Wednesday, 9 September 2009

Leica to announce new cameras today


Live Webcast on 9/9/2009 - The next Generation of Leica Cameras from leica camera on Vimeo.


Stay tuned today, as Leica have at least two product announcements to make. As well as hosting a live Webcast from New York at 9.00 am local time, the company also has a press launch in London today to coincide (at 2pm).


Sunday, 6 September 2009

Full frame Leica M9 brochure leaked


After weeks of speculation the details of full-frame 18-megapixel Leica M9 has leaked, prior to the launch on the 09 September. A pdf of the M9 brochure leaked onto the net detailing the complete specification. The M9 uses a 23.9x 35.8mm CCD with an image size of 5270 x 3516 pixels; 18-megapixels in total. The LCD remains the same at 2.5-inches (230k pixel resolution), as does sensitivity, ranging from ISO80-2500, but it's now selectable in 0.3 ISO increments.



Interestingly, apart from the sensor and steel-grey paint option very little has changed between the M8.2 and the new model. Viewfinder magnification is also the same as the previous model at just 0.68x, however a Leica spokesperson told me to expect the M9 to be correspondingly more expensive (if this is for real, that is). For confirmation of the price and availability, we'll have to wait for the official announcement on Wednesday.


Read our recent review of the Leica M8.2

Amended: I've slept on this overnight, and I think it's real enough, but what have the designers done to the right of the camera body (from camera front)? There appears to be a ridge, from the top (to the right of the viewfinder) to the bottom plate! All it needed was a slant on the top-plate, where the film rewind knob would have sat if it were analogue, and a modest Leica script on the top-plate. Oh, and what happened to the frame counter?

Friday, 4 September 2009

Nikon D3x compatibility with rare 5cm Nikkor lenses


Nikon D3x with 5cm f/2 second version & 'tick-marked' (first) version (right)

I've a Nikon D3x in for some reviews I'm writing, and I happened to have a couple of early Nikkor lenses out of storage (headed for eBay). For some time I've wanted to see if the rare 'tick-marked' (i.e. first version) 5cm (50mm) f/2.0 Nikkor, from 1959, would fit Nikon's latest flagship.

The design of the aperture ring has changed many times over the years (and has now completely disappeared with the introduction of the G-series AF-S lenses). Manual focus Ai-S and modern AF lenses reveal the chrome-mount when fitted, necessitating the addition of a rubber seal (AF-S only) to prevent the ingress of dust and moisture. But this wasn't the case when Nikon announced their first SLR, the Nikon F in 1959.

Five lenses were introduced with the Nikon F initially; a 2.8cm f/3.5, 3.5cm f/2.8, the 5cm f/2.0 mentioned herewith, 10.5cm f/2.5 and 13.5cm f/3.5. Each one was 'tick-marked', like all the preceding S-series rangefinder lenses. Only a couple of hundred or so of each focal length featured the 'tick marks' (look at the distance and aperture scale, and you'll see white indicators), before it was removed. The example below has the distance scale marked in feet, a few were made in meters too.

Nippon Kogaku Nikkor-S 5cm f/2.0, first version

Sad to say, the 'tick-marked' 5cm f/2 doesn't fit, but I didn't think it would. It wasn't even close. You can't quite see in this photo but the aperture ring is raised by about 4mm (0.157-inch) above the bayonet mount. This stops the lens from mounting, not the plastic AI lever on the D3x body, which happens to slide over the aperture ring.

Somewhat surprisingly, the second version, another very early and still quite rare lens, with 'Pat. Pending' inscribed on the chrome barrel, fits as easily as a modern AF-S lens. That's because the aperture ring protrudes around 2mm, providing enough clearance for the three-claw bayonet to rotate and lock on the body mount. In most other respects the two lenses are very similar.

I took a few snaps with it too, in the office, and not only did it all work without a hitch , the quality looked fine. If I get chance, I'll post something more attractive than the items on my desk.

Incidentally, the 5cm f/2 'tick marked' lens was the first SLR lens Nikon ever made.

Panasonic LX3 compact in stock




With all the talk recently of the micro Four Thirds (mFT) Lumix GF1, the excellent Lumix LX3 high-end compact has been largely overlooked. As a result, maybe, those folks at Amazon (US) are now showing it as in stock. Better be quick, though.

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Wednesday, 2 September 2009

Panasonic announce Leica 45mm (90mm-e) f/2.8 macro



Panasonic has also announced today the Leica 45mm (90mm-e) f/2.8 macro. Remember, Panasonic make these in Japan under under license from Leica, but it's not inconceivable that we will see something from them, an mFT camera perhaps (though they have denied the intention to produce one). All will be revealed on the 09/09/09, though I have to say it's most likely a re-branded version of the GF1.


A New Micro Four Thirds Digital Interchangeable Lens
LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S.
with Outstanding Image Quality and High Mobility

Panasonic today unveiled a new macro lens from world renowned imaging brand Leica. The LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S. (35mm camera equivalent: 90mm) is the latest edition to the LUMIX G Micro System.

Eagerly anticipated by photographer enthusiasts worldwide, the new LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S. boasts a superb image quality with minimum distortion, chromatic aberrations as well as ghosts and flares that passes a stringent Leica standard to go beyond expectations.

The new lens system uses both an aspherical lens and an ED lens in its fourteen lenses in ten groups to achieve outstanding compactness, taking advantage of the Micro Four Thirds standard to achieve dramatic downsizing while minimizing distortion and chromatic aberration. Panasonic's Mega O.I.S. (Optical Image Stabilizer) suppresses the blurring that is commonly caused by hand-shake, making it easy to shoot sharply focused macro shots and produce detailed images in dimly lit places without using a tripod.

