed CMOS image sensor to assure high-speed image data read-out at varying ISO sensitivity levels. With approximately 12.4 effective megapixels, this image sensor can reproduce true-to-life images with fine detail and rich depth of colours. The K-x also offers a wide sensitivity range between ISO 200 and ISO 6400 and allows the user to expand the sensitivity range between ISO 100 and ISO 12800 via a custom function, giving greater creative freedom.

(2) High-performance, high-speed PRIME (PENTAX Real Image Engine) II imaging engine
Thanks to new technologies supplied by Fujitsu Microelectronics Limited, this new imaging engine offers greater data processing speed and enhanced capability to produce higher-quality images with richer, more accurate colour rendition, as well as faster transmission speed of movie data.

2. Compact, lightweight body
Despite the incorporation of the large 23.6mm x 15.8mm image sensor, the K-x is one of the most compact, lightweight digital SLR cameras in its class.

3. Live View function, with Face detection of up to 16 faces
The K-x features a live view function, which allows the user to view the image on its LCD monitor during shooting. The K-x also offers a choice of three different focusing modes during live view shooting: Contrast AF, which optimises the focus based on the subject’s contrast; Face Detection AF, which automatically detects up to 16 faces, selects the main subject’s face from multiple faces, then captures it in sharp focus; and Phase Difference AF, which uses the AF sensor positioned in the camera body to optimise focus on the subject.

4. High-quality recording at 1280 x 720 pixels, with HDTV-proportion movie recording at 24 frames per second
The K-x provides a movie recording function* which captures beautiful, true-to-life movie clips in 16:9 high-definition TV proportions (1280 x 720 pixels) at a frame rate of 24 frames per second. This extends the benefits of high-quality SLR photography to the world of movie shooting.

5. PENTAX-original SR mechanism for sharp, blur-free images
The K-x features the PENTAX-developed SR (Shake Reduction) mechanism. This innovative mechanism extends its benefits to almost all PENTAX interchangeable lenses - even those designed for film-format cameras.** Thanks to this mechanism, the K-x produces sharp, blur-free images even under demanding conditions prone to camera shake, such as when using a telephoto lens, shooting in the dark without a flash illumination, and taking pictures of sunset scenes.
** Lenses compatible with this mechanism: PENTAX K-, KA-, KAF-, KAF2- and KAF3-mount lenses; screw-mounted lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be available with certain lenses.

6. High-speed continuous shooting at approximately 4.7 images per second
The K-x’s high-speed continuous shooting mode records as many as 17 images (in JPEG recording format) at a maximum speed of approximately 4.7 images per second - the fastest of all entry-class models. The K-x also features a new, reliable shutter unit, which proved its dependability and ruggedness through a demanding action test of more than 100,000 shutter releases. Its top shutter speed of 1/6000 second allows the photographer to preserve sharp, crisp images of fast-moving subjects.
7. Innovative image processing functions to produce distinctive photographic expressions
(1) Digital filter function
The K-x’s digital filter function allows the user to process recorded images in a variety of creative ways within the camera and produce highly creative visual expressions. With a choice of 16 different filters, the user can even apply different filters one after another to a single image to create more personalised visual effects.
(2) Cross process mode
The K-x features the new cross process mode, in which the camera automatically and randomly shifts photographic parameters for each exposure to create eye-catching images with unique, fanciful colours — just like pictures treated with the cross process*** in film photography.
*** A film development technique that takes advantage of unconventional film developers to create a distinctive finishing touch with intriguing colours.

8. High-precision 11-point AF sensor
The K-x’s high-precision, wide-frame SAFOX VIII autofocus system features 11 sensor points (with nine cross-type sensors positioned in the middle) to automatically capture even off-centered subjects in sharp, crisp focus. The photographer can also select one of the sensors as a focusing point to accommodate specialised applications.

9. Other features
(1) Energy efficient circuit design for longer battery life, capable of capturing
approximately 1,900 images with four AA-size lithium batteries
(2) Custom Image function to create unique finishing touches
(3) DR (Dust Removal) mechanism to eliminate annoying dust spots on
recorded images and visually check for the adhesion of dust to the image sensor
(4) 2.7-inch, high-resolution colour LCD monitor with approximately 230,000 dots
(5) Auto Picture mode for effortless, automatic selection of the most
appropriate shooting mode, even during Live View shooting
(6) HDR (high dynamic range) function to create one composite image with
an extra-wide dynamic range from three images with different exposures
(7) White balance control, featuring a new CTE mode to emphasise
the colour components of sunset scenes
(8) Status screen for easy, at-a-glance confirmation of various settings
on the LCD monitor
(9) Ten scene modes, with selection via simple icons
(10) Automatic compensation of distortion and lateral chromatic
aberration (available only with DA and D FA series lenses)
(11) PENTAX Digital Camera Utility 4 software package, with
RAW-data processing and browser applications
Major Features of the smc PENTAX-DA L 55-300mmF4-5.8ED lens
1. A lightweight super-telephoto zoom lens for focal lengths between 84.5mm and 460mm (in the 35mm format)
2. ED (Extra-low Dispersion) glass optical elements to assure true-to-life image descriptions and faithful colour renditions through effective compensation of chromatic aberrations over the entire zoom range.
Pricing:
K-x with kit lens 18-55mm DAL: $649.99 / £599.99
K-x with double kit lens 18-55mm DAL + 55-300mm DAL: $849.99 / £749.99

Availability:
September 2009

Leica unwrap full frame M9 and APS-C X1

As expected, Leica formally announced today the new full-frame 18-megapixel M9 coupled rangefinder and the 12-megapixel APS-C size X1. While the M9 is undoubtedly the 'star of the show', the Leica X1 shouldn't be overlooked.

