Leica updates Akademie programme

Leica Akademie updates workshop programme for Spring 2011
 
10 February 2011: Leica has today announced its Akademie workshop and training programme for Spring 2011. The company’s London-based training facility at 34 Bruton Place (www.leica-akademie.co.uk) offers a variety of photography workshops for existing and prospective customers, run by experienced Leica photographers.
 
New to the Akademie, starting on 1 March 2011, is the Introduction to Digital Photography, a one-day workshop designed to provide budding photography enthusiasts with an understanding of the basics of digital photography. With a maximum of five attendees per workshop, participants will learn about camera technology, manual controls, metering, focusing, composition and basic photography techniques. The workshop also includes hands-on creative and practical sessions to enable attendees to become confident enough to move away from their camera’s automatic settings.
 
In addition, Leica has introduced Let’s Talk Leica, a series of individual one-hour advice sessions with Leica M photographer and expert, Brett. These sessions are designed for photographers to discuss anything from achieving the best results from their camera, to lens requirements, software and processing questions to image critique, project discussion and coaching. Let’s Talk Leica sessions are run on Thursdays and Fridays, by appointment only.
 
Photographers interested in trying the company’s highly successful M9 rangefinder can take part in the Leica M9 Experience, which runs at the Leica Akademie on Friday mornings. This popular, interactive and hands-on workshop demonstrates the camera’s capabilities, allowing attendees to shoot with the M9 and ask any questions they may have about the camera or associated lenses and accessories. This workshop is complimentary and subject to availability.
 
Leica film camera owners who would like to know more about their product or learn new photography techniques may be interested in the Leica M Film Owner one-day workshop. Starting at the Leica Akademie, attendees learn photographic theory and core camera techniques, followed by a practical shoot around London’s vibrant West End. Films are processed during the day, and prints are reviewed for instant feedback and group critique. This workshop commences on 15 February 2011.
 
Other workshops available at the Leica Akademie include:
 
·                     Creative Photography: See the World in Black & White
·                     Creative Photography: Holiday and Travel Photography
·                     Creative Photography: Pictures for Profit
·                     Compact Digital Camera workshops (Leica X1, D-Lux 5, V-Lux 2, V-Lux 20)
·                     Lightroom for Leica – introduction to Adobe® Photoshop® Lightroom®
·                     LEICA M9 Owners Workshop
·                     LEICA M8/8.2 Owners Workshop
·                     LEICA M System Bespoke
·                     Introduction to LEICA S2
·                     LEICA S2 Owners Workshop
·                     LEICA S2 Assistant Workshop
 
About the Leica Akademie
 
The Leica Akademie is located at 34 Bruton Place, London W1J 6NR, above the Leica Store Mayfair, and offers a comprehensive range of workshops, providing a destination for photographic inspiration, learning and knowledge.
 
Leica Akademie workshops operate in small group sizes to allow attendees to get the utmost support from the experts and maximise their learning potential. There is a variety of workshops to suit the needs of every Leica photographer from practical, hands-on and ‘in the field’ workshops, to classroom and workstation-based sessions.
 
Whether participants are brand new to Leica, more experienced or somewhere in between, Leica Akademie workshops will take their skills and knowledge to the next level.
 
The team of Akademie tutors and experts includes: Brett, Ian Farrell, Will Cheung, Robin Sinha and Vijay Sebastian, as well as a selection of world-class guest speakers.
 
Further information on the full programme of workshops can be found at: www.leica-akademie.co.uk

HDRsoft announces Photomatix Light 2.0

HDRsoft has announced version 2.0 of Photomatix Light, popular HDR software for enthusiasts. Photomatix Light 2.0 is available for Windows (XP/Vista/7) in 32 and 64-bit versions as well as Macintosh (OS 10.5/10.6). The price (one license) is USD $39. Photomatix Light 2.0 is a free upgrade for licensed users of Photomatix Light 1.0 and is free for licensed users of Photomatix Pro.

Press release:

Montpellier, France – February 9, 2011 - HDRsoft announces the release of Photomatix Light 2.0, the latest version of its high dynamic range (HDR) software intended for enthusiast photographers.

Photomatix Light is a simple and intuitive stand-alone photo processing application that merges bracketed photos to allow a greater dynamic range than is possible with conventional digital photography. It was designed for photographers who want an easy-to-use introduction to HDR that is powerful enough to produce professional-quality results.