It incorporates an inner focus system of three groups of floating structure which enables excellent resolution and contrast without changing its overall length from full life-size magnification to infinity. The inclusion of a stepping motor makes the focusing action smooth and silent for use in both photo and movie recording. The closest focusing distance can be instantly changed to 15cm or 50 cm(0.5 ft to 1.64 ft) with the switch on the lens barrel according to the shooting opportunity. The LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S. lens also excels in portraits, middle-range snapshot, or landscapes in addition to the original full life-size macro shots.


When mounted on the LUMIX G Micro System Camera, the new lens allows use of the advanced contrast AF system, which includes a Face Recognition function, for more convenient, more enjoyable shooting. Seven blades give the aperture a rounded shape that produces an attractive smooth effect in out-of-focus areas when shooting at larger aperture settings. The new LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S. lens also features a highly reliable metal mount, and uses multi-coated lens elements that minimize ghosts and flare to further enhance its optical performance.



Panasonic add 40mm-e f/1.7 'pancake' lens





As we reported earlier in the year (though it was unconfirmed at the time), Panasonic has introduced today the 20mm (40mm-e) f/1.7 'pancake' lens. It's considerably faster (brighter), at 1.3 stops, than the rival Olympus optic for the Pen E-P1, though that is a more desirable 17mm (35mm-e) focal length (in my opinion). Note it's too small to include a Mega O.I.S (Optical Image Stabilizer) unit, but you could use it with the Pen E-P1 with its built-in anti-shake system.

Press release:

New Micro Four Thirds Digital Interchangeable Lens
LUMIX G 20mm / F1.7 ASPH.
A Compact and Lightweight Pancake with Outstanding Brightness.

Today Panasonic unveils a new pancake lens called the LUMIX G 20mm / F1.7 ASPH (35mm camera equivalent: 40mm) for the LUMIX G Micro System. The new LUMIX G 20mm has an amazing compact and light weight design despite having an ultra bright and fast F1.7 lens aperture, allowing images to show an impressive soft focus.

Comprising of seven lenses in 5 groups, the new lens system uses two aspherical lenses most effectively to minimize both distortion and chromatic aberrations, achieving super high resolution corner to corner. The versatile 20mm of focal distance (Equivalent to 40mm on a 35mm film camera) is suitable for a wide variety of occasions from daily snapshots including sceneries like sunsets and dimly lit indoor shots to the creative shots taking advantage of its beautiful soft focus. Mounted on a LUMIX G Micro System Camera, the LUMIX G 20mm / F1.7 ASPH allows use of the advanced contrast AF system, which includes a Face Recognition function, for more convenient, more enjoyable shooting.

Seven blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. The new LUMIX G 20mm / F1.7 ASPH lens also features a highly reliable metal mount, and uses multi-coated lens elements that minimize ghosts and flare to further enhance its optical performance.



To pre-order or check the price, please use our one of our recommended retailers:

Panasonic out rumored Lumix GF1




Panasonic has made the mFT (micro Four Thirds) Lumix GF1 official today, after weeks of speculation. This is clearly targeting the same market as the Olympus Pen E-P1, and Panasonic has even introduced a 40mm-e 'pancake' lens to go head-to-head with the Olympus 35mm-e f/2.8. An additional live view finder sounds like a good idea, in theory at least, we'll have to wait and see what's like in practice. And also unlike the Pen, the GF1 has a built-in flash and a higher res (460k dot) 3-inch screen.

Lots of comparisons will be made over the coming weeks, I'm sure, but it's not a forgone conclusion. Nice to have a choice, though. Expect to see Leica enter the fray with their own version*. I can't believe they would offer Leica-branded lenses without offering a camera and maybe a couple of lens adaptors for M and R series lenses while they're at it, like these.

Press release:

Berlin, Germany (September 2, 2009) – Panasonic today announced the newest addition to its LUMIX G Micro System line-up of advanced digital interchangeable lens system cameras based on the Micro Four Thirds system standard.


The GF1 packs a tiny built-in flash with a intricate, if not particularly elegant, mechanism to raise the unit high, presumably to reduce 'red-eye'

The new LUMIX DMC-GF1 debuts as the world’s smallest and lightest system camera with built-in flash*. The DMC-GF1 features an elegant, compact flat body and combines great performance with ultimate operating and shooting ease. Furthermore, it effectively optimizes the advantages of a system camera to assure outstanding image quality. The new camera is capable of recording vivid still shots, as well as smooth, beautiful motion pictures. It also features the advanced AVCHD Lite movie for recording extended HD movies, networking with other AV devices and recording in the Motion JPEG form at for greater compatibility with PCs.


Optional Live View finder features a hinge for working overhead, useful for macro work


The DMC-GF1 comes with unique functions that include exposure meter and shutter speed preview through the live view. A number of accessories, including the Live View Finder that provides full-time live view, makes photography a lot more fun, while expanding the user's artistic capabilities. The camera comes in three attractive body colors: true black, active red, and sleek silver. Experienced photographers will find the GF1 an ideal everyday camera, while those new to system cameras will see that it gives them the potential to explore realms of photography far beyond the limits of compact cameras.


The GF1 features a higher-res screen than the Olympus Pen (E-P1), and is featured above with the removable LV finder

The DMC-GF1 does not contain the pentaprism found on other standard interchangeable lens cameras. This mirror-less structure allows for an extremely thin neo-classic body design and significantly reduces the size of the G1 by 35% and its weight by 26%. Despite its size, the GF1 comes equipped with a built-in flash and boasts a large, 3.0-inch Intelligent LCD with a wide viewing angle and full 460,000-dot resolution. The Intelligent LCD offers extremely fine, automatic backlight control in combination with high resolution for outstanding viewing in sunny outdoor or dim indoor situations.