At $2,200 (£1,317 by currency conversion) the X1 will be going head-to-head with the likes of the Sigma DP1, DP2, Panasonic GF1, and Olympus Pen E-P1, albeit with a price disadvantage. Another shortcoming is the fixed lens (at this price), but I'm almost more excited by the X1 than the M9 (of which, after reviewing the M8.2 recently, I will almost certainly buy).

Bear in mind it's a 24mm lens on an APS-C size sensor, so it has the equivalent field of view of a 36mm lens - perfect for me, and I suspect many other photographers. Read the official Leica press release below for more details.

Leica M9 - 18-megapixel 35mm 'full-frame' Kodak CCD

Leica X1 - 12-megapixel APS-C size CMOS

Leica M9

Leica Press Release

Leica Camera AG today announces the world’s first digital rangefinder camera with a full-frame 24 x 36mm sensor. As the world’s smallest full-frame system camera, the LEICA M9 continues the long heritage of the Leica rangefinder system, and unites more than 50 years of continuous technical improvements to the M System with cutting-edge digital technology.

The successful combination of a high-resolution image sensor, the superior performance of Leica M lenses and sophisticated processing ensures the best imaging results, making the camera perfect for all fields of photography from reportage and ‘available light’ to the capture of discreet, spontaneous images.

The 18 megapixel image sensor, specifically designed and developed for the M9, enables capture of the full 35-mm film format without any compromise. All M lenses mounted on the LEICA M9 therefore offer the same focal length as originally intended, and the enormous potential performance of the current M lens portfolio, with focal lengths from 16 to 135mm, is now fully exploited in an M digital camera for the very first time.

Furthermore, the M9 sensor features a newly developed glass sensor cover designed to guarantee the suppression of the infrared portion of the light spectrum, avoiding the need to mount special UV/IR filters.

Leica has listened to photographers’ requests for quick access to essential features on the M9. One example is the new ISO adjustment button, which simply requires the user to hold down the ISO button whilst turning the dial to select the required setting – rather than having to access it via a menu. In addition, all other functions important for everyday photography are accessible by pressing the set button.

At just 139 × 37 × 80mm, the LEICA M9 maintains the compact size of the LEICA M8, despite the considerably larger sensor. The robust, one-piece, full metal housing, made from a high-strength magnesium alloy, combined with a solid brass top and bottom plate, provide perfect protection for the camera in all photographic situations. For photographers, this all adds up to absolute reliability over decades of use.

The LEICA M9 is available in two different styles: a standard black with ‘vulkanit’ finish, and for the first time, a version in steel-grey with classic leatherette finish.

Leica M9 adopts a 35mm 'full-frame' sensor with a 0.8mm thick cover glass, removing the need to use additional IR filters

M9 Sensor

The CCD, specially developed by Kodak for the LEICA M9, has been optimised to exploit the particular qualities of the Leica M lens system. As a result, the LEICA M9 achieves the highest resolution values, which in turn guarantee outstanding image quality.

The M9 sensor employs further advanced and meticulously-designed micro lenses with a low refractive index. The micro lenses at the sensor edges are laterally displaced towards the image centre to match the characteristics of M lenses precisely. This optimised micro lens design captures and concentrates even the most oblique rays on the sensor, and reliably prevents image brightness fall-off at the edges and corners of the image. As a result, all existing Leica M lenses maintain their full performance when used for digital photography.

A moiré filter has not been integrated, allowing full exploitation of the superb resolution of Leica M lenses. Any moiré patterns occurring are eliminated in the camera’s signal processing software. The optimised signal–noise ratio reduces the need for digital post-processing, and results in high-contrast, high-resolution exposures with natural colour rendition from corner to corner.

Lenses

Performance criteria, such as the individual coating of each element, have long been a Leica standard. For the first time, the immense performance potential of the M lenses is fully maintained and can be exploited for digital photography. In line with Leica’s commitment to system compatibility, almost all Leica M lenses built since 1954 can still be used on the new M9, as a result of their mechanical and optical precision.

The M9 sensor demands a particularly high spatial resolution, as offered by the latest M lenses. Their high resolution and efficient correction of optical aberrations make them all the more suitable for digital use. Current M lenses are supplied with a 6-bit code on the bayonet mount that is scanned optically by the M9. Using this coding, the M9 can compensate for any vignetting effects, if required. In addition, the lens type is recorded in the EXIF data and, when using the latest flash units such as the LEICA SF 58, automatically adjusts the reflector to match the focal length of the lens attached.

The viewfinder / rangefinder system

The Leica viewfinder / rangefinder system sets the LEICA M9 apart from SLR and compact digital cameras and makes it particularly suitable for reportage, ‘available light’ and discreet portraiture. Photographers become part of the action and frame their subject in the viewfinder, while still being able to see the full scene outside the viewfinder frame. The decisive moment can be anticipated and captured at precisely the right instant, resulting in particularly authentic images.

The clear view of the subject remains during the full exposure and, even in the most adverse lighting conditions, the bright, high-contrast viewfinder guarantees extremely fast and precise focusing. The minimal delay between shutter release and capturing the shot, together with the viewfinder / rangefinder system, positions Leica M cameras amongst the fastest in the world.

The M9 uses essentially the same shutter from the M8.2, a modified full-frame shutter derived from the R9 35mm SLR

Shutter

The LEICA M9 features a new, microprocessor-controlled, particularly silent, metal-leaf, focal-plane shutter that enables shutter speeds of up to 1/4000 seconds. This means that the photographer still has complete creative freedom by using selective focus at maximum apertures, even in bright situations. The short flash synchronisation speed of 1/180 seconds enables daylight flash exposures with selective focus.

