Friday, 9 October 2009

John Freeman announces new tours


Namibia wildlife, copyright John Freeman

Press release:

Professional photographer, John Freeman, has announced the launch of John Freeman Photours, a comprehensive range of educational photographic tours and workshops that offer the chance to benefit from the knowledge and success he has gained during his 40 year career. John Freeman is one of the UK’s most highly acclaimed photographers and an award winning author with over two million copies of his books sold worldwide. Today he shoots for global brands including The Royal Collection, Konami, the Pearson Group, Médecins Sans Frontières, and Harper-Collins.

Starting in January 2010, John Freeman Photours will offer photographers of all levels unique, educational photographic tours in the UK and abroad. A diverse range of London-based studio workshops will also be available from January 2010 for those wanting to discover more about the professional approach to studio working methods.

Jaisalmer, copyright John Freeman


Canon PowerShot G11 noise examples


ISO80
ISO100
ISO200
ISO400
ISO800
ISO1600
ISO3200

Each of the above out-of-camera Large/Fine JPEGs were taken with a production quality G11 and are displayed at 100-percent actual pixels, saved and sharpened for the web using Photoshop CS4. I may have to supply smaller crops, judging by the slight differences above.

Update: I've added samples from the PowerShot G9 here, for comparison.



Please help support our site and buy from our approved retailers:

B&H Photo (NYC)

Amazon US:

Canon PowerShot G11 10MP Digital Camera with 5x Wide Angle Optical Stabilized Zoom and 2.8-inch articulating LCD


Amazon UK:

Not yet available


Canon PowerShot G11 vs G9



Canon PowerShot G9 v the new G11

You'll also notice a difference in the textured finish of the top-plate; it's plastic on the G11


Canon PowerShot G9 (left) v G11 (right). The G11 is taller and considerably deeper, thanks to the vari-angle screen.


Notice the smaller size of the rear command dial on the G11 (left); it's more fiddly in use.

I thought I would upload a quick series of shots showing the size comparison of the Canon PowerShot G11 against our own G9 (which we used for the unboxing video, in the previous post).

My first impressions are favorable, even though the vari-angle screen makes the G11 slightly larger than the G9 (and likely the G10, though I don't have one to hand).

One point I would like to share immediately is that I was a little shocked to see the rear of the G11 appears to be made of plastic, like the Nikon P5000/6000 series. That's a real shame, as both the G9 and G10 were the most rugged feeling compacts on the market.

Please use these links to check prices or help support our site and buy from approved retailers:

B&H Photo (NYC)

Amazon US:

Canon PowerShot G11 10MP Digital Camera with 5x Wide Angle Optical Stabilized Zoom and 2.8-inch articulating LCD


Amazon UK:

Not yet available

Canon PowerShot G11 Unboxing




Stay tuned for some ISO comparisons from a production quality G11. They should be posted later in the day.


Update; my thanks to the guys at 1001 Noisy Cameras for help spreading the love.




Please help support our site and buy from our approved retailers:

B&H Photo (NYC)

Amazon US:

Canon PowerShot G11 10MP Digital Camera with 5x Wide Angle Optical Stabilized Zoom and 2.8-inch articulating LCD


Amazon UK:

Not yet available


Tuesday, 6 October 2009

Leica launches micro-site for impending S2 DSLR






Leica has launched a new micro-site for the up-coming S2, a 37.5-megapixel behemoth, in anticipation of its official release sometime this month. Follow the link here for more information and to register for a timely newsletter.



Vision: The Essential Event for Photographers




Press release from The British Journal of Photography magazine;

6th October, 2009
The British Journal of Photography's essential annual event, Vision, celebrates its 11th successful year when it returns on 27th November 2009. Vision is Europe’s only event dedicated to aspiring professionals and early career pro photographers. This year Vision is delighted to have renowned photographer Martin Parr as its key speaker.

This unique and exciting one-day event features a packed programme of talks, demos, seminars and all-important portfolio reviews. Conveniently located at the Business Design Centre in the heart of London, Vision provides inspiration, information and essential ideas to help aspiring professionals and early career photographers get their careers moving.