Panasonic has succeeded in raising the level of image quality for all LUMIX G Micro System cameras to rival or even surpass that of D-SLR cameras. The 4/3-type 12.1-megapixel Live MOS sensor in the GF1 offers the best of both worlds - the superior image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. It can deliver up to 60 frames-per-second Full-time Live View images, while reproducing images with fine detail and rich gradation. The sophisticated LSI (Venus Engine HD) separates chromatic noise from luminance noise and applies noise reduction to each, so users can capture beautiful images, even when shooting at high ISO sensitivity levels.

The DMC-GF1 also features My Colour mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, and Silhouette while inheriting the previous Custom mode that lets users manually set the colour, brightness and saturation levels. With the Live View function, users can see how these settings will affect the photo even before they shoot.

The DMC-GF1 can record 1280 x 720 high-definition motion picture in AVCHD Lite that features long recording time and high compatibility with audio-visual equipment. The action starts at a press of a button while most of the settings for photo recording are managed. Movie recording formats include HD Motion JPEG in 1280 x 720, QVGA, VGA and WVGA. Beginners can record excellent movies, because the popular iA (Intelligent Auto) is also available for motion image recording. Optical Image Stabilizer (O.I.S.) helps prevent handshake when using high-powered zoom, while Face Detection automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion so it always turns out beautifully. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change. Finally, Intelligent Scene Selector automatica lly switches between Normal, Portrait, Macro, Scenery, and Low Light modes according to the situation to optimize visual quality.


The GF1 uses contrast-detection AF with data from the imaging sensor, like the Olympus Pen E-P1, though Panasonic is claiming faster focusing than its rival

The contrast AF system in the DMC-GF1 features the industry’s high-speed (approx. 0.3 sec with a Lumix G standard zoom lens H-FS014045.) Users can choose from multiple-area AF with up to 23 focus areas, 1-area AF with a selectable focus area, Face Detection, and AF Tracking. The DMC-GF1 also has a Quick AF function that begins focusing as soon as the user aims the camera to enable quicker focusing. Continuous AF keeps the subject in focus at all times.

The DMC-GF1 has advanced functions that will satisfy experienced photographers and yet is easy for beginners to use, thanks to its improved iA mode. With Face Recognition*, up to six faces can be registered, and up to three can be simultaneously recognized to show their names once registered. When the familiar face appears in the frame again, the camera displays the name of that person and prioritizes focus and exposure so that the face is bright and in sharp focus. In addition to these advanced functions, the iA mode includes fundamental functions users need in a good digital still camera, including MEGA O.I.S., which helps prevent blurring from hand-shake, and Intelligent ISO Control, which reduces motion blur by adjusting the ISO sensitivity if the subject moves as the shot is taken. Intelligent Exposure optimizes the exposure for each part of an image to prevent blocked shadows and blown highlights and ensure that gradation and details are reproduced beautifully. It now features an automatic backlight compensation function that activates whenever the camera detects that the subject is in backlight. Intelligent Scene Selector automatically detects the four most common shooting situations - Portrait, Scenery, Close-up and Low-light - and switches to the appropriate Scene mode. The user can activate all of these functions simply by selecting iA mode.




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* Okay, I admit I was wrong, Leica hasn't announced a re-badged version (as yet), instead they opted for this.




Tuesday, 1 September 2009

Canon announce 18MP EOS 7D




Canon announced today the 18-megapixel EOS 7D, a APS-C format DSLR that packs HD video with a range of manual settings and variable frame rates, including 24fps. It was an expected move, after all Canon regularly updates its APS-C size EOS models, and the 15-megapixel EOS 50D hadn't sold well. I reviewed it for several print magazines, and found its high ISO performance was lacking when compared with the previous model, the EOS 40D. I really liked the EOS 40D though it went largely unnoticed by other reviewers.

The new EOS sits at the top of the APS-C range (see here for the full press-release) and it's clearly targeting Nikon's excellent D300 (Nikon must of heard of the development of the EOS 7D and recently updated it to include video with the recent launch of the D300s). As well as HD video - the latest must-have feature (okay it's nice to have, but doesn't work well in DSLRs ergonomically speaking), I was more interested in the EOS 7D's improved sealing.

The diagram below shows the EOS 7D to have some sealing (marked in red), but it's not fully sealed like the EOS 1D models. Incidentally, the green marking denotes tighter seams, so the EOS 7D could be well protected. Indeed, Canon say it has the same level of sealing as the EOS 1V, which is supposed to be pretty good by all accounts. I haven't used a EOS 1V in heavy rain but I have a tried EOS 5D Mk II, accidentally, and it survived.






Read the full (UK/Europe) press release here.

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Amazon UK (not yet available to pre-order)


Monday, 31 August 2009

Leica to announce M9 on 09/09/09?


Leica camera are set to announce new models at the IFA (is one of these the much rumored M9?) and will have a Live Webcast of the event for which you can register in advance - see below for the details:

Live Webcast on 9/9/2009 - The next Generation of Leica Cameras from leica camera on Vimeo.


See our recent review of the Leica M8.2 here.


Thursday, 27 August 2009

Nikon add new site for D3000 and D300s





Nikon has added a new mini-site extolling the virtues of their new D3000 and D300s. Click here for the link.

Please support our site and buy from our approved retailers (it won't cost you extra, and all commission is used to fund further reviews);

B&H Photo (New York);


Nikon D3000


Saturday, 22 August 2009

Leica M8.2 review



Leica M8.2 with 35mm f/2 Summicron ASPH

The Leica M8.2 is a reworked version of the original M8 launched late 2006. At the time the M8 received mixed reviews and the M8.2 was Leica’s response to some of that criticism. At $5,995 / £3850 body only, the M8.2 is around $2000 / £1000 more than the original M8, which is still made. The differences between two then are really meant placate those who thought the M8 fell short of what was expected. If you’re not familiar with the brand, it’s a make that’s now bought by two types of customer; the die-hard pro and the collector.