Together with its compact form, the camera’s almost silent shutter is another enormous advantage for discreet and unobtrusive photography. Photographers can also select the appropriate moment for re-cocking the shutter. When longer exposure times requiring an extremely steady camera stance are essential, a slight pressure on the shutter release button in ‘soft release’ mode is sufficient.

Intuitive handling

The M9 offers a simple, clearly laid-out and intuitive menu system that concentrates purely on the essentials; eliminating any multifunction buttons or complex menu hierarchies. The key control is an intuitive four-way switch and dial combination that enables fast menu navigation. Pressing the set button calls up the capture menu on the 2.5" monitor, and the most commonly-used functions are quickly and easily set in the menu: sensor sensitivity, exposure correction, white balance, image-data compression and resolution. Furthermore, favourite profiles can be named and saved for quick and easy access.

Sensitivity ranges from ISO 80 for wide-open apertures on bright days to ISO 2500. Very low-noise and finely detailed images are achieved throughout the sensitivity range, even at the highest settings, while the low noise characteristics, low-vibration shutter and fast lenses make the M9 the perfect camera for ‘available light’ photography.

Innovative flash technology

The LEICA M9’s M-TTL flash technology enables both precise and creative control over flash and mixed lighting effects. Prior to the actual exposure, a measuring flash is emitted that is metered through the lens. The flash power is then precisely determined according to the natural lighting situation. Due to the precise and delicate level of flash illumination, the natural lighting mood is maintained. In combination with aperture priority exposure mode, the auto-slow sync function ensures a particularly subtle lighting of the subject.

Tonal value histogram

The LEICA M9 offers an RGB tonal value histogram, which can be displayed at any time for image assessment, and is available in conjunction with automatic image review. A clipping warning indicating any overexposure of the image is also included. These two quality control tools are updated during zooming, allowing the quality of even the finest image details to be assessed.

Digital workflow

Adobe Photoshop Lightroom, a professional digital workflow solution for Apple Mac OS X and Microsoft Windows, is available as an online download for all LEICA M9 customers. Adobe Photoshop Lightroom offers a vast range of functions for the management, processing and presentation of digital images, whether in JPEG or DNG format. If the images are saved as raw data in Adobe Digital Negative Format (DNG), Adobe Photoshop Lightroom guarantees direct and high-quality image processing with maximum image quality. The 14-bit-per-channel colour information captured by the image sensor is maintained throughout the processing workflow until the final presentation, and ensures that the most delicate tonal differences are preserved.

The M9 body is made from Mg-AZ91, a low weight, high strength Magnesium alloy

Build quality and materials

Experienced Leica technicians in Germany are responsible for the assembly and calibration of the M9 camera bodies, as well as the precise testing of all mechanical and electrical components. In addition to the solid brass top and base plate and magnesium alloy body, several other structural features of the camera will ensure a long and reliable working life. The rechargeable battery and SD card slot are protected from dust and moisture under the base plate, while the locking mechanism prevents unintentional opening and the possible loss of the battery and SD card, even under the hardest reportage conditions.

Sensor cleaning

The LEICA M9 offers a special function for manual sensor cleaning: selecting the appropriate item from the menu and pressing the shutter release locks the shutter open to allow access to the sensor for cleaning purposes. Thanks to the short register of Leica M cameras, the sensor is easier to access than in a DSLR camera, where the sensor is located behind the mirror box and shutter assembly.

Pricing and availability

The LEICA M9 will be available in the UK from 9 September 2009 at a suggested retail price of £4,850 inc VAT. For further details and a list of authorised dealers including the new Leica Store Mayfair, please visit www.leica-camera.co.uk.

US visitors can pre-order or check the black (body-only) price here and the steel paint finish here, at B&H Photo.

Read our recent review of the Leica M8.2

Leica introduce new 12-megapixel X1

Leica X1 adds AF functionality in a small size body

Leica Press Release

Leica Camera AG has announced the X1. Designed and made in Germany by Leica engineers, this camera is set to become a future classic. The desirable LEICA X1 achieves exceptionally high resolution and quality for a camera of such small dimensions, and will set new standards.

The LEICA X1 is equipped with a 12.2 megapixel CMOS sensor in APS-C format, as found in much larger DSLR cameras. This sensor, combined with the all-purpose LEICA ELMARIT 1:2.8/24 mm lens, offers outstanding picture quality comparable with professional cameras. Furthermore, the X1’s technical specifications and broad spectrum of setting options – from manual to automatic operation – makes it a perfect companion for creative photographers, while the compact size means it can be carried at all times – ideal for capturing those unique, spontaneous moments in life.

The large sensor area of the individual pixels on the CMOS sensor receive more light, guaranteeing low noise levels, high dynamic range and accurate colour differentiation. The crop factor of the sensor is 1.5 in comparison with 35mm film format, which means the fixed-mount LEICA ELMARIT 1:2.8/24 mm lens is transformed into a universal reportage lens with an effective (35mm equivalent) focal length of 36mm. This is a true classic amongst prime lenses and has captured innumerable iconic images in history.

Peter Kruschewski, product manager digital compact cameras at Leica Camera AG, commented, “The LEICA ELMARIT 1:2.8/24 ASPH is a true Leica lens with terrific optical performance. Its moderate wide-angle character creates sufficient distance when needed, but still allows photographers to get in close to pick out the details whenever the situation requires. This lens ensures that photographers won’t miss any shot, situation or detail, however fine.”

Interesting user layout allows aperture selection from the smaller of the two dials, line up the 'A' settings from both and you have program exposure

The straightforward design of the X1 is strongly reminiscent of the legendary Leica M cameras. This, in combination with its robust, all-metal construction and tactile, high-quality leather trim, makes the X1 typically ‘Leica’.