Many of the industry’s leading manufacturers will be there to showcase the latest products and services, providing a unique opportunity to meet key innovators all together under one roof.

With an emphasis on creative cutting edge, and focusing on effective tools and solutions to further photographers' businesses, Vision is this year’s don’t miss photography event.

For more information or to register to attend, visit www.bjp-online.com/vision or email vision@bjphoto.co.uk

Friday, 2 October 2009

Sigma announces DP1s



Sigma has announced an update to the APS-C format DP1, in the form of the DP1s. As expected, it adopts some of the changes to the control set, such as the Quick Set function, found on the recently introduced DP2, and improved metering with back-lit subjects.


Sigma press release

The Sigma Corporation is pleased to announce the new Sigma DP1s compact digital camera featuring a 14 megapixel (2,652 x 1,768x 3 layers) FOVEON X3 direct image sensor.

The new Sigma DP1s is an improved version of the DP1 which was introduced to market in March 2008. It is now possible to allocate the QS (Quick Set) function, which has been adopted by the DP2 and SD14 DSLR, to the digital zoom buttons of the DP1s. This provides faster and more convenient operation of the camera.

The DP1s is enhanced further by improved performance when shooting backlit subjects, aiding the cameras characteristics of superb resolution and richly graduated tones with a natural, three-dimensional feel.

There are many dedicated accessories available for the DP1s such as the VIEW FINDER VF-11, HOOD ADAPTER HA-11 and ELECTRONIC FLASH EF-140 DG.

Thursday, 1 October 2009

Sony Develops High Frame Rate Single Lens 3D Camera Technology



High Frame Rate Single lens 3D (prototype) camera captures natural and smooth, high quality 3D images at 240fps


Sony press release:


Sony Corporation today announced the development of a single lens 3D camera technology capable of recording natural and smooth 3D images of even fast-moving subject matter such as sports, at 240fps (frames per second). This technology combines a newly developed optical system for single lens 3D camera which captures the left and right images simultaneously, together with existing high frame rate (HFR) recording technology to realize 240fps 3D filming. Sony will demonstrate a prototype model incorporating this technology at “CEATEC JAPAN 2009”, to be held at Makuhari Messe convention center in Chiba city, Japan, from October 6th.

Sony Corporation today announced the development of a single lens 3D camera technology capable of recording natural and smooth 3D images of even fast-moving subject matter such as sports, at 240fps (frames per second). This technology combines a newly developed optical system for single lens 3D camera which captures the left and right images simultaneously, together with existing high frame rate (HFR) recording technology to realize 240fps 3D filming. Sony will demonstrate a prototype model incorporating this technology at “CEATEC JAPAN 2009”, to be held at Makuhari Messe convention center in Chiba city, Japan, from October 6th.



Optical system for single lens 3D camera














240fps 3D Filming

Optical tests have shown that a frame rate 240fps represents the limit of human visual perception, and beyond that it becomes difficult to detect differences in terms of blur and “jerkiness” of moving images (where images that were continuous are now seen as a series of distinct snapshots). By developing a 240fps frame rate CMOS image sensor with properties close to the human eye, which is capable of capture natural images of even fast moving subject matter, Sony has succeeded in further enhancing the quality of 3D video images.

The combination of Sony’s new single lens 3D system and its 240fps high frame rate technology has realized a single lens 3D camera system, based on universal properties of the human eye, which enables natural and smooth 3D images with no accommodation-vergence*1 conflict to be recorded.

Technological Features
1. New single lens optical system
- Captures left and right images simultaneously to deliver natural and smooth 3D images with no accommodation-vergence conflict.
- Eliminates the need for lens synchronization, ensuring easily accurate control of 3D zoom and focus functions.
- When polarized glasses are not used, viewers with still be able to see natural 2D images, as the disparity of the images for left and right eyes are within the range that human eyes can recognize as a blur.