In fairness to Leica, the company has to cater to both to survive but those customers have very different requirements. Long before the advent of DSLRs most imaging professionals criticised the manual mechanical M6 for having a built-in meter. But even as some of them began to adopt the DSLR, the replacement M7 was more-or-less dismissed as a serious camera, just because it had an electronic shutter. The firm quickly sidestepped the issue by introducing the mechanical MP, albeit with a meter, that found favour with both types of customer. There was a certain amount of trepidation then when the firm announced its intention to produce a digital M8.

Like most new offerings from the firm the M8 was criticised by professionals at first, but after time was largely accepted. One of the main gripes, apart from the 1.3x FOV cropped sensor, was the sensitivity to infra-red but a noisy shutter, inaccurate frame lines at mid-distance and plain-looking body covering was just too much for some users and reviewers.






M8.2
The M8.2 has the same body, layout and controls, though the matte black-chrome finish version, which is well-known as being prone to unsightly wear has been replaced by a classy black-paint model; it will ‘brass’, but it’s acknowledged as looking better. While the cosmetic changes have been a success, the replacing of the body material with a hard-wearing traditional-looking but ever-so slightly slippery synthetic vulcanite covering is less so, but hardly a point for concern.


The bottom plate must be removed to change SD (HC) cards and recharge the battery,
not unlike analog M-system cameras (when changing film)

A far more important tweak is the more definite click-stops between the drive-mode selector, surrounding the shutter release; you wont find it slipping from single-shot mode to the self-timer when that once in lifetime photo-op appears in front of you. We also approve of the re-configuring of the viewfinder frame lines; they now cover the sensor area when the lens is focused at 2m, roughly portrait distance, as opposed to the less useful 0.7m; the minimum focus distance of the 35mm (50mm equivalent) Summicron we had during the review.


Of course this a rangefinder camera; you don’t view through the taking lens, rather focusing and framing is a achieved through separate finders. Most of the common focal lengths use the built-in finder that sets frame lines automatically though longer focal lengths; 90mm for instance, occupies a small frame in the centre of viewfinder. It can be a shock, if you’re a dyed-in-the-wool DSLR user. Ultrawide lenses need an add-on finder, much like that seen re-introduced with the Olympus E-P1, but that additional real-estate, surrounding the area captured by the sensor, can be an aid to composition.

Focus is all manual; the brass helicoid adds to the overall weight of the lenses, but durability and optical precision is of paramount importance. You’ll have to reassess your focusing skills but it’s a relief from inappropriate distance detection and the occasional hunting back-and-forth of auto-focus systems. Sure, we got some out-of-focus shots, but it was down to us, not the CPU.


The 2.5-inch screen isn't overly large but it's ample for most tasks


Around the back the LCD screen stays the same 2.5-inches in size and resolution, which for the most part is perfectly adequate for day-to-day use including focus confirmation. The only change being the protective cover is now made from scratch-resistant sapphire glass. Menu operation isn’t quite as slick as it could be. Every setting either from the short-cut menu or the main menu requires confirmation before being accepted, which is fine once you get used to it. Settings don’t get changed accidentally and a well-placed Set button means it’s not as big a chore as it could have been. A rear command wheel is welcome for selection and focus confirmation but we found it a bit stiff in operation, though it feels like it will last a lifetime's use.



Leica has also altered the shutter mechanism (it's the same full-frame shutter from the R9 SLR), and while not as quiet as some high-end digital compacts, the noise is not unbearable and can be quietened further for single-shot use by delaying the noisier charging cycle till releasing the shutter button. Burst shooting isn’t exactly a strong point, but then it’s probably ample for most needs. We managed to capture ten Raw+ JPEG fine files in 5.6 seconds (1.8fps), before the buffer filled and the camera stalled.

We’re not so impressed by swapping the 1/8000sec max of the M8 for a Snap shot mode using auto selection of shutter speeds, ISOs and JPEG capture only along with a couple of suggested apertures, based on the lens in use. It won’t appeal to the majority of users but it’s easy enough to ignore, if you want to. For all that, the M8.2 offers manual exposure and aperture priority, just like the 35mm analog M7. Indeed, the M8 and M8.2 are amongst the least complicated digital cameras available; we found it made us concentrate more on our subject than endlessly checking and re-checking our settings. To our way of thinking, that’s got to be a good thing.

Picture Quality



With good exposure, ISO2500 isn't always 'off-limits'

In terms of performance, the M8.2 likely won’t impress pixel peepers; noise levels are higher then you might expect, with the maximum ISO2500 being very digital-looking and largely off-limits. However, noise is detectable in shadow areas at ISO320 but is fine grained up to ISO1250 and not unlike film. That’s not as big a deal as it might sound for low-light shooting. Thanks to the lack of a reflex mirror with their inherent image softening effect, rangefinders can use shutter speeds of at least one or two stops slower than SLRs.


Out-of-camera JPEG - no EV correction
Leica M8.2 with 35mm f/2.0 Summicron

Best of all though, using the defaults, Leica has set metering and exposure to deliver JPEGs with a good balance overall by means of excellent tonality; as opposed to the overexposed look for consumers or the pro-preference for slightly underexposed images. Shadow and highlight detail is excellent without either being excessively clipped, except in the most tricky (strongly-backlit) lighting. Out of camera mono (JPEG) images are sublime, if you like slightly lower contrast shots that is.