The LEICA X1 offers clearly laid-out, intuitive functions. For ‘uncomplicated’ photography, the X1 offers numerous automatic features ranging from precise autofocus to automatic exposure, guaranteeing photographers perfectly exposed, sharp images by simply pressing the shutter release. This allows the user to concentrate on the creative aspects of composition and framing.
Thanks to its numerous automatic functions, the X1 is always quick and versatile whenever the need arises.

Photographers can also achieve creative freedom with the camera’s manual control options. Both aperture and shutter speed can be selected manually with the easy-to-use dials on the top plate of the camera. Even the plane of focus can be set manually, along with white balance and various other image capture parameters. Consequently, the X1 offers photographers complete manual control of the creative process while also guaranteeing rapid reaction ability with its automatic functions, when required.

The large size of the sensor, a maximum sensitivity of ISO 3200 and large aperture make the LEICA X1 an ideal choice for ‘available light’ photography. Whether in adverse lighting conditions, or for conscious manipulation of depth of focus, the X1 offers numerous options for individual and creative composition.

The X1 has a similar layout to the M9, but notice the additional thumbwheel

The bright 2.7” display of the X1 almost fills the entire back of the camera and reveals the finest details, even in bright surroundings. The live-view function replaces an optical viewfinder and shows an accurate preview with all essential image information. The Live Mode also makes the X1 particularly versatile for shots taken from unusual perspectives.

Accessories and software

The X1 can be used with an optional viewfinder, saving power, and the 'bolt-on' handgrip is much like the M9's

The LEICA X1 offers a comprehensive range of accessories that expand the abilities of the camera and adapt it to the photographer’s personal photographic style: A 36-mm bright-line accessory, for instance, can be inserted in the camera’s accessory shoe and ensures a clear view without unnecessary power drain. If required, the camera display can be switched off when an accessory finder is used. In this case, a prominently placed LED indicates successful automatic focusing.

In addition to this, there is an accessory handgrip that aids the safe and secure handling of the camera. A comprehensive range of camera cases is also available: the ever-ready case offers sufficient room for the camera with an attached handgrip and includes a small case attached to the carrying strap to hold the accessory finder. The high-quality transport case offers perfect protection for the camera, while the attractively designed system case has space for the camera and all its accessories.

Leica found room to add a small pop-up flash

The LEICA X1 features a retractable flash that can do much more than simply replace other sources of light. It also serves as a fill-in flash and can even be synchronised to the second shutter curtain. If more power and flexibility is required, the Leica SF 24D and SF 58 system flash units are also compatible with the X1.

The LEICA X 1 is supplied with a battery charger and a high-performance battery, and also includes a comprehensive software package. Adobe Photoshop Lightroom, a professional digital workflow solution for Apple Mac OS X and Microsoft Windows, is available as an online download for all registered LEICA X1 customers. Adobe Photoshop Lightroom offers a vast range of functions for the management, processing and presentation of digital images, whether in JPEG or DNG format. If the images from the X1 are saved as raw data in Adobe Digital Negative format (DNG), Adobe Photoshop Lightroom guarantees direct and extremely high-quality image processing.

Pricing and availability

The LEICA X1 will be available in the UK from January 2010. UK pricing will be available nearer to date of launch. For further details and a list of authorised dealers including the new Leica Store Mayfair, please visit www.leica-camera.co.uk.

US visitors can pre-order or check the Leica X1 price here at B&H Photo. I'll check with Leica, but it appears the X1 is available in a chrome gunmetal finish only.

Update 6th October 2010; the X1 is now available in black.

Leica to announce new cameras today

Live Webcast on 9/9/2009 - The next Generation of Leica Cameras from leica camera on Vimeo.

Stay tuned today, as Leica have at least two product announcements to make. As well as hosting a live Webcast from New York at 9.00 am local time, the company also has a press launch in London today to coincide (at 2pm).

Full frame Leica M9 brochure leaked

After weeks of speculation the details of full-frame 18-megapixel Leica M9 has leaked, prior to the launch on the 09 September. A pdf of the M9 brochure leaked onto the net detailing the complete specification. The M9 uses a 23.9x 35.8mm CCD with an image size of 5270 x 3516 pixels; 18-megapixels in total. The LCD remains the same at 2.5-inches (230k pixel resolution), as does sensitivity, ranging from ISO80-2500, but it's now selectable in 0.3 ISO increments.

Interestingly, apart from the sensor and steel-grey paint option very little has changed between the M8.2 and the new model. Viewfinder magnification is also the same as the previous model at just 0.68x, however a Leica spokesperson told me to expect the M9 to be correspondingly more expensive (if this is for real, that is). For confirmation of the price and availability, we'll have to wait for the official announcement on Wednesday.

Read our recent review of the Leica M8.2

Amended: I've slept on this overnight, and I think it's real enough, but what have the designers done to the right of the camera body (from camera front)? There appears to be a ridge, from the top (to the right of the viewfinder) to the bottom plate! All it needed was a slant on the top-plate, where the film rewind knob would have sat if it were analogue, and a modest Leica script on the top-plate. Oh, and what happened to the frame counter?

Nikon D3x compatibility with rare 5cm Nikkor lenses

Nikon D3x with 5cm f/2 second version & 'tick-marked' (first) version (right)

I've a Nikon D3x in for some reviews I'm writing, and I happened to have a couple of early Nikkor lenses out of storage (headed for eBay). For some time I've wanted to see if the rare 'tick-marked' (i.e. first version) 5cm (50mm) f/2.0 Nikkor, from 1959, would fit Nikon's latest flagship.