Based on the same internal HDR processing engines as Photomatix Pro (the industry-leading HDR software by HDRsoft), Photomatix Light merges bracketed photos and processes them with HDR tone mapping or exposure fusion methods.
After selecting the source photos, users can adjust the processed image by changing various settings, or choose from built-in presets such as 'Painterly' or 'Grunge'. Photomatix Light automatically aligns bracketed exposures, allowing photographers to create HDR photos with or without a tripod.

The new version adds high-quality noise reduction, a second tone mapping method, and visualization of presets, allowing users to quickly choose between built-in presets.

Photomatix Light 2.0 is available for Windows (XP/Vista/7) in 32 and 64-bit versions as well as Macintosh (OS 10.5/10.6). The price of one license is US$39. Photomatix Light 2.0 is a free upgrade for licensed users of Photomatix Light 1.0 and is free for licensed users of Photomatix Pro.

For more information and to download a free trial version, please visit www.hdrsoft.com.

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Sigma To Manufacturer Lenses For Micro Four Thirds

"The Sigma Corporation is pleased to announce the development of new lenses for Micro Four Thirds and E-mount camera system. As demand for compact system cameras increase, we intend to meet the requirements of users and develop new lenses for these systems, utilizing our advanced interchangeable lens development technology. Detailed information including specifications, product names, pricing and launch schedules will be announced in due course".

Pentax announces 25mm f/4 AL[IF] SDM AW for 645D

Pentax has announced the smc Pentax-D FA645 25mm f/4 AL[IF] SDM AW the second lens for the maker's 645D medium format camera. It's the equivalent to a ultra-wide 19.5mm lens in 35mm terms, boasts two aspheric lens elements, and a dust and water resistant construction. Unusually, the new lens has a filter drawer and is supplied with a circular polarizer, which can be rotated in-situ. The new lens will have a RRP of £3,799.99 when it goes on sale in April 2011.

Pre order from B&H Photo Video $4,999.95. Thank you for buying through this sites links.

Press release:

Pentax Imaging Systems is pleased to announce the launch of the smc Pentax-D FA645 25mm f/4 AL[IF] SDM AW. 

Developed as the second model in the Pentax-D FA645 lens series, this unifocal, ultra-wide-angle lens not only features Pentax-original optics optimised for high-quality digital photography to ensure exceptional image-description performance, but also offers a dependable dust-proof, weather-resistant construction for active outdoor photographers.

Pentax adds chrome K5 limited edition to range

It's not just Leica that has seen the benefits of offerring limited edition versions, now Pentax is doing the same. However it appears the pricing is far more reasonable; the black K-5 body has a RRP of £1199.99 while the new chrome (silver) limited edition version is selling for just £100 more. Unfortunately there are just 50 units allocated to the UK.

Press release

Pentax has announced that its multi-award winning K-5 is now available in a beautiful new silver colour.
This limited version (only 50 units are available in the UK) has had a complete face lift and features a new finish, thumb wheels, buttons and packaging. In addition, the back LCD and top screen of the Silver K-5 have been reinforced to provide additional durability. The camera also benefits from a redesigned handle, making it more comfortable to use.
The Silver K-5 is also equipped with the latest firmware update, ensuring it offers the latest in technology.

To complete the new K-5 silver version, three already existing pancake lenses are now also available in silver:
•    smc DA 40mm f/2.8 Limited Silver
•    smc DA 21mm f/3.2 AL Limited Silver
•    smc DA 70mm f/2.4 Limited Silver
The RRP of:
-    The Silver K-5 : £1299.99
-    The smc DA 40mm f/2.8 Limited Silver : £529.99
-    The smc DA 21mm f/3.2 AL Limited Silver : £609.99
-    The smc DA 70mm f/2.4 Limited Silver : £609.99
-    The Silver K-5 and its three silver lenses will be available from all good retailers in March, 2011.

 

Sigma announces DP2x

Sigma has announced the new DP2x, the replacement to the current DP2s. The new model features a 14mp Foveon sensor, 24.2mm f/2.8 prime, improved AF operation and faster image capture thanks to something called Analougue Front End (AFE). There's no word on price or availability, but it's expected to be in the region of £620 inc VAT.

 

The Sigma Corporation is pleased to announce the new Sigma DP2x compact digital camera featuring a 14 megapixel FOVEON X3® direct image sensor (2,652× 1,768× 3 layers).