Default conversion from DNG, using ACR 5.4 beta and sharpened for web use
Leica M8.2 with 35mm f/2 Summicron at f/5.6, ISO160

The Silver Cup Public House
100-percent crop, actual pixels, from the above

White-balance is generally good, though the propensity to reveal ruddy skin tones and for magenta casts from certain black coloured synthetic materials under tungsten lighting doesn’t differ from the M8. The thin (0.5mm) sensor coverglass means detail from M-mount lenses is very high with Raw files, but we were unable to test it definitively using our preferred test target.

In Summary
Leica aren’t competing with a specific rival camera; the Epson R-D1x isn’t freely available in the West, though there are several models that maybe tempting, especially if price is a concern (when isn’t it?). The most immediately obvious perhaps is the rangefinder-like Olympus E-P1, especially as the short flange back distance means M-mount lenses can be fitted with an adaptor. Even without the ability to use M-mount lenses, the E-P1 works pretty well as a small, discrete camera for candids.

Of course a good DSLR may also make a practical alternative, but the M8.2 is most likely to appeal to those that already have one of those for other, specific jobs, such as fast action or more mainstream work. The M8.2 then is going to appeal to those wanting to use it for certain niche jobs; street photography and portraiture, and for that the M8.2 seems well suited.

We would have liked weatherproof sealing, (after all it’s featured on the forthcoming Leica S2) and maybe a full-frame (35mm form-factor) sensor, but that, if it's coming, is going to cost extra. We think Leica has successfully morphed the film based M cameras into the digital age, and if you liked using those, even with the few gripes we have, you’ll likely enjoy the M8.2.

Additional samples:






All the images above were taken with the outstanding Leica 35mm f/2 Summicron-M ASPH ($3,195).

Search for the M8.2 on eBay here.

Update:

Please note the Leica M8.2 has since been replaced by the 35mm full frame M9.


Search for the M8.2 on eBay here.


Read our concise review of the full-fram Leica M9 here.


Friday, 21 August 2009

Leica M8.2 review coming shortly





We've had a Leica M8.2 courtesy of the firm for a while, and will be posting a review in the next few days. If there's anything you want to know about it specifically, now would be a good time to ask.

Read my review of the Leica M8.2 here.


Wednesday, 19 August 2009

Canon out 10MP PowerShot G11







As expected Canon today announced the upgrade to the high-end G10, called, not surprisingly, the G11. What is a surprise though, is that resolution drops from 14.7-megapixels to 10-megapixels (to reduce noise levels, and allow sensitivity up to ISO3200 at full resolution).

However, while industry pundits expected the sensor to be a CMOS unit, and maybe use a large DSLR format sensor, Canon stayed with the 1/1.7-in type that's usually reserved for digital compacts. Despite that, it seems like manufacturers are finally getting the message about pixel counts. Certainly rival Panasonic seem to be selling all they can make of the 10-million pixel LX3 / Leica D-Lux 4.

The image stabilized (IS) lens looks to be identical to the G10's, and we applaud the return of the vari-angle screen to the G-series compacts - not seen since the G7, if memory serves*. All that's missing is a fast maximum aperture. Still, you can't have everything, after all what would they sell you tomorrow?

According to Canon, the PowerShot G11 will be available from early October 2009 priced at $499 / £569.00 / €659.00 RRP inc. VAT. Can anyone tell me from Canon, why Europe is paying such a high price?

Read the full press release here.

Our friend David, over at the MacCreate site, had live coverage of the event from NYC.

The PowerShot G11 is available for pre-order at B&H Photo, Amazon US and Amazon UK.



* Never trust to memory when you can look up one of your own reviews; it was G6, not the G7, that was the last G-series to have an articulated screen.




Tuesday, 18 August 2009

Leica confirm Europe specification of S2 system





Following the US press-release on Friday last, Leica UK has announced the full-specification of the forthcoming Leica S2 camera body and system. The camera is expected to be available in October.

Leica UK Press release:

The LEICA S2: In a class of its own


18 August 2009: Following the announcement of the availability and pricing of its new S-System last month, Leica has now revealed the full specifications of the camera and lens system. This ground-breaking new product will set the standard in professional digital photography.

A perfect synthesis
The LEICA S2’s excellence is based not only on its high-resolution image sensor but also the unique S format and full range of features, such as autofocus, high-speed MAESTRO image processor, highly durable design and optimal size and ease-of-use for the professional photographer. The S2 achieves a perfect combination of the highest image quality in a camera with unrivalled ease-of-use. It breaks new ground in every way, ensuring that photographers will enjoy perfect results from a camera that is truly easy to handle. The Leica S-System is the only professional camera system to make a clean break from legacy categories such as the 35mm or medium format and was developed solely for the digital domain. This means the LEICA S2 has established its own format focused primarily on ease-of-use and optimal image quality - the Leica S format. This format pioneers the optimal quality of all components and embodies easy handling, giving photographers the creative scope they require. The decisive advantage of the LEICA S2 is in the sum of its features: flexibility, durability and easy operation combined with industry-leading resolution and image quality. The S2 outperforms other camera systems in the medium-format category, setting a completely new standard for quality.



A unique image sensor design for unparalleled quality
The S2’s image sensor was developed especially for the S system by Kodak. With a resolution of 37.5 megapixels, the 30 x 45mm CCD sensor features an aspect ratio of 3:2 and an area nearly 60% larger than that of a traditional 35mm camera, resulting in stunning image quality. In the interest of preserving image sharpness, the camera dispenses with the standard low-pass filter. Instead, Moiré effects are detected and eliminated by the camera's internal signal processing, thus taking full advantage of the system's high-resolution lenses. A special micro-lens pattern allows complete capture of angled light rays on the image periphery for optimal use of available light. With a sensitivity of up to ISO 1250, low-noise images can be captured under limited lighting conditions.