The design of the aperture ring has changed many times over the years (and has now completely disappeared with the introduction of the G-series AF-S lenses). Manual focus Ai-S and modern AF lenses reveal the chrome-mount when fitted, necessitating the addition of a rubber seal (AF-S only) to prevent the ingress of dust and moisture. But this wasn't the case when Nikon announced their first SLR, the Nikon F in 1959.

Five lenses were introduced with the Nikon F initially; a 2.8cm f/3.5, 3.5cm f/2.8, the 5cm f/2.0 mentioned herewith, 10.5cm f/2.5 and 13.5cm f/3.5. Each one was 'tick-marked', like all the preceding S-series rangefinder lenses. Only a couple of hundred or so of each focal length featured the 'tick marks' (look at the distance and aperture scale, and you'll see white indicators), before it was removed. The example below has the distance scale marked in feet, a few were made in meters too.

Nippon Kogaku Nikkor-S 5cm f/2.0, first version

Sad to say, the 'tick-marked' 5cm f/2 doesn't fit, but I didn't think it would. It wasn't even close. You can't quite see in this photo but the aperture ring is raised by about 4mm (0.157-inch) above the bayonet mount. This stops the lens from mounting, not the plastic AI lever on the D3x body, which happens to slide over the aperture ring.

Somewhat surprisingly, the second version, another very early and still quite rare lens, with 'Pat. Pending' inscribed on the chrome barrel, fits as easily as a modern AF-S lens. That's because the aperture ring protrudes around 2mm, providing enough clearance for the three-claw bayonet to rotate and lock on the body mount. In most other respects the two lenses are very similar.

I took a few snaps with it too, in the office, and not only did it all work without a hitch , the quality looked fine. If I get chance, I'll post something more attractive than the items on my desk.

Incidentally, the 5cm f/2 'tick marked' lens was the first SLR lens Nikon ever made.

Panasonic LX3 compact in stock

With all the talk recently of the micro Four Thirds (mFT) Lumix GF1, the excellent Lumix LX3 high-end compact has been largely overlooked. As a result, maybe, those folks at Amazon (US) are now showing it as in stock. Better be quick, though.

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Panasonic DMC-LX3K 10.1MP Digital Camera with 2.5x Wide Angle MEGA Optical Image Stabilized Zoom (Black)

Panasonic announce Leica 45mm (90mm-e) f/2.8 macro

Panasonic has also announced today the Leica 45mm (90mm-e) f/2.8 macro. Remember, Panasonic make these in Japan under under license from Leica, but it's not inconceivable that we will see something from them, an mFT camera perhaps (though they have denied the intention to produce one). All will be revealed on the 09/09/09, though I have to say it's most likely a re-branded version of the GF1.

A New Micro Four Thirds Digital Interchangeable Lens

LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S.

with Outstanding Image Quality and High Mobility

Panasonic today unveiled a new macro lens from world renowned imaging brand Leica. The LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S. (35mm camera equivalent: 90mm) is the latest edition to the LUMIX G Micro System.

Eagerly anticipated by photographer enthusiasts worldwide, the new LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S. boasts a superb image quality with minimum distortion, chromatic aberrations as well as ghosts and flares that passes a stringent Leica standard to go beyond expectations.

The new lens system uses both an aspherical lens and an ED lens in its fourteen lenses in ten groups to achieve outstanding compactness, taking advantage of the Micro Four Thirds standard to achieve dramatic downsizing while minimizing distortion and chromatic aberration. Panasonic's Mega O.I.S. (Optical Image Stabilizer) suppresses the blurring that is commonly caused by hand-shake, making it easy to shoot sharply focused macro shots and produce detailed images in dimly lit places without using a tripod.

It incorporates an inner focus system of three groups of floating structure which enables excellent resolution and contrast without changing its overall length from full life-size magnification to infinity. The inclusion of a stepping motor makes the focusing action smooth and silent for use in both photo and movie recording. The closest focusing distance can be instantly changed to 15cm or 50 cm(0.5 ft to 1.64 ft) with the switch on the lens barrel according to the shooting opportunity. The LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S. lens also excels in portraits, middle-range snapshot, or landscapes in addition to the original full life-size macro shots.


When mounted on the LUMIX G Micro System Camera, the new lens allows use of the advanced contrast AF system, which includes a Face Recognition function, for more convenient, more enjoyable shooting. Seven blades give the aperture a rounded shape that produces an attractive smooth effect in out-of-focus areas when shooting at larger aperture settings. The new LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S. lens also features a highly reliable metal mount, and uses multi-coated lens elements that minimize ghosts and flare to further enhance its optical performance.

Panasonic add 40mm-e f/1.7 'pancake' lens

As we reported earlier in the year (though it was unconfirmed at the time), Panasonic has introduced today the 20mm (40mm-e) f/1.7 'pancake' lens. It's considerably faster (brighter), at 1.3 stops, than the rival Olympus optic for the Pen E-P1, though that is a more desirable 17mm (35mm-e) focal length (in my opinion). Note it's too small to include a Mega O.I.S (Optical Image Stabilizer) unit, but you could use it with the Pen E-P1 with its built-in anti-shake system.

Press release:

New Micro Four Thirds Digital Interchangeable Lens

LUMIX G 20mm / F1.7 ASPH.

A Compact and Lightweight Pancake with Outstanding Brightness.

Today Panasonic unveils a new pancake lens called the LUMIX G 20mm / F1.7 ASPH (35mm camera equivalent: 40mm) for the LUMIX G Micro System. The new LUMIX G 20mm has an amazing compact and light weight design despite having an ultra bright and fast F1.7 lens aperture, allowing images to show an impressive soft focus.