2. 240fps image capture to realize high quality motion images
- Realizes high quality capture of 3D content including fast-moving subject matter such as sports.
Prototype to be demonstrated at “CEATEC JAPAN 2009”

Within the growing 3D cinema industry, Sony has supported and driven the expansion of 3D by providing a wide variety of professional equipment for the shooting, production and screening of movies in 3D. The number of digital 3D screens is increasing rapidly, and is expected to reach 7,000 worldwide by the end of 2009*2 In addition to 3D movies, Sony’s range of professional 3D products and technology is also driving the growth of 3D production and distribution across a range of entertainment industries, from theatre and music performances to sport and beyond. Furthermore, Sony is also aiming to continue to lead the way in delivering new 3D viewing experiences by bringing 3D to the home in 2010.


Monday, 21 September 2009

Canon announces DSLR cashback promotion for UK Photographic Students




From now until 31st October 2009, Canon is running a cashback promotion on two models within their award winning EOS range.

EOS 450D - £50 (Offer valid across all configurations)
EOS 500D - £65 (Offer valid across all configurations)

Canon UK are offering photographic students at UK institutions the chance to receive cashback on the purchase of a new Canon DSLR. Lecturers and technicians working on photographic courses are also eligible to take part.
These two Canon EOS cameras are ideal for the demands faced on almost any photographic course. The EOS 450D shooting at 3.5 fps and with a 12.2 MP CMOS sensor is compact and lightweight, great for anyone starting out. Whilst the EOS 500D is available for those wanting something a little more advanced. It has a 15.1 MP CMOS sensor, ISO up to 12800 for low light conditions and full HD movie capabilities.

Cameras can be purchased from any authorised Canon retailer. Once purchased, send the claim form (downloadable from the Canon web site), proof of purchase and UK academic accreditation (photocopy of NUS card, academic security pass or course acceptance letter) to the to the freepost address as it appears on the form.

Claim forms can be downloaded pre or post purchase. Customers will receive their cheque within 28 days of the forms reaching Canon.
For full terms and conditions and to download a claim form please visit: www.canon.co.uk/futurephotocashback

Thursday, 17 September 2009

Pentax unwrap unexpected K-x


Pentax K-x - 12.4 megapixel APS-S size CMOS


For those who can't stretch to the $1300 / £1050 asked for the Pentax K7 (such as photojournalists, press photographers and indeed pretty much anyone working as a photographer these days), the company has introduced a new upper entry level model based on the K2000 (K-m). In a first for Pentax the new K-x has a 12.4 megapixel CMOS sensor and has many similar features to the K7, such as the much needed 11-point AF system, shooting at a brisk 4.7fps, and sensitivity from ISo200-64,000. There's the ubiquitous Live View and HD video capture too. We think this is a mighty fine camera already, and we haven't even seen it yet.

Read the full specification in the press release after the jump.


Virtual K-x, from the comparator on the Japan website

Want to see what your K-x looks in various colors (there's a choice of four in the US and Europe), but for the home market, check out the comparator (Japan only).


PENTAX K-x

An Entry-Class Digital SLR Camera with Sophisticated Features

PENTAX UK is pleased to announce the launch of the PENTAX K-x lens-interchangeable digital SLR camera. The K-x combines a variety of advanced features and user-friendly functions to ensure an outstanding level of photographic performance within a compact, lightweight body.

The K-x design is based on the award winning PENTAX K-m, an entry-class digital SLR camera launched in October 2008 that gained popularity for its compact, lightweight body and simple, user-friendly operation. The K-x features a newly designed high performance CMOS image sensor and an upgraded filter function. It also features a whole host of advanced features such as live view shooting and movie recording, approximately 12.4 megapixels and high-speed continuous shooting. The K-x is the perfect camera for first-time digital SLR camera users, as well as an ideal backup camera for more experienced photographers.

The K-x is launched in conjunction with the smc PENTAX-DA L 55-300mm F4-5.8 ED super-telephoto zoom lens. This zoom lens is designed to be lightweight without compromising the exceptional optical performance common to all PENTAX lenses, making super-telephoto photography easier and smoother for K-x users. The smc PENTAX-DA L 55-300mm comes as part of a K-x twin lens Kit package.