The new Sigma DP2x is the latest DP2 series model and incorporates AFE (Analog Front End) and faster autofocus. AFE is also used in the DP1x compact digital camera and SD15 digital SLR and converts full color data, which the FOVEON X3® capture system records, into a digital signal. This enables the camera to reproduce high definition and richly colored images. In addition, the new AF algorithm provides high speed autofocus, ensuring convenient shooting.

SLR-sized image sensor
The size of the image sensor used in the DP2x camera is 20.7mm x 13.8mm. It is approximately seven to twelve times larger than sensors used in ordinary compact digital cameras. The large photodiodes deployed capture light efficiently and give the DP2x its high resolution and richly-graduated tones.

Full-colour image sensor
Utilising the special features of silicon, which is penetrated to different depths by different wavelengths of light, this 14 megapixel direct image sensor succeeds in full-colour capture with the full RGB in a single-pixel location.

TRUE II image processing engine
The DP2x incorporates the “TRUE (Three-layer Responsive Ultimate Engine) II” image processing engine which improves the processing speed and overall image quality. The unique image-processing algorithm provides high resolution and reproduces high definition images with richly graduated tones.

AFE (Analogue Front End)
AFE (Analogue Front End) converts the colour data, which full-colour capture systems record, to a digital signal. This enables the camera to reproduce high definition and richly coloured images.

24.2mm F2.8 lens
The DP2x is equipped with a 24.2mm F2.8 large aperture lens, equivalent to 41mm on a 35mm SLR camera, which has been designed exclusively for DP2 series. Two high refractive index elements and two molded glass aspherical lenses provide superior image quality and allow its compact construction.

RAW format recording
The DP2x includes JPEG recording format for convenience plus a RAW data (X3F) recording mode for retaining full image capture detail of the utmost quality. The RAW images can be processed in the supplied Sigma PhotoPro software.

 

 

Sigma outs upgrade to popular 12-24mm f/4-5.6

Sigma has announced this morning an upgrade to the well-regarded 12-24mm f/4-5.6 ultra-wide angle zoom. The original was designed for film but this model has been brought up to date for full-frame digital cameras. In addition to four FLD elements which are said to be equal to fluorite in performance, the new lens is said to have improved peripheral brightness or reduced vignetting - always an issue with extreme wide-angle zooms. The price and availability have yet to be announced.


Press release
The Sigma Corporation is pleased to announce the new Sigma 12-24mm F4.5-5.6 DG HSM II.
One SLD and four FLD glass elements compensate for color aberration and provide excellent image quality throughout the zoom range. Three glass mold elements and one hybrid aspherical lens give advanced performance in a compact and lightweight construction and the Super Multi-Layer Coating reduces flare and ghosting.
This lens has superior peripheral brightness and provides sharp and high contrast images even at the maximum apertures.
Incorporation of HSM (Hyper Sonic Motor) ensures quiet and high speed autofocus while allowing full-time manual focus override. This lens has a minimum focusing distance of 28cm (11.0") throughout the entire zoom range and a maximum magnification ratio of 1:6.4. In addition, this lens features Sigma’s splash proof design for use in harsh conditions.

Stunning Photographs Taken By Blind Man

Photography is of course a very visual art and for that most of us are blessed with two exceptional human lenses. Imagine though, for a moment that you couldn't see but you still wanted to take photographs - sounds like some kind of mental torture. Not though for one unique man, Pete Eckert. Pete Eckert only took up photography after he became blind, he says 'I am only a tourist in the sighted world. I 'see' each shot very clearly, only I use sound, touch and memory'.
Take a look at this video that explains how Pete takes the images. Also, don't miss looking at some of his remarkable images below.


To find out more about Pete Eckert - go here

New iPhoneography Competition - Pixels: The Art of iPhone

In December of 2009, Knox Bronson approached Rae Douglass at the Giorgi Gallery in Berkeley, California with the idea of presenting the first ever gallery exhibit of iPhone photography. Rae said yes, and within days, Knox had created a website and had put out a call for submissions through iphontography bloggers and flickr groups.

Pictures flooded in from all over the world. Amazing pictures, all done on iPhones. No editing on a computer was allowed, and suspect images were checked and removed if found to have been edited elsewhere.

Well, now Pixels: The Art of iPhone has just posted a call for entries for an iPhone Photography exhibition at the Orange County Center For Contemporary Art in Santa Ana, CA. The exhibition runs March 31-April 30, 2011.