Comprising of seven lenses in 5 groups, the new lens system uses two aspherical lenses most effectively to minimize both distortion and chromatic aberrations, achieving super high resolution corner to corner. The versatile 20mm of focal distance (Equivalent to 40mm on a 35mm film camera) is suitable for a wide variety of occasions from daily snapshots including sceneries like sunsets and dimly lit indoor shots to the creative shots taking advantage of its beautiful soft focus. Mounted on a LUMIX G Micro System Camera, the LUMIX G 20mm / F1.7 ASPH allows use of the advanced contrast AF system, which includes a Face Recognition function, for more convenient, more enjoyable shooting.

Seven blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. The new LUMIX G 20mm / F1.7 ASPH lens also features a highly reliable metal mount, and uses multi-coated lens elements that minimize ghosts and flare to further enhance its optical performance.

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Amazon US: Panasonic LUMIX G 20mm f/1.7 Aspherical Pancake Lens for Micro Four Thirds Interchangeable Lens Cameras

Panasonic out rumored Lumix GF1

Panasonic has made the mFT (micro Four Thirds) Lumix GF1 official today, after weeks of speculation. This is clearly targeting the same market as the Olympus Pen E-P1, and Panasonic has even introduced a 40mm-e 'pancake' lens to go head-to-head with the Olympus 35mm-e f/2.8. An additional live view finder sounds like a good idea, in theory at least, we'll have to wait and see what's like in practice. And also unlike the Pen, the GF1 has a built-in flash and a higher res (460k dot) 3-inch screen.

Lots of comparisons will be made over the coming weeks, I'm sure, but it's not a forgone conclusion. Nice to have a choice, though. Expect to see Leica enter the fray with their own version*. I can't believe they would offer Leica-branded lenses without offering a camera and maybe a couple of lens adaptors for M and R series lenses while they're at it, like these.

Press release:

Berlin, Germany (September 2, 2009) – Panasonic today announced the newest addition to its LUMIX G Micro System line-up of advanced digital interchangeable lens system cameras based on the Micro Four Thirds system standard.

The GF1 packs a tiny built-in flash with a intricate, if not particularly elegant, mechanism to raise the unit high, presumably to reduce 'red-eye'

The new LUMIX DMC-GF1 debuts as the world’s smallest and lightest system camera with built-in flash*. The DMC-GF1 features an elegant, compact flat body and combines great performance with ultimate operating and shooting ease. Furthermore, it effectively optimizes the advantages of a system camera to assure outstanding image quality. The new camera is capable of recording vivid still shots, as well as smooth, beautiful motion pictures. It also features the advanced AVCHD Lite movie for recording extended HD movies, networking with other AV devices and recording in the Motion JPEG form at for greater compatibility with PCs.

Optional Live View finder features a hinge for working overhead, useful for macro work

The DMC-GF1 comes with unique functions that include exposure meter and shutter speed preview through the live view. A number of accessories, including the Live View Finder that provides full-time live view, makes photography a lot more fun, while expanding the user's artistic capabilities. The camera comes in three attractive body colors: true black, active red, and sleek silver. Experienced photographers will find the GF1 an ideal everyday camera, while those new to system cameras will see that it gives them the potential to explore realms of photography far beyond the limits of compact cameras.

The GF1 features a higher-res screen than the Olympus Pen (E-P1), and is featured above with the removable LV finder

The DMC-GF1 does not contain the pentaprism found on other standard interchangeable lens cameras. This mirror-less structure allows for an extremely thin neo-classic body design and significantly reduces the size of the G1 by 35% and its weight by 26%. Despite its size, the GF1 comes equipped with a built-in flash and boasts a large, 3.0-inch Intelligent LCD with a wide viewing angle and full 460,000-dot resolution. The Intelligent LCD offers extremely fine, automatic backlight control in combination with high resolution for outstanding viewing in sunny outdoor or dim indoor situations.

Panasonic has succeeded in raising the level of image quality for all LUMIX G Micro System cameras to rival or even surpass that of D-SLR cameras. The 4/3-type 12.1-megapixel Live MOS sensor in the GF1 offers the best of both worlds - the superior image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. It can deliver up to 60 frames-per-second Full-time Live View images, while reproducing images with fine detail and rich gradation. The sophisticated LSI (Venus Engine HD) separates chromatic noise from luminance noise and applies noise reduction to each, so users can capture beautiful images, even when shooting at high ISO sensitivity levels.

The DMC-GF1 also features My Colour mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, and Silhouette while inheriting the previous Custom mode that lets users manually set the colour, brightness and saturation levels. With the Live View function, users can see how these settings will affect the photo even before they shoot.

The DMC-GF1 can record 1280 x 720 high-definition motion picture in AVCHD Lite that features long recording time and high compatibility with audio-visual equipment. The action starts at a press of a button while most of the settings for photo recording are managed. Movie recording formats include HD Motion JPEG in 1280 x 720, QVGA, VGA and WVGA. Beginners can record excellent movies, because the popular iA (Intelligent Auto) is also available for motion image recording. Optical Image Stabilizer (O.I.S.) helps prevent handshake when using high-powered zoom, while Face Detection automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion so it always turns out beautifully. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change. Finally, Intelligent Scene Selector automatica lly switches between Normal, Portrait, Macro, Scenery, and Low Light modes according to the situation to optimize visual quality.

The GF1 uses contrast-detection AF with data from the imaging sensor, like the Olympus Pen E-P1, though Panasonic is claiming faster focusing than its rival

The contrast AF system in the DMC-GF1 features the industry’s high-speed (approx. 0.3 sec with a Lumix G standard zoom lens H-FS014045.) Users can choose from multiple-area AF with up to 23 focus areas, 1-area AF with a selectable focus area, Face Detection, and AF Tracking. The DMC-GF1 also has a Quick AF function that begins focusing as soon as the user aims the camera to enable quicker focusing. Continuous AF keeps the subject in focus at all times.