Compact design and familiar feel
The LEICA S2 has the look and feel of traditional 35mm SLR cameras, preserving the handling qualities that have long been appreciated by professional photographers. The integration of electronic components and the very latest design methods have made the S2 remarkably smaller than other medium-format cameras. The number of controls has been kept to a bare minimum without limiting the camera’s many features and options. Operation of the S2 becomes intuitive after minimal operation of the camera. The result is a finely balanced camera with a comfortable weight that allows photographers to work spontaneously.

The size and weight are far lower than comparable medium-format systems in a camera that features a high-resolution CCD and high-speed operation. The LEICA S2 is not only the right choice for the studio, but also for working on location and capturing images without the use of a tripod.




Faster results with a high-speed system
The S2’s high-speed MAESTRO image processor chip and additional camera control processor deliver exceptional processing power. Fast signal processing by the MAESTRO chip allows up to 1.5 images per second at maximum resolution. The powerful MAESTRO dual processor allows high-quality JPEG files to be created in the camera – the only medium-format camera to have this feature. The LEICA S2 has slots for both Compact Flash and SD, with an option for saving RAW format Adobe DNG data onto Compact Flash and JPEG to the SD card, simultaneously. This allows for easy image viewing on the camera while streamlining post-processing. Using Adobe DNG for raw imaging data gives photographers the ultimate flexibility because this open-source data format is supported by almost all major graphic-editing and workflow solutions. Leica supplies the universal Adobe Lightroom workflow solution as part of the camera’s equipment. Leica’s proprietary Image Shuttle software allows all the S2 features to be controlled remotely from a computer, and image files are written directly onto the hard drive for immediate processing. An HDMI interface allows images to be presented and checked directly on monitors, television screens and projectors.

Reference-class lenses
The highest priority during development of the Leica S lenses was image quality. Their sophisticated design features special grades of glass and aspherical surfaces rarely found in optics of this size. In addition, lenses manufactured to extremely narrow tolerances, with each lens centered by hand, guarantees superior quality and optical performance. The maximum performance of each lens is available even at full aperture setting, or when shooting from a distance or capturing close-up images. Vignetting, distortion and chromatic aberrations have been reduced to the point of imperceptibility, eliminating the need for quality-degrading image corrections and simplifying digital post-processing considerably. The newly developed S-bayonet mount ensures rapid and precise digital exchange of data and commands between the camera and lens.

Four S series lenses will be launched for the key focal lengths by the end of 2009, including the classic LEICA SUMMARIT-S 70mm F/2.5 ASPH and the LEICA APO-TELE-ELMAR-S F/180mm telephoto lens. The LEICA APO-MACRO-SUMMARIT-S 120mm F/2.5, the solution for close-ups and portraits, and the wide-angle LEICA SUMMARIT-S 35mm F/2.5 ASPH are set to follow in late 2009. By multiplying the listed focal distances by 0.8, the user is given a comparison to corresponding 35mm-format lenses. A selection of the S lenses will also be available in a CS variant with an integrated focal-plane shutter. Leica is planning to prioritise the expansion of its range of S lenses in the near future.

Dual shutter system
The LEICA S2 allows photographers to choose the shutter system that best matches the task at hand. The S2 is equipped with a metal focal-plane shutter with the fastest shutter speed of 1/4000 of a second and a flash synch time of 1/125 of a second. Lenses of key focal lengths will be available in the future with integrated leaf shutters designed by Leica engineers that photographers can activate via the camera’s main switch. The integrated leaf shutter allows flash units to be used at the fastest shutter speed of 1/500 of a second, giving photographers more options for suppressing unwanted ambient light. Several patents are pending for the Leica leaf shutter, which features an electronically-controlled drive guaranteeing reliable, fast exposure times and low energy consumption.

Precise, high-speed autofocus
The autofocus developed by Leica for the S2 is based on a centrally positioned cross-hair sensor for high precision focusing. Each S lens has its own Leica-designed microprocessor for precise autofocus and iris diaphragm control. The integrated focusing drive is a proprietary Leica design that features silent gearing. All S lenses have a generous focus ring with just the right amount of drag, letting the photographer override the autofocus at any time.

Rugged, durable design
The camera’s body is made of robust die-cast magnesium with a leather-grain finish for maximum grip. The S2 and all S lenses are extensively weatherproofed and can withstand exposure to rain and dust, and the USB and remote control ports feature rugged bayonet locks with strain relief. The S2 can also be supplied with a highly scratch-resistant LEICA S2-P sapphire glass display cover for the most extreme and demanding conditions.

Authorised sales and service network
The LEICA S2 is only sold through authorised dealers who also offer access to specialised support as part of the extended S-System service package. The S-System will have its own customer care team with a dedicated helpline, making immediate service accessible for any questions that may arise. Professional photographers who demand absolute reliability from their camera systems can choose from additional service package upgrades to enhance the standard warranty coverage. The Platinum service package includes free maintenance in addition to offering loan equipment for the duration of the service work. More information can be found in the service package information below.

Pricing and availability
From October 2009, LEICA S2 will be available at an SRP of £15,996 from selected authorised dealers. At £19,092, the LEICA S2-P with sapphire display includes the Platinum service package.

The LEICA SUMMARIT-S 70 mm f/2.5 ASPH. at £3,096 and the LEICA APO-TELE-ELMAR-S 180 mm f/3.5 for £4,541 will also be available when the S2 is launched. The LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5, also priced at £4,541, and the LEICA SUMMARIT-S 35 mm f/2.5 ASPH., priced at £3,612, will reach the market in late 2009.

The CS variant models of the S lenses will be introduced successively over time. The first CS models to reach dealers will be the LEICA SUMMARIT-S 70 mm f/2.5 ASPH. CS (£4,025), the LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5 CS and the LEICA APO-TELE-ELMAR-S 180 mm f/3,5 CS (the macro and telephoto priced at £5,160 each).