Main Features of the PENTAX K-x:

1. High-quality image reproduction
(1) Approximately 12.4 effective megapixels for true-to-life image reproduction
The K-x incorporates a newly developed CMOS image sensor to assure high-speed image data read-out at varying ISO sensitivity levels. With approximately 12.4 effective megapixels, this image sensor can reproduce true-to-life images with fine detail and rich depth of colours. The K-x also offers a wide sensitivity range between ISO 200 and ISO 6400 and allows the user to expand the sensitivity range between ISO 100 and ISO 12800 via a custom function, giving greater creative freedom.

(2) High-performance, high-speed PRIME (PENTAX Real Image Engine) II imaging engine
Thanks to new technologies supplied by Fujitsu Microelectronics Limited, this new imaging engine offers greater data processing speed and enhanced capability to produce higher-quality images with richer, more accurate colour rendition, as well as faster transmission speed of movie data.

2. Compact, lightweight body
Despite the incorporation of the large 23.6mm x 15.8mm image sensor, the K-x is one of the most compact, lightweight digital SLR cameras in its class.

3. Live View function, with Face detection of up to 16 faces
The K-x features a live view function, which allows the user to view the image on its LCD monitor during shooting. The K-x also offers a choice of three different focusing modes during live view shooting: Contrast AF, which optimises the focus based on the subject’s contrast; Face Detection AF, which automatically detects up to 16 faces, selects the main subject’s face from multiple faces, then captures it in sharp focus; and Phase Difference AF, which uses the AF sensor positioned in the camera body to optimise focus on the subject.

4. High-quality recording at 1280 x 720 pixels, with HDTV-proportion movie recording at 24 frames per second
The K-x provides a movie recording function* which captures beautiful, true-to-life movie clips in 16:9 high-definition TV proportions (1280 x 720 pixels) at a frame rate of 24 frames per second. This extends the benefits of high-quality SLR photography to the world of movie shooting.

5. PENTAX-original SR mechanism for sharp, blur-free images
The K-x features the PENTAX-developed SR (Shake Reduction) mechanism. This innovative mechanism extends its benefits to almost all PENTAX interchangeable lenses - even those designed for film-format cameras.** Thanks to this mechanism, the K-x produces sharp, blur-free images even under demanding conditions prone to camera shake, such as when using a telephoto lens, shooting in the dark without a flash illumination, and taking pictures of sunset scenes.
** Lenses compatible with this mechanism: PENTAX K-, KA-, KAF-, KAF2- and KAF3-mount lenses; screw-mounted lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be available with certain lenses.

6. High-speed continuous shooting at approximately 4.7 images per second
The K-x’s high-speed continuous shooting mode records as many as 17 images (in JPEG recording format) at a maximum speed of approximately 4.7 images per second - the fastest of all entry-class models. The K-x also features a new, reliable shutter unit, which proved its dependability and ruggedness through a demanding action test of more than 100,000 shutter releases. Its top shutter speed of 1/6000 second allows the photographer to preserve sharp, crisp images of fast-moving subjects.
7. Innovative image processing functions to produce distinctive photographic expressions
(1) Digital filter function
The K-x’s digital filter function allows the user to process recorded images in a variety of creative ways within the camera and produce highly creative visual expressions. With a choice of 16 different filters, the user can even apply different filters one after another to a single image to create more personalised visual effects.
(2) Cross process mode
The K-x features the new cross process mode, in which the camera automatically and randomly shifts photographic parameters for each exposure to create eye-catching images with unique, fanciful colours — just like pictures treated with the cross process*** in film photography.
*** A film development technique that takes advantage of unconventional film developers to create a distinctive finishing touch with intriguing colours.

8. High-precision 11-point AF sensor
The K-x’s high-precision, wide-frame SAFOX VIII autofocus system features 11 sensor points (with nine cross-type sensors positioned in the middle) to automatically capture even off-centered subjects in sharp, crisp focus. The photographer can also select one of the sensors as a focusing point to accommodate specialised applications.