All photos MUST be shot with and processed using an Apple iPhone.  No computer-based processing allowed.  Any model of the iPhone may be used. Any image found to be taken with another device or processed on a computer or iPad will result in entrant being disqualified and forfeiture of entry fee.

Winning entries will be printed and exhibited in the month-long exhibition. There will be a program printed with all works, which will be available for sale.

The Entry Fee is  $30.00 for five entries. Deadline for entries is February 27, 2011.

The exhibition runs March 31 – April 30, 2011 at the Orange County Center for Contemporary Art. The Opening Night Celebration is Saturday, April 2, 2011, 6 PM-10 PM

Click here for much more information and entry submission on the Pixels: The Art of the iPhone website.

10+1 Stunning Sports iPhoneography Images

Mashable like us have embraced iPhoneography, there are some superb camera apps available and with the skill of so many with an iPhone, spectular images are captured and most importantly, shared.

Mashable have taken a look at sport and have selected their top 10 shots, to view the complete article from Mashable go here. We have posted the images below for your enjoyment.

Image by Alexander Kesselaar

Image by Jamie Ferreyros

Image by Matthew Lacroix

Image by Menno de Ruiter

Image by Adam Lorber

Image by T.S. Elliott

Image by Jamie Pachomski

Image by Dave Weekes

Image by Juan Calderon

Image by Hans de Kort

The Basketball I

Image by Alexander Kesselaar

Fujifilm X100 - Final Specs Announced

Fujifilm have offically announced the X100, you may be forgiven for thinking this was announced at last years Photokina or in the numerous and subsequent posts since then. Well, today, Fujifilm are officially announcing the full spec of this amazingly popular camera, we have the details below.

You may or may not be surprised to know that this camera costs $1199.95. That’s twice as much as some very capable DSLRs, and more than similarly compact micro four-thirds cameras like the Olympus E-PL2 and Panasonic’s G-series. Is it worth it? Well as soon as we get our hands on it in March and give it a thorough testing, we'll let you know.

The true enjoyment of photography begins with "the pleasure of seeing the world through a viewfinder". The new Hybrid Viewfinder has been developed to reintroduce users to this essential camera experience. It combines the window-type “bright frame” optical viewfinder found in rangefinder-type film cameras such as the classic 135-size or medium-format cameras, and the electronic viewfinder system incorporated in fixed single lens or mirror-less digital cameras. 

By integrating a prism for the 1,440,000 dot LCD panel image on the viewing screen in the reverse-Galilean optical finder, the Hybrid Viewfinder can show both the shooting frame and a variety of shooting data. Of course, it can also be used as a high-quality electronic viewfinder to compose or playback shots. With this ability to instantly switch between optical and electronic viewfinder images with simple “one touch” control, the new Hybrid Viewfinder offers users expanded freedom in the composition and enjoyment of photography in a wide range of challenging shooting conditions.

The reverse Galilean optical finder with a 0.5x magnification features all-glass elements made from high-refractive index glass and demonstrates low chromatic aberration and distortion.

In optical viewfinder (OVF) mode, the brightness of both the “bright frame” and text data is automatically adjusted according to the brightness of scene area, ensuring that shooting information is always easily and clearly viewable. Also, the displayed shooting data is constantly updated according to changes in shutter speed, exposure, sensitivity and other settings, so that the user's eye never has to leave the viewfinder.

In electronic viewfinder (EVF) mode, the photographer can preview the picture or playback the result with the “through the sensor” image review and high-resolution 1,440,000-dot quality. With a flick of the one-touch lever, the user can switch to EVF to preview and confirm exposure settings, depth-of-field, and white balance – an especially useful capability when shooting macro shots and other scenes that are hard to confirm with only an optical viewfinder.

23mm (135 equivalent: 35mm) F2 lens. 8 elements in 6 groups. One aspherical glass moulded lens.

The adoption of the non-collapsible lens structure with minimized lens length not only contributes to the compact size but also eliminates telescoping of the lens when the power is on. It’s ready to start shooting the moment the user turns it on.

Exploiting the merits of a fixed focal length lens, this lens delivers sharp resolution of the total image from the centre to the corners. In addition, the lens features not only the large F2 aperture value, but also an optical architecture that maintains a high degree of resolution even when closed by 1 to 2 stops.