The LEICA SUMMARIT-S 35 mm f/2.5 ASPH. CS will follow for £4,231. Accessories for the S2 will also be available at launch, including the professional S charging unit that recharges two batteries simultaneously (£258) as well as various components such as alternative viewfinder screens. Specialist dealers will also offer accessories such as lens caps, cable releases and the LEICA SF 58 flash unit. An S all-purpose grip will be available in early 2010 for £851. Prices include VAT.


Technical data LEICA S2 / LEICA S2-P

Camera type: Digital single-lens reflex camera for use with Leica S lenses
Image sensor: low-noise Kodak CCD sensor. Resolution: 37.5 megapixels (7,500 x 5,000).
Size: 45 x 30mm, pixel spacing: 6µm. Aspect ratio: 3:2.
Dynamic range: 12 stops, colour depth: 16 bits per pixel, low-pass filter: none (Moiré detection and suppression using digital signal processing)
Sensitivity range: ISO 80 to 1250 (manual or automatic control)
Data storage (format): DNG (approx. 75 MB per image), JPEG (basic or fine),
Memory cards: CompactFlash (up to 64 GB), SD cards (HC)
Maximum frame rate: 1.5 images/s, buffer memory: 1 GB (for a minimum sequence of 8 images in DNG format)
Control monitor: 3-inch TFT with 460,000 pixels, 16 million colours, cover glass: highly abrasion and scratch resistant sapphire glass (only with the LEICA S2-P)
Connections: High-speed USB 2.0 (robust connection with strain-relief, cable included), HDMI, remote release, X sync, SCA3002
Exposure metering: Multi-field metering (5 fields), centre-weighted integral metering, spot metering (3.5%)
Exposure control: Program mode (with Shift function), shutter priority, aperture priority, manual metering
Shutter: Metal focal-plane shutter integrated in body: 1/4000 s to 32 s (B to 120 s), flash sync time: 1/125 s, optional leaf shutter in selected lenses: 1/500 s to 32 s, flash synch time: All speeds
Flash operation: Metering method: TTL (multi-field, center-weighted, spot), TTL-HSS rapid synchronisation up to 1/4000 s with focal plane shutter, Compatibility: fully compatible with LEICA SF 58 and devices with SCA3002 adapters
Auto Focus: Central crosshair sensor, focusing drive in lens
Operating Modes: AF Continuous, AF Single, MF, MF Override
Viewfinder: High eye-point pentaprism viewfinder
Magnification: 0.86x, viewfinder field: 96%, dioptre compensation -3 to +1,
focusing screen: Matte with cross-hairs (interchangeable)
Power supply: Li-Ion battery (7.4 V, 2150 mAh)
Housing: Die-cast magnesium, size (without lens):
160 x 120 x 80 mm, weight: 1410 g (including battery), resistant to dust and dripping/splashing water
Scope of supply Software: Adobe Lightroom, Leica Image Shuttle, one battery, charging unit, USB cable


Technical data LEICA SUMMARIT-S 35 mm f/2.5 ASPH. (CS)

Lenses/groups: 11/9 (2 aspherical surfaces)
Optical design: Rear group focusing
Image angle (diagonal,
horizontal, vertical): approx. 75°, 65°, 46°, approx. corresponds to 28 mm
in 35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.55 m
Largest image scale: 1:11
Filter thread size: 82 mm
Dimensions
(diameter/length): 88 mm/122 mm
Weight: 930 g (CS: 1080 g)


Technical data LEICA SUMMARIT-S 70 mm f/2.5 ASPH. (CS)

Lenses/groups: 8/6 + 1 protective filter (1 aspherical surface)
Optical design: Floating element focusing*
Image angle (diagonal,
horizontal, vertical): approx. 42°, 35,5°, 24°, approx. corresponds to 56 mm
in 35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.5 m
Largest image scale: 1:4.7
Filter thread size: 82 mm
Dimensions
(diameter/length): 90 mm/93 mm
Weight: 740 g (CS: 890 g)

*during focusing the relative position of two lens elements changes compared to the rest of the optical system


Technical data LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5 (CS)

Lenses/groups: 9/7
Optical design: Floating element focusing*
Image angle (diagonal,
horizontal, vertical): approx. 25°, 21°, 14°, approx. corresponds to 96 mm in
35 mm-format
Aperture range: 2.5 to 22
Shortest distance: 0.57 m
Largest image scale: 1:2
Filter thread size: 72 mm
Dimensions
(diameter/length): 91 mm/128 mm
Weight: 1135 g (CS: 1285 g)

*during focusing the relative position of two lens elements changes compared to the rest of the optical system

Technical data LEICA APO-TELE-ELMAR-S 180 mm f/3.5 (CS)

Lenses/groups: 9/7
Optical design: Internal focusing
Image angle (diagonal,
horizontal, vertical): approx. 17°, 14°, 9.5°, approx. corresponds to 144 mm
in 35 mm-format
Aperture range: 3.5 to 32
Shortest distance: 1.5 m
Largest image scale: 1:7
Filter thread size: 72 mm
Dimensions
(diameter/length): 88 mm/151 mm
Weight: 1150 g (CS: 1300 g )

Overview of service packages for LEICA S2 body and S2 lenses


Service package/ Warranty Premium package Platinum package
Type of service


Validity (validity always
commences with date
of purchasing S product): 12-months 24 months 24 months

1-year extension: no yes yes

Dedicated Leica
service helpline: yes yes yes

Product replacement within the first 3 months after purchase of new product:

no yes yes
Replacement parts
stocked 6 years: yes yes yes

30% repair discount: no yes yes


Replacement unit free of charge for duration of repair (24 hrs):

no no yes
Free maintenance (including one shutter replacement):

no no yes


Saturday, 15 August 2009

Shriro announce Masters of Photography




Shriro HK, the Hasselblad importer for the Far East, has announced the Masters of Photography Exhibition Series in Hong Kong will be held over 22nd-30th August 2009. See here for more details.