9. Other features
(1) Energy efficient circuit design for longer battery life, capable of capturing
approximately 1,900 images with four AA-size lithium batteries
(2) Custom Image function to create unique finishing touches
(3) DR (Dust Removal) mechanism to eliminate annoying dust spots on
recorded images and visually check for the adhesion of dust to the image sensor
(4) 2.7-inch, high-resolution colour LCD monitor with approximately 230,000 dots
(5) Auto Picture mode for effortless, automatic selection of the most
appropriate shooting mode, even during Live View shooting
(6) HDR (high dynamic range) function to create one composite image with
an extra-wide dynamic range from three images with different exposures
(7) White balance control, featuring a new CTE mode to emphasise
the colour components of sunset scenes
(8) Status screen for easy, at-a-glance confirmation of various settings
on the LCD monitor
(9) Ten scene modes, with selection via simple icons
(10) Automatic compensation of distortion and lateral chromatic
aberration (available only with DA and D FA series lenses)
(11) PENTAX Digital Camera Utility 4 software package, with
RAW-data processing and browser applications
Major Features of the smc PENTAX-DA L 55-300mmF4-5.8ED lens
1. A lightweight super-telephoto zoom lens for focal lengths between 84.5mm and 460mm (in the 35mm format)
2. ED (Extra-low Dispersion) glass optical elements to assure true-to-life image descriptions and faithful colour renditions through effective compensation of chromatic aberrations over the entire zoom range.
Pricing:
K-x with kit lens 18-55mm DAL: $649.99 / £599.99
K-x with double kit lens 18-55mm DAL + 55-300mm DAL: $849.99 / £749.99

Availability:
September 2009


Wednesday, 9 September 2009

Leica unwrap full frame M9 and APS-C X1


As expected, Leica formally announced today the new full-frame 18-megapixel M9 coupled rangefinder and the 12-megapixel APS-C size X1. While the M9 is undoubtedly the 'star of the show', the Leica X1 shouldn't be overlooked.

At $2,200 (£1,317 by currency conversion) the X1 will be going head-to-head with the likes of the Sigma DP1, DP2, Panasonic GF1, and Olympus Pen E-P1, albeit with a price disadvantage. Another shortcoming is the fixed lens (at this price), but I'm almost more excited by the X1 than the M9 (of which, after reviewing the M8.2 recently, I will almost certainly buy).

Bear in mind it's a 24mm lens on an APS-C size sensor, so it has the equivalent field of view of a 36mm lens - perfect for me, and I suspect many other photographers. Read the official Leica press release below for more details.




Leica M9 - 18-megapixel 35mm 'full-frame' Kodak CCD





Leica X1 - 12-megapixel APS-C size CMOS


Leica M9

Leica Press Release

Leica Camera AG today announces the world’s first digital rangefinder camera with a full-frame 24 x 36mm sensor. As the world’s smallest full-frame system camera, the LEICA M9 continues the long heritage of the Leica rangefinder system, and unites more than 50 years of continuous technical improvements to the M System with cutting-edge digital technology.

The successful combination of a high-resolution image sensor, the superior performance of Leica M lenses and sophisticated processing ensures the best imaging results, making the camera perfect for all fields of photography from reportage and ‘available light’ to the capture of discreet, spontaneous images.

The 18 megapixel image sensor, specifically designed and developed for the M9, enables capture of the full 35-mm film format without any compromise. All M lenses mounted on the LEICA M9 therefore offer the same focal length as originally intended, and the enormous potential performance of the current M lens portfolio, with focal lengths from 16 to 135mm, is now fully exploited in an M digital camera for the very first time.

Furthermore, the M9 sensor features a newly developed glass sensor cover designed to guarantee the suppression of the infrared portion of the light spectrum, avoiding the need to mount special UV/IR filters.

Leica has listened to photographers’ requests for quick access to essential features on the M9. One example is the new ISO adjustment button, which simply requires the user to hold down the ISO button whilst turning the dial to select the required setting – rather than having to access it via a menu. In addition, all other functions important for everyday photography are accessible by pressing the set button.

At just 139 × 37 × 80mm, the LEICA M9 maintains the compact size of the LEICA M8, despite the considerably larger sensor. The robust, one-piece, full metal housing, made from a high-strength magnesium alloy, combined with a solid brass top and bottom plate, provide perfect protection for the camera in all photographic situations. For photographers, this all adds up to absolute reliability over decades of use.

The LEICA M9 is available in two different styles: a standard black with ‘vulkanit’ finish, and for the first time, a version in steel-grey with classic leatherette finish.