The adoption of a 9-blade aperture diaphragm combined with the large F2 aperture and high-quality optics lets users take photos with a beautiful circular soft out-of-focus (bokeh) effect.

Macro shooting as close as 10 cm lets users explore the fun and fascination of close-up photography.

The built-in ND filter (equivalent f-stop reduction of 3) can be switched ON/OFF via simple in-camera settings.

lThe FinePix X100 features a custom CMOS high-performance sensor, internally optimised and developed exclusively for this model.

Optimisation of the angle-of-incidence in conjunction with the specially developed lens maximises light gathering efficiency extending to the perimeter of the sensor for a sharper image with exceptional clarity.

When shooting HD movies, the combination of the large-sized sensor and the large aperture F2 lens, lets users shoot a soft out-of-focus touch (bokeh) — a capability not available in conventional compact cameras.

The ideal combination of a fixed focal length lens, high-sensitivity sensor (approx. 10 times the sensitivity of a conventional compact*) and a high-performance image processor captures exceptionally high-quality images over the entire sensitivity range, from ISO200 to ISO6400 (expandable to include ISO100 and 12800).

 *Compared with other FinePix compact camera models.

The newly developed EXR Processor takes EXR processing to new heights. Combined with the high-sensitivity sensor, the EXR Processor achieves the highest resolution, sensitivity and dynamic range ever produced by a FinePix camera for the ultimate in image quality every single shot.

The high-speed CMOS sensor read-out and the EXR Processor’s enhanced focusing system contributes to the high-speed AF performance, while the combination of the optical viewfinder and extremely low shutter time lag enhance the pleasure of every shot.

Beautiful, high-quality design inspired by the classic beauty and feel of traditional film cameras.

The top cover of the upper control deck and the bottom surface have been die-cast from magnesium alloy (semi-solid metal casting), contributing to a high-precision camera body.
All dials and rings are precision milled from metal. Adoption of traditional ‘manual’ dials lets the user confirm the position of the settings without turning on the power. The ergonomics of the design offer the perfect balance between compact convenience and user-friendly functionality.

The camera controls have been carefully thought out to give the photographer simple and speedy access to aperture, shutter speed, ISO etc, allowing maximum creative expression with minimum hassle and enabling you to view settings even when the camera is powered off. Custom modes can also be used for a one-touch change in settings. Premium quality is obvious in every detail. The chassis has been finished with high-quality leather-like accents and is a delight to use and a pleasure to hold.

In addition to Fujifilm's original Film Simulation Modes that give photos the distinctive look of Velvia, PROVIA and ASTIA colour reversal film emulsions, the X100 expands the scope of photo expression with Monochrome Mode that can be fine-tuned with R/Ye/G filter settings.
Separate adjustment of shadow tones and highlight tones lets users reproduce the rich tonality of high-contrast subjects.

Capturing the scene in RAW format is easy just at the press of the RAW Button on the back of the camera. Then whilst on the way to the next shooting location, users can use the built-in RAW Development function to "develop" the RAW data in-camera, and enjoy Fujifilm's original "image creation" according to the camera's image quality settings.  

The X100 offers users the choice between the 49-point auto EVF focus area or the 25-point OVF auto focus area as well as the selection of 5 different focus area sizes in EVF mode. Dependent on the needs of each scene, the X100 offers easy “focusing by design”.

HD Movie lets users capture the action in 720p high-definition detail. Just like shooting still photos, users can shoot movies with aperture-priority AE and enjoy a soft, defocused background effect. Also, the built-in HDMI port allows users to easily and directly connect the X100 to high-definition TVs to display stills and movies with plug-and-play ease.

With a built-in Motion Panorama function, it is easy to capture 180° and 120° panoramic photos. Later, users can print the results as pin-sharp A3-size enlargements and share the enjoyment of high-quality panoramic photography.

The X100 also features 4 types of bracketing functions: AE, ISO, Dynamic Range and Film Simulation. With just one click of the shutter, you capture 3 bracketed images of the scene so the moment never escapes you!   

CASE
To perfectly complement the look and premium quality feel of the X100 camera body, a retro leather "quick shot" case with matching strap has been designed to fit the X100 like a glove. Made out of luxurious leather it has been thought out with uncompromising attention to detail, ensuring the ultimate ease of use and practicality .

LENS HOOD and ADAPTER RING
Precision milled from metal, the lens hood and adapter ring will be available as a set. The adapter ring is also compatible with commercially sold 49mm filters.