Sponsored by HP, SanDisk, Broncolor and Hahnemühle, the exhibition will also be shown in Copenhagen, New York and London. The dates and venues have yet to be confirmed.


Monday, 10 August 2009

Mamiya announce three new digital backs




Mamiya has today announced three new digital backs; the M18, M22 and M31, with resolutions of 18-22-and-31 megapixels, respectively. Mamiya has also announced the backs will be fully compatible with the forthcoming 645DF, showcased at the 2009 Tokyo Photo Imaging Expo.


Read the press-release (below).


Mamiya Digital Imaging Co., Ltd
Marketing Department

August 10th 2009
Mamiya Announce New M series digital backs
M18, M22 and M31
On sale now

Mamiya Digital Imaging is proud to announce our new M series digital backs, consisting of three new models: the M18, M22 and M31, the latest additions to our digital line-up.

The M series digital backs have all been designed for compatibility with Mamiya’s 645AFDIII, as well as the soon-to-be-released 645DF, which was recently show-cased at the 2009 Tokyo Photo Expo. Through use of the specifically designed digital back adapter HX701, the backs can also be attached to our famed RZ Pro IID.

The M18 has a resolution of 18 megapixels and a CCD size of 44.2 x 33.1mm.
The M22 has a resolution of 22.1 megapixels and a CCD size of 48.9 x 36.7mm while the M31 has a resolution of 31.6 megapixels and a CCD size of 44.2 x 33.1mm. These large sized CCDs make the digital backs ideal for medium format photography. Each digital back can be purchased separately or in a system kit with the Mamiya 645AFDIIIcamera and Sekor 80mm F2.8 D lens. The M series backs are the quintessential tool for commercial photographers and studios, covering portraiture and on location work.

M18: The new Mamiya M18 digital back features one of the fastest capture rates of any medium format system, up to 72 frames per minute sustained depending on camera settings and storage medium. The highly versatile M18 combines easily manageable file sizes with full 16-bit capture and 12 stops of dynamic range, producing images of extraordinary quality which no DSLR can equal. With an ISO range from 100 to 800, and exposure times up to one-hour duration with Xpose+ technology, the M18 is one of the most versatile digital backs available today.

M22: The M22 digital back features a nearly full-frame 22MP CCD producing images of breathtaking clarity and sharpness with virtually negligible effect on lens focal length. With an ISO range from 50 to 800, 16-bit capture, 12 stops of dynamic range and exposure times up to one-hour duration with Xpose+ technology, the M22 is ideally suited to commercial photography both on the AFD III or when mounted on a view camera.

M31: The new M31 digital back combines high resolution captures of 31MP with fast shooting speed of up to 45 frames per minute sustained. Perfect for fashion or field photography, the M31 has high ISO capability up to 1600, 12 stops of dynamic range and exposure times up to one-hour duration with Xpose+ technology. With powerful moiré control, the M31 is ideally suited to fashion and portrait photography, whilst the high resolution 31MP captures make it the ideal back for commercial applications also.


Bundled Goods for the Mamiya Digital Back M

Mamiya Digital Back M/ hard carry case/ rear body cover/ battery charger/ AC adapter for use with battery charger/ car use cigarette lighter battery charger/ international socket plug set for battery charger (5pcs)/ battery/ IEEE 1394 cable (4.5m)/ IEEE 1394 interface exchange adapter (400-800)/ CCD sensor cleaning kit/ focusing screen/ USB stick (containing user guide)/ Capture One 4DB (development software)


Bundled Goods for the Mamiya Digital Back M System Kit

Mamiya Digital Back M/645AFDIIIcamera body/ Sekor AF 80mm F2.8 D lens/ camera body front cover/ rear cover/ lens front cap/ lens rear cap/ lens hood/ AA batteries (6pcs)/ camera strap/ hard carry case/ rear body cover/ battery charger/ AC adapter for use with battery charger/ car use cigarette lighter battery charger/ international socket plug set for battery charger (5pcs)/ battery/ IEEE 1394 cable (4.5m)/ IEEE 1394 interface exchange adapter (400-800)/ CCD sensor cleaning kit/ focusing screen/ USB stick (containing user guide)/ Capture One 4DB (development software).



M18 M22 M31
Resolution 18 megapixels 4904x3678 pixels 22.1 megapixels @5436x4080 pixels 31.6 megapixels @6496x4872 pixels
CCD size 44.2x33.1mm 48.9x36.7mm 44.2x33.1mm
Pixel size 9_9 microns 9_9 microns 6.8_6.8 microns
ISO range 100-800 50-800 100-1600
Micro lenses on Pixels Yes No Yes
Exposure Time From 1/10,000 sec. to 1hour
Live Preview Mode Full Color with 1.5 to 3 frames transferred per second
Capture Rate 0.8 sec. per frame 1.5 sec. per frame 1.25 sec. per frame
File size IIQ S @approx. 13MB
IIQ L @approx. 20MB IIQ S @approx. 17MB
IIQ L @approx. 25MB IIQ S @approx. 22MB
IIQ L @approx. 35MB
Battery Lifetime 4 hours/5,000 shots 4hours/4,000 shots 4 hours/3,000 shots
Compatible cameras 645DF/ 645AFD
RZ Pro 67†Di with separately sold digital adapter HX701
All view cameras with Phase One FlexAdapter
LCD 230,000 pixels/ 2.2 inch display


Mamiya Digital products are exclusively distributed in the UK by Johnsons Photopia.

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