Leica M9 adopts a 35mm 'full-frame' sensor with a 0.8mm thick cover glass, removing the need to use additional IR filters


M9 Sensor

The CCD, specially developed by Kodak for the LEICA M9, has been optimised to exploit the particular qualities of the Leica M lens system. As a result, the LEICA M9 achieves the highest resolution values, which in turn guarantee outstanding image quality.

The M9 sensor employs further advanced and meticulously-designed micro lenses with a low refractive index. The micro lenses at the sensor edges are laterally displaced towards the image centre to match the characteristics of M lenses precisely. This optimised micro lens design captures and concentrates even the most oblique rays on the sensor, and reliably prevents image brightness fall-off at the edges and corners of the image. As a result, all existing Leica M lenses maintain their full performance when used for digital photography.

A moiré filter has not been integrated, allowing full exploitation of the superb resolution of Leica M lenses. Any moiré patterns occurring are eliminated in the camera’s signal processing software. The optimised signal–noise ratio reduces the need for digital post-processing, and results in high-contrast, high-resolution exposures with natural colour rendition from corner to corner.

Lenses

Performance criteria, such as the individual coating of each element, have long been a Leica standard. For the first time, the immense performance potential of the M lenses is fully maintained and can be exploited for digital photography. In line with Leica’s commitment to system compatibility, almost all Leica M lenses built since 1954 can still be used on the new M9, as a result of their mechanical and optical precision.

The M9 sensor demands a particularly high spatial resolution, as offered by the latest M lenses. Their high resolution and efficient correction of optical aberrations make them all the more suitable for digital use. Current M lenses are supplied with a 6-bit code on the bayonet mount that is scanned optically by the M9. Using this coding, the M9 can compensate for any vignetting effects, if required. In addition, the lens type is recorded in the EXIF data and, when using the latest flash units such as the LEICA SF 58, automatically adjusts the reflector to match the focal length of the lens attached.

The viewfinder / rangefinder system

The Leica viewfinder / rangefinder system sets the LEICA M9 apart from SLR and compact digital cameras and makes it particularly suitable for reportage, ‘available light’ and discreet portraiture. Photographers become part of the action and frame their subject in the viewfinder, while still being able to see the full scene outside the viewfinder frame. The decisive moment can be anticipated and captured at precisely the right instant, resulting in particularly authentic images.

The clear view of the subject remains during the full exposure and, even in the most adverse lighting conditions, the bright, high-contrast viewfinder guarantees extremely fast and precise focusing. The minimal delay between shutter release and capturing the shot, together with the viewfinder / rangefinder system, positions Leica M cameras amongst the fastest in the world.



The M9 uses essentially the same shutter from the M8.2, a modified full-frame shutter derived from the R9 35mm SLR

Shutter

The LEICA M9 features a new, microprocessor-controlled, particularly silent, metal-leaf, focal-plane shutter that enables shutter speeds of up to 1/4000 seconds. This means that the photographer still has complete creative freedom by using selective focus at maximum apertures, even in bright situations. The short flash synchronisation speed of 1/180 seconds enables daylight flash exposures with selective focus.

Together with its compact form, the camera’s almost silent shutter is another enormous advantage for discreet and unobtrusive photography. Photographers can also select the appropriate moment for re-cocking the shutter. When longer exposure times requiring an extremely steady camera stance are essential, a slight pressure on the shutter release button in ‘soft release’ mode is sufficient.

Intuitive handling

The M9 offers a simple, clearly laid-out and intuitive menu system that concentrates purely on the essentials; eliminating any multifunction buttons or complex menu hierarchies. The key control is an intuitive four-way switch and dial combination that enables fast menu navigation. Pressing the set button calls up the capture menu on the 2.5" monitor, and the most commonly-used functions are quickly and easily set in the menu: sensor sensitivity, exposure correction, white balance, image-data compression and resolution. Furthermore, favourite profiles can be named and saved for quick and easy access.

Sensitivity ranges from ISO 80 for wide-open apertures on bright days to ISO 2500. Very low-noise and finely detailed images are achieved throughout the sensitivity range, even at the highest settings, while the low noise characteristics, low-vibration shutter and fast lenses make the M9 the perfect camera for ‘available light’ photography.