The DMC-GF1 has advanced functions that will satisfy experienced photographers and yet is easy for beginners to use, thanks to its improved iA mode. With Face Recognition*, up to six faces can be registered, and up to three can be simultaneously recognized to show their names once registered. When the familiar face appears in the frame again, the camera displays the name of that person and prioritizes focus and exposure so that the face is bright and in sharp focus. In addition to these advanced functions, the iA mode includes fundamental functions users need in a good digital still camera, including MEGA O.I.S., which helps prevent blurring from hand-shake, and Intelligent ISO Control, which reduces motion blur by adjusting the ISO sensitivity if the subject moves as the shot is taken. Intelligent Exposure optimizes the exposure for each part of an image to prevent blocked shadows and blown highlights and ensure that gradation and details are reproduced beautifully. It now features an automatic backlight compensation function that activates whenever the camera detects that the subject is in backlight. Intelligent Scene Selector automatically detects the four most common shooting situations - Portrait, Scenery, Close-up and Low-light - and switches to the appropriate Scene mode. The user can activate all of these functions simply by selecting iA mode.




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* Okay, I admit I was wrong, Leica hasn't announced a re-badged version (as yet), instead they opted for this.

Canon announce 18MP EOS 7D

Canon announced today the 18-megapixel EOS 7D, a APS-C format DSLR that packs HD video with a range of manual settings and variable frame rates, including 24fps. It was an expected move, after all Canon regularly updates its APS-C size EOS models, and the 15-megapixel EOS 50D hadn't sold well. I reviewed it for several print magazines, and found its high ISO performance was lacking when compared with the previous model, the EOS 40D. I really liked the EOS 40D though it went largely unnoticed by other reviewers.

The new EOS sits at the top of the APS-C range (see here for the full press-release) and it's clearly targeting Nikon's excellent D300 (Nikon must of heard of the development of the EOS 7D and recently updated it to include video with the recent launch of the D300s). As well as HD video - the latest must-have feature (okay it's nice to have, but doesn't work well in DSLRs ergonomically speaking), I was more interested in the EOS 7D's improved sealing.

The diagram below shows the EOS 7D to have some sealing (marked in red), but it's not fully sealed like the EOS 1D models. Incidentally, the green marking denotes tighter seams, so the EOS 7D could be well protected. Indeed, Canon say it has the same level of sealing as the EOS 1V, which is supposed to be pretty good by all accounts. I haven't used a EOS 1V in heavy rain but I have a tried EOS 5D Mk II, accidentally, and it survived.

Read the full (UK/Europe) press release here.

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Amazon US:<Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD (Body Only)

Amazon UK (not yet available to pre-order)

Leica to announce M9 on 09/09/09?

Leica camera are set to announce new models at the IFA (is one of these the much rumored M9?) and will have a Live Webcast of the event for which you can register in advance - see below for the details:

Live Webcast on 9/9/2009 - The next Generation of Leica Cameras from leica camera on Vimeo.

See our recent review of the Leica M8.2 here.

Nikon add new site for D3000 and D300s

Nikon has added a new mini-site extolling the virtues of their new D3000 and D300s. Click here for the link.

Please support our site and buy from our approved retailers (it won't cost you extra, and all commission is used to fund further reviews);

B&H Photo (New York);

Nikon D300S (pre-order)

Nikon D3000

Leica M8.2 review

Leica M8.2 with 35mm f/2 Summicron ASPH

The Leica M8.2 is a reworked version of the original M8 launched late 2006. At the time the M8 received mixed reviews and the M8.2 was Leica’s response to some of that criticism. At $5,995 / £3850 body only, the M8.2 is around $2000 / £1000 more than the original M8, which is still made. The differences between two then are really meant placate those who thought the M8 fell short of what was expected. If you’re not familiar with the brand, it’s a make that’s now bought by two types of customer; the die-hard pro and the collector.

In fairness to Leica, the company has to cater to both to survive but those customers have very different requirements. Long before the advent of DSLRs most imaging professionals criticised the manual mechanical M6 for having a built-in meter. But even as some of them began to adopt the DSLR, the replacement M7 was more-or-less dismissed as a serious camera, just because it had an electronic shutter. The firm quickly sidestepped the issue by introducing the mechanical MP, albeit with a meter, that found favour with both types of customer. There was a certain amount of trepidation then when the firm announced its intention to produce a digital M8.

Like most new offerings from the firm the M8 was criticised by professionals at first, but after time was largely accepted. One of the main gripes, apart from the 1.3x FOV cropped sensor, was the sensitivity to infra-red but a noisy shutter, inaccurate frame lines at mid-distance and plain-looking body covering was just too much for some users and reviewers.

M8.2

The M8.2 has the same body, layout and controls, though the matte black-chrome finish version, which is well-known as being prone to unsightly wear has been replaced by a classy black-paint model; it will ‘brass’, but it’s acknowledged as looking better. While the cosmetic changes have been a success, the replacing of the body material with a hard-wearing traditional-looking but ever-so slightly slippery synthetic vulcanite covering is less so, but hardly a point for concern.

The bottom plate must be removed to change SD (HC) cards and recharge the battery,

not unlike analog M-system cameras (when changing film)

A far more important tweak is the more definite click-stops between the drive-mode selector, surrounding the shutter release; you wont find it slipping from single-shot mode to the self-timer when that once in lifetime photo-op appears in front of you. We also approve of the re-configuring of the viewfinder frame lines; they now cover the sensor area when the lens is focused at 2m, roughly portrait distance, as opposed to the less useful 0.7m; the minimum focus distance of the 35mm (50mm equivalent) Summicron we had during the review.