TTL FLASH
EF-20 (Guide Number:20) and EF-42 (Guide Number:42) will be newly added to the TTL flash line-up.


Pre-order at Amazon US.

Capture every moment of your adventure with the new Canon EOS 600D

Canon today announces the launch of the EOS 600D – a compact, lightweight Digital SLR (DSLR) that makes capturing exciting, fun and creative images easier than ever. The perfect choice for aspiring photographers looking for a combination of outstanding image quality and ease-of-use, the EOS 600D sits at the top of Canon’s entry-level EOS line-up, above the existing EOS 550D and the new EOS 1100D.

Capturing stunning images and Full HD video has never been easier, thanks to a range of automatic shooting modes that beginners can use to instantly express their creativity. A Feature Guide has been added to the user interface to help you learn about the camera as you use it, helping to develop your photography skills. With an unrivalled range of EF lenses, Speedlites and other accessories to enhance your shooting, the EOS system holds the key to the perfect shot – wherever your journey takes you, and whatever the scene before you.

First-class image quality

The EOS 600D provides all the tools to capture beautiful stills and HD movies. Amazing picture detail is provided by a high-resolution 18 Megapixel (MP) APS-C CMOS sensor, which combines with 14-bit DIGIC 4 processing so you can capture the wonder of a beautiful blue sky and enjoy exceptionally smooth gradients between colours. The camera’s low light shooting capability enables you to achieve clear, natural images in darker conditions, with an ISO range of 100-6400 that can be further expanded to 12800.

Great for shooting pets, children or wildlife, the EOS 600D allows high-speed shooting at 3.7 frames per second (fps), enabling you to capture fast-moving action. Each shot will be captured in sharp detail thanks to the 9-point Auto Focus system, which can track subjects using the auto focus points across the frame. Even more accurate focusing is providing by an extra-sensitive central AF Sensor, while the iFCL Metering system from the semi-professional EOS 7D features a 63-zone Dual-layer metering sensor, helping you to ensure your shot is correctly exposed, even in difficult lighting conditions.

Easy shooting, amazing results

New fully-automatic Scene Intelligent Auto mode makes it easy for you to capture outstanding quality shots with almost no effort. Allowing you to focus exclusively on framing your picture, Scene Intelligent Auto analyses the scene for you and automatically picks the best settings to capture it. Your images will look better than ever thanks to a new ‘Auto’ Picture Style, which automatically makes fine adjustments to colours while you focus on capturing the scene you want.

The EOS 600D also makes it easy for you to instantly add creativity to your pictures. Change the atmosphere of a scene with Basic +, which allows you to pick the mood you want to achieve from one of eight options, including ‘Warm’, ‘Cool’ or ‘Intense’. Whether you’re shooting landscapes, portraits, or close-up macro shots, Basic + makes it easy to capture the perfect image.

Simple, flexible, artistic

Ideal for beginners, a Feature Guide has been added to the EOS 600D’s menu system, offering a brief description of each key setting and its effect, helping you learn more about the camera as you use it.

You can also shoot overhead, at ground level or around corners with the EOS 600D’s Vari-angle 7.7cm (3”) 3:2 ratio ClearView LCD. Rich on-screen detail is provided in 1.04 million-dot resolution, and the side-mounted hinge allows users to comfortably and creatively shoot from a range of unusual angles, or when using a tripod. A smudge-resistant fluorine coating and three anti-reflection coatings also ensure you can see the LCD in clear detail, wherever you are.

Allowing you to apply your own stamp to your shots, the EOS 600D is perfect for experimenting with different Creative Filters. Fish-eye-Effect creates a barrel-shaped distortion similar to a fish-eye lens, and you can instantly turn a scene into a small-scale model with Miniature Effect. Toy Camera Effect, Grainy B/W and Soft Focus offer additional options, allowing you to experiment with your images in a number of different ways.

 

EOS 600D – key features

•        18-megapixel CMOS sensor
•        Scene Intelligent Auto mode
•        Full-HD EOS Movie
•        On-screen Feature Guide
•        3.7fps continuous shooting
•        Wide-area 9-point AF
•        1,040k-dot vari-angle 7.7cm (3.0”) screen
•        Basic+ and Creative Filters  
•        Built-in wireless flash control

Pricing and Availability

•        The EOS 600D (body only) is available from early April 2011, priced at £679.00/�.00 RRP incl. VAT.
•        The EOS 600D EF-S 18-55mm f/3.5-5.6 IS II is available from early April 2011, priced at £769.00/�.00 RRP incl. VAT.
•        The EOS 600D EF-S 18-135mm f/3.5-5.6 IS is available from early April 2011, priced at £949.00/𔚹,149.00 RRP incl. VAT.