Innovative flash technology

The LEICA M9’s M-TTL flash technology enables both precise and creative control over flash and mixed lighting effects. Prior to the actual exposure, a measuring flash is emitted that is metered through the lens. The flash power is then precisely determined according to the natural lighting situation. Due to the precise and delicate level of flash illumination, the natural lighting mood is maintained. In combination with aperture priority exposure mode, the auto-slow sync function ensures a particularly subtle lighting of the subject.

Tonal value histogram

The LEICA M9 offers an RGB tonal value histogram, which can be displayed at any time for image assessment, and is available in conjunction with automatic image review. A clipping warning indicating any overexposure of the image is also included. These two quality control tools are updated during zooming, allowing the quality of even the finest image details to be assessed.

Digital workflow

Adobe Photoshop Lightroom, a professional digital workflow solution for Apple Mac OS X and Microsoft Windows, is available as an online download for all LEICA M9 customers. Adobe Photoshop Lightroom offers a vast range of functions for the management, processing and presentation of digital images, whether in JPEG or DNG format. If the images are saved as raw data in Adobe Digital Negative Format (DNG), Adobe Photoshop Lightroom guarantees direct and high-quality image processing with maximum image quality. The 14-bit-per-channel colour information captured by the image sensor is maintained throughout the processing workflow until the final presentation, and ensures that the most delicate tonal differences are preserved.


The M9 body is made from Mg-AZ91, a low weight, high strength Magnesium alloy

Build quality and materials

Experienced Leica technicians in Germany are responsible for the assembly and calibration of the M9 camera bodies, as well as the precise testing of all mechanical and electrical components. In addition to the solid brass top and base plate and magnesium alloy body, several other structural features of the camera will ensure a long and reliable working life. The rechargeable battery and SD card slot are protected from dust and moisture under the base plate, while the locking mechanism prevents unintentional opening and the possible loss of the battery and SD card, even under the hardest reportage conditions.

Sensor cleaning

The LEICA M9 offers a special function for manual sensor cleaning: selecting the appropriate item from the menu and pressing the shutter release locks the shutter open to allow access to the sensor for cleaning purposes. Thanks to the short register of Leica M cameras, the sensor is easier to access than in a DSLR camera, where the sensor is located behind the mirror box and shutter assembly.

Pricing and availability

The LEICA M9 will be available in the UK from 9 September 2009 at a suggested retail price of £4,850 inc VAT. For further details and a list of authorised dealers including the new Leica Store Mayfair, please visit www.leica-camera.co.uk.


US visitors can pre-order or check the black (body-only) price here and the steel paint finish here, at B&H Photo.


Read our recent review of the Leica M8.2

Leica introduce new 12-megapixel X1


Leica X1 adds AF functionality in a small size body


Leica Press Release

Leica Camera AG has announced the X1. Designed and made in Germany by Leica engineers, this camera is set to become a future classic. The desirable LEICA X1 achieves exceptionally high resolution and quality for a camera of such small dimensions, and will set new standards.

The LEICA X1 is equipped with a 12.2 megapixel CMOS sensor in APS-C format, as found in much larger DSLR cameras. This sensor, combined with the all-purpose LEICA ELMARIT 1:2.8/24 mm lens, offers outstanding picture quality comparable with professional cameras. Furthermore, the X1’s technical specifications and broad spectrum of setting options – from manual to automatic operation – makes it a perfect companion for creative photographers, while the compact size means it can be carried at all times – ideal for capturing those unique, spontaneous moments in life.

The large sensor area of the individual pixels on the CMOS sensor receive more light, guaranteeing low noise levels, high dynamic range and accurate colour differentiation. The crop factor of the sensor is 1.5 in comparison with 35mm film format, which means the fixed-mount LEICA ELMARIT 1:2.8/24 mm lens is transformed into a universal reportage lens with an effective (35mm equivalent) focal length of 36mm. This is a true classic amongst prime lenses and has captured innumerable iconic images in history.