Of course this a rangefinder camera; you don’t view through the taking lens, rather focusing and framing is a achieved through separate finders. Most of the common focal lengths use the built-in finder that sets frame lines automatically though longer focal lengths; 90mm for instance, occupies a small frame in the centre of viewfinder. It can be a shock, if you’re a dyed-in-the-wool DSLR user. Ultrawide lenses need an add-on finder, much like that seen re-introduced with the Olympus E-P1, but that additional real-estate, surrounding the area captured by the sensor, can be an aid to composition.

Focus is all manual; the brass helicoid adds to the overall weight of the lenses, but durability and optical precision is of paramount importance. You’ll have to reassess your focusing skills but it’s a relief from inappropriate distance detection and the occasional hunting back-and-forth of auto-focus systems. Sure, we got some out-of-focus shots, but it was down to us, not the CPU.

The 2.5-inch screen isn't overly large but it's ample for most tasks

Around the back the LCD screen stays the same 2.5-inches in size and resolution, which for the most part is perfectly adequate for day-to-day use including focus confirmation. The only change being the protective cover is now made from scratch-resistant sapphire glass. Menu operation isn’t quite as slick as it could be. Every setting either from the short-cut menu or the main menu requires confirmation before being accepted, which is fine once you get used to it. Settings don’t get changed accidentally and a well-placed Set button means it’s not as big a chore as it could have been. A rear command wheel is welcome for selection and focus confirmation but we found it a bit stiff in operation, though it feels like it will last a lifetime's use.

Leica has also altered the shutter mechanism (it's the same full-frame shutter from the R9 SLR), and while not as quiet as some high-end digital compacts, the noise is not unbearable and can be quietened further for single-shot use by delaying the noisier charging cycle till releasing the shutter button. Burst shooting isn’t exactly a strong point, but then it’s probably ample for most needs. We managed to capture ten Raw+ JPEG fine files in 5.6 seconds (1.8fps), before the buffer filled and the camera stalled.

We’re not so impressed by swapping the 1/8000sec max of the M8 for a Snap shot mode using auto selection of shutter speeds, ISOs and JPEG capture only along with a couple of suggested apertures, based on the lens in use. It won’t appeal to the majority of users but it’s easy enough to ignore, if you want to. For all that, the M8.2 offers manual exposure and aperture priority, just like the 35mm analog M7. Indeed, the M8 and M8.2 are amongst the least complicated digital cameras available; we found it made us concentrate more on our subject than endlessly checking and re-checking our settings. To our way of thinking, that’s got to be a good thing.

Picture Quality

With good exposure, ISO2500 isn't always 'off-limits'

In terms of performance, the M8.2 likely won’t impress pixel peepers; noise levels are higher then you might expect, with the maximum ISO2500 being very digital-looking and largely off-limits. However, noise is detectable in shadow areas at ISO320 but is fine grained up to ISO1250 and not unlike film. That’s not as big a deal as it might sound for low-light shooting. Thanks to the lack of a reflex mirror with their inherent image softening effect, rangefinders can use shutter speeds of at least one or two stops slower than SLRs.

Out-of-camera JPEG - no EV correction

Leica M8.2 with 35mm f/2.0 Summicron

Best of all though, using the defaults, Leica has set metering and exposure to deliver JPEGs with a good balance overall by means of excellent tonality; as opposed to the overexposed look for consumers or the pro-preference for slightly underexposed images. Shadow and highlight detail is excellent without either being excessively clipped, except in the most tricky (strongly-backlit) lighting. Out of camera mono (JPEG) images are sublime, if you like slightly lower contrast shots that is.

Default conversion from DNG, using ACR 5.4 beta and sharpened for web use

Leica M8.2 with 35mm f/2 Summicron at f/5.6, ISO160

The Silver Cup Public House

100-percent crop, actual pixels, from the above

White-balance is generally good, though the propensity to reveal ruddy skin tones and for magenta casts from certain black coloured synthetic materials under tungsten lighting doesn’t differ from the M8. The thin (0.5mm) sensor coverglass means detail from M-mount lenses is very high with Raw files, but we were unable to test it definitively using our preferred test target.

In Summary
Leica aren’t competing with a specific rival camera; the Epson R-D1x isn’t freely available in the West, though there are several models that maybe tempting, especially if price is a concern (when isn’t it?). The most immediately obvious perhaps is the rangefinder-like Olympus E-P1, especially as the short flange back distance means M-mount lenses can be fitted with an adaptor. Even without the ability to use M-mount lenses, the E-P1 works pretty well as a small, discrete camera for candids.

Of course a good DSLR may also make a practical alternative, but the M8.2 is most likely to appeal to those that already have one of those for other, specific jobs, such as fast action or more mainstream work. The M8.2 then is going to appeal to those wanting to use it for certain niche jobs; street photography and portraiture, and for that the M8.2 seems well suited.

We would have liked weatherproof sealing, (after all it’s featured on the forthcoming Leica S2) and maybe a full-frame (35mm form-factor) sensor, but that, if it's coming, is going to cost extra. We think Leica has successfully morphed the film based M cameras into the digital age, and if you liked using those, even with the few gripes we have, you’ll likely enjoy the M8.2.

Additional samples:

All the images above were taken with the outstanding Leica 35mm f/2 Summicron-M ASPH ($3,195).

Search for the M8.2 on eBay here.

Update:

Please note the Leica M8.2 has since been replaced by the 35mm full frame M9.


Search for the M8.2 on eBay here.

Read our concise review of the full-fram Leica M9 here.