Canon Celebrates Production Of 60 Million EF Lenses

Production of interchangeable EF lenses for Canon EOS-series AF (autofocus) single-lens reflex cameras began in 1987 at the Company's Utsunomiya Plant, and has since expanded to a total of four production facilities including Canon Inc., Taiwan; Canon Opto (Malaysia) Sdn. Bhd.; and Oita Canon Inc. in Japan. EF lenses reached the 10-million-unit milestone after approximately eight and a half years in production, followed by the 40-million-unit mark in April of 2008. Due to the popularity of the EOS Digital series, production then increased and EF lenses achieved the 50-million-unit mark in December of 2009. Canon has since produced 10 million units just in 13 months and reached the 60-million-unit milestone in January of 2011.

First introduced in March 1987, along with Canon's EOS SLR camera system, the EF lens system has over the years featured a range of innovative proprietary technologies to lead the industry. These include such world's firstsi as the Ultrasonic Motor-powered lens (USM), Image Stabilizer (IS) to compensate for the effects of camera shake, Subwavelength Structure Coating (SWC) anti-reflection technology, and a super-telephoto lens that employs a diffractive optical element. Last year, Canon successfully launched the EF 70-200mm f/2.8L IS II USM, featuring outstanding optical performance and Image Stabilization.

Canon's current EF lens lineup is comprised of 65 models ranging from super-wide-angle lenses to super-telephoto zoom lenses, catering to the varying needs of photographers from first-time users to advanced-amateurs and professionals. The Company's diverse selection of lenses offers several features including a number of zoom options ranging from standard to super-telephoto, Image Stabilizer-equipped lenses, large-diameter lenses, macro lenses and TS-E lenses featuring a special tilt-shift mechanism allowing manipulation of image perspective and distortion. In addition, the EF 8-15mm f/4L Fisheye USM, the world's firstii fisheye zoom lens, is planned for market release in March of 2011.

Canon will continue to proactively introduce innovative technologies, striving to provide superlative image quality and reliability in lens production.

Canon to add 200-400mm f/4L to range

Canon has announced the development of a 200-400mm f/4L zoom to rival the hugely popular Nikon version, only this new lens features a built-in 1.4x teleconverter. With the converter applied (it has a locking mechanism from the picture below) the focal length alters to become a 280-560mm f/5.6 (we're assuming a one-stop light-loss). It's designed primarily for wildlife photographers (and especially the so-called safari crowd) but will also find favor with sports shooters. The small bulge on the side of barrel, with a lockable lever above, allows for the extender optics to be moved in and out of the optical train. The reasoning behind this? Well, Canon will have matched the converter to the lens, much like Nikon use to do with its speciailsed lenses; the 300mm f2.0 for one, but rather than supply it together (and run the risk of it being mismatched with the Mk II and Mk III converters) obviously decided the small penalty in weight and ergonomics was worth it. We shall see.

Canon announces development of a new telephoto zoom lens with an integrated extender

United Kingdom, Republic of Ireland, 7th February 2011 – Canon today announces the development of a telephoto zoom lens featuring an integrated focal length extender – the EF 200-400mm f/4L IS USM EXTENDER 1.4×. The lens will be displayed for the first time during CP+, held in Yokohama, Japan.

Designed for Canon’s leading range of EOS Digital SLR cameras, the new lens will be an ideal addition for sports and wildlife photographers, offering exceptional flexibility with a built-in 1.4× extender that creates an increased focal range of 280 – 560mm. Perfect for photographers who require high performance, fast aperture and a flexible telephoto range, the EF 200-400mm f/4L IS USM EXTENDER 1.4× will enable photographers to shoot a greater breadth of subjects using a single lens, delivering the best possible image quality at all focal lengths.

Developed as a new addition to Canon’s acclaimed L-series of professional lenses, the new lens will offer an unsurpassed combination of versatility, first-class optical performance and an enhanced weather-proof construction. The model will be released as part of Canon’s continued development of its EF lens line-up, offering enhanced performance and improved functions that cater for the needs of photographers from beginners through to professionals.