Peter Kruschewski, product manager digital compact cameras at Leica Camera AG, commented, “The LEICA ELMARIT 1:2.8/24 ASPH is a true Leica lens with terrific optical performance. Its moderate wide-angle character creates sufficient distance when needed, but still allows photographers to get in close to pick out the details whenever the situation requires. This lens ensures that photographers won’t miss any shot, situation or detail, however fine.”



Interesting user layout allows aperture selection from the smaller of the two dials, line up the 'A' settings from both and you have program exposure

The straightforward design of the X1 is strongly reminiscent of the legendary Leica M cameras. This, in combination with its robust, all-metal construction and tactile, high-quality leather trim, makes the X1 typically ‘Leica’.

The LEICA X1 offers clearly laid-out, intuitive functions. For ‘uncomplicated’ photography, the X1 offers numerous automatic features ranging from precise autofocus to automatic exposure, guaranteeing photographers perfectly exposed, sharp images by simply pressing the shutter release. This allows the user to concentrate on the creative aspects of composition and framing.
Thanks to its numerous automatic functions, the X1 is always quick and versatile whenever the need arises.

Photographers can also achieve creative freedom with the camera’s manual control options. Both aperture and shutter speed can be selected manually with the easy-to-use dials on the top plate of the camera. Even the plane of focus can be set manually, along with white balance and various other image capture parameters. Consequently, the X1 offers photographers complete manual control of the creative process while also guaranteeing rapid reaction ability with its automatic functions, when required.

The large size of the sensor, a maximum sensitivity of ISO 3200 and large aperture make the LEICA X1 an ideal choice for ‘available light’ photography. Whether in adverse lighting conditions, or for conscious manipulation of depth of focus, the X1 offers numerous options for individual and creative composition.




The X1 has a similar layout to the M9, but notice the additional thumbwheel

The bright 2.7” display of the X1 almost fills the entire back of the camera and reveals the finest details, even in bright surroundings. The live-view function replaces an optical viewfinder and shows an accurate preview with all essential image information. The Live Mode also makes the X1 particularly versatile for shots taken from unusual perspectives.

Accessories and software



The X1 can be used with an optional viewfinder, saving power, and the 'bolt-on' handgrip is much like the M9's

The LEICA X1 offers a comprehensive range of accessories that expand the abilities of the camera and adapt it to the photographer’s personal photographic style: A 36-mm bright-line accessory, for instance, can be inserted in the camera’s accessory shoe and ensures a clear view without unnecessary power drain. If required, the camera display can be switched off when an accessory finder is used. In this case, a prominently placed LED indicates successful automatic focusing.

In addition to this, there is an accessory handgrip that aids the safe and secure handling of the camera. A comprehensive range of camera cases is also available: the ever-ready case offers sufficient room for the camera with an attached handgrip and includes a small case attached to the carrying strap to hold the accessory finder. The high-quality transport case offers perfect protection for the camera, while the attractively designed system case has space for the camera and all its accessories.


Leica found room to add a small pop-up flash

The LEICA X1 features a retractable flash that can do much more than simply replace other sources of light. It also serves as a fill-in flash and can even be synchronised to the second shutter curtain. If more power and flexibility is required, the Leica SF 24D and SF 58 system flash units are also compatible with the X1.

The LEICA X 1 is supplied with a battery charger and a high-performance battery, and also includes a comprehensive software package. Adobe Photoshop Lightroom, a professional digital workflow solution for Apple Mac OS X and Microsoft Windows, is available as an online download for all registered LEICA X1 customers. Adobe Photoshop Lightroom offers a vast range of functions for the management, processing and presentation of digital images, whether in JPEG or DNG format. If the images from the X1 are saved as raw data in Adobe Digital Negative format (DNG), Adobe Photoshop Lightroom guarantees direct and extremely high-quality image processing.

Pricing and availability

The LEICA X1 will be available in the UK from January 2010. UK pricing will be available nearer to date of launch. For further details and a list of authorised dealers including the new Leica Store Mayfair, please visit www.leica-camera.co.uk.



US visitors can pre-order or check the Leica X1 price here at B&H Photo. I'll check with Leica, but it appears the X1 is available in a chrome gunmetal finish only.

Update 6th October 2010; the X1 is now available in black